📖 Overview
We Murder Stella is a 1958 novella by Austrian writer Marlen Haushofer that centers on the aftermath of a young woman's death. The story unfolds through the confessional writings of Anna, a 40-year-old mother who hosts the 19-year-old Stella in her home during the months before her death.
Set in post-war Austria, the narrative takes place over a single weekend as Anna writes alone in her house, while her husband Richard and their children visit relatives. Through Anna's account, the story reveals the complex dynamics within a middle-class family struggling to maintain social appearances.
The book employs a confessional writing style to explore themes of complicity, moral responsibility, and the silent violence that can exist within seemingly respectable households.
👀 Reviews
Readers describe this novella as a cold, detached examination of complicity and guilt. Many note its effectiveness in portraying passive cruelty and the consequences of inaction.
Readers appreciated:
- The sparse, precise writing style
- The psychological insight into the narrator's mindset
- The exploration of moral responsibility
- The short length that matches the story's impact
Common criticisms:
- Some found the detached tone made it hard to connect emotionally
- A few readers wanted more development of Stella's character
- The indirect narrative style frustrated readers seeking clear resolutions
Ratings:
Goodreads: 3.8/5 (200+ ratings)
Amazon: 4.2/5 (30+ ratings)
Multiple reviews compared the novella to Friedrich Dürrenmatt's "The Visit" in its examination of collective guilt. One reader on Goodreads noted: "The emotional distance makes the horror more effective - we're complicit in the narrator's passive observation."
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The Reader by Bernhard Schlink A narrative of moral complicity unfolds through personal writings that examine post-war guilt and responsibility in German society.
Brideshead Revisited by Evelyn Waugh The destruction of a privileged family emerges through a retrospective narrative that examines class obligations and unspoken violence.
The Prime of Miss Jean Brodie by Muriel Spark A tale of influence and passive destruction follows a teacher's impact on her students' lives through calculated inaction and moral ambiguity.
The Hours by Michael Cunningham Three women's interconnected stories explore the quiet desperation beneath domestic facades and the ripple effects of their choices on others' lives.
The Reader by Bernhard Schlink A narrative of moral complicity unfolds through personal writings that examine post-war guilt and responsibility in German society.
Brideshead Revisited by Evelyn Waugh The destruction of a privileged family emerges through a retrospective narrative that examines class obligations and unspoken violence.
The Prime of Miss Jean Brodie by Muriel Spark A tale of influence and passive destruction follows a teacher's impact on her students' lives through calculated inaction and moral ambiguity.
🤔 Interesting facts
🌟 Marlen Haushofer became known as "the grand dame of Austrian women's literature" despite publishing only four novels in her lifetime
📚 The novella was first published in 1958 during a period when Austrian literature was grappling with the aftermath of World War II and its role in Nazi Germany
🏠 The book's claustrophobic domestic setting reflects the author's own experiences with middle-class Austrian society, where she often felt confined by social expectations
✍️ Haushofer wrote primarily in the early morning hours while working at her brother-in-law's bookstore, balancing her literary career with family obligations
🎭 The character of Stella was partly inspired by the increasing presence of young working women in post-war Austrian society, who challenged traditional social hierarchies