Book

The Daguerreotype in America

📖 Overview

The Daguerreotype in America traces the development and impact of the first widespread photographic process in the United States during the mid-19th century. Beaumont Newhall documents the technical innovations, key practitioners, and social transformation brought about by this revolutionary medium. Through extensive research and archival materials, Newhall examines the spread of daguerreotype studios across American cities and the emergence of a new class of professional photographers. The text covers both the scientific aspects of the daguerreotype process and the artistic achievements of practitioners like Mathew Brady, Albert Sands Southworth, and Josiah Johnson Hawes. The work provides context for daguerreotype portraits as cultural artifacts, exploring how they shaped American identity and democratized portraiture. By connecting technological advancement to social change, Newhall presents the daguerreotype as a pivotal innovation that transformed how Americans saw themselves and their world during a period of rapid national expansion.

👀 Reviews

There are not enough internet reviews to create a summary of this book. Instead, here is a summary of reviews of Beaumont Newhall's overall work: Readers consistently note "The History of Photography" as an informative but dense academic text. Many appreciate its comprehensive coverage and systematic organization of photographic developments through time. What readers liked: - Detailed technical explanations of early photographic processes - Inclusion of rare historical photographs and documents - Clear connections between technological and artistic developments - Value as a reference text What readers disliked: - Academic writing style can be dry and challenging - Limited coverage of contemporary photography after 1960 - Focus primarily on Western/European photography - Some outdated perspectives on non-Western photographic traditions Ratings: Goodreads: 4.1/5 from 1,247 ratings Amazon: 4.3/5 from 89 ratings Sample reader comment: "An excellent historical overview but requires patience to get through the technical details. Best used as a reference rather than reading cover-to-cover." - Goodreads reviewer Note: Most reviews focus on "The History of Photography" as his other works have limited online reader feedback.

📚 Similar books

American Photography: A Critical History by Barbara Londoner The text documents photography's evolution in America through examination of social movements, technological developments, and cultural shifts.

Photography and the American Scene by Robert Taft This historical account traces photography's impact on American society from 1839 to 1889, with emphasis on early photographic processes and pioneers.

Silver Cities by Peter Bacon Hales The book examines photography's role in documenting and shaping American urban landscapes during the medium's first century.

Mirror with a Memory by John Wood A study of daguerreotype portraits connects these early photographs to nineteenth-century American cultural values and social structures.

American Daguerreotypes by Floyd Rinhart and Marion Rinhart This reference work catalogs major American daguerreotypists and their studios while detailing their technical and artistic contributions.

🤔 Interesting facts

📸 Beaumont Newhall was the first curator of photography at the Museum of Modern Art (MoMA) in New York and helped establish photography as a legitimate art form. 🎨 The daguerreotype process, introduced to America in 1839, produced unique images on silver-plated copper sheets that appeared either positive or negative depending on the viewing angle. 📚 The book was first published in 1961 during a revival of interest in 19th-century photography techniques and has become a foundational text in photographic history. 🔍 Mathew Brady, whose work is prominently featured in the book, began his career as a daguerreotypist and later became famous for his Civil War photography. 🌟 The daguerreotype studio of Albert Sands Southworth and Josiah Johnson Hawes, discussed extensively in the book, was considered the finest in America, charging up to $50 for a portrait when most studios charged $1-2.