Book

Monday Starts on Saturday

📖 Overview

Monday Starts on Saturday follows young programmer Alexander Privalov who takes a job at NITWITT (National Institute for the Technology of Witchcraft and Thaumaturgy) in the remote Russian town of Solovets. The institute employs magicians, mathematicians, and folklore specialists who conduct research into supernatural phenomena through scientific methods. The narrative tracks Privalov's experiences as he encounters talking animals, time travel paradoxes, and magical artifacts while navigating bureaucracy and office politics. His work at the institute reveals an organization where the laws of nature bend and ancient Slavic mythology exists alongside computer programming. The novel combines elements of science fiction, fantasy, and satire in its depiction of a Soviet research institution. Its structure is divided into three parts that each focus on different aspects of life and work at NITWITT. The book uses its fantastical premise to explore themes of scientific progress, the relationship between magic and rationality, and the nature of human happiness. It stands as both a celebration and critique of intellectual pursuit and the scientific method.

👀 Reviews

Readers describe this as a quirky Soviet sci-fi satire that blends folklore with science. The surreal humor and clever commentary on bureaucracy resonates with fans of Douglas Adams and Terry Pratchett. Liked: - Sharp wit poking fun at Soviet scientific institutions - Integration of Russian fairy tales and mythology - Complex scientific concepts explained through humor - Merging of magic and technology - Strong translation by Andrew Bromfield Disliked: - Cultural references can be unclear to non-Russian readers - Plot meanders without strong direction - Third act feels disconnected from earlier sections - Some jokes and satire lose impact without Soviet context Ratings: Goodreads: 4.2/5 (5,800+ ratings) Amazon: 4.3/5 (240+ ratings) Common reader comment: "Like Terry Pratchett writing about Soviet scientists instead of wizards" Several readers note the book works better with some knowledge of Soviet culture and Russian folklore, with one reviewer stating "half the jokes flew over my head until I read about the cultural context."

📚 Similar books

The Master and Margarita by Mikhail Bulgakov Satan arrives in Soviet Moscow and wreaks havoc through bureaucracies while intersecting with a story about Pontius Pilate.

Hard to Be a God by Arkady, Boris Strugatsky A historian from Earth infiltrates a medieval alien society and grapples with the limits of intervention in a culture that persecutes intellectuals.

The House of the Spirits by Isabel Allende Three generations of a Chilean family navigate political upheaval and supernatural occurrences in a world where magic intertwines with communist revolution.

The Third Policeman by Flann O'Brien A murderer encounters bizarre policemen, atomic theory applied to bicycles, and a peculiar afterlife in a rural Irish setting that blends science with absurdism.

The Cyberiad by Stanisław Lem Two constructor robots travel through space creating inventions and solving problems with mathematics, cybernetics, and folk-tale logic.

🤔 Interesting facts

🔮 Written in 1964, this satirical novel was the Strugatsky brothers' loving tribute to their time working in scientific research institutions in the USSR, blending science fiction with Russian folklore. 📚 The book's title refers to the dedication of the institute's scientists, who are so passionate about their work that they begin their week early - treating Saturday as if it were Monday. 🧙‍♂️ The magical research institute in the story, NITWITT (National Institute for the Technology of Witchcraft and Thaumaturgy), parodies real Soviet research institutions while incorporating elements of Slavic mythology. ✍️ The protagonist, Alexander Privalov, was inspired by the authors' own transitions from computer programmers to writers, reflecting their personal journey from science to literature. 🎭 The novel's structure pays homage to Russian fairy tales, with its division into three parts mirroring the traditional "three tasks" format of folklore, while simultaneously critiquing Soviet bureaucracy.