📖 Overview
New Queer Cinema: The Director's Cut chronicles the emergence and evolution of LGBTQ+ filmmaking in the early 1990s through the present day. B. Ruby Rich, who coined the term "New Queer Cinema," compiles her writings and observations spanning several decades as both a film critic and cultural commentator.
The book combines reviews, essays, and interviews that document landmark films and directors who shaped this movement in independent cinema. Rich examines works by filmmakers like Todd Haynes, Gus Van Sant, and Rose Troche, while tracking how their innovations influenced mainstream film and television.
Through firsthand accounts and critical analysis, Rich traces how New Queer Cinema transformed from a radical outsider movement into a recognized force in contemporary media. The text incorporates updated perspectives on recent developments in queer filmmaking and distribution.
This collection offers insights into how marginalized voices and stories can reshape artistic movements and cultural conversations. The book demonstrates cinema's power as a medium for social change and identity exploration.
👀 Reviews
Readers appreciate Rich's firsthand accounts of the New Queer Cinema movement from its early days, with many noting her personal involvement gives unique insights into the cultural context. Several reviews highlight her analysis of both mainstream and underground LGBTQ films.
Readers found value in:
- Detailed history of queer film festivals and community screenings
- Analysis connecting films to broader LGBTQ activism
- Personal anecdotes about filmmakers and scene figures
Common criticisms:
- Writing can be dense and academic
- Some chapters feel disconnected
- Limited coverage of films after 2000
Ratings:
Goodreads: 3.9/5 (48 ratings)
Amazon: 4.3/5 (11 ratings)
From reviews:
"Rich provides crucial context about how these films were actually received in their time" - Goodreads reviewer
"Sometimes gets bogged down in theory instead of staying focused on the films" - Amazon reviewer
"Her personal experiences make this more than just another academic film book" - LibraryThing review
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Making Things Perfectly Queer by Alexander Doty An examination of how queerness manifests in popular culture and mainstream cinema through readings of films not typically considered part of LGBTQ+ cinema.
Beyond the Screen: Queer Film and Video by Chris Holmlund An analysis of independent queer cinema from the 1990s to the present, focusing on distribution, exhibition, and reception of LGBTQ+ films.
Female Masculinity by Jack Halberstam A study of masculine representation in film and media with emphasis on lesbian and trans masculine visibility in cinema.
Backwards and in Heels: The Past, Present And Future of Women Working in Film by Alicia Malone A history of women's contributions to cinema that intersects with queer film theory and feminist film criticism.
🤔 Interesting facts
🎬 New Queer Cinema emerged in the early 1990s as a revolutionary film movement, coinciding with AIDS activism and a surge in LGBTQ+ visibility in mainstream culture
📽️ B. Ruby Rich actually coined the term "New Queer Cinema" in a groundbreaking 1992 article for Sight & Sound magazine, and this book expands on two decades of her writing about the movement
🌟 The book chronicles the evolution of queer cinema from underground film festivals to mainstream success stories like Brokeback Mountain and The Kids Are All Right
🏆 B. Ruby Rich has served as a film festival juror at Sundance, Toronto, and Berlin International Film Festivals, bringing valuable insider perspective to her analysis
📚 The book includes previously unpublished interviews with prominent filmmakers of the movement, including Rose Troche (Go Fish) and Isaac Julien (Looking for Langston)