Marc A. Hertzman

Marc A. Hertzman is a historian and associate professor at the University of Illinois, specializing in Brazilian history, race relations, and music. His research focuses on African diaspora studies, popular culture, and social movements in Brazil. Hertzman's most notable work is "Making Samba: A New History of Race and Music in Brazil" (2013), which examines the development of samba music and its connection to racial politics in early twentieth-century Brazil. The book challenges conventional narratives about samba's origins and evolution while exploring the complex relationships between musicians, journalists, and politicians. His scholarship has appeared in various academic journals including Hispanic American Historical Review and Journal of Latin American Studies. Hertzman's work frequently addresses themes of racial identity, cultural appropriation, and the role of media in shaping historical narratives. He continues to contribute to academic discussions on Brazilian cultural history and the African diaspora through his teaching at the University of Illinois Department of History, where he leads courses on Latin American history and African diaspora studies.

Book reviews for Marc A. Hertzman center primarily on "Making Samba: A New History of Race and Music in Brazil." What Readers Liked: - Detailed research on samba's origins and development - Clear analysis of race relations in Brazilian music industry - Integration of primary sources and historical documents - Fresh perspective on familiar historical narratives What Readers Disliked: - Dense academic writing style - Heavy reliance on theoretical frameworks - Some sections become repetitive - Limited accessibility for general readers Review Sources: - Goodreads: 4.0/5 (12 ratings) - Amazon: 4.5/5 (6 ratings) - H-Net Reviews notes the book's "meticulous archival research" - Latin American Music Review praised its "rigorous examination of source materials" One academic reviewer on H-Net highlighted the book's "significant contribution to understanding Brazil's musical and racial politics," while a Goodreads reviewer noted it was "too theoretical for casual readers interested in samba's history."

Making Samba: A New History of Race and Music in Brazil (2013) A historical examination of samba's development in early twentieth-century Brazil, analyzing how race relations, politics, and media shaped the genre's evolution while documenting the experiences of key musicians, journalists, and cultural figures who influenced its trajectory.

Bryan McCann examines Brazilian popular culture and media with focus on Rio de Janeiro's twentieth-century development through music, politics, and social movements. His work "Hello, Hello Brazil" explores how radio and popular music shaped Brazilian national identity, making him relevant for readers interested in Brazilian cultural history.

Barbara Weinstein studies race, gender, and regional identity in Brazil with particular attention to São Paulo and Amazonia. Her research on labor and social inequality in "The Color of Modernity" connects with Hertzman's exploration of how racial dynamics shaped Brazilian society.

Christopher Dunn focuses on Brazilian popular music and its relationship to social movements and political resistance. His research on Tropicália and Black consciousness movements in Brazil provides insight into the intersection of music and racial politics that complements Hertzman's work on samba.

Paulina Alberto investigates racial identity and citizenship in Brazil through the lens of Black political movements and cultural expression. Her book "Terms of Inclusion" examines how Black Brazilians negotiated their place in society, connecting to Hertzman's analysis of race in Brazilian cultural production.

Darién Davis studies African diaspora cultures in Latin America with emphasis on music and performance. His work on Afro-Brazilian cultural expressions and their role in national identity formation aligns with Hertzman's research on race and music in Brazil.