📖 Overview
The Cinema of Abbas Kiarostami examines the complete filmography of the Iranian director through historical and artistic contexts. The book traces Kiarostami's career from his early work at Iran's Institute for the Intellectual Development of Children and Young Adults through his internationally acclaimed features.
Author Alberto Elena provides detailed analysis of each film while situating them within Iranian cinema's evolution and the broader cultural landscape of Iran. The text incorporates extensive interviews with Kiarostami and his collaborators, along with previously unpublished archival materials and production documents.
The book explores Kiarostami's unique visual style, recurring motifs, and experimental approaches to narrative structure across his body of work. Technical aspects of the films are discussed alongside their reception and influence both within Iran and internationally.
Through this comprehensive study, Elena reveals how Kiarostami's films engage with questions of reality versus artifice, the relationship between filmmaker and subject, and the nature of truth in documentary and fiction filmmaking. The director's distinctive blend of realism and poetry emerges as a singular contribution to world cinema.
👀 Reviews
This academic analysis appeals to readers seeking detailed historical context and formal deconstruction of Kiarostami's filmography. Multiple reviews note that Elena's writing provides a thorough examination of Iranian cinema's role in Kiarostami's work.
Readers appreciated:
- Clear explanations of post-revolution Iranian film culture
- Frame-by-frame analysis of key scenes
- Extensive production history and background
- Inclusion of rare interviews and quotes
Common criticisms:
- Dense academic language can be challenging
- Limited discussion of later films
- Few images/stills included
- Some repetitive sections
Ratings:
Goodreads: 4.1/5 (32 ratings)
Amazon: 4.3/5 (8 ratings)
Notable reader comment from Goodreads: "Elena connects Kiarostami's techniques to both Iranian artistic traditions and European modernist cinema without forcing comparisons."
Several academic film journals cite this as a primary English-language resource on Kiarostami, though readers seeking a more accessible introduction may prefer other texts.
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Satyajit Ray: The Inner Eye by Andrew Robinson The biography weaves Ray's filmmaking processes with India's artistic traditions and the director's personal archives.
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Iranian Cinema: A Political History by Hamid Naficy The book traces Iranian film development from the 1900s through modern times with focus on cultural context and artistic movements.
Satyajit Ray: The Inner Eye by Andrew Robinson The biography weaves Ray's filmmaking processes with India's artistic traditions and the director's personal archives.
In the Metro by Marc Augé This ethnographic examination of space and meaning in cinema parallels Kiarostami's focus on location and environment.
The Third Eye: Race, Cinema, and Ethnographic Spectacle by Fatimah Tobing Rony The text examines how documentary techniques shape cultural representation in world cinema.
🤔 Interesting facts
🎬 Abbas Kiarostami began his career making educational films for children at Iran's Institute for the Intellectual Development of Children and Young Adults (Kanun), which influenced his later cinematic style
🎥 The book traces how Kiarostami's films often blur the line between documentary and fiction, creating what critics call a "hybrid cinema" that challenges traditional categorizations
📚 Author Alberto Elena was a professor at Universidad Carlos III de Madrid and one of the leading Western scholars on Iranian cinema before his death in 2014
🌍 The book explores how Kiarostami's work gained international recognition after winning the Palme d'Or at Cannes in 1997 for "Taste of Cherry," despite being relatively unknown in Iran itself
📽️ Kiarostami frequently used non-professional actors and real locations in his films, often casting people to play versions of themselves - a technique detailed extensively in Elena's analysis