Book

Up Is Up, But So Is Down: New York's Downtown Literary Scene, 1974-1992

by Brandon Stosuy

📖 Overview

Up Is Up, But So Is Down documents New York City's Downtown literary movement through a comprehensive collection of writings, photographs, and artwork from 1974-1992. The anthology brings together works from over 100 writers and artists who defined the underground creative scene centered around the Lower East Side and East Village. The book captures the raw energy of Downtown through original texts published in small magazines, flyers from poetry readings, and reproductions of zines and chapbooks. Photos of graffiti, performance spaces, and street scenes provide visual context for an era marked by artistic experimentation and DIY publishing. Stosuy organizes the material chronologically and includes brief biographical notes that trace the connections between writers, artists, musicians, and venues. The texts range from poetry and short fiction to manifestos and collaborative works that crossed genre boundaries. This anthology reveals how Downtown writers rejected mainstream publishing while creating their own vital literary community through independent venues and publications. The collection demonstrates the movement's influence on punk aesthetics, performance art, and contemporary literature.

👀 Reviews

Readers value this book as a document of New York's downtown art and literary movements, with many highlighting the rare photos, flyers, and manuscripts included. Several reviews note its usefulness as a research tool and historical record. Likes: - Comprehensive coverage of the era's key figures and publications - High-quality reproductions of ephemera - Mix of well-known and obscure writers - Strong organization by chronological sections Dislikes: - Some readers found the physical book format unwieldy - A few noted gaps in coverage of certain writers and scenes - Price point considered high by some Ratings: Goodreads: 4.36/5 (based on 83 ratings) Amazon: 4.7/5 (11 reviews) Notable reader comment: "The book captures the raw energy and DIY spirit of the time through its primary sources rather than just telling us about it." - Goodreads reviewer

📚 Similar books

Just Kids by Patti Smith Smith's memoir documents New York City's artistic community of the 1970s through her relationship with photographer Robert Mapplethorpe and their immersion in the Chelsea Hotel scene.

Please Kill Me: The Uncensored Oral History of Punk by Legs McNeil, Gillian McCain First-person accounts from musicians, artists, and writers capture the birth of punk rock in downtown New York during the 1970s and 1980s.

The Downtown Book: The New York Art Scene 1974-1984 by Marvin J. Taylor This compilation presents the intersection of visual art, performance, music, and literature in New York's East Village through documentation and critical essays.

Low Life: Lures and Snares of Old New York by Lucy Sante Sante's historical account examines the underground culture of Manhattan from the 1840s to the 1920s, revealing the roots of downtown New York's artistic heritage.

Downtown: My Manhattan by Pete Hamill Hamill chronicles the evolution of downtown Manhattan through its artistic movements, cultural shifts, and literary scenes from the 1940s through the end of the twentieth century.

🤔 Interesting facts

🗽 The anthology includes rare photos, flyers, and magazine covers from New York's underground literary scene, many of which had never been republished before this collection. 📝 The book's title comes from a 1974 poem by downtown artist-poet Richard Hell, who was also the founder of the punk band Television. 🏢 Many featured writers worked day jobs in the Financial District, writing their experimental prose and poetry on their lunch breaks and after hours in nearly-empty office buildings. 🎨 The collection showcases how Downtown writers frequently collaborated with visual artists and musicians, creating a unique cross-pollination between New York's artistic scenes in the 70s and 80s. 🚉 Much of the featured writing was originally published in small magazines or performed in venues that no longer exist, including bars and cafes in the East Village and Lower East Side that were demolished during the neighborhood's gentrification.