Book

Nettl's Elephant: On the History of Ethnomusicology

📖 Overview

Nettl's Elephant chronicles the development of ethnomusicology as an academic field through personal reflections and observations from Bruno Nettl's six-decade career. The book combines historical accounts, methodological discussions, and autobiographical elements to document the evolution of how scholars study and understand music across cultures. The narrative moves through key periods of ethnomusicological research, from early comparative methods to contemporary approaches incorporating technology and cultural theory. Nettl examines watershed moments, institutional changes, and shifts in research priorities that shaped the discipline. Through a series of connected essays, Nettl addresses fundamental questions about how Western scholars can effectively study non-Western music traditions. He recounts field experiences, academic debates, and interactions with influential figures in the field. The work stands as both a historical document and a meditation on the challenges of cross-cultural musical understanding. It raises essential questions about objectivity, cultural interpretation, and the relationship between researchers and the communities they study.

👀 Reviews

Readers view this book as a personal reflection on ethnomusicology's development through Nettl's career and experiences. Many note it works well as an introduction to the field while also serving scholars. Likes: - Clear writing style that balances academic rigor with accessibility - Personal anecdotes that illustrate complex concepts - Historical context for the field's evolution - Addresses ethical issues in research methods Dislikes: - Some readers found certain chapters repetitive - Focus on Western institutional perspectives rather than global views - Limited coverage of contemporary ethnomusicology practices Ratings: Goodreads: 4.0/5 (19 ratings) Amazon: 4.5/5 (6 ratings) One reader on Goodreads wrote: "Nettl manages to present technical content through engaging storytelling." An Amazon reviewer noted: "The elephant metaphor effectively shows how different scholars approach the same subject from various angles." The book has limited reviews online, as it targets an academic audience.

📚 Similar books

The Study of Ethnomusicology by Bruno Nettl This text explores the foundations, development, and methodologies of ethnomusicology through personal accounts and historical perspectives.

How Musical Is Man? by John Blacking This examination of music as a cultural phenomenon draws from fieldwork among the Venda people of South Africa to address universal questions about music's role in human societies.

The Anthropology of Music by Alan P. Merriam The book presents a theoretical framework for studying music as culture through the analysis of sound, behavior, and concepts.

Sound and Sentiment by Steven Feld This ethnographic study of the Kaluli people of Papua New Guinea demonstrates the deep connections between environmental sounds, musical expression, and cultural meaning.

The Cultural Study of Music by Martin Clayton, Trevor Herbert, and Richard Middleton This collection of essays presents key concepts and methodologies in music studies from multiple cultural perspectives and academic disciplines.

🤔 Interesting facts

🎵 Bruno Nettl coined the term "bi-musicality" in ethnomusicology, describing the ability to perform and understand music from two different cultural traditions. 🎼 The book's title refers to the parable of blind men describing an elephant by touch - paralleling how different scholars approach and interpret world music from various perspectives. 🌍 Nettl, born in Prague in 1930, fled Nazi occupation with his family and later became one of the most influential figures in establishing ethnomusicology as a formal academic discipline. 📚 The book weaves personal anecdotes from Nettl's six-decade career with critical analysis of how Western scholars have historically approached and documented non-Western music. 🎪 Throughout his career, Nettl conducted groundbreaking fieldwork in Iran, studying Persian classical music, and among Native American tribes in Montana, demonstrating the breadth of ethnomusicological research.