Do You Feel Anything When I Do This?

A collection of profiles and critical essays written by Anthony Lane, film critic for The New Yorker. The book pulls together Lane's detailed observations about films, cinema culture, and key figures in the entertainment industry from his years of reviews and commentary. Lane applies his film critic's eye beyond Hollywood to examine cultural phenomena and elements of modern life. His pieces cover topics ranging from literature and fine art to technology and daily routines in cities around the world. The essays maintain Lane's characteristic style of wit combined with analytical depth and cultural references. Through vivid descriptions and precise language, Lane dissects his subjects while building connections between high art, pop culture, and the human experience. The collection demonstrates how criticism can serve as both art form and social commentary, transforming everyday observations into explorations of beauty, meaning, and contemporary life.

There are not enough internet reviews to create a summary of this book. Instead, here is a summary of reviews of Anthony Lane's overall work: Readers consistently highlight Lane's wit and clever wordplay in his film criticism, with many noting his ability to craft memorable one-liners. The New Yorker comment sections show appreciation for his cultural references and intellectual depth when analyzing films. Readers praise: - Sharp, quotable writing style - Deep knowledge of film history and cultural context - Ability to make serious analysis entertaining - Balanced treatment of both blockbusters and art films Common criticisms: - Sometimes prioritizes clever phrasing over substance - Can be too harsh on popular films - Occasional tendency toward pretentiousness - Reviews sometimes focus more on witty observations than the film itself On Goodreads, "Nobody's Perfect" maintains a 4.1/5 rating from 300+ readers. Amazon reviews average 4.3/5 from 50+ reviews, with readers frequently citing his "entertaining cynicism" and "sophisticated humor." One reader notes: "Lane finds the perfect balance between intellectual rigor and pure entertainment value in his criticism."

Me Talk Pretty One Day by David Sedaris Essays that capture life's absurdities through incisive cultural observations and personal experiences.

I Was Told There'd Be Cake by Sloane Crosley Chronicles of modern life unfold through interconnected personal essays about urban existence and social mishaps.

Consider the Lobster by David Foster Wallace Essays examining American culture through precise analysis of events, media, and social phenomena.

We Are Never Meeting in Real Life by Samantha Irby Personal essays dissect contemporary life through unfiltered observations about relationships, identity, and daily experiences.

The Fran Lebowitz Reader by Fran Lebowitz Collection of essays cuts through social conventions with observations about life in New York City and American society.

🎬 Anthony Lane has served as a film critic for The New Yorker since 1993, with this book collecting some of his most memorable reviews and cultural essays. 📝 The book's title comes from a New Yorker cartoon by William Steig, reflecting Lane's trademark wit and observational humor. 🎥 Lane is known for writing some of his most scathing reviews about blockbuster films, including a famously devastating critique of "Pearl Harbor" that's included in this collection. ✍️ Before joining The New Yorker, Lane wrote for The Independent and The Observer in London, bringing a distinct British sensibility to his American cultural commentary. 🏆 The collection showcases Lane's versatility as a writer, covering not just films but also literature, art, and popular culture, earning him comparisons to critics like Pauline Kael and Kenneth Tynan.