📖 Overview
Ron Fassler works as a theater critic and entertainment journalist based in New York. He contributes reviews and articles to various publications covering Broadway productions, off-Broadway theater, and the performing arts scene.
Fassler wrote "Up in the Cheap Seats," a memoir about his experiences as a theater enthusiast and critic. The book chronicles his journey from budget theater-going to professional criticism, offering insights into New York's theater world from an insider's perspective.
His writing focuses on the practical and personal aspects of theater attendance and criticism. Fassler draws from decades of theater-going experience to examine both the business and artistic sides of live performance.
The author's background spans journalism and theater criticism, with his work appearing in trade publications and entertainment media. His perspective combines professional analysis with the enthusiasm of a dedicated theater patron.
👀 Reviews
Readers respond positively to Fassler's insider knowledge of New York theater and his accessible writing style. Many appreciate his practical advice about finding affordable theater tickets and navigating the Broadway scene on a budget. Theater enthusiasts find value in his behind-the-scenes anecdotes and professional insights from years of criticism.
Readers praise Fassler's honest approach to discussing both successful and failed productions. His firsthand accounts of working relationships with theater professionals receive positive mentions. Some readers enjoy his blend of personal memoir with industry commentary.
Critical readers note that the book appeals primarily to dedicated theater fans rather than general audiences. A few mention that certain sections focus too heavily on insider details that may not interest casual readers. Some find the pacing uneven, with stronger sections about budget theater-going overshadowed by longer industry discussions.
The memoir resonates most with readers who share Fassler's passion for live theater and understand the financial challenges of regular theater attendance in New York.