📖 Overview
Nightmare Movies is a comprehensive examination of horror cinema from 1968 onwards, written by respected film critic Kim Newman. The book has expanded significantly through multiple editions, growing from its initial 160 pages to 633 pages in the 2011 version.
The text covers major horror films and trends, analyzing watershed movies that shaped the genre while exploring their cultural impact and technical innovations. Newman's writing style combines scholarly analysis with an engaging enthusiasm for the subject matter, making complex film theory accessible to both casual readers and academics.
Critics have placed this work among the most important books on horror cinema, comparing it to David Pirie's A Heritage of Horror in terms of its influence and scope. The 2011 edition includes coverage of contemporary horror films and their evolution from earlier traditions.
The book stands as a crucial historical document of how horror films reflect and respond to societal fears, while tracking the genre's development from low-budget exploitation to mainstream acceptance.
👀 Reviews
Readers value Newman's deep knowledge of horror films and his ability to connect movies across decades through shared themes and influences. Many note his engaging writing style makes complex film analysis accessible.
Likes:
- Comprehensive coverage of 1960s-1980s horror
- Detailed analysis of lesser-known films
- Clear writing that avoids academic jargon
- Personal insights from Newman's experience as a film critic
Dislikes:
- Some sections feel dated (especially in older editions)
- Coverage becomes thinner for post-1988 films
- Organization can feel scattered
- Print is small and dense in newer editions
Ratings:
Goodreads: 4.1/5 (523 ratings)
Amazon: 4.4/5 (41 ratings)
Common review quotes:
"Like having a knowledgeable friend guide you through horror history"
"Makes you want to watch every film mentioned"
"Sometimes meandering but never boring"
"The reference sections alone are worth the price"
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Dark Dreams 2.0 by Charles Derry This examination of contemporary horror films connects psychological themes to societal changes through case studies and critical analysis.
The Monster Show by David J. Skal The book traces horror entertainment through American cultural history, linking it to social anxieties and technological developments.
Men, Women, and Chain Saws by Carol J. Clover This academic study breaks down gender roles in modern horror cinema with focus on the Final Girl theory and viewer identification.
House of Psychotic Women by Kier-La Janisse The author combines film criticism with personal memoir to explore female neurosis in horror and exploitation cinema.
Dark Dreams 2.0 by Charles Derry This examination of contemporary horror films connects psychological themes to societal changes through case studies and critical analysis.
The Monster Show by David J. Skal The book traces horror entertainment through American cultural history, linking it to social anxieties and technological developments.
Men, Women, and Chain Saws by Carol J. Clover This academic study breaks down gender roles in modern horror cinema with focus on the Final Girl theory and viewer identification.
House of Psychotic Women by Kier-La Janisse The author combines film criticism with personal memoir to explore female neurosis in horror and exploitation cinema.
🤔 Interesting facts
🎬 Kim Newman established himself as a horror fiction writer before becoming a film critic, bringing unique dual expertise to his analysis
🔍 The book's original 1985 release was groundbreaking for treating horror films with serious academic consideration at a time when the genre was often dismissed by critics
📽️ "Nightmare Movies" coined several terms now commonly used in horror film criticism, including "afterlife-thriller" for films about experiences beyond death
📚 The 2011 edition added over 150,000 words to the original text, essentially doubling its size to accommodate analysis of newer horror trends and films
🏆 The author has won the Bram Stoker Award, the International Horror Guild Award, and the British Fantasy Award for his contributions to horror literature and criticism