📖 Overview
Cold Print is a horror story collection by British author Ramsey Campbell, published in 1985 and expanded in subsequent editions. The collection brings together Campbell's Lovecraftian tales, including works from his first book The Inhabitant of the Lake and Less Welcome Tenants, plus additional stories published in various anthologies.
The book opens with two introductory essays by Campbell that explore H.P. Lovecraft's influence and Campbell's own relationship with the horror genre. The collection features early works published through August Derleth's Arkham House as well as more recent stories written in the Lovecraftian tradition.
The stories in Cold Print connect to the Cthulhu Mythos while establishing Campbell's distinct voice in cosmic horror. The collection showcases Campbell's evolution as a writer, from his teenage experiments with Lovecraft's style to his mature interpretations of cosmic terror.
The book demonstrates how the Lovecraftian tradition can be adapted to new settings and sensibilities while maintaining its core elements of cosmic dread and unknowable horrors. Through these stories, Campbell bridges classic weird fiction with modern horror storytelling.
👀 Reviews
Readers note this collection showcases Campbell's early Lovecraftian stories alongside his more developed later work. The contrast between these styles forms a key discussion point in reviews.
Readers appreciated:
- The evolution of Campbell's writing style across the stories
- Creative expansion of Lovecraftian themes beyond direct imitation
- Atmospheric British urban settings
- Stories "Cold Print" and "The Inhabitant of the Lake"
Common criticisms:
- Early stories feel too derivative of Lovecraft
- Uneven quality across the collection
- Some readers found the prose overly dense
- Several stories lack satisfying endings
Ratings:
Goodreads: 3.8/5 (291 ratings)
Amazon: 4.2/5 (22 ratings)
One reader noted: "You can watch Campbell develop from Lovecraft pastiche into his own voice." Another commented: "The early tales are fun but rough - stick with it for the later stories where Campbell finds his stride."
Some readers recommend starting with Campbell's later works rather than this collection.
📚 Similar books
The Case of Charles Dexter Ward by H. P. Lovecraft
A novel that shares Cold Print's focus on cosmic horror and forbidden knowledge in an urban setting.
The Ceremonies by T. E. D. Klein This work connects ancient cosmic threats to modern scenarios in the tradition of Campbell's updates to Lovecraftian themes.
The Wide Carnivorous Sky by John Langan A collection that brings traditional cosmic horror elements into contemporary settings with a focus on psychological tension.
Teatro Grottesco by Thomas Ligotti These stories mirror Campbell's emphasis on urban unease and cosmic dread while exploring philosophical horror.
The Beautiful Thing That Awaits Us All by Laird Barron A collection that follows Campbell's path of mixing cosmic horror with regional settings and folklore.
The Ceremonies by T. E. D. Klein This work connects ancient cosmic threats to modern scenarios in the tradition of Campbell's updates to Lovecraftian themes.
The Wide Carnivorous Sky by John Langan A collection that brings traditional cosmic horror elements into contemporary settings with a focus on psychological tension.
Teatro Grottesco by Thomas Ligotti These stories mirror Campbell's emphasis on urban unease and cosmic dread while exploring philosophical horror.
The Beautiful Thing That Awaits Us All by Laird Barron A collection that follows Campbell's path of mixing cosmic horror with regional settings and folklore.
🤔 Interesting facts
🌟 Campbell wrote his first Lovecraftian story at age 15 and personally corresponded with August Derleth, who went on to publish his early works.
🌟 The book's title "Cold Print" comes from a 1969 story about a mysterious bookshop selling forbidden occult literature, reflecting Campbell's fascination with dangerous knowledge.
🌟 Unlike Lovecraft's New England settings, Campbell deliberately placed his cosmic horrors in British urban landscapes, particularly Liverpool, to create a more familiar sense of dread for UK readers.
🌟 Several stories in the collection were originally published in the magazine "Dark Things" (1971), edited by August Derleth, marking Campbell's first professional horror publications.
🌟 The anthology spans nearly two decades of Campbell's writing (1961-1978), documenting his evolution from Lovecraft imitator to becoming the three-time British Fantasy Award winner he is today.