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Sappho and others

Sappho and the Greek Lyric Poets

Σαπφὼ καὶ οἱ λυρικοί

Between about 680 and 450 BC, before tragedy and philosophy, Greek poetry was mostly short, personal and sung. Soldiers, aristocrats and choruses of girls sang to the lyre or the pipe at drinking parties, weddings, festivals and funerals, about love, war, wine, politics, old age and the gods. Almost all of it is lost. What survives are a few complete poems and many fragments, quoted by later grammarians and critics or recovered from torn papyrus found in the sands of Egypt.

This selection gathers the best known: Sappho’s Hymn to Aphrodite and her poem of jealous longing, “He seems to me equal to the gods,” with the papyrus poems on Anactoria and Atthis; Alcaeus’ ship of state and drinking songs; Archilochus on the shield he threw away; Tyrtaeus urging Spartans to fight in the front line; Mimnermus and Solon on youth, age and justice; Alcman’s song for a Spartan girls’ chorus; Ibycus and Anacreon on desire; Simonides’ Danae and his epitaphs for the dead of Thermopylae; and three of Pindar’s victory odes. Sappho comes first, followed by Alcaeus, from the same island of Lesbos; the other poets follow in rough chronological order. Each poem keeps the number it has in the edition used, so the reader opens on Sappho fr. 1, the Hymn to Aphrodite.

The poems are shown line by line, with gaps in the text marked […]. Fragments often begin or end mid-sentence because the ancient author who quoted them stopped there.

Greek text: Theodor Bergk (1812–1881), Poetae Lyrici Graeci, 4th ed., vols. II–III (Leipzig: Teubner, 1882), for all poets except as follows; four Sappho poems from papyri published after Bergk (marked “Suppl.”) from Ernst Diehl (1874–1945), Supplementum Lyricum, 3rd ed. (Bonn, 1917); both public domain and transcribed for Forage from the Internet Archive scans (vol. II, vol. III, Diehl); transcription CC BY-SA 4.0. Pindar: Sir John Sandys (1844–1922), The Odes of Pindar (Loeb Classical Library, 1915), via the Perseus Digital Library, CC BY-SA 4.0. Only the verse text is given, without the apparatus; […] marks lost words or lines, square brackets letters restored by the editor. English: translated from the Greek with AI (Claude), then edited for accuracy and consistency. Not reviewed by a human specialist. Free to reuse under CC BY-SA 4.0. Margin references are to Bergk’s fragment numbers (“fr.”), Diehl’s numbers (“Suppl.”), and Pindar’s odes by line (“O.” Olympian, “P.” Pythian); a number after a dot is the line where a passage of a longer poem begins.
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    About Sappho and others

    These poems are by eleven Greek poets who lived between about 680 and 440 BC, from Lesbos, Paros, Sparta, Athens, Ionia, Ceos, Sicily’s Greek cities and Thebes. Their work, sung to the lyre or pipe, survives mostly in quotations and papyrus fragments and shaped all later lyric poetry.

    Who’s who

    Sappho
    Poet of Lesbos (around 600 BC) whose songs of love among women and of weddings made her the most admired lyric poet of antiquity.
    Alcaeus
    Aristocratic poet of Lesbos, Sappho’s contemporary, who wrote of political strife, the ship of state and drinking.
    Archilochus
    Soldier-poet of Paros (seventh century BC), famous for frank, mocking verse and for throwing away his shield.
    Tyrtaeus
    Spartan poet of the seventh century BC whose elegies urged citizens to stand firm in the front line.
    Alcman
    Choral poet at Sparta (late seventh century BC) who composed songs for choruses of girls.
    Mimnermus
    Elegist of Colophon (late seventh century BC) who wrote of pleasure, love and the brevity of youth.
    Solon
    Athenian statesman and lawgiver (around 594 BC) who used verse to defend his reforms and teach good order.
    Ibycus
    Poet from Rhegium in southern Italy (sixth century BC) who wrote of desire in vivid images of nature.
    Anacreon
    Poet of Teos (sixth century BC) whose light songs of love, wine and old age were endlessly imitated.
    Simonides
    Poet of Ceos (about 556–468 BC), author of the epitaphs for Thermopylae and the lament of Danae.
    Pindar
    Theban poet (518–after 446 BC), the master of victory odes for winners at the Greek games.
    Hieron
    Tyrant of Syracuse (478–467 BC), victor at Olympia and Delphi, praised in Pindar’s Olympian 1 and Pythian 1.
    Atthis
    A girl of Sappho’s circle, loved by Sappho, who turns to her rival Andromeda.
    Anactoria
    A girl Sappho loved, now far away, whose walk and face she would rather see than armies.
    Leonidas
    King of Sparta who died holding the pass of Thermopylae against the Persians in 480 BC.

    Key terms

    Love Ἔρος / Ἔρως Eros
    The god of desire and desire itself; for these poets a force that shakes, melts and overpowers the lover from outside.
    limb-loosening λυσιμελής lusimelēs
    A stock epithet of Love and longing: desire that makes the body go weak.
    bittersweet γλυκύπικρος glukupikros
    Sappho’s word for Love, at once sweet and bitter; the first known use of the idea.
    longing πόθος pothos
    Desire for someone absent or out of reach.
    the Cyprian Κύπρις Kupris
    A name for Aphrodite, goddess of love, who came ashore on Cyprus at her birth.
    Persuasion Πείθω Peithō
    The goddess who wins over the beloved; Aphrodite’s helper in Sappho’s hymn.
    the Muses Μοῦσαι Mousai
    The goddesses of song and poetry, daughters of Zeus and Memory; poets claim their gift.
    Hymenaeus Ὑμήναος Humēnaos
    The ritual cry of wedding songs, calling on the god of marriage.
    excellence ἀρετή aretē
    What makes a man outstanding; for Tyrtaeus courage in the front line, for Pindar the qualities that win victory and fame.
    front line πρόμαχοι promachoi
    The foremost rank of fighters in battle, where Tyrtaeus says a man proves himself and a fine death is found.
    good order εὐνομίη eunomiē
    Solon’s ideal of a city governed by fair laws, opposed to lawlessness (δυσνομίη).
    arrogance ὕβρις hubris
    Insolent overreaching, especially by the rich and powerful; in Solon and Pindar it brings ruin.
    excess κόρος koros
    Surfeit of wealth or success, which breeds arrogance and ruin.
    ruin ἄτη atē
    Disaster sent by the gods, often as punishment for arrogance or ill-gotten wealth.
    Justice Δίκη Dikē
    Right and its goddess, who silently sees all and in time exacts payment from wrongdoers.
    GreekEnglish

    Sappho

    Of Lesbos (around 600 BC): the Hymn to Aphrodite, “He seems to me equal to the gods,” Anactoria, Atthis, weddings.

    Hymn to Aphrodite

    Sappho calls Aphrodite down from heaven once more to help her win a girl who flees her.

    Famous passage Hymn to AphroditeSappho’s only complete poem: the goddess, smiling, asks “Who, Sappho, is wronging you?” and promises the girl who flees will soon pursue.

    Ποικιλόθρονʼ, ἀθάνατʼ Ἀφρόδιτα,
    παῖ Δίος, δολόπλοκε, λίσσομαί σε,
    μή μʼ ἄσαισι μήτʼ ὀνίαισι δάμνα,
    πότνια, θῦμον·

    Immortal Aphrodite on your many-colored throne,
    child of Zeus, weaver of wiles, I beg you:
    do not crush me with anguish or with grief,
    lady, in my heart;

    ἀλλὰ τυῖδʼ ἔλθʼ, αἴποτα κἀτέρωτα
    τᾶς ἔμας αὔδως ἀΐοισα πήλυι
    ἔκλυες, πάτρος δὲ δόμον λίποισα
    χρύσιον ἦλθες
    ἄρμʼ ὐπαζεύξαισα· κάλοι δέ σʼ ἆγον
    ὤκεες στροῦθοι περὶ γᾶς μελαίνας
    πύκνα δινεῦντες πτέρʼ ἀπʼ ὠράνω αἴθερος
    διὰ μέσσω.

    but come here, if ever at another time
    hearing my voice from far away
    you listened, and leaving your father’s house
    of gold you came,
    yoking your chariot; and lovely,
    swift sparrows drew you over the black earth,
    whirling their wings thick and fast, down from the sky
    through the middle air.

    αἶψα δʼ ἐξίκοντο· τὺ δʼ, ὦ μάκαιρα,
    μειδιάσαισʼ ἀθανάτῳ προσώπῳ,
    ἤρεʼ, ὄττι δηὖτε πέπονθα κὤττι
    δηὖτε κάλημι,
    κὤττι μοι μάλιστα θέλω γένεσθαι
    μαινόλᾳ θύμῳ· τίνα δηὖτε Πείθω
    μαῖς ἄγην ἐς σὰν φιλότατα, τίς σʼ, ὦ
    Ψάπφʼ, ἀδικήει;

    Quickly they arrived; and you, blessed one,
    smiling with your immortal face,
    asked what I had suffered this time, and why
    I was calling this time,
    and what I most wanted to happen for me
    in my maddened heart. “Whom now do you want Persuasion
    to lead into your love? Who,
    Sappho, is wronging you?

    καὶ γὰρ αἰ φεύγει, ταχέως διώξει,
    αἰ δὲ δῶρα μὴ δέκετʼ, ἀλλὰ δώσει,
    αἰ δὲ μὴ φίλει, ταχέως φιλήσει
    κωὐκ ἐθέλοισα.
    ἔλθε μοι καὶ νῦν, χαλεπᾶν δὲ λῦσον
    ἐκ μεριμνᾶν, ὄσσα δέ μοι τέλεσσαι
    θῦμος ἰμέρρει, τέλεσον· σὺ δʼ αὔτα
    σύμμαχος ἔσσο.

    For if she flees, soon she will pursue;
    if she refuses gifts, she will give them;
    if she does not love, soon she will love,
    even against her will.”
    Come to me now, too, and free me
    from cruel cares; whatever my heart longs
    to see fulfilled, fulfill; and you yourself
    be my ally.

    He seems to me equal to the gods

    Watching a girl laugh with a man, Sappho feels her tongue break, fire under her skin, near death.

    Famous passage He seems to me equal to the godsThe most famous description of desire in ancient poetry: tongue broken, fire under the skin, “greener than grass.”

    Φαίνεταί μοι κῆνος ἴσος θέοισιν
    ἔμμεν ὤνηρ, ὄστις ἐναντίος τοι
    ἰζάνει, καὶ πλασίον ἆδυ φωνεύσας
    ὐπακούει
    καὶ γελαίσας ἰμερόεν, τό μοι μάν
    καρδίαν ἐν στήθεσιν ἐπτόασεν·
    ὡς γὰρ εὔιδον βροχέως σε, φώνας
    οὐδὲν ἔτʼ εἴκει·

    He seems to me equal to the gods,
    that man, whoever he is, who sits facing
    you and, close beside you, to your sweet voice
    listens,
    and to your lovely laughter—which, I swear,
    sets the heart in my breast fluttering;
    for the moment I look at you, no voice
    is left in me;

    ἀλλὰ καμ μὲν γλῶσσα ἔαγε, λέπτον δʼ
    αὔτικα χρῷ πῦρ ὐπαδεδρόμακεν,
    ὀππάτεσσι δʼ οὐδὲν ὄρημʼ, ἐπιρρόμβεισι
    δʼ ἄκουαι.
    ἀ δὲ μίδρως κακχέεται, τρόμος δὲ
    παῖσαν ἄγρει, χλωροτέρα δὲ ποίας
    ἔμμι, τεθνάκην δʼ ὀλίγω ʼπιδεύης
    φαίνομαι (ἄλλα).
    ἀλλὰ πὰν τόλματον, [ἐπεὶ καὶ πένητα].

    but my tongue breaks, and a thin
    fire has suddenly run beneath my skin,
    my eyes see nothing at all, my ears
    are drumming.
    Sweat pours down me, trembling
    seizes all of me, greener than grass
    I am, and little short of dying
    I seem—another woman.
    But everything must be endured, [since even a poor man]

    The last line begins a new stanza; the rest of the poem is lost.

    Stars around the moon

    The stars hide their light when the full moon shines on the earth.

    Ἄστερες μὲν ἀμφὶ κάλαν σελάνναν
    αἶψʼ ἀπυκρύπτοισι φάεννον εἶδος,
    ὄπποτα πλήθοισα μάλιστα λάμπῃ
    γᾶν […]
    […] ἀργυρία.

    The stars around the beautiful moon
    at once hide away their shining form
    whenever, at her fullest, she shines most brightly
    on the earth […]
    […] silvery.

    The apple orchard

    Cool water murmurs through apple branches, and sleep streams down from the leaves.

    Ἀμφὶ δὲ ψῦχρον κελάδει διʼ ὔσδων
    μαλίνων, αἰθυσσομένων δὲ φύλλων
    κῶμα καταρρεῖ.

    And all around, cool water murmurs through branches
    of apple, and from the trembling leaves
    slumber streams down.

    Come, Cyprian

    Sappho asks Aphrodite to pour nectar in golden cups at the feast.

    […] Ἔλθε Κύπρι
    χρυσίαισιν ἐν κυλίκεσσιν ἄβρως
    συμμεμιγμένον θαλίαισι νέκταρ
    οἰνοχοεῦσα.

    […] Come, Cyprian,
    in golden cups, gracefully,
    nectar mingled with our festivities
    pour it for us like wine.

    The Cyprian is Aphrodite, who was said to have come ashore on Cyprus at her birth.

    I loved you once, Atthis

    A single line remembering an old love for Atthis.

    Ἠράμαν μὲν ἔγω σέθεν, Ἄτθι, πάλαι πότα.

    I loved you once, Atthis, long ago.

    A small child

    Sappho recalls how young and graceless the girl once seemed.

    Σμίκρα μοι πάϊς ἔμμεν ἐφαίνεο κἄχαρις.

    You seemed to me a small child, and graceless.

    Two minds

    A single line: the poet does not know what to do.

    Οὐκ οἶδʼ ὄττι θέω· δύο μοι τὰ νοήματα.

    I don’t know what to do: I am of two minds.

    Touching the sky

    A single line: she does not expect to reach the sky with her arms.

    Ψαύην δʼ οὐ δοκίμοιμʼ ὀράνω δύσι πάχεσιν.

    I don’t expect to touch the sky with my two arms.

    Like a child to its mother

    A single line comparing herself to a child fluttering after its mother.

    Ὠς δὲ παῖς πεδὰ μάτερα πεπτερύγωμαι.

    And like a child after its mother, I have fluttered.

    The nightingale

    A single line on the nightingale, messenger of spring.

    Ἦρος ἄγγελος ἰμερόφωνος ἀήδων.

    Spring’s messenger, the nightingale with a voice of desire.

    Bittersweet

    Limb-loosening Love shakes her again, a bittersweet creature no one can resist.

    Ἔρος δαὖτέ μʼ ὀ λυσιμέλης δόνει,
    γλυκύπικρον ἀμάχανον ὄρπετον.

    Once again limb-loosening Love shakes me—
    bittersweet, irresistible, a creeping thing.

    Atthis flies to Andromeda

    Atthis has tired of Sappho and turns to her rival Andromeda.

    Ἄτθι, σοὶ δʼ ἔμεθεν μὲν ἀπήχθετο
    φροντίσδην, ἐπὶ δʼ Ἀνδρομέδαν πότῃ.

    Atthis, you have come to hate
    thinking of me, and you fly off to Andromeda.

    Wind on the mountain oaks

    Love shakes her heart like a wind falling on mountain oaks.

    (Ἔρος δαὖτʼ ἐτίναξεν ἔμοι φρένας),
    ἄνεμος κατʼ ὄρος δρύσιν ἐμπέσων.

    Love shook my heart again—
    a wind on the mountain falling on oaks.

    Midnight

    The moon and the Pleiades have set; it is midnight, and she sleeps alone.

    Δέδυκε μὲν ἀ σελάννα
    καὶ Πληΐαδες, μέσαι δέ
    νύκτες, παρὰ δʼ ἔρχετʼ ὤρα,
    ἔγω δὲ μόνα κατεύδω.

    The moon has set,
    and the Pleiades; it is the middle
    of the night, the hour goes by,
    and I sleep alone.

    Around the altar

    Under a full moon, women take their places as if around an altar.

    Πλήρης μὲν ἐφαίνετʼ ἀ σελάννα,
    αἰ δʼ ὡς περὶ βῶμον ἐστάθησαν.

    The moon appeared full,
    and they took their places as if around an altar.

    To a woman without culture

    A woman with no share in the Muses’ roses will be forgotten after death.

    Κατθάνοισα δὲ κείσεαι πότα, κωὐ μναμοσύνα σέθεν
    ἔσσετʼ οὔτε τότʼ οὔτʼ ὔστερον· οὐ γὰρ πεδέχεις βρόδων
    τῶν ἐκ Πιερίας, ἀλλʼ ἀφάνης κὴν Ἀΐδα δόμοις
    φοιτάσεις πεδʼ ἀμαύρων νεκύων ἐκπεποταμένα.

    Dead, you will lie there, and no memory of you
    will remain, then or later; for you have no share in the roses
    of Pieria; unseen in the house of Hades too
    you will drift among the dim dead, flown away.

    Pieria, near Mount Olympus, was the birthplace of the Muses.

    A girl of such wisdom

    No girl who ever sees the sun will have such wisdom as this one.

    Οὐδʼ ἴαν δοκίμοιμι προσίδοισαν φάος ἀλίω
    ἔσσεσθαι σοφίαν πάρθενον εἰς οὐδένα πω χρόνον
    τοιαύταν.

    I don’t think any girl who looks upon the light of the sun
    will ever have wisdom, at any time to come,
    like hers.

    The country girl

    Sappho mocks a rival who cannot even arrange her dress.

    Τίς δʼ ἀγροιῶτίς τοι θέλγει νόον,
    οὐκ ἐπισταμένα τὰ βράκεʼ ἔλκην ἐπὶ τῶν σφύρων;

    What country girl bewitches your mind,
    one who doesn’t even know how to pull her dress down over her ankles?

    Sweet mother

    A girl cannot work at her loom, overcome with longing for a boy.

    Γλύκεια μᾶτερ, οὔτοι δύναμαι κρέκην τὸν ἴστον,
    πόθῳ δάμεισα παῖδος βραδίναν διʼ Ἀφρόδιταν.

    Sweet mother, I really can’t work my loom;
    longing for a boy has crushed me, by slender Aphrodite’s will.

    Wedding song

    Builders are told to raise the roof-beam high for a giant of a bridegroom.

    Ἴψοι δὴ το μέλαθρον
    Ὑμήναον
    ἀέρρετε τέκτοντες ἄνδρες·
    Ὑμήναον.
    γάμβρος ἔρχεται ἶσος Ἄρευϊ,
    (Ὑμήναον)
    ἄνδρος μεγάλω πόλυ μείζων·
    (Ὑμήναον).

    Raise high the roof-beam—
    Hymenaeus!
    lift it, you builders!
    Hymenaeus!
    The bridegroom is coming, the equal of Ares,
    Hymenaeus!
    far bigger than a big man.
    Hymenaeus!

    “Hymenaeus” was the ritual cry of wedding songs, calling on the god of marriage.

    The apple

    A bride is like the apple left on the topmost bough, out of the pickers’ reach.

    Οἷον τὸ γλυκύμαλον ἐρεύθεται ἄκρῳ ἐπʼ ὔσδῳ
    ἄκρον ἐπʼ ἀκροτάτῳ· λελάθοντο δὲ μαλοδρόπηες,
    οὐ μὰν ἐκλελάθοντʼ, ἀλλʼ οὐκ ἐδύναντʼ ἐπίκεσθαι.

    Like the sweet apple reddening on the topmost bough,
    top of the topmost: the apple-pickers forgot it—
    no, not forgot it: they couldn’t reach it.

    The hyacinth

    A hyacinth trampled by shepherds on the mountains.

    Οἴαν τὰν ὐάκινθον ἐν οὔρεσι ποίμενες ἄνδρες
    πόσσι καταστείβοισι, χάμαι δʼ ἐπιπορφύρει ἄνθος […]

    Like the hyacinth in the mountains that shepherd men
    trample underfoot, and on the ground the flower lies purple […]

    Evening star

    The evening star brings home the sheep, the goat and the child.

    Ϝέσπερε, πάντα φέρων, ὄσα φαίνολις ἐσκέδασʼ αὔως,
    φέρεις οἶν, φέρες αἶγα, φέρεις ἄπυ ματέρι παῖδα.

    Evening Star, bringing back everything that shining Dawn scattered:
    you bring the sheep, you bring the goat, you bring the child home to its mother.

    Beautiful and good

    Beauty is only for looking at; the good man will be beautiful too.

    Ὀ μὲν γὰρ κάλος, ὄσσον ἴδην, πέλεται (ἄγαθος),
    ὀ δὲ κἄγαθος αὔτικα καὶ κάλος ἔσσεται.

    The man who is beautiful is good just to look at,
    but the man who is good will at once be beautiful too.

    Virginity

    A single line: a bride asks whether she still longs for her girlhood.

    Ἦρʼ ἔτι παρθενίας ἐπιβάλλομαι;

    Do I still long for my virginity?

    Some say an army

    The most beautiful thing is whatever one loves: Helen proves it, and Sappho thinks of Anactoria.

    Famous passage Some say an armySappho declares that the most beautiful thing on earth is “whatever one loves,” and remembers Anactoria.

    [Ο]ἲ μὲν ἰππήων στρότον οἲ δὲ πέσδων
    οἲ δὲ νάων φαῖσʼ ἐπ[ὶ] γᾶν μέλαι[ν]αν
    [ἔ]μμεναι κάλλιστον, ἔγω δὲ κῆνʼ ὄττω
    τις ἔραται.

    Some say an army of horsemen, some of foot soldiers,
    some a fleet of ships, is on the black earth
    the most beautiful thing; but I say it is whatever
    one loves.

    This poem survives on a papyrus found in Egypt; the editor has restored many damaged letters.

    [πά]γχυ δʼ εὔμαρες σύνετον πόησαι
    [π]άντι τ[ο]ῦτʼ· ἀ γὰρ πόλυ περσκόπει[σ]α
    [κάλ]λος [ἀνθ]ρώπων Ἐλένα [τὸ]ν ἄνδρα
    [κρίννεν ἄρ]ιστον,
    [ὂς τὸ πᾶν] σέβας Τροΐα[ς ὄ]λεσσ[εν,]
    [οὐδὲ π]αῖδος οὐδὲ φ[ί]λων το[κ]ήων
    [οὖδεν] ἐμνάσθ⟨η⟩, ἀ[λλὰ] παρά[γα]γʼ αὔταν
    [Κύπρις ἔραι]σαν.

    It is perfectly easy to make this understood
    by everyone; for she who far surpassed
    all mortals in beauty, Helen, judged the man
    the best of all
    who destroyed all the majesty of Troy,
    and for neither child nor dear parents
    did she spare a single thought, but was led astray,
    in love, by the Cyprian.

    [… εὔκ]αμπτον γὰρ […]
    […] κούφως τ[… ν]οήσῃ.
    [τῆ]λε νῦν Ἀνακτορί[ας ὀ]ν[ε]μνά[σθ]η⟨ν⟩
    ἀπεοίσας,
    [τᾶ]ς ⟨κ⟩ε βολλοίμαν ἔρατόν τε βᾶμα
    κἀμάρυ⟨γ⟩μα λάμπρον ἴδην προσώπω
    ἢ τὰ Λύδων ἄρματα κὰν ὄπλοισι
    [ἰππομ]άχεντας.
    [εὖ μὲν ἴδ]μεν οὐ δύνατον γένεσθαι
    [τοῦτʼ] ἀνʼ ἀνθρώπ[οις, π]εδέχην δʼ ἄρασθαι

    […] for easily bent […]
    […] lightly […] considers.
    Now it has made me think of Anactoria, far away,
    who is gone,
    whose lovely walk I would rather see
    and the bright glancing light of her face
    than the Lydians’ chariots and, in armor,
    men fighting on horseback.
    We know well that this cannot happen
    among humans; but to pray to share

    Lydia was a rich kingdom in western Asia Minor, with its capital at Sardis, across the sea from Sappho’s island of Lesbos.

    The wedding of Hector and Andromache

    A herald announces Hector’s bride, and all Troy comes out to welcome the pair.

    Κύπρο[…]αι
    κάρυξ ἦλθ[ε] θ[έων …] ελε […]θεις
    Ἴδαος τάδε κα[…]φ[άνε]ις τάχυς ἄγγελος·
    ‘[…]
    τᾶς τʼ ἄλλας Ἀσίας τ[.] δε[.]αν κλέος ἄφθιτον·
    Ἕκτωρ καὶ συνέταιρ[ο]ι ἄγοισʼ ἐλικώπιδα·

    Cypr[…]
    a herald came running […]
    Idaeus, […] this […] appearing, the swift messenger:
    “[…]
    and of the rest of Asia […] undying glory:
    Hector and his comrades are bringing a girl with sparkling eyes

    A papyrus poem on the wedding of the Trojan hero Hector and Andromache; Idaeus is the herald of Troy.

    Θήβας ἐξ ἰέρας Πλακίας τʼ ἀπʼ ἀ[ϊ]ν⟨ν⟩άω
    ἄβραν Ἀνδρομάχαν ἐνὶ ναῦσιν ἐπʼ ἄλμυρον
    πόντον· πόλλα δʼ [ἐλί]γματα χρύσια κἄμματα
    πορφύρ[α κ]άλα τʼ αὖ τ[ρό]να, ποίκιλʼ ἀθύρματα·
    ἀργύρ[ια τʼ] ἀνάρ[ιθ]μα [ποτή]ρ[ια] κἀλέφαις·ʼ
    ὦς εἶπʼ· ὀτραλέως δʼ ἀνόρουσε πάτ[ηρ] φίλος·
    φάμα δʼ ἦλθε κατὰ πτόλιν εὐρύχ[ορο]ν φίλοις·
    αὔτικʼ Ἰλιάδαι σατίναι[ς] ὐπʼ ἐϋτρόχοις
    ἆγ[ο]ν αἰμιόνοις· ἐπ[έ]βαινε δὲ παῖς ὄχλος
    γυναίκων τʼ ἄμα παρθενίκα[ν] τε τ[αν]ισφύρων·

    from holy Thebe and ever-flowing Placia,
    delicate Andromache, in ships over the salt
    sea; and many golden bracelets, and robes
    of purple, and lovely embroideries too, many-colored trinkets,
    and countless silver cups, and ivory.”
    So he spoke. Quickly the dear father sprang up,
    and the news went through the wide city to their friends.
    At once the Trojans, under the smooth-wheeled carriages,
    led the mules; and the whole throng climbed aboard,
    women and slender-ankled girls together;

    Thebe, below Mount Placus near Troy, was Andromache’s home town.

    χῶρις δʼ αὖ Περάμοιο θύγ[α]τρες [ἐπήισαν.]
    ἴππ[οις] δʼ ἄνδρες ὔπαγον ὐπʼ ἄρ[ματα κάμπυλα]
    π[άντ]ες ἠΐ[θ]εοι· μεγάλω[σ]τι δ[…]
    δ[…] ἀνίοχοι φ[…]
    π[… ἔ]ξαγο[ν …]
    […]
    [… ἴ]κελοι θέοι[ς]
    […] ἄγνον ἀόλ[λεες]
    […]νον ἐς Ἴλιο[ν]

    and apart, in their turn, came the daughters of Priam.
    And men led horses under the curved chariots,
    all the young men; and grandly […]
    […] charioteers […]
    […] drove out […]
    […]
    […] like gods
    […] holy, all together
    […] to Ilium

    […]τον ἐμίγνυ[το]
    […]ως δʼ ἄρα πάρ[θενοι]
    […]νεδεσ[…]
    […]
    […]
    [φοίνιξ κα]ὶ κασία λίβανός τʼ ὀνεδείχνυτο.
    γύναικε[ς] δʼ [ἐ]λέλυξαν ὄσαι προγενέστερα[ι,]
    πάντες δʼ ἄνδρ[ε]ς ἐπήρατον ἴαχον ὄρθιον
    πά⟨ω⟩νʼ ὀνκαλέοντες Ἐκάβολον εὐλύραν,
    ὔμνην δʼ Ἕκτορα κἀνδρομάχαν θεοϊκέλο[ις]

    […] was mingled
    […] and then the girls
    […]
    […]
    […]
    date-palm and cassia and frankincense were displayed.
    And the women, all who were older, raised a shrill cry,
    and all the men sent up a lovely, high-pitched
    paean, calling on the Far-Shooter, lord of the fine lyre,
    and sang of godlike Hector and Andromache.

    The Far-Shooter is Apollo; a paean was a hymn of praise sung to him.

    Parting

    A girl leaves Sappho in tears, and Sappho reminds her of all they shared.

    τεθνάκην δʼ ἀδόλως θέλω.
    ἄ με ψισδομένα κατελίμπανεν
    πόλλα καὶ τόδʼ ἔειπ[έ μοι·]
    ‘ὤιμʼ ὠς δεῖνα πεπ[όνθ]αμεν,
    Ψάπφʼ· ἦ μάν σʼ ἀέκοισʼ ἀπυλιμπάνωʼ.
    τὰν δʼ ἔγω τάδʼ ἀμειβόμαν·
    ‘χαίροισʼ ἔρχεο κἄμεθεν
    μέμναισθʼ, οἶσθα γὰρ ὤς σε πεδήπομεν,
    αἰ δὲ μή, ἀλλά σʼ ἔγ[ω] θέλω
    ὀμ⟨μ⟩ναῖσαι, [σὺ δὲ] λ[ά]θεαι
    ὄσ[σα μάλθακα] καὶ κάλʼ ἐπάσχομεν·

    Honestly, I wish I were dead.
    She left me in tears;
    she said many things, and this, to me:
    “Oh, how terribly we’ve suffered,
    Sappho; truly, I leave you against my will.”
    And I answered her this:
    “Go, be happy, and remember
    me, for you know how we looked after you.
    And if you don’t, then I want
    to remind you—since you forget—
    of all the tender, lovely things we shared:

    π[όλλοις γὰρ στεφά]νοις ἴων
    καὶ βρ[όδων πλο]κίων τʼ ὔμοι
    καὶ […]παρʼ ἔμοι παρεθήκαο,
    καὶ π[όλλαις ὐπο]θύμιδας
    πλέκ[ταις ἀμφʼ] ἀπάλαι δέραι
    ἀνθέων ἐ[ράτων] πεποημμέναις.
    καὶ πόλλω[ι λιπάρως] μύρω[ι]
    βρενθείω β[ασιληί]ωι
    ἐξαλείψαο κα[λλίκομον κάρα?].

    for many wreaths of violets
    and of roses, braided together,
    and […] you put on beside me,
    and many garlands for the neck,
    woven, around your tender throat,
    made of lovely flowers;
    and with plenty of rich perfume,
    royal brenthos oil,
    you anointed [your lovely-haired head?].

    Brenthos was a costly perfumed oil.

    καὶ στρώμν[αν …]
    ἀπάλαν παρʼ […]
    ἐξίης πόθο[ν …]
    κωὔτε τις […]
    ἶρον οὐδʼ ὐ[…]
    ἔπλετʼ ὄπ[π …]
    οὐκ ἄλσος […]

    and on a bed […]
    soft, beside […]
    you would satisfy your longing […]
    and neither any […]
    holy place nor […]
    there was, where […]
    no grove […]

    Atthis’ friend in Lydia

    A girl now in Sardis outshines the Lydian women like the moon and longs for Atthis.

    [… ἀπὺ] Σαρδ[ίων]
    [… πόλ]λακι τύιδ[ε ν]ῶν ἔχοισα.
    ὠς πε[δε]ζώομεν, β[εβάω]ς ἔχεν
    σὲ θέαι ἰκέλαν Ἀριγνώτα,
    σᾶι δὲ μάλιστʼ ἔχαιρε μόλπᾳ.
    νῦν δὲ Λύδαισιν ἐνπρέπεται γυναίκεσσιν,
    ὤς ποτʼ ἀελίω
    δύντος ἀ βροδοδάκτυλος μήνα,
    πάντα περρέχοισʼ ἄστρα, φάος δʼ ἐπίσχει
    θάλασσαν ἐπʼ ἀλμύραν
    ἴσως καὶ πολυανθέμοις ἀρούραις.

    […] from Sardis
    […] often turning her thoughts this way.
    When we lived together, she thought you
    the image of a goddess, Arignota,
    and in your singing most of all she delighted.
    But now she stands out among the Lydian women,
    as sometimes, when the sun
    has set, the rosy-fingered moon,
    outshines all the stars; and her light spreads
    over the salt sea
    and the flower-filled fields alike.

    ἀ δʼ ἐέρσα κάλα κέχυται, τεθάλαισι
    δὲ βρόδα κἄπαλʼ ἄνθρυσκα
    καὶ μελίλωτος ἀνθεμώδης.
    πόλλα δὲ ζαφοίταισʼ ἀγάνας ἐπιμνάσθεισʼ
    Ἄτθιδος, ἰμέρωι
    λέπταν ποι φρένα, κῆρ ⟨δʼ⟩ ἄσᾳ βόρηται.
    κήθυ δʼ ἔλθην ἄμμε ὄξυ βόᾳ, τὰ δʼ οὐ
    νῶντʼ ἄ[π]υστα νὺξ πολύω[ς]
    γαρύε[ι διʼ] ἄλος π[…]

    and the lovely dew has fallen, and there bloom
    roses, and tender chervil,
    and flowering melilot.
    And often, as she wanders to and fro, she remembers gentle
    Atthis, and with longing
    her tender mind is consumed, and grief devours her heart.
    And she cries aloud for us to come there; and this—not
    unheard by us—the many-eared night
    calls out across the sea […]

    Alcaeus

    Of Lesbos (around 600 BC): the ship of state, the armory, tyrants overthrown, and drinking songs.

    The armory

    Alcaeus describes a hall hung with helmets, greaves, corslets and swords, ready for war.

    Μαρμαίρει δὲ μέγας δόμος χάλκῳ· πᾶσα δʼ Ἄρῃ κεκόσμηται στέγα
    λάμπραισιν κυνίαισι, καττᾶν λεῦκοι κατύπερθεν ἴππιοι λόφοι
    νεύοισιν, κεφάλαισιν ἄνδρων ἀγάλματα· χάλκιαι δὲ πασσάλοις
    κρύπτοισιν περικείμεναι λάμπραι κνάμιδες, ἄρκος ἰσχύρω βέλευς,
    θώρακές τε νέοι λίνω κοίϊλαί τε κατʼ ἄσπιδες βεβλήμεναι·
    παρ δὲ Χαλκίδικαι σπάθαι, παρ δὲ ζώματα πόλλα καὶ κυπάττιδες·
    τῶν οὐκ ἔστι λάθεσθʼ, ἐπειδὴ πρώτιστʼ ὐπὸ Ϝέργον ἔσταμεν τόδε.

    The great house gleams with bronze; the whole roof is decked out for Ares
    with shining helmets, and down from them white horsehair crests
    nod, ornaments for the heads of men; bronze greaves hang on pegs
    round about, hiding them, shining, a defense against the strong arrow;
    and new corslets of linen, and hollow shields lie thrown down;
    beside them Chalcidian swords, beside them many belts and tunics.
    These we cannot forget, from the moment we first took on this work.

    Chalcis, on the island of Euboea, was famous for its metalwork.

    The ship of state

    A ship caught between waves in a storm, its sail torn and its hold flooding.

    Ἀσυνέτημι τῶν ἀνέμων στάσιν·
    τὸ μὲν γὰρ ἔνθεν κῦμα κυλίνδεται,
    τὸ δʼ ἔνθεν· ἄμμες δʼ ἀν τὸ μέσσον
    νᾶϊ φορήμεθα σὺν μελαίνᾳ,
    χείμωνι μοχθεῦντες μεγάλῳ μάλα·
    περ μὲν γὰρ ἄντλος ἰστοπέδαν ἔχει,
    λαῖφος δὲ πὰν ζάδηλον ἤδη
    καὶ λάκιδες μέγαλαι κατʼ αὖτο·
    χόλαισι δʼ ἄγκοιναι.

    I can’t make out the quarrel of the winds:
    for one wave rolls in from this side,
    another from that; and we in the middle
    are carried along with our black ship,
    laboring hard in the great storm;
    the bilge is up around the mast-foot,
    the whole sail is see-through now,
    and there are great rents along it;
    and the halyards are slackening.

    Another wave

    A new, higher wave comes on, and the crew will have to bail.

    Τὸ δηὖτε κῦμα τῶν προτέρων ὄνω
    στείχει, παρέξει δʼ ἄμμι πόνον πόλυν
    ἄντλην, ἐπεί κε νᾶος ἐμβᾷ
    νή(ατα).

    Here again comes a wave, higher than those before;
    it marches on, and will give us much toil
    bailing, once it gets into the ship’s
    hold.

    Myrsilus is dead

    Alcaeus calls for drinking to celebrate the death of the tyrant Myrsilus.

    Νῦν χρὴ μεθύσθην καί τινα πρὸς βίαν
    πώνην, ἐπειδὴ κάτθανε Μύρσιλος.

    Now we must get drunk, and every man must drink with all his might,
    since Myrsilus is dead.

    Myrsilus was tyrant of Mytilene on Lesbos and Alcaeus’ political enemy.

    Winter

    Against the winter storm: build up the fire and mix sweet wine.

    Ὕει μὲν ὀ Ζεύς, ἐκ δʼ ὀράνω μέγας
    χείμων, πεπάγασιν δʼ ὐδάτων ῥόαι.
    […]
    κάββαλλε τὸν χείμωνʼ, ἐπὶ μὲν τίθεις
    πῦρ, ἐν δὲ κίρναις οἶνον ἀφειδέως
    μέλιχρον, αὐτὰρ ἀμφὶ κόρσᾳ
    μάλθακον ἀμφι […] γνόφαλλον.

    Zeus sends rain; from the sky comes a great
    storm, and the running streams are frozen.
    […]
    Beat down the storm: pile up the
    fire, and mix the wine unsparingly,
    honey-sweet, and around your temples
    wrap […] a soft woolen pad.

    Wine for troubles

    Grieving gets us nowhere, Bycchis; the best medicine is wine.

    Οὐ χρὴ κάκοισι θῦμον ἐπιτρέπην·
    προκόψομεν γὰρ οὐδὲν ἀσάμενοι,
    ὦ Βύκχι, φάρμακον δʼ ἄριστον
    οἶνον ἐνεικαμένοις μεθύσθην.

    We must not surrender our hearts to troubles;
    we’ll get nowhere by grieving,
    Bycchis: the best medicine
    is to bring in wine and get drunk.

    Dog days

    In the heat of high summer the cicada sings, and the only cure is wine.

    Τέγγε πνεύμονας οἴνῳ· τὸ γὰρ ἄστρον περιτέλλεται,
    ἀ δʼ ὤρα χαλέπα, πάντα δὲ δίψαισʼ ὑπὸ καύματος.
    ἄχει δʼ ἐκ πετάλων Ϝάδεα τέττιξ, πτερύγων δʼ ὔπο
    κακχέει λιγύραν (πύκνον) ἀοίδαν, (θέρος) ὄπποτα
    φλόγιον κατὰ γᾶν πεπτάμενον πάντα καταυάνῃ.
    ἄνθει καὶ σκόλυμος· νῦν δὲ γύναικες μιαρώταται,
    λέπτοι δʼ ἄνδρες, ἐπεὶ καὶ κεφάλαν καὶ γόνα Σείριος ἄζει.

    Soak your lungs with wine, for the star is coming round,
    and the season is harsh, and everything thirsts in the heat.
    From the leaves the cicada sounds sweetly, and from under its wings
    pours down its shrill song, thick and fast, when summer,
    spread blazing over the land, parches everything.
    The thistle is in flower; now women are at their most lustful,
    and men are weak, since Sirius parches both head and knees.

    The star is Sirius, the Dog Star, whose rising marked the hottest part of summer.

    Let us drink

    Only a finger of daylight is left: bring out the big cups and pour.

    Πίνωμεν· τί τὸ λύχνον μένομεν; δάκτυλος ἀμέρα.
    καδ δʼ ἄειρε κυλίχναις μεγάλαις, αἴτʼ ὄτι Οἶκι λαῖς·
    οἶνον γὰρ Σεμέλας καὶ Δίος υἶος λαθικάδεα
    ἀνθρώποισιν ἔδωκʼ· ἔγχεε κίρναις ἔνα καὶ δύο
    πλέαις κακ κεφάλας, ἀ δʼ ἀτέρα τὰν ἀτέραν κύλιξ
    ὠθήτω.

    Let’s drink! Why wait for the lamps? Only a finger of daylight is left.
    Take down the big cups, my friend, the painted ones;
    for the son of Semele and Zeus gave wine, to make us forget our cares,
    to humankind. Pour it, mixing one and two,
    full to the brim, and let one cup push
    the next along.

    The son of Semele and Zeus is Dionysus, god of wine.

    Plant the vine first

    A single line: plant no tree before the vine.

    Μηδὲν ἄλλο φυτεύσῃς πρότερον δένδριον ἀμπέλω.

    Plant no other tree before the vine.

    To Sappho

    Alcaeus wants to say something to Sappho, but shame holds him back.

    Ἰόπλοκʼ ἄγνα μελλιχόμειδε Σάπφοι,
    θέλω τι Ϝείπην, ἀλλά με κωλύει αἴδως.

    Violet-haired, holy, sweetly smiling Sappho,
    I want to say something, but shame holds me back.

    Wine and truth

    A single line: wine, dear boy, and truth.

    Οἶνος, ὦ φίλε παῖ, καὶ ἀλάθεα.

    Wine, dear boy, and truth.

    Archilochus

    Soldier-poet of Paros (seventh century BC): the abandoned shield, war, wine, love and mockery.

    Servant of two masters

    Archilochus is both a soldier of the war god and a poet of the Muses.

    Εἰμὶ δʼ ἐγὼ θεράπων μὲν Ἐνυαλίοιο ἄνακτος,
    καὶ Μουσέων ἐρατὸν δῶρον ἐπιστάμενος.

    I am the servant of lord Enyalius,
    and I know the lovely gift of the Muses.

    Enyalius is a war god, often identified with Ares.

    My spear

    His bread, his wine and his drinking all depend on his spear.

    Ἐν δορὶ μέν μοι μᾶζα μεμαγμένη, ἐν δορὶ δʼ οἶνος
    Ἰσμαρικός, πίνω δʼ ἐν δορὶ κεκλιμένος.

    On my spear is my kneaded barley bread, on my spear my wine
    from Ismarus, and I drink leaning on my spear.

    Ismarus, in Thrace, was famous for its wine.

    The shield

    Archilochus left his shield behind in battle, saved his life, and does not care.

    Famous passage Archilochus’ shieldA soldier cheerfully admits he left his shield by a bush to save his life: “I’ll get another just as good.”

    Ἀσπίδι μὲν Σαΐων τις ἀγάλλεται, ἣν παρὰ θάμνῳ
    ἔντος ἀμώμητον κάλλιπον οὐκ ἐθέλων·
    αὐτὸς δʼ ἐξέφυγον θανάτου τέλος· ἀσπὶς ἐκείνη
    ἐρρέτω· ἐξαῦτις κτήσομαι οὐ κακίω.

    Some Saian is delighted with my shield, which by a bush
    I left—a flawless piece of armor—against my will;
    but I myself escaped the end of death. That shield—
    to hell with it! I’ll get another just as good.

    The Saians were a Thracian tribe.

    Endure

    Friends have drowned at sea; the gods gave endurance as the cure for grief.

    Κήδεα μὲν στονόεντα, Περίκλεες, οὐδέ τις ἀστῶν
    μεμφόμενος θαλίῃς τέρψεται οὐδὲ πόλις·
    τοίους γὰρ κατὰ κῦμα πολυφλοίσβοιο θαλάσσης
    ἔκλυσεν, οἰδαλέους δʼ ἀμφʼ ὀδύνῃς ἔχομεν
    πνεύμονας· ἀλλὰ θεοὶ γὰρ ἀνηκέστοισι κακοῖσιν,
    ὦ φίλʼ, ἐπὶ κρατερὴν τλημοσύνην ἔθεσαν
    φάρμακον· ἄλλοτε δʼ ἄλλος ἔχει τάδε· νῦν μὲν ἐς ἡμέας
    ἐτράπεθʼ, αἱματόεν δʼ ἕλκος ἀναστένομεν,
    ἐξαῦτις δʼ ἑτέρους ἐπαμείψεται· ἀλλὰ τάχιστα
    τλῆτε γυναικεῖον πένθος ἀπωσάμενοι.

    These are griefs to make us groan, Pericles, and no one in town
    will find fault with our mourning and take joy in feasts, nor will the city;
    for such men has the wave of the loud-roaring sea
    washed under, and swollen with pain are
    our lungs. But the gods, for incurable ills,
    my friend, have set strong endurance
    as the remedy. These ills come now to one man, now to another: now toward us
    they have turned, and we groan over a bloody wound,
    but later they will pass on to others. So, as quickly as you can,
    endure, and thrust aside this mourning, fit for women.

    This Pericles is a friend of the poet, not the later Athenian statesman.

    Gyges’ gold

    The speaker wants neither the wealth of Gyges nor a tyrant’s power.

    Οὔ μοι τὰ Γύγεω τοῦ πολυχρύσου μέλει,
    οὐδʼ εἷλέ πώ με ζῆλος, οὐδʼ ἀγαίομαι
    θεῶν ἔργα, μεγάλης δʼ οὐκ ἐρέω τυραννίδος·
    ἀπόπροθεν γάρ ἐστιν ὀφθαλμῶν ἐμῶν.

    Gyges and his gold mean nothing to me,
    I have never been seized by envy, nor do I resent
    the works of the gods, and I have no passion for great tyranny;
    it lies far away from my eyes.

    Gyges was a king of Lydia, proverbial for his wealth.

    The general

    Give me not a tall, curled dandy of a general but a short, bow-legged, brave one.

    Οὐ φιλέω μέγαν στρατηγὸν οὐδὲ διαπεπλιγμένον,
    οὐδὲ βοστρύχοισι γαῦρον οὐδʼ ὑπεξυρημένον,
    ἀλλά μοι σμικρός τις εἴη καὶ περὶ κνήμας ἰδεῖν
    ῥοικός, ἀσφαλέως βεβηκὼς ποσσί, καρδίης πλέος.

    I don’t like a tall general, or one who swaggers with legs apart,
    or one proud of his curls, or one clean-shaven;
    but give me a short man, who looks, about the shins,
    bow-legged, but plants his feet firmly, full of heart.

    Heart, my heart

    Archilochus tells his heart to stand firm, rejoice and grieve in measure, and know life’s rhythm.

    Θυμέ, θύμʼ ἀμηχάνοισι κήδεσιν κυκώμενε,
    ἐνάδευ, δυσμενῶν δʼ ἀλέξευ προσβαλὼν ἐναντίον
    στέρνον, ἐν δοκοῖσιν ἐχθρῶν πλησίον κατασταθείς
    ἀσφαλέως· καὶ μήτε νικῶν ἀμφάδην ἀγάλλεο,
    μήτε νικηθεὶς ἐν οἴκῳ καταπεσὼν ὀδύρεο·
    ἀλλὰ χαρτοῖσίν τε χαῖρε καὶ κακοῖσιν ἀσχάλα
    μὴ λίην· γίγνωσκε δʼ οἷος ῥυσμὸς ἀνθρώπους ἔχει.

    Heart, my heart, churned up by troubles past help,
    rise up, ward off your enemies, thrusting
    your chest against them, taking your stand close to the enemy’s ambush,
    firmly; and when you win, don’t gloat openly,
    nor, when beaten, slump down at home and wail;
    but rejoice in joys and grieve in troubles
    not too much: know the rhythm that holds human beings.

    The eclipse

    After Zeus turned midday to night, nothing is impossible any more.

    Χρημάτων ἄελπτον οὐδέν ἐστιν οὐδʼ ἀπώμοτον,
    οὐδὲ θαυμάσιον, ἐπειδὴ Ζεὺς πατὴρ Ὀλυμπίων
    ἐκ μεσημβρίης ἔθηκε νύκτʼ ἀποκρύψας φάος
    ἡλίου λάμποντος· λυγρὸν δʼ ἦλθʼ ἐπʼ ἀνθρώπους δέος.
    ἐκ δὲ τοῦ καὶ πιστὰ πάντα κἀπίελπτα γίγνεται
    ἀνδράσιν· μηδεὶς ἔθʼ ὑμῶν εἰσορῶν θαυμαζέτω,
    μηδʼ ὅταν δελφῖσι θῆρες ἀνταμείψωνται νομόν
    ἐνάλιον καί σφιν θαλάσσης ἠχέεντα κύματα
    φίλτερʼ ἠπείρου γένηται, τοῖσι δʼ ἡδὺ ἦν ὄρος.

    Nothing now is past expecting, nothing can be sworn impossible,
    nothing is a wonder, since Zeus, father of the Olympians,
    made night out of midday, hiding the light
    of the shining sun; and sickly fear came over men.
    From then on anything may be believed, anything expected
    by men. Let none of you be amazed any more at what he sees,
    not even if wild beasts trade their pasture with the dolphins
    in the sea, and the sea’s roaring waves
    grow dearer to them than the land, while the dolphins love the hills.

    The poem refers to a total eclipse of the sun, usually dated to 6 April 648 BC.

    Pierced by longing

    Longing has pierced the poet through to the bones.

    Δύστηνος ἔγκειμαι πόθῳ
    ἄψυχος, χαλεπῇσι θεῶν ὀδύνῃσιν ἕκητι
    πεπαρμένος διʼ ὀστέων.

    Wretched, I lie gripped by longing,
    lifeless, with cruel pains, by the gods’ will,
    pierced through my bones.

    Limb-loosening desire

    A single line: limb-loosening longing overpowers him.

    Ἀλλά μʼ ὁ λυσιμελής, ὦ ʼταῖρε, δάμναται πόθος.

    But limb-loosening longing, my friend, overpowers me.

    Mist over the eyes

    Desire coiled under his heart has poured a mist over his eyes.

    Τοῖος γὰρ φιλότητος ἔρως ὑπὸ καρδίην ἐλυσθείς
    πολλὴν κατʼ ἀχλὺν ὀμμάτων ἔχευεν,
    κλέψας ἐκ στηθέων ἀταλὰς φρένας.

    For such a desire for love, coiled up beneath my heart,
    poured a thick mist down over my eyes,
    stealing the tender wits from my breast.

    The fox and the hedgehog

    The fox knows many things, the hedgehog one big thing.

    Πόλλʼ οἶδʼ ἀλώπηξ, ἀλλʼ ἐχῖνος ἓν μέγα.

    The fox knows many things, but the hedgehog one big thing.

    Tyrtaeus

    The Spartan war poet (seventh century BC): it is a fine thing to fall fighting in the front line.

    It is a fine thing to die in the front line

    Dying for one’s country is fine; exile and begging are the worst disgrace.

    Τεθνάμεναι γὰρ καλὸν ἐπὶ προμάχοισι πεσόντα
    ἄνδρʼ ἀγαθὸν περὶ ᾗ πατρίδι μαρνάμενον.
    τὴν δʼ αὐτοῦ προλιπόντα πόλιν καὶ πίονας ἀγρούς
    πτωχεύειν πάντων ἔστʼ ἀνιηρότατον,
    πλαζόμενον σὺν μητρὶ φίλῃ καὶ πατρὶ γέροντι
    παισί τε συν μικροῖς κουριδίῃ τʼ ἀλόχῳ.
    ἐχθρὸς μὲν γὰρ τοῖσι μετέσσεται, οὕς κεν ἵκηται
    χρησμοσύνῃ τʼ εἴκων καὶ στυγερῇ πενίῃ,
    αἰσχύνει τε γένος, κατὰ δʼ ἀγλαὸν εἶδος ἐλέγχει,
    πᾶσα δʼ ἀτιμία καὶ κακότης ἕπεται.

    It is a fine thing to die, fallen in the front line,
    a good man fighting for his own country.
    But to leave his own city and rich fields
    and go begging is the most painful thing of all,
    wandering with his dear mother and aged father
    and his little children and his wedded wife.
    For he will be hated among those he comes to,
    giving way to need and hateful poverty;
    he shames his family, belies his splendid looks,
    and every dishonor and wretchedness follows him.

    Tyrtaeus composed his war elegies for Sparta in the seventh century BC.

    εἰ δʼ οὕτως ἀνδρός τοι ἀλωμένου οὐδεμίʼ ὤρη
    γίγνεται, οὔτʼ αἰδὼς οὔτʼ ὄπις οὔτʼ ἔλεος,
    θυμῷ γῆς περὶ τῆσδε μαχώμεθα καὶ περὶ παίδων
    θνήσκωμεν ψυχέων μηκέτι φειδόμενοι.
    ὦ νέοι, ἀλλὰ μάχεσθε παρʼ ἀλλήλοισι μένοντες,
    μηδὲ φυγῆς αἰσχρᾶς ἄρχετε μηδὲ φόβου,
    ἀλλὰ μέγαν ποιεῖσθε καὶ ἄλκιμον ἐν φρεσὶ θυμόν,
    μηδὲ φιλοψυχεῖτʼ ἀνδράσι μαρνάμενοι·

    If, then, a wandering man gets no regard
    at all, no respect, no consideration, no pity,
    let us fight with all our heart for this land, and for our children
    let us die, and spare our lives no longer.
    Young men, fight, standing fast beside each other,
    and do not lead the way to shameful flight or panic,
    but make the heart in your breast great and strong,
    and do not love your lives when you fight with men;

    τοὺς δὲ παλαιοτέρους, ὧν οὐκέτι γούνατʼ ἐλαφρά,
    μὴ καταλείποντες φεύγετε, τοὺς γεραιούς·
    αἰσχρὸν γὰρ δὴ τοῦτο μετὰ προμάχοισι πεσόντα
    κεῖσθαι πρόσθε νέων ἄνδρα παλαιότερον,
    ἤδη λευκὸν ἔχοντα κάρη πολιόν τε γένειον,
    θυμὸν ἀποπνείοντʼ ἄλκιμον ἐν κονίῃ,
    αἱματόεντʼ αἰδοῖα φίλαις ἐν χερσὶν ἔχοντα —
    αἰσχρὰ τάγʼ ὀφθαλμοῖς καὶ νεμεσητὸν ἰδεῖν —
    καὶ χρόα γυμνωθέντα· νέοισι δὲ πάντʼ ἐπέοικεν,
    ὄφρʼ ἐρατῆς ἥβης ἀγλαὸν ἄνθος ἔχῃ·

    and the older ones, whose knees are no longer nimble,
    do not abandon them and run—the old men;
    for this is a shameful thing: that, fallen in the front line,
    an older man should lie out in front of the young,
    his head already white and his beard gray,
    breathing out his valiant spirit in the dust,
    clutching his bloody genitals in his own hands—
    a shameful thing for the eyes, an outrage to see—
    his body stripped bare. But for the young all is fitting,
    while he has the glorious flower of lovely youth;

    ἀνδράσι μὲν θηητὸς ἰδεῖν, ἐρατὸς δὲ γυναιξίν,
    ζωὸς ἐών, καλὸς δʼ ἐν προμάχοισι πεσών.
    ἀλλά τις εὖ διαβὰς μενέτω ποσὶν ἀμφοτέροισιν
    στηριχθεὶς ἐπὶ γῆς, χεῖλος ὀδοῦσι δακών.

    to men he is a wonder to look at, to women desirable,
    while he lives, and beautiful when he has fallen in the front line.
    But let each man take a firm stride and stand fast, both feet
    planted on the ground, biting his lip with his teeth.

    You are the race of Heracles

    Tyrtaeus urges the Spartans to stand together, shield to shield, and close with the enemy.

    Ἀλλʼ Ἡρακλῆος γὰρ ἀνικήτου γένος ἐστέ,
    θαρσεῖτʼ, οὔπω Ζεὺς αὐχένα λοξὸν ἔχει·
    μηδʼ ἀνδρῶν πληθὺν δειμαίνετε, μηδὲ φοβεῖσθε,
    ἰθὺς δʼ εἰς προμάχους ἀσπίδʼ ἀνὴρ ἐχέτω,
    ἐχθρὰν μὲν ψυχὴν θέμενος, θανάτου δὲ μελαίνας
    κῆρας ὁμῶς αὐγαῖς ἠελίοιο φίλας.
    ἴστε γὰρ Ἄρηος πολυδακρύου ἔργʼ ἀΐδηλα·

    Come, you are the race of unconquered Heracles,
    so take heart: Zeus has not yet turned his head away;
    do not dread the mass of men, and do not panic,
    but let each man hold his shield straight toward the front line,
    counting his life his enemy, and the black
    spirits of death as dear as the rays of the sun.
    For you know the ruinous work of Ares, bringer of tears;

    The Spartan kings claimed descent from Heracles.

    εὖ δʼ ὀργὴν ἐδάητʼ ἀργαλέου πολέμου,
    καὶ θαμὰ φευγόντων τε διωκόντων τε γέγευσθε,
    ὦ νέοι, ἀμφοτέρων δʼ εἰς κόρον ἠλάσατε.
    οἳ μὲν γὰρ τολμῶσι παρʼ ἀλλήλοισι μένοντες
    ἔς τʼ αὐτοσχεδίην καὶ προμάχους ἰέναι,
    παυρότεροι θνήσκουσι, σαοῦσι δὲ λαὸν ὀπίσσω·
    τρεσσάντων δʼ ἀνδρῶν πᾶσʼ ἀπόλωλʼ ἀρετή.
    οὐδεὶς ἄν ποτε ταῦτα λέγων ἀνύσειεν ἕκαστα,
    ὅσσʼ, ἢν αἰσχρὰ πάθῃ, γίγνεται ἀνδρὶ κακά.

    you have learned well the temper of grim war,
    and often you have tasted both fleeing and pursuing,
    young men; you have had your fill of both.
    For those who dare, standing fast beside one another,
    to go into close combat and the front line,
    fewer of them die, and they save the people behind them;
    but when men tremble, all courage is lost.
    No one could ever finish telling, one by one,
    all the evils that come to a man if he suffers disgrace.

    “Courage” here renders aretē, elsewhere translated “excellence.”

    ῥιγαλέον γὰρ ὄπισθε μετάφρενόν ἐστι δαΐζειν
    ἀνδρὸς φεύγοντος δηΐῳ ἐν πολέμῳ·
    αἰσχρὸς δʼ ἐστὶ νέκυς κακκείμενος ἐν κονίῃσιν
    νῶτον ὄπισθʼ αἰχμῇ δουρὸς ἐληλαμένος.
    ἀλλά τις εὖ διαβὰς μενέτω ποσὶν ἀμφοτέροισιν
    στηριχθεὶς ἐπὶ γῆς, χεῖλος ὀδοῦσι δακών,
    μηρούς τε κνήμας τε κάτω καὶ στέρνα καὶ ὤμους
    ἀσπίδος εὐρείης γαστρὶ καλυψάμενος·

    For it is a ghastly thing to strike from behind at the back
    of a man fleeing in deadly war;
    and shameful is a corpse lying in the dust,
    its back driven through from behind by a spear’s point.
    But let each man take a firm stride and stand fast, both feet
    planted on the ground, biting his lip with his teeth,
    his thighs and shins below, and his chest and shoulders
    covered by the belly of his broad shield;

    δεξιτερῇ δʼ ἐν χειρὶ τινασσέτω ὄβριμον ἔγχος,
    κινείτω δὲ λόφον δεινὸν ὑπὲρ κεφαλῆς·
    ἕρδειν δʼ ὄβριμα ἔργα διδασκέσθω πελεμίζων,
    μηδʼ ἐκτὸς βελέων ἑστάτω ἀσπίδʼ ἔχων.
    ἀλλά τις ἐγγὺς ἰὼν αὐτοσχεδὸν ἔγχεϊ μακρῷ
    ἢ ξίφει οὐτάζων δήϊον ἄνδρʼ ἑλέτω·

    in his right hand let him brandish his mighty spear,
    and let him shake the terrible crest above his head;
    let him learn to do mighty deeds, making the enemy reel,
    and not stand out of range of missiles, holding his shield.
    But let each man close in, hand to hand, and with long spear
    or sword strike down and kill a man of the enemy;

    καὶ πόδα παρ ποδὶ θεὶς καὶ ἐπʼ ἀσπίδος ἀσπίδʼ ἐρείσας,
    ἐν δὲ λόφον τε λόφῳ καὶ κυνέην κυνέῃ
    καὶ στέρνον στέρνῳ πεπλημένος ἀνδρὶ μαχέσθω,
    ἢ ξίφεος κώπην ἢ δόρυ μακρὸν ἑλών.
    ὑμεῖς δʼ, ὦ γυμνῆτες, ὑπʼ ἀσπίδος ἄλλοθεν ἄλλος
    πτώσσοντες μεγάλοις βάλλετε χερμαδίοις,
    δούρασί τε ξεστοῖσιν ἀκοντίζοντες ἐς αὐτούς,
    τοῖσι πανόπλοισι πλησίον ἱστάμενοι.

    setting foot beside foot and pressing shield against shield,
    crest against crest and helmet against helmet
    and chest against chest, let him close with a man and fight,
    gripping either the hilt of his sword or his long spear.
    And you, light-armed men, crouching here and there
    under a shield, pelt them with great stones,
    and hurl your polished javelins at them,
    standing close beside the men in full armor.

    True excellence

    No skill or wealth makes a man good unless he stands firm in the front line.

    Οὔτʼ ἂν μνησαίμην οὔτʼ ἐν λόγῳ ἄνδρα τιθείμην
    οὔτε ποδῶν ἀρετῆς οὔτε παλαισμοσύνης,
    οὐδʼ εἰ Κυκλώπων μὲν ἔχοι μέγεθός τε βίην τε,
    νικῴη δὲ θέων Θρηΐκιον Βορέην,
    οὐδʼ εἰ Τιθωνοῖο φυὴν χαριέστερος εἴη,
    πλουτοίη δὲ Μίδεω καὶ Κινύρεω μάλιον,
    οὐδʼ εἰ Τανταλίδεω Πέλοπος βασιλεύτερος εἴη,
    γλῶσσαν δʼ Ἀδρήστου μειλιχόγηρυν ἔχοι,
    οὐδʼ εἰ πᾶσαν ἔχοι δόξαν πλὴν θούριδος ἀλκῆς·

    I would not mention a man or take any account of him
    for excellence in running or in wrestling,
    not even if he had the size and strength of the Cyclopes
    and beat Thracian Boreas in a race,
    not even if he were more handsome in build than Tithonus
    and richer than Midas and Cinyras,
    not even if he were more kingly than Pelops, son of Tantalus,
    and had the honey-voiced tongue of Adrastus,
    not even if he had every glory except furious valor;

    Boreas is the north wind; Tithonus, Midas, Cinyras, Pelops and Adrastus were legendary for beauty, wealth, kingship and eloquence.

    οὐ γὰρ ἀνὴρ ἀγαθὸς γίγνεται ἐν πολέμῳ,
    εἰ μὴ τετλαίη μὲν ὁρῶν φόνον αἱματόεντα
    καὶ δηΐων ὀρέγοιτʼ ἐγγύθεν ἱστάμενος.
    ἥδʼ ἀρετή, τόδʼ ἄεθλον ἐν ἀνθρώποισιν ἄριστον
    κάλλιστόν τε φέρειν γίγνεται ἀνδρὶ νέῳ.
    ξυνὸν δʼ ἐσθλὸν τοῦτο πόληΐ τε παντί τε δήμῳ,
    ὅστις ἀνὴρ διαβὰς ἐν προμάχοισι μένῃ
    νωλεμέως, αἰσχρᾶς δὲ φυγῆς ἐπὶ πάγχυ λάθηται,
    ψυχὴν καὶ θυμὸν τλήμονα παρθέμενος,
    θαρσύνῃ δʼ ἔπεσιν τὸν πλησίον ἄνδρα παρεστώς·

    for a man does not become good in war
    unless he can bear to look upon bloody slaughter
    and, standing close, reach for the enemy.
    This is excellence, this is the best prize among men
    and the finest for a young man to win.
    This is a common good for the city and all the people,
    when a man stands his ground in the front line, legs set firm,
    unflinching, and forgets shameful flight altogether,
    staking his life and his enduring heart,
    and, standing by the man beside him, encourages him with words;

    οὗτος ἀνὴρ ἀγαθὸς γίγνεται ἐν πολέμῳ·
    αἶψα δὲ δυσμενέων ἀνδρῶν ἔτρεψε φάλαγγας
    τρηχείας, σπουδῇ τʼ ἔσχεθε κῦμα μάχης·
    ὃς δʼ αὖτʼ ἐν προμάχοισι πεσὼν φίλον ὤλεσε θυμόν
    ἄστυ τε καὶ λαοὺς καὶ πατέρʼ εὐκλεΐσας,
    πολλὰ διὰ στέρνοιο καὶ ἀσπίδος ὀμφαλοέσσης
    καὶ διὰ θώρηκος πρόσθεν ἐληλαμένος,
    τὸν δʼ ὀλοφύρονται μὲν ὁμῶς νέοι ἠδὲ γέροντες,
    ἀργαλέῳ τε πόθῳ πᾶσα κέκηδε πόλις·

    this man becomes good in war.
    Swiftly he routs the ranks of hostile men,
    rough as they are, and by his effort checks the wave of battle;
    and he who falls in the front line and loses his dear life,
    bringing glory to his town and people and father,
    struck many times through his chest and his bossed shield
    and through his breastplate, from the front—
    him young and old alike lament,
    and the whole city grieves with painful longing;

    καὶ τύμβος καὶ παῖδες ἐν ἀνθρώποις ἀρίσημοι
    καὶ παίδων παῖδες καὶ γένος ἐξοπίσω.
    οὐδέ ποτε κλέος ἐσθλὸν ἀπόλλυται οὐδʼ ὄνομʼ αὐτοῦ,
    ἀλλʼ ὑπὸ γῆς περ ἐὼν γίγνεται ἀθάνατος,
    ὅντινʼ ἀριστεύοντα μένοντά τε μαρνάμενόν τε
    γῆς πέρι καὶ παίδων θοῦρος Ἄρης ὀλέσῃ.

    and his tomb and his children are pointed out among men,
    and his children’s children, and his line after him.
    Never does his noble fame perish, nor his name,
    but even though he is under the earth he becomes immortal,
    the man whom, as he fights his best, standing firm
    for land and children, furious Ares destroys.

    εἰ δὲ φύγῃ μὲν κῆρα τανηλεγέος θανάτοιο,
    νικήσας δʼ αἰχμῆς ἀγλαὸν εὖχος ἕλῃ,
    πάντες μιν τιμῶσιν ὁμῶς νέοι ἠδὲ παλαιοί,
    πολλὰ δὲ τερπνὰ παθὼν ἔρχεται εἰς Ἀΐδην·
    γηράσκων ἀστοῖσι μεταπρέπει, οὐδέ τις αὐτόν
    βλάπτειν οὔτʼ αἰδοῦς οὔτε δίκης ἐθέλει,
    πάντες δʼ ἐν θώκοισιν ὁμῶς νέοι οἵ τε κατʼ αὐτόν
    εἴκουσʼ ἐκ χώρης οἵ τε παλαιότεροι.
    ταύτης νῦν τις ἀνὴρ ἀρετῆς εἰς ἄκρον ἱκέσθαι
    πειράσθω θυμῷ, μὴ μεθιεὶς πολέμου.

    But if he escapes the doom of death that lays men low,
    and, victorious, wins the splendid glory of the spear,
    all honor him, young and old alike,
    and after many delights he goes down to Hades;
    growing old, he stands out among the citizens, and no one
    wants to cheat him of respect or of justice,
    and on the benches young men and those his own age
    make way for him, and older men too.
    Let each man now strive to reach the height of this excellence
    with all his heart, never slackening in war.

    Alcman

    Choral poet of Sparta (late seventh century BC): the maiden-song for Agido and Hagesichora, and the night.

    Partheneion

    A Spartan girls’ chorus tells a myth of vengeance, then praises its leaders Agido and Hagesichora.

    Famous passage Alcman’s maiden-songThe oldest substantial choral poem in Greek, in which Spartan girls praise their leaders Agido and Hagesichora.

    […]
    […] Πωλυδεύκης.
    οἷον οὐ Λύκαισον ἐν καμοῦσιν ἀλέγω,
    […] Ἐναρσφόρον τε καὶ Σέβρον ποδώκη,
    Βωκόλον τε τὸν βιατάν,
    […] τε τὸν κορυστάν,
    Εὐτείχη τε, Ϝάνακτα τʼ ἀρήιον
    […] ἔξοχον ἡμισίων.

    […]
    […] Polydeuces.
    I do not count Lycaethus alone among the dead,
    […] and Enarsphorus and swift-footed Sebrus,
    and Bocolus the violent,
    and […] the helmeted,
    and Euteiches, and the warlike lord,
    […] outstanding among the demigods.

    This is Alcman’s maiden-song (partheneion), a choral song for Spartan girls preserved on a papyrus with gaps. It opens with the myth of the sons of Hippocoon, killed by Heracles and the twin heroes Castor and Polydeuces.

    […] τὸν ἀγρέταν
    […] μέγαν, Εὔρυτόν τε
    Ἄρεος ἀν πώρω κλόνον
    Ἀλκωνά τε τὼς ἀρίστως
    […] παρήσομες.
    […]
    […] ἄλαστα δὲ
    ἔργα πάσον κακὰ μησαμένοι.
    ἔστι τις σιῶν τίσις.
    ὁ δʼ (ὄλβι)ος, ὅστις εὔφρων
    ἁμέραν (δι)απλέκει,

    […] the leader
    […] great, and Eurytus
    in the tumult of Ares,
    and Alcon, the best of men,
    […] we shall not pass over.
    […]
    […] unforgettable
    were the things they suffered, for they plotted evil.
    There is a vengeance from the gods.
    Happy is the one who, with a glad heart,
    weaves the day through to its end,

    […]κ[…]ος. ἐγὼν δʼ ἀείδω
    Ἀγιδῶς τὸ φῶς· ὀρῶρʼ
    ᾥτʼ ἄλιος, ὅνπερ ἇμιν
    Ἀγιδὼ μαρτύρεται
    φαίνεν· ἐμὲ δʼ οὔτʼ ἐπαινὲν
    οὔτε μωμήσθαι νιν ἁ κλεννὰ χοραγὸς
    οὐδὲ λῶσʼ ἐῇ· δοκέει γὰρ ἤμεν αὔτα
    ἐμπρεπὴς τώς, ᾧπερ αἴ τις
    ἐν ΒΟΤΟΙϹ στάσειεν ἵππον
    παγὸν ἀεθλοφόρον καναχάποδα,
    […] ὑποπετριδίων ὀνείρων;

    […]. But I sing
    of Agido’s light. I see it
    like the sun, which for us
    Agido calls as witness
    to shine. But me, neither to praise her
    nor to find fault with her does our famous chorus-leader
    permit at all; for she herself seems
    as outstanding as if someone
    set [among the …] a horse,
    sturdy, a prizewinner with thundering hooves,
    […] of the dreams that live beneath the rock?

    The word left in capitals here is unreadable in the papyrus; it is often taken to mean “among grazing herds.”

    ἦ οὐχ ὁρῇς; ὁ μὲν κέλης
    Ἐνετικός, ἁ δὲ χαίτα
    τᾶς ἐμᾶς ἀνεψιᾶς
    Ἀγησιχόρας ἐπανθεῖ
    χρυσὸς ὣς ἀκήρατος,
    τό τʼ ἀργύριον πρόσωπον
    διαφάδαν — τί τοι λέγω; —
    Ἀγησιχόρα, μένʼ αὔτα. —
    ἁ δὲ δευτέρα πεδʼ Ἀγιδὼν τὸ εἶδος
    ἵππος εἰβήνῳ Κολαξαῖος δραμείται.

    Don’t you see? The one is a racehorse
    from Enetia; but the hair
    of my cousin
    Hagesichora blooms
    like pure gold,
    and her silver face—
    why spell it out plainly for you?—
    here she is, Hagesichora herself.
    And she who is second to Agido in looks
    will run like a Colaxaean horse against an Ibenian.

    Enetic, Colaxaean and Ibenian horses were famous breeds from distant lands; the Enetoi lived at the head of the Adriatic.

    ταὶ πελειάδες γὰρ ἁμίν
    Ὀρθίᾳ φάρος φεροίσαις
    νύκτα διʼ ἀμβροσίαν ἅτε σήριον
    ἄστρον αὐειρομέναι μάχονται.

    For the Pleiades, against us,
    as we bring a robe to Orthia,
    through the ambrosial night like the star
    Sirius, rise up and do battle.

    Orthia was a Spartan goddess, later identified with Artemis; the “Pleiades” (literally “doves”) may be a rival choir or the star cluster.

    Οὔτε γάρ τι πορφύρας
    τόσσος κόρος, ὥστʼ ἀμύναι,
    οὔτε ποικίλος δράκων
    παγχρύσιος, οὐδὲ μίτρα
    Λυδία νεανίδων
    […]ων ἄγαλμα,
    οὐδὲ ταὶ Ναννῶς κόμαι,
    ἀλλʼ οὐδʼ Ἐράτα σιειδής,
    οὐδὲ Συλακίς τε καὶ Κλεησισήρα,
    οὐδʼ ἐς Αἰνησιμβρότας ἐνθοίσα, φασεῖς·

    For no wealth of purple
    is enough to protect us,
    nor a spangled snake
    of solid gold, nor a headband
    from Lydia, the pride
    of […] young girls,
    nor Nanno’s hair,
    nor even godlike Erata,
    nor Sylacis and Cleesithera;
    nor will you go to Aenesimbrota’s and say:

    Ἀσταφίς τέ μοι γένοιτο
    καὶ ποτηνέποι Φιλύλλα,
    Δαμαγόρα τʼ ἐρατά τε Ἰανθεμίς,
    ἀλλʼ Ἀγησιχόρα με τηρεῖ.
    Οὐ γὰρ ἁ καλλίσφυρος
    Ἀγησιχόρα πάρʼ αὐτεῖ,
    Ἀγιδοῖ δέ παρμένει,
    θωστήριά θʼ ἅμʼ ἐπαινεῖ;

    “If only Astaphis were mine,
    and Philylla would speak to me,
    and Damagora and lovely Ianthemis”—
    no, it is Hagesichora who watches over me.
    For is not fair-ankled
    Hagesichora here,
    staying close by Agido,
    and praising our festival with her?

    ἀλλὰ τᾶν […] σιοί,
    δέξασθ —
    καὶ τέλος —
    εἴποιμί κʼ· ἅπαν μὲν αὐτά
    παρσένος μάταν —
    γλαύξ· ἐγὼν δ […] μάλιστα
    ἁνδάνην ἐρῶ· πόνων γὰρ
    ἅμιν ἰάτωρ ἔγεντο.
    ἐξ Ἀγησιχόρας δὲ νεάνιδες
    […] ἐρατᾶς ἐπέβαν.

    But, gods, […] of these,
    accept—
    and the end—
    I might say: I myself, in everything,
    a girl, in vain—
    an owl; but I […] most of all
    long to please; for of our toils
    she has become our healer.
    And thanks to Hagesichora young girls
    have set foot on lovely […].

    The kingfisher

    Too old to dance, the poet wishes he were a seabird flying with the halcyons.

    Οὔ μʼ ἔτι, παρθενικαὶ μελιγάρυες ἱμερόφωνοι,
    γυῖα φέρειν δύναται· βάλε δὴ βάλε κηρύλος εἴην,
    ὅς τʼ ἐπὶ κύματος ἄνθος ἅμʼ ἀλκυόνεσσι ποτῆται
    νηλεγὲς ἦτορ ἔχων, ἁλιπόρφυρος εἴαρος ὄρνις.

    No longer, girls with honey voices, voices of desire,
    can my limbs carry me. If only, if only I were a cerylus,
    who flies over the flower of the wave with the halcyons,
    with a carefree heart, the sea-purple bird of spring.

    The cerylus was a seabird said to be carried on the wings of the halcyons (kingfishers) when it grew old.

    Night

    Mountains, beasts, bees, sea creatures and birds all lie asleep.

    Εὕδουσιν δʼ ὀρέων κορυφαί τε καὶ φάραγγες,
    πρώονες τὲ καὶ χαράδραι,
    φύλλα θʼ ἑρπετά θʼ ὅσσα τρέφει μέλαινα γαῖα,
    θῆρές τʼ ὀρεσκῷοι καὶ γένος μελισσᾶν
    καὶ κνώδαλʼ ἐν βένθεσι πορφυρέας ἁλός·
    εὕδουσιν δʼ ὀϊωνῶν
    φῦλα τανυπτερύγων.

    Asleep are the mountain peaks and the ravines,
    the headlands and the gullies,
    and the leaves, and the creeping things, all that the black earth feeds,
    the beasts that live on the mountains and the race of bees
    and the monsters in the depths of the purple sea;
    asleep are the tribes
    of the long-winged birds.

    Mimnermus

    Elegist of Colophon (late seventh century BC): golden Aphrodite, and youth as brief as the leaves.

    Golden Aphrodite

    Without golden Aphrodite life has no pleasure; old age is hateful.

    Τίς δὲ βίος, τί δὲ τερπνὸν ἄτερ χρυσῆς Ἀφροδίτης;
    τεθναίην, ὅτε μοι μηκέτι ταῦτα μέλοι,
    κρυπταδίη φιλότης καὶ μείλιχα δῶρα καὶ εὐνή·
    οἷʼ ἥβης ἄνθεα γίγνεται ἁρπαλέα
    ἀνδράσιν ἠδὲ γυναιξίν· ἐπεὶ δʼ ὀδυνηρὸν ἐπέλθῃ
    γῆρας, ὅ τʼ αἰσχρὸν ὁμῶς καὶ καλὸν ἄνδρα τιθεῖ,
    αἰεί μιν φρένας ἀμφὶ κακαὶ τείρουσι μέριμναι,
    οὐδʼ αὐγὰς προσορῶν τέρπεται ἠελίου,
    ἀλλʼ ἐχθρὸς μὲν παισίν, ἀτίμαστος δὲ γυναιξίν·
    οὕτως ἀργαλέον γῆρας ἔθηκε θεός.

    What life is there, what pleasure, without golden Aphrodite?
    May I die when these things no longer matter to me—
    secret love and honeyed gifts and bed,
    which are the flowers of youth, eagerly seized
    by men and by women. But once painful
    old age comes on, which makes even the handsome man ugly,
    bad cares always wear away at his mind,
    and he takes no joy in looking on the rays of the sun,
    but is hateful to boys and of no account to women:
    so grievous a thing has the god made old age.

    Like the leaves

    Human youth is as brief as spring leaves, and old age and death wait beside us.

    Ἡμεῖς δʼ οἷά τε φύλλα φύει πολυανθέος ὥρῃ
    ἔαρος, ὅτʼ αἶψʼ αὐγῇς αὔξεται ἠελίου,
    τοῖς ἴκελοι πήχυιον ἐπὶ χρόνον ἄνθεσιν ἥβης
    τερπόμεθα, πρὸς θεῶν εἰδότες οὔτε κακόν
    οὔτʼ ἀγαθόν· Κῆρες δὲ παρεστήκασι μέλαιναι,
    ἡ μὲν ἔχουσα τέλος γήραος ἀργαλέου,
    ἡ δʼ ἑτέρη θανάτοιο· μίνυνθα δὲ γίγνεται ἥβης
    καρπός, ὅσον τʼ ἐπὶ γῆν κίδναται ἠέλιος·

    And we, like the leaves that the flowery season
    of spring puts forth, when they quickly grow in the rays of the sun—
    like them, for a forearm’s span of time, in the flowers of youth
    we take our pleasure, knowing from the gods neither bad
    nor good. But the black Fates stand beside us,
    one holding the end that is grievous old age,
    the other that of death. Brief is youth’s
    fruit, lasting as long as the sun spreads over the earth.

    αὐτὰρ ἐπὴν δὴ τοῦτο τέλος παραμείψεται ὥρης,
    αὐτίκα τεθνάμεναι βέλτιον ἢ βίοτος·
    πολλὰ γὰρ ἐν θυμῷ κακὰ γίγνεται· ἄλλοτε οἶκος
    τρυχοῦται, πενίης δʼ ἔργʼ ὀδυνηρὰ πέλει·
    ἄλλος δʼ αὖ παίδων ἐπιδεύεται, ὧντε μάλιστα
    ἱμείρων κατὰ γῆς ἔρχεται εἰς Ἀΐδην·
    ἄλλος νοῦσον ἔχει θυμοφθόρον· οὐδέ τις ἔστιν
    ἀνθρώπων, ᾧ Ζεὺς μὴ κακὰ πολλὰ διδοῖ.

    But once this season comes to its end and passes,
    at once it is better to be dead than to live;
    for many evils come about in the heart: sometimes a household
    is ruined, and poverty does its painful work;
    another, again, lacks children, and longing for them
    most of all he goes beneath the earth to Hades;
    another has a disease that destroys the heart; and there is no one
    among men to whom Zeus does not give many evils.

    Solon

    Athenian lawgiver and poet (around 600 BC): good order, justice, the ages of man, and a defense of his reforms.

    Our city

    Athens will fall not by the gods’ will but by its citizens’ greed; good order is the cure.

    Ἡμετέρα δὲ πόλις κατὰ μὲν Διὸς οὔποτʼ ὀλεῖται
    αἶσαν καὶ μακάρων θεῶν φρένας ἀθανάτων·
    τοίη γὰρ μεγάθυμος ἐπίσκοπος ὀβριμοπάτρη
    Παλλὰς Ἀθηναίη χεῖρας ὕπερθεν ἔχει·
    αὐτοὶ δὲ φθείρειν μεγάλην πόλιν ἀφραδίῃσιν
    ἀστοὶ βούλονται χρήμασι πειθόμενοι,
    δήμου θʼ ἡγεμόνων ἄδικος νόος, οἷσιν ἑτοῖμον
    ὕβριος ἐκ μεγάλης ἄλγεα πολλὰ παθεῖν·
    οὐ γὰρ ἐπίστανται κατέχειν κόρον οὐδὲ παρούσας
    εὐφροσύνας κοσμεῖν δαιτὸς ἐν ἡσυχίῃ.

    Our city will never perish by the decree of Zeus
    and the will of the blessed immortal gods;
    for so great-hearted a guardian, daughter of a mighty father,
    Pallas Athena, holds her hands over it.
    But they themselves want to ruin the great city by their folly,
    the citizens, won over by money,
    and so does the unjust mind of the people’s leaders, for whom it is in store
    to suffer many pains for their great arrogance;
    for they do not know how to restrain excess, nor how to order
    the present joys of the feast in quiet.

    Solon was the Athenian statesman and lawgiver whose reforms (594 BC) ended slavery for debt; he argued for them in verse.

    […]
    πλουτοῦσιν δʼ ἀδίκοις ἔργμασι πειθόμενοι
    […]
    οὔθʼ ἱερῶν κτεάνων οὔτε τι δημοσίων
    φειδόμενοι κλέπτουσιν ἐφʼ ἁρπαγῇ ἄλλοθεν ἄλλος,
    οὐδὲ φυλάσσονται σεμνὰ θέμεθλα Δίκης,
    ἣ σιγῶσα σύνοιδε τὰ γιγνόμενα πρό τʼ ἐόντα,
    τῷ δὲ χρόνῳ πάντως ἦλθʼ ἀποτισομένη.
    τοῦτʼ ἤδη πάσῃ πόλει ἔρχεται ἕλκος ἄφυκτον·

    […]
    and they grow rich, won over by unjust deeds,
    […]
    sparing neither sacred property nor anything public,
    they steal by plunder, one from here, another from there,
    and they do not respect the solemn foundations of Justice,
    who in silence knows what is happening and what was before,
    and in time she comes, without fail, to exact payment.
    This now comes upon the whole city as a wound none can escape,

    εἰς δὲ κακὴν ταχέως ἤλυθε δουλοσύνην,
    ἣ στάσιν ἔμφυλον πόλεμόν θʼ εὕδοντʼ ἐπεγείρει,
    ὃς πολλῶν ἐρατὴν ὤλεσεν ἡλικίην·
    ἐκ γὰρ δυσμενέων ταχέως πολυήρατον ἄστυ
    τρύχεται ἐν συνόδοις, τῆς ἄδικʼ ἐστὶ φίλα.
    ταῦτα μὲν ἐν δήμῳ στρέφεται κακά· τῶν δὲ πενιχρῶν
    ἱκνοῦνται πολλοὶ γαῖαν ἐς ἀλλοδαπήν
    πραθέντες δεσμοῖσί τʼ ἀεικελίοισι δεθέντες,
    καὶ κακὰ δουλοσύνης στυγνὰ φέρουσι βίᾳ.

    and it quickly falls into wretched slavery,
    which awakens civil strife and sleeping war,
    which has destroyed the lovely youth of many;
    for at the hands of its enemies a much-loved city
    is quickly worn down in conspiracies dear to the unjust.
    These are the evils that go about among the people; and of the poor
    many reach a foreign land,
    sold and bound in shameful fetters,
    and they bear the hateful evils of slavery by force.

    οὕτω δημόσιον κακὸν ἔρχεται οἴκαδʼ ἑκάστῳ,
    αὔλειοι δʼ ἔτʼ ἔχειν οὐκ ἐθέλουσι θύραι,
    ὑψηλὸν δʼ ὑπὲρ ἕρκος ὑπέρθορεν, εὗρε δὲ πάντως,
    εἰ καί τις φεύγων ἐν μυχῷ ᾖ θαλάμου.
    ταῦτα διδάξαι θυμὸς Ἀθηναίους με κελεύει,
    ὡς κακὰ πλεῖστα πόλει δυσνομία παρέχει,
    εὐνομία δʼ εὔκοσμα καὶ ἄρτια πάντʼ ἀποφαίνει,
    καὶ θάμα τοῖς ἀδίκοις ἀμφιτίθησι πέδας·

    So the public evil comes home to each man,
    and the courtyard doors no longer care to hold it back;
    it leaps over the high wall and finds him all the same,
    even if he runs and hides in the inmost corner of his chamber.
    These things my heart bids me teach the Athenians:
    that lawlessness brings the city very many evils,
    but good order makes all things orderly and sound,
    and often puts fetters on the unjust;

    τραχέα λειαίνει, παύει κόρον, ὕβριν ἀμαυροῖ,
    αὐαίνει δʼ ἄτης ἄνθεα φυόμενα,
    εὐθύνει δὲ δίκας σκολιὰς ὑπερήφανά τʼ ἔργα
    πραΰνει, παύει δʼ ἔργα διχοστασίης,
    παύει δʼ ἀργαλέης ἔριδος χόλον, ἔστι δʼ ὑπʼ αὐτῆς
    πάντα κατʼ ἀνθρώπους ἄρτια καὶ πινυτά.

    it smooths what is rough, stops excess, dims arrogance,
    and withers the blossoms of ruin as they grow;
    it straightens crooked judgments, and arrogant deeds
    it calms; it stops the works of dissension,
    it stops the anger of grievous strife, and under it
    all things among men are sound and wise.

    What I gave the people

    Solon gave the people enough power and protected the rich, holding his shield over both.

    Δήμῳ μὲν γὰρ ἔδωκα τόσον κράτος, ὅσσον ἐπαρκεῖ,
    τιμῆς οὔτʼ ἀφελὼν οὔτʼ ἐπορεξάμενος·
    οἳ δʼ εἶχον δύναμιν καὶ χρήμασιν ἦσαν ἀγητοί,
    καὶ τοῖς ἐφρασάμην μηδὲν ἀεικὲς ἔχειν·
    ἔστην δʼ ἀμφιβαλὼν κρατερὸν σάκος ἀμφοτέροισιν,
    νικᾶν δʼ οὐκ εἴασʼ οὐδετέρους ἀδίκως.

    To the people I gave as much power as is enough,
    neither taking from their honor nor reaching for more;
    and those who had power and were admired for their wealth,
    for them too I saw to it that they suffered nothing unseemly.
    I stood holding my strong shield over both sides,
    and did not let either side win unjustly.

    Prayer to the Muses

    Solon prays for honest wealth and reflects on Zeus’ justice and the uncertainty of human effort.

    Μνημοσύνης καὶ Ζηνὸς Ὀλυμπίου ἀγλαὰ τέκνα,
    Μοῦσαι Πιερίδες, κλῦτέ μοι εὐχομένῳ·
    ὄλβον μοι πρὸς θεῶν μακάρων δότε καὶ πρὸς ἁπάντων
    ἀνθρώπων αἰεὶ δόξαν ἔχειν ἀγαθήν·
    εἶναι δὲ γλυκὺν ὧδε φίλοις, ἐχθροῖσι δὲ πικρόν,
    τοῖσι μὲν αἰδοῖον, τοῖσι δὲ δεινὸν ἰδεῖν.
    χρήματα δʼ ἱμείρω μὲν ἔχειν, ἀδίκως δὲ πεπᾶσθαι
    οὐκ ἐθέλω· πάντως ὕστερον ἦλθε δίκη.

    Shining children of Memory and Olympian Zeus,
    Muses of Pieria, hear me as I pray:
    grant me prosperity from the blessed gods, and from all
    men always to have a good name;
    and so to be sweet to my friends, and bitter to my enemies,
    to the first a man to respect, to the second a terror to look at.
    Money I do long to have, but to have gained it unjustly
    I do not want; justice always comes in the end.

    πλοῦτον δʼ ὃν μὲν δῶσι θεοί, παραγίγνεται ἀνδρί
    ἔμπεδος ἐν νεάτου πυθμένος εἰς κορυφήν·
    ὃν δʼ ἄνδρες μετίωσιν ὑφʼ ὕβριος, οὐ κατὰ κόσμον
    ἔρχεται, ἀλλʼ ἀδίκοις ἔργμασι πειθόμενος
    οὐκ ἐθέλων ἕπεται· ταχέως δʼ ἀναμίσγεται ἄτη·
    ἀρχὴ δʼ ἐξ ὀλίγου γίγνεται ὥστε πυρός,
    φλαύρη μὲν τὸ πρῶτον, ἀνιηρὴ δὲ τελευτᾷ·
    οὐ γὰρ δὴν θνητοῖς ὕβριος ἔργα πέλει.

    The wealth the gods give stays with a man,
    firm from the lowest base to the top;
    but the wealth men court through arrogance does not come
    in due order; won over by unjust deeds,
    it follows unwillingly, and ruin quickly mingles with it.
    Its beginning comes from something small, as with a fire:
    trivial at first, but grievous in the end;
    for the works of arrogance do not last long for mortals.

    ἀλλὰ Ζεὺς πάντων ἐφορᾷ τέλος, ἐξαπίνης δέ
    ὥστʼ ἄνεμος νεφέλας αἶψα διεσκέδασεν
    ἠρινός, ὃς πόντου πολυκύμονος ἀτρυγέτοιο
    πυθμένα κινήσας, γῆν κατὰ πυροφόρον
    δῃώσας καλὰ ἔργα, θεῶν ἕδος αἰπὺν ἱκάνει
    οὐρανόν, αἰθρίην δʼ αὖτις ἔθηκεν ἰδεῖν·
    λάμπει δʼ ἠελίοιο μένος κατὰ πίονα γαῖαν
    καλόν, ἀτὰρ νεφέων οὐδὲν ἔτʼ ἐστὶν ἰδεῖν·

    But Zeus watches over the outcome of all things; and suddenly,
    as a wind quickly scatters the clouds,
    a spring wind, which churns the barren, many-waved sea
    to its floor, and over the wheat-bearing earth
    lays waste the fine tilled fields, then reaches the steep seat of the gods,
    the sky, and makes clear weather to be seen again;
    the strength of the sun shines over the rich earth,
    beautiful, and not a cloud is left to see:

    τοιαύτη Ζηνὸς πέλεται τίσις, οὐδʼ ἐφʼ ἑκάστῳ,
    ὥσπερ θνητὸς ἀνήρ, γίγνεται ὀξύχολος·
    αἰεὶ δʼ οὔ ἑ λέληθε διαμπερές, ὅστις ἀλιτρόν
    θυμὸν ἔχῃ, πάντως δʼ ἐς τέλος ἐξεφάνη·
    ἀλλʼ ὁ μὲν αὐτίκʼ ἔτισεν, ὁ δʼ ὕστερον· εἰ δὲ φύγωσιν
    αὐτοί, μηδὲ θεῶν μοῖρʼ ἐπιοῦσα κίχῃ,
    ἤλυθε πάντως αὖτις· ἀναίτιοι ἔργα τίνουσιν
    ἢ παῖδες τούτων ἢ γένος ἐξοπίσω.
    θνητοὶ δʼ ὧδε νοεῦμεν ὁμῶς ἀγαθός τε κακός τε·

    such is the vengeance of Zeus. Not over each single thing,
    like a mortal man, does he grow quick to anger;
    but he never fails, from first to last, to notice whoever has a sinful
    heart, and in the end that one is always revealed.
    But one pays at once, another later; and if they escape
    themselves, and the fate the gods send does not overtake them,
    it comes all the same, later: the innocent pay for those deeds,
    either their children or their descendants after them.
    We mortals, good and bad alike, think like this:

    δηνεύειν αὐτὸς δόξαν ἕκαστος ἔχει,
    πρίν τι παθεῖν· τότε δʼ αὐτίκʼ ὀδύρεται· ἄχρι δὲ τούτου
    χάσκοντες κούφαις ἐλπίσι τερπόμεθα.
    χὤστις μὲν νούσοισιν ὑπʼ ἀργαλέῃσι πιεσθῇ,
    ὡς ὑγιὴς ἔσται, τοῦτο κατεφράσατο·
    [ἄλλος δειλὸς ἐὼν ἀγαθὸς δοκεῖ ἔμμεναι ἀνήρ,
    καὶ καλός, μορφὴν οὐ χαρίεσσαν ἔχων·]
    εἰ δέ τις ἀχρήμων, πενίης δέ μιν ἔργα βιᾶται,
    κτήσεσθαι πάντως χρήματα πολλὰ δοκεῖ.

    each holds on to the opinion he himself has,
    before he suffers something; then at once he laments; but until then
    we gape and take pleasure in empty hopes.
    And whoever is pressed by grievous diseases
    has convinced himself of this: that he will be healthy;
    [another, being a coward, thinks he is a good man,
    and handsome, though he has no graceful form;]
    and if someone is without means, and the works of poverty force him,
    he thinks he will surely acquire a great deal of money.

    σπεύδει δʼ ἄλλοθεν ἄλλος· ὁ μὲν κατὰ πόντον ἀλᾶται
    ἐν νηυσὶν χρῄζων οἴκαδε κέρδος ἄγειν
    ἰχθυόεντʼ, ἀνέμοισι φορεύμενος ἀργαλέοισιν,
    φειδωλὴν ψυχῆς οὐδεμίαν θέμενος·
    ἄλλος γῆν τέμνων πολυδένδρεον εἰς ἐνιαυτόν
    λατρεύει, τοῖσιν καμπύλʼ ἄροτρα μέλει·
    ἄλλος Ἀθηναίης τε καὶ Ἡφαίστου πολυτέχνεω
    ἔργα δαεὶς χειροῖν ξυλλέγεται βίοτον·

    Each hurries in a different direction: one wanders over the sea
    in ships, eager to bring gain home,
    the fish-filled sea, carried by grievous winds,
    setting no store at all by his life;
    another, plowing the tree-filled land, year in, year out,
    slaves away, one of those whose care is the curved plow;
    another, having learned the works of Athena and Hephaestus of many crafts,
    gathers his living with his two hands;

    ἄλλος Ὀλυμπιάδων Μουσέων πάρα δῶρα διδαχθείς,
    ἱμερτῆς σοφίης μέτρον ἐπιστάμενος·
    ἄλλον μάντιν ἔθηκεν ἄναξ ἑκάεργος Ἀπόλλων,
    ἔγνω δʼ ἀνδρὶ κακὸν τηλόθεν ἐρχόμενον,
    ᾧ συνομαρτήσωσι θεοί· τὰ δὲ μόρσιμα πάντως
    οὔτε τις οἰωνὸς ῥύσεται οὔθʼ ἱερά·
    ἄλλοι Παιῶνος πολυφαρμάκου ἔργον ἔχοντες
    ἰητροί· καὶ τοῖς οὐδὲν ἔπεστι τέλος·

    another, taught the gifts that come from the Olympian Muses,
    understanding the measure of lovely wisdom;
    another the lord Apollo, who works from afar, has made a seer,
    and he recognizes the evil coming to a man from far off,
    if the gods stand by him; but what is fated
    no bird of omen and no sacrifice will ward off;
    others, who have the work of Paeon of many drugs,
    are doctors; and for them too there is no sure outcome;

    Paeon was the healer of the gods, later identified with Apollo.

    πολλάκι δʼ ἐξ ὀλίγης ὀδύνης μέγα γίγνεται ἄλγος,
    κοὐκ ἄν τις λύσαιτʼ ἤπια φάρμακα δούς·
    τὸν δὲ κακαῖς νούσοισι κακούμενον ἀργαλέαις τε
    ἁψάμενος χειροῖν αἶψα τίθησʼ ὑγιῆ.
    Μοῖρα δέ τοι θνητοῖσι κακὸν φέρει ἠδὲ καὶ ἐσθλόν·
    δῶρα δʼ ἄφυκτα θεῶν γίγνεται ἀθανάτων.
    πᾶσι δέ τοι κίνδυνος ἐπʼ ἔργμασιν, οὐδέ τις οἶδεν,
    ᾗ μέλλει σχήσειν, χρήματος ἀρχομένου·

    often from a small pain a great agony grows,
    and no one could relieve it by giving soothing drugs;
    yet another, tormented by bad and grievous diseases,
    he touches with his hands and at once makes healthy.
    Fate brings mortals bad and good alike,
    and the gifts of the immortal gods cannot be escaped.
    Risk attends every action, and no one knows
    where it will come to rest, when a thing is just beginning;

    ἀλλʼ ὁ μὲν εὖ ἕρδειν πειρώμενος οὐ προνοήσας
    εἰς μεγάλην ἄτην καὶ χαλεπὴν ἔπεσεν,
    τῷ δὲ κακῶς ἕρδοντι θεὸς περὶ πάντα δίδωσιν
    συντυχίην ἀγαθήν, ἔκλυσιν ἀφροσύνης.
    πλούτου δʼ οὐδὲν τέρμα πεφασμένον ἀνδράσι κεῖται·
    οἳ γὰρ νῦν ἡμέων πλεῖστον ἔχουσι βίον,
    διπλασίως σπεύδουσι· τίς ἂν κορέσειεν ἅπαντας;
    κέρδεά τοι θνητοῖς ὤπασαν ἀθάνατοι·
    ἄτη δʼ ἐξ αὐτῶν ἀναφαίνεται, ἣν ὁπόταν Ζεύς
    πέμψῃ τισομένην, ἄλλοτε ἄλλος ἔχει.

    but the one who tries to act well, without foreseeing,
    falls into great and harsh ruin,
    while to the one who acts badly the god gives, in everything,
    good fortune, a release from his folly.
    No limit to wealth lies revealed for men;
    for those of us who now have the largest living
    strive for twice as much: who could satisfy them all?
    The immortals have granted mortals gains,
    but ruin appears out of them, and whenever Zeus
    sends it to exact payment, one man has it now, another then.

    The ten ages of man

    A man’s life runs in ten stages of seven years, from losing his milk teeth to death.

    Παῖς μὲν ἄνηβος ἐὼν ἔτι νήπιος ἕρκος ὀδόντων
    φύσας ἐκβάλλει πρῶτον ἐν ἕπτʼ ἔτεσιν·
    τοὺς δʼ ἑτέρους ὅτε δὴ τελέσῃ θεὸς ἕπτʼ ἐνιαυτούς,
    ἥβης ἐκφαίνει σήματα γεινομένης·
    τῇ τριτάτῃ δὲ γένειον ἀεξομένων ἔτι γυίων
    λαχνοῦται, χροιῆς ἄνθος ἀμειβομένης·
    τῇ δὲ τετάρτῃ πᾶς τις ἐν ἑβδομάδι μέγʼ ἄριστος
    ἰσχύν, ἥντʼ ἄνδρες σήματʼ ἔχουσʼ ἀρετῆς·

    A boy, still a child and not yet grown, the fence of teeth
    that he has grown he first sheds within seven years;
    when the god completes another seven years for him,
    he shows the signs of youth coming on;
    in the third, while his limbs are still growing, his chin
    turns downy, as the bloom of his skin changes;
    in the fourth seven, every man is at his very best
    in strength, which men hold to be the signs of excellence;

    πέμπτῃ δʼ ὡρίου ἄνδρα γάμου μεμνημένον εἶναι
    καὶ παίδων ζητεῖν εἰσοπίσω γενεήν·
    τῇ δʼ ἕκτῃ περὶ πάντα καταρτύεται νόος ἀνδρός,
    οὐδʼ ἕρδειν ἔθʼ ὁμῶς ἔργʼ ἀπάλαμνα θέλει·
    ἑπτὰ δὲ νοῦν καὶ γλῶσσαν ἐν ἑβδομάσιν μέγʼ ἄριστος
    ὀκτώ τʼ· ἀμφοτέρων τέσσαρα καὶ δέκʼ ἔτη·
    τῇ δʼ ἐνάτῃ ἔτι μὲν δύναται, μαλακώτερα δʼ αὐτοῦ
    πρὸς μεγάλην ἀρετὴν γλῶσσά τε καὶ σοφίη·
    τῇ δεκάτῃ δʼ ὅτε δὴ τελέσῃ θεὸς ἕπτʼ ἐνιαυτούς,
    οὐκ ἂν ἄωρος ἐὼν μοῖραν ἔχοι θανάτου.

    in the fifth, a man should be mindful of marriage in its season
    and seek a line of children to come after him;
    in the sixth, a man’s mind is trained in all things,
    and he no longer wants to do reckless deeds as before;
    in seven sevens he is at his very best in mind and tongue,
    and in eight: fourteen years for the two together;
    in the ninth he still has power, but softer
    for great excellence are his tongue and his wisdom;
    and when the god completes the tenth seven years,
    he would not be untimely if he met his portion of death.

    Black Earth my witness

    Solon defends his reforms: he freed the land and the people from debt slavery.

    Συμμαρτυροίη ταῦτʼ ἂν ἐν δίκῃ χρόνου
    μήτηρ μεγίστη δαιμόνων Ὀλυμπίων
    ἄριστα Γῆ μέλαινα, τῆς ἐγώ ποτε
    ὅρους ἀνεῖλον πολλαχῇ πεπηγότας·
    πρόσθεν δὲ δουλεύουσα, νῦν ἐλευθέρα.

    My witness to these things in the court of Time would be
    the greatest mother of the Olympian gods,
    best of all, black Earth, from whom I once
    pulled up the boundary-stones planted everywhere:
    a slave before, now she is free.

    The boundary-stones marked land pledged against debt; Solon’s cancellation of debts removed them.

    πολλοὺς δʼ Ἀθήνας πατρίδʼ εἰς θεόκτιτον
    ἀνήγαγον πραθέντας, ἄλλον ἐκδίκως,
    ἄλλον δικαίως, τοὺς δʼ ἀναγκαίης ὕπο
    χρησμὸν λέγοντας, γλῶσσαν οὐκέτʼ Ἀττικήν
    ἱέντας, ὡς ἂν πολλαχῇ πλανωμένους,
    τοὺς δʼ ἐνθάδʼ αὐτοῦ δουλίης ἀεικέα
    ἔχοντας ἤθη, δεσποτῶν τρομευμένους,
    ἐλευθέρους ἔθηκα· ταῦτα μὲν κράτει,
    ὁμοῦ βίην τε καὶ δίκην συναρμόσας,
    ἔρεξα καὶ διήνυσʼ ὡς ὑπεσχόμην.

    And many to Athens, their god-founded fatherland,
    I brought back who had been sold, one unjustly,
    another justly, and others who, under the force of need,
    were citing an oracle, no longer the Attic tongue
    speaking, as men will who have wandered far and wide;
    and those right here, who had the shameful
    ways of slavery, trembling before their masters,
    I set free. These things, by my power,
    fitting force and justice together,
    I did, and I carried them through as I had promised.

    θεσμοὺς δʼ ὁμοίους τῷ κακῷ τε κἀγαθῷ
    εὐθεῖαν εἰς ἕκαστον ἁρμόσας δίκην
    ἔγραψα. κέντρον δʼ ἄλλος ὡς ἐγὼ λαβών
    κακοφραδής τε καὶ φιλοκτήμων ἀνήρ
    οὔτʼ ἂν κατέσχε δῆμον, οὔτʼ ἐπαύσατο,
    πρὶν ἂν ταράξας πῖαρ ἐξέλῃ γάλα.

    Laws alike for the bad and the good,
    fitting straight justice to each,
    I wrote. Another man, had he taken the goad as I did,
    a man of evil counsel and greedy for possessions,
    would not have held the people back, nor stopped
    before he had stirred things up and taken the cream from the milk.

    Ibycus

    Of Rhegium (sixth century BC): spring gardens and the storm of desire.

    Spring

    Quince trees and vines bloom in spring, but love gives Ibycus no rest in any season.

    Ἦρι μὲν αἵ τε Κυδώνιαι
    μηλίδες ἀρδόμεναι ῥοᾶν
    ἐκ ποταμῶν, ἵνα παρθένων
    κῆπος ἀκήρατος, αἵ τʼ οἰνανθίδες
    αὐξόμεναι σκιεροῖσιν ὑφʼ ἔρνεσιν
    οἰναρέοις θαλέθοισιν· ἐμοὶ δʼ ἔρος
    οὐδεμίαν κατάκοιτος ὥραν, ἅθʼ ὑπὸ στεροπᾶς φλέγων
    Θρηΐκιος βορέας,
    ᾄσσων παρὰ Κύπριδος ἀζαλέαις μανίαισιν ἐρεμνὸς ἀθαμβής
    ἐγκρατέως παιδόθεν φυλάσσει
    ἡμετέρας φρένας.

    In spring the Cydonian
    quince trees, watered by the streams
    from the rivers, where the Maidens’
    untouched garden lies, and the vine-buds,
    swelling under the shady shoots
    of the vine, flourish; but for me love
    lies at rest in no season; as, blazing under the lightning,
    the Thracian north wind,
    rushing from the Cyprian with parching madness, dark and fearless,
    masterfully, since boyhood, keeps hold of
    my heart.

    The “Maidens” are probably the Nymphs; Cydonian quinces are named for Cydonia in Crete.

    Love again

    Love casts him into Aphrodite’s nets, and he trembles like an old racehorse.

    Ἔρος αὖτέ με κυανέοισιν ὑπὸ βλεφάροις τακέρʼ ὄμμασι δερκόμενος
    κηλήμασι παντοδαποῖς ἐς ἄπειρα
    δίκτυα Κύπριδός με βάλλει·
    ἦ μὰν τρομέω νιν ἐπερχόμενον,
    ὥστε φερέζυγος ἵππος ἀεθλοφόρος ποτὶ γήραϊ ἀέκων
    σὺν ὄχεσφι θοοῖς ἐς ἄμιλλαν ἔβα.

    Again Love, from under dark eyelids gazing at me meltingly with his eyes,
    with enchantments of every kind into the boundless
    nets of the Cyprian throws me.
    I tremble, I swear, at his coming,
    as a prize-winning horse that bears the yoke, near old age, unwilling,
    goes with the swift chariot into the race.

    Anacreon

    Of Teos (sixth century BC): love, wine and old age, lightly sung.

    To Artemis

    Anacreon prays to Artemis, who watches over a city on the Lethaeus.

    Γουνοῦμαί σʼ, ἐλαφηβόλε,
    ξανθὴ παῖ Διός, ἀγρίων
    δέσποινʼ Ἄρτεμι θηρῶν·
    ἥ κου νῦν ἐπὶ Ληθαίου
    δίνῃσι θρασυκαρδίων
    ἀνδρῶν ἐσκατορᾷς πόλιν
    χαίρουσʼ· οὐ γὰρ ἀνημέρους
    ποιμαίνεις πολιήτας.

    I implore you, deer-shooter,
    fair-haired child of Zeus, lady
    of wild beasts, Artemis,
    who now, I think, beside the Lethaeus’
    eddies, on a city of bold-hearted
    men look down
    gladly; for they are not untamed,
    the citizens you shepherd.

    The Lethaeus is a river at Magnesia in Asia Minor, where Artemis had a famous temple.

    To Dionysus

    Anacreon asks Dionysus to persuade the boy Cleobulus to accept his love.

    Ὦναξ, ᾧ δαμάλης Ἔρως
    καὶ Νύμφαι κυανώπιδες
    πορφυρέη τʼ Ἀφροδίτη
    συμπαίζουσιν· ἐπιστρέφεαι δʼ
    ὑψηλῶν κορυφὰς ὀρέων,
    γουνοῦμαί σε· σὺ δʼ εὐμενής
    ἔλθʼ ἡμῖν, κεχαρισμένης δʼ
    εὐχωλῆς ἐπακούειν.
    Κλευβούλῳ δʼ ἀγαθὸς γενεῦ
    σύμβουλος· τὸν ἐμὸν δʼ ἔρωτʼ,
    ὦ Δεύνυσε, δέχεσθαι.

    Lord, with whom Love the tamer
    and the dark-eyed Nymphs
    and purple Aphrodite
    play together, as you roam
    the high peaks of the mountains:
    I implore you; come to us
    kindly, and to a prayer
    that pleases you, give ear.
    To Cleobulus be a good
    counselor; make him accept my love,
    Dionysus.

    Cleobulus is a boy loved by Anacreon, named in several of his poems.

    Cleobulus

    Three lines repeating the name of the boy the poet loves.

    Κλευβούλου μὲν ἔγωγʼ ἐρῶ,
    Κλευβούλῳ δʼ ἐπιμαίνομαι,
    Κλεύβουλον δὲ διοσκέω.

    Cleobulus I love,
    over Cleobulus I’m mad,
    at Cleobulus I gaze.

    Boy with a girl’s glance

    The boy does not know he holds the reins of the poet’s soul.

    Ὦ παῖ παρθένιον βλέπων,
    δίζημαί σε, σὺ δʼ οὐ κοεῖς,
    οὐκ εἰδώς, ὅτι τῆς ἐμῆς
    ψυχῆς ἡνιοχεύεις.

    Boy with a girl’s glance,
    I’m searching for you, but you don’t hear,
    not knowing that you are
    the charioteer of my soul.

    The girl from Lesbos

    Love sends a girl to play, but she mocks the poet’s white hair.

    Σφαίρῃ δηὖτέ με πορφυρέῃ
    βάλλων χρυσοκόμης Ἔρως
    νήνι ποικιλοσαμβάλῳ
    συμπαίζειν προκαλεῖται·
    ἡ δʼ, ἐστὶν γὰρ ἀπʼ εὐκτίτου
    Λέσβου, τὴν μὲν ἐμὴν κόμην,
    λευκὴ γάρ, καταμέμφεται,
    πρὸς δʼ ἄλλον τινὰ χάσκει.

    Once again with a purple ball
    golden-haired Love strikes me
    and with a girl in fancy sandals
    calls me out to play;
    but she—since she comes from well-built
    Lesbos—my hair,
    because it’s white, she finds fault with,
    and gapes after someone else.

    Breakfast

    After a little cake and a jar of wine, the poet serenades his girl.

    Ἠρίστησα μὲν ἰτρίου λεπτοῦ μικρὸν ἀποκλάς,
    οἴνου δʼ ἐξέπιον κάδον, νῦν δʼ ἁβρῶς ἐρόεσσαν
    ψάλλω πηκτίδα τῇ φίλῃ κωμάζων παϊδὶ ἁβρῇ.

    I breakfasted, breaking off a small piece of thin honey-cake,
    and drained a jar of wine; now, delicately, the lovely
    harp I pluck, serenading my dear and delicate girl.

    Old age

    Gray-haired and with little life left, the poet fears the way down to Hades.

    Πολιοὶ μὲν ἡμὶν ἤδη κρόταφοι κάρη τε λευκόν,
    χαρίεσσα δʼ οὐκέθʼ ἥβη πάρα, γηράλεοι δʼ ὀδόντες.
    γλυκεροῦ δʼ οὐκέτι πολλὸς βιότου χρόνος λέλειπται·
    διὰ ταῦτʼ ἀνασταλύζω θαμὰ Τάρταρον δεδοικώς.
    Ἀΐδεω γάρ ἐστι δεινὸς μυχός, ἀργαλέη δʼ ἐς αὐτόν
    κάθοδος· καὶ γὰρ ἑτοῖμον καταβάντι μὴ ἀναβῆναι.

    My temples are already gray and my head is white,
    graceful youth is no longer with me, and my teeth are old;
    of sweet life not much time is left any more.
    And so I often sob, afraid of Tartarus.
    For the depths of Hades are terrible, and grievous the way
    down to them; and it’s certain that one who goes down does not come up.

    Drinking with measure

    Mix the wine with water, and drink to song, not like the Scythians.

    Ἄγε δή, φέρʼ ἡμίν, ὦ παῖ,
    κελέβην, ὅκως ἄμυστιν
    προπίω, τὰ μὲν δέκʼ ἐγχέας
    ὕδατος, τὰ πέντε δʼ οἴνου
    κυάθους, ὡς ἀνυβριστί
    ἀνὰ δηὖτε βασσαρήσω.

    Come now, bring us, boy,
    a bowl, so that in one long draft
    I can drink a toast, pouring in ten
    of water and five of wine,
    ladles, so that, without going too far,
    I may once again play the Bacchant.

    […]
    Ἄγε δηὖτε μηκέθʼ οὕτω
    πατάγῳ τε κἀλαλητῷ
    Σκυθικὴν πόσιν παρʼ οἴνῳ
    μελετῶμεν, ἀλλὰ καλοῖς
    ὑποπίνοντες ἐν ὕμνοις.

    […]
    Come on, let’s no longer, as now,
    with clatter and with whooping,
    practice Scythian drinking over our wine,
    but, to the sound of fine
    hymns, sip slowly.

    The Scythians, nomads north of the Black Sea, were proverbial among Greeks for drinking their wine unmixed.

    The Thracian filly

    The poet tells a skittish girl, as a filly, that he could break her in.

    Πῶλε Θρῃκίη, τί δή με λοξὸν ὄμμασιν βλέπουσα
    νηλεῶς φεύγεις, δοκέεις δέ μʼ οὐδὲν εἰδέναι σοφόν;
    ἴσθι τοι, καλῶς μὲν ἄν τοι τὸν χαλινὸν ἐμβάλοιμι,
    ἡνίας δʼ ἔχων στρέφοιμί σʼ ἀμφὶ τέρματα δρόμου.
    νῦν δὲ λειμῶνάς τε βόσκεαι κοῦφά τε σκιρτῶσα παίζεις·
    δεξιὸν γὰρ ἱπποσείρην οὐκ ἔχεις ἐπεμβάτην.

    Thracian filly, why do you look at me sidelong
    and run from me without pity, and think I don’t know a thing about it?
    Believe me, I could fit the bit on you neatly,
    and, holding the reins, wheel you round the turning-posts of the course.
    As it is, you graze the meadows, frisking lightly at play,
    for you have no skilled rider to mount you.

    Simonides

    Of Ceos (around 556–468 BC): Danae in the chest, the dead of Thermopylae, and the hard task of being good.

    Those who died at Thermopylae

    The dead of Thermopylae have an altar for a grave and glory that time cannot dim.

    […]
    Τῶν ἐν Θερμοπύλαις θανόντων
    εὐκλεὴς μὲν ἁ τύχα, καλὸς δʼ ὁ πότμος,
    βωμὸς δʼ ὁ τάφος, πρὸ γόων δὲ μνᾶστις, ὁ δʼ οἶκτος ἔπαινος·
    ἐντάφιον δὲ τοιοῦτον οὔτʼ εὐρώς
    οὔθʼ ὁ πανδαμάτωρ ἀμαυρώσει χρόνος.
    ἀνδρῶν ἀγαθῶν ὅδε σηκὸς οἰκέταν εὐδοξίαν
    Ἑλλάδος εἵλετο· μαρτυρεῖ δὲ καὶ Λεωνίδας
    Σπάρτας βασιλεύς, ἀρετᾶς μέγαν λελοιπώς
    κόσμον ἀέναον κλέος τε.

    […]
    Of those who died at Thermopylae
    glorious is the fortune, fine the fate;
    their grave is an altar; for mourning, memory; for pity, praise.
    Such a shroud as this neither mold
    nor all-conquering time will dim.
    This shrine of good men has taken the glory
    of Greece to live in it; and Leonidas bears witness too,
    king of Sparta, who has left behind a great
    adornment of excellence and everlasting fame.

    At Thermopylae, a coastal pass in central Greece, Leonidas, king of Sparta, and his small force died holding back the Persian army in 480 BC.

    To Scopas

    It is hard to be truly good; Simonides praises anyone who does nothing shameful willingly.

    Ἄνδρʼ ἀγαθὸν μὲν ἀλαθέως γενέσθαι
    χαλεπὸν χερσίν τε καὶ ποσὶ καὶ νόῳ τετράγωνον, ἄνευ ψόγου τετυγμένον·
    ὃς ἂν ᾖ κακὸς μηδʼ ἄγαν ἀπάλαμνος, εἰδώς γʼ ὀνασίπολιν δίκαν
    ὑγιὴς ἀνήρ· οὐδὲ μή μιν ἐγώ
    μωμάσομαι· τῶν γὰρ ἀλιθίων
    ἀπείρων γενέθλα.
    πάντα τοι καλά, τοῖσί τʼ αἰσχρὰ μὴ μέμικται.

    To become a truly good man
    is hard, foursquare in hands and feet and mind, fashioned without blame;
    whoever is neither bad nor too reckless, and knows the justice that helps the city,
    is a sound man; I will not
    find fault with him; for of fools
    the breed is endless.
    All things are fine, I tell you, in which nothing shameful is mixed.

    This poem is known from its quotation and discussion in Plato’s Protagoras.

    Οὐδέ μοι ἐμμελέως τὸ Πιττάκειον
    νέμεται, καίτοι σοφοῦ παρὰ φωτὸς εἰρημένον· χαλεπὸν φάτʼ ἐσθλὸν ἔμμεναι.
    θεὸς ἂν μόνος τοῦτʼ ἔχοι γέρας· ἄνδρα δʼ οὐκ ἔστι μὴ οὐ κακὸν ἔμμεναι,
    ὃν ἀμάχανος συμφορὰ καθέλῃ.
    πράξαις γὰρ εὖ πᾶς ἀνὴρ ἀγαθός,
    κακὸς δʼ, εἰ κακῶς (τι)·
    καὶ τὸ πλεῖστον ἄριστοι, τοὺς θεοὶ φιλέωντι.

    Nor does that saying of Pittacus
    ring true to me, though it was spoken by a wise man: “It is hard,” he said, “to be good.”
    A god alone could have that prize; but a man cannot help being bad
    when irresistible misfortune brings him down.
    For every man who fares well is good,
    and bad, if he fares badly;
    and for the most part the best are those whom the gods love.

    Pittacus of Mytilene, counted among the Seven Sages, ruled his city around 600 BC.

    Τοὔνεκεν οὔποτʼ ἐγὼ τὸ μὴ γενέσθαι
    δυνατὸν διζήμενος, κενεὰν ἐς ἄπρακτον ἐλπίδα μοῖραν αἰῶνος βαλέω,
    πανάμωμον ἄνθρωπον, εὐρυέδους ὅσοι καρπὸν αἰνύμεθα χθονός·
    ἐπί τʼ ὔμμιν εὐρὼν ἀπαγγελέω.
    πάντας δʼ ἐπαίνημι καὶ φιλέω,
    ἑκὼν ὅστις ἔρδῃ
    μηδὲν αἰσχρόν, ἀνάγκᾳ δʼ οὐδὲ θεοὶ μάχονται.

    For this reason I will never, searching for what cannot
    come to be, throw my share of life away on empty, fruitless hope:
    a wholly blameless human being, among all of us who reap the fruit of the broad-based earth;
    and if I find him, I’ll let you know.
    But I praise and love all,
    whoever willingly does
    nothing shameful; against necessity not even the gods fight.

    Danae

    Adrift in a chest at sea, Danae sings her sleeping baby to rest and prays to Zeus.

    Famous passage Danae adrift at seaAdrift with her baby in a dark chest at sea, Danae whispers “sleep, my baby, and let the sea sleep.”

    Ὅτε λάρνακι κεῖτʼ ἐν δαιδαλέᾳ,
    ἄνεμός τʼ ἐφόρει μιν πνέων κινηθεῖσά τε λίμνα,
    δεῖμα προσεῖρπε τότʼ οὐκ ἀδιάντοισι παρειαῖς,
    ἀμφί τε Περσέϊ βάλλε φίλαν χέρʼ, εἶπέν τʼ· ὦ τέκος,
    οἷον ἔχω πόνον· σὺ δʼ ἀωτεῖς·
    γαλαθηνῷ λάθεϊ κνώσσεις ἐν ἀτερπεῖ
    δούρατι χαλκεογόμφῳ,
    νυκτὶ ἀλαμπεῖ κυανέῳ τε δνόφῳ καταλείς·

    When she lay in the finely wrought chest,
    and the blowing wind and the heaving sea carried her along,
    fear crept over her then, her cheeks not dry of tears,
    and she put her loving arm around Perseus and said: “My child,
    what suffering is mine! But you sleep;
    with a suckling’s calm you slumber in this cheerless
    bronze-bolted wooden box,
    stretched out in the lightless night and the dark-blue gloom.

    Danae and her infant son Perseus were shut in a chest and set adrift at sea by her father Acrisius.

    ἅλμαν δʼ ὕπερθεν τεᾶν κομᾶν βαθεῖαν
    παριόντος κύματος οὐκ ἀλέγεις, οὐδʼ ἀνέμων
    φθόγγον, πορφυρέᾳ
    κείμενος ἐν χλανίδι, πρόσωπον κλιθὲν προσώπῳ.
    εἰ δέ τοι δεινὸν τό γε δεινὸν ἦν,
    καί κεν ἐμῶν ῥημάτων λεπτὸν ὑπεῖχες οὖας.
    κέλομαι δʼ, εὗδε βρέφος, εὑδέτω δὲ πόντος,
    εὑδέτω δʼ ἄμοτον κακόν·
    μεταιβολία δέ τις φανείη, Ζεῦ πάτερ,
    ἐκ σέθεν· ὅττι δὲ θαρσαλέον ἔπος
    εὔχομαι νόσφιν δίκας, σύγγνωθί μοι.

    The deep spray above your hair
    from the passing wave you do not heed, nor the wind’s
    roar; in a purple
    blanket you lie, your face pressed against mine.
    If what is fearful were fearful to you,
    you would turn your small ear to my words.
    But I tell you: sleep, my baby, and let the sea sleep,
    and let our measureless trouble sleep;
    and may some change appear, father Zeus,
    from you; and if I pray a bold word,
    beyond what is right, forgive me.”

    Epitaph for the Peloponnesians at Thermopylae

    Four thousand men fought three million here.

    Μυριάσιν ποτὲ τῇδε τριακοσίαις ἐμάχοντο
    ἐκ Πελοποννάσου χιλιάδες τέτορες.

    Here once against three million fought
    four thousand from the Peloponnese.

    Epitaph for the Greeks who held the pass of Thermopylae against the Persian army in 480 BC.

    Epitaph for the Spartans at Thermopylae

    Tell the Spartans that we lie here, obedient to their words.

    Famous passage Epitaph for the SpartansThe epitaph for Leonidas’ men at Thermopylae: “Stranger, tell the Spartans that here we lie.”

    Ὦ ξεῖνʼ ἀγγέλλειν Λακεδαιμονίοις, ὅτι τῇδε
    κείμεθα, τοῖς κείνων ῥήμασι πειθόμενοι.

    Stranger, tell the Spartans that here
    we lie, obedient to their words.

    Epitaph for Megistias

    A seer who foresaw his death at Thermopylae but would not leave the Spartans.

    Μνῆμα τόδε κλεινοῖο Μεγιστία, ὅν ποτε Μῆδοι
    Σπερχειὸν ποταμὸν κτεῖναν ἀμειψάμενοι,
    μάντιος, ὃς τότε κῆρας ἐπερχομένας σάφα εἰδώς
    οὐκ ἔτλη Σπάρτης ἡγεμόνας προλιπεῖν.

    This is the memorial of famous Megistias, whom once the Medes
    killed when they had crossed the river Spercheius—
    a seer, who, though he knew clearly then the doom that was coming,
    could not bring himself to desert the leaders of Sparta.

    Megistias, a seer from Acarnania, foresaw the defeat at Thermopylae but stayed and died with Leonidas; “the Medes” are the Persians.

    Pindar

    Of Thebes (518–after 446 BC): victory odes for Hieron of Syracuse and Aristomenes of Aegina.

    Olympian 1: for Hieron of Syracuse

    Pindar praises Hieron’s Olympic win and retells the myth of Pelops, Tantalus and Poseidon.

    ἄριστον μὲν ὕδωρ, ὁ δὲ χρυσὸς αἰθόμενον πῦρ
    ἅτε διαπρέπει νυκτὶ μεγάνορος ἔξοχα πλούτου·
    εἰ δʼ ἄεθλα γαρύεν
    ἔλδεαι, φίλον ἦτορ,
    μηκέθʼ ἁλίου σκόπει
    ἄλλο θαλπνότερον ἐν ἁμέρᾳ φαεννὸν ἄστρον ἐρήμας διʼ αἰθέρος,
    μηδʼ Ὀλυμπίας ἀγῶνα φέρτερον αὐδάσομεν·

    Best is water, and gold, like blazing fire
    that shines out in the night, stands out above all lordly wealth;
    but if to sing of contests
    you long, my heart,
    do not look, beyond the sun,
    for any other star by day more warming and bright through the empty sky,
    nor shall we proclaim a contest greater than Olympia’s.

    An epinician (victory ode) for Hieron, tyrant of Syracuse, whose horse won the single-horse race at Olympia in 476 BC.

    ὅθεν ὁ πολύφατος ὕμνος ἀμφιβάλλεται
    σοφῶν μητίεσσι, κελαδεῖν
    Κρόνου παῖδʼ ἐς ἀφνεὰν ἱκομένους
    μάκαιραν Ἱέρωνος ἑστίαν,
    θεμιστεῖον ὃς ἀμφέπει σκᾶπτον ἐν πολυμάλῳ
    Σικελίᾳ, δρέπων μὲν κορυφὰς ἀρετᾶν ἄπο πασᾶν,
    ἀγλαΐζεται δὲ καὶ
    μουσικᾶς ἐν ἀώτῳ,

    From there the far-famed hymn is cast around
    the minds of the wise, for them to sing aloud
    of Cronus’ son, when they come to the rich
    and blessed hearth of Hieron,
    who wields the scepter of justice in flock-rich
    Sicily, plucking the peaks of every excellence,
    and is made splendid too
    in the finest flower of music,

    οἷα παίζομεν φίλαν
    ἄνδρες ἀμφὶ θαμὰ τράπεζαν. ἀλλὰ Δωρίαν ἀπὸ φόρμιγγα πασσάλου
    λάμβανʼ, εἴ τί τοι Πίσας τε καὶ Φερενίκου χάρις
    νόον ὑπὸ γλυκυτάταις ἔθηκε φροντίσιν,
    ὅτε παρʼ Ἀλφεῷ σύτο, δέμας
    ἀκέντητον ἐν δρόμοισι παρέχων,
    κράτει δὲ προσέμιξε δεσπόταν,
    Συρακόσιον ἱπποχάρμαν βασιλῆα. λάμπει δέ οἱ κλέος
    ἐν εὐάνορι Λυδοῦ Πέλοπος ἀποικίᾳ·

    the kind we men often play around
    the friendly table. Come, take the Dorian lyre down from its peg,
    if the delight of Pisa and of Pherenicus has in any way
    brought your mind under the sweetest thoughts,
    when he sped beside the Alpheus, his body
    offering ungoaded in the race,
    and joined his master to victory,
    the Syracusan king who delights in horses. His fame shines
    in the colony, rich in brave men, of Lydian Pelops;

    Pherenicus was Hieron’s racehorse; Pisa is the district around Olympia, and the “colony of Pelops” is the Peloponnese.

    τοῦ μεγασθενὴς ἐράσσατο γαιάοχος
    Ποσειδᾶν, ἐπεί νιν καθαροῦ λέβητος ἔξελε Κλωθὼ
    ἐλέφαντι φαίδιμον ὦμον κεκαδμένον.
    ἦ θαυματὰ πολλά, καί πού τι καὶ βροτῶν φάτις ὑπὲρ τὸν ἀλαθῆ λόγον
    δεδαιδαλμένοι ψεύδεσι ποικίλοις ἐξαπατῶντι μῦθοι
    Χάρις δʼ, ἅπερ ἅπαντα τεύχει τὰ μείλιχα θνατοῖς,
    ἐπιφέροισα τιμὰν καὶ ἄπιστον ἐμήσατο πιστὸν
    ἔμμεναι τὸ πολλάκις·
    ἁμέραι δʼ ἐπίλοιποι
    μάρτυρες σοφώτατοι.

    with whom the mighty Earth-holder fell in love,
    Poseidon, after Clotho lifted him out of the pure cauldron,
    his shoulder gleaming, fitted with ivory.
    Truly, there are many marvels, and somehow mortals’ talk, too, goes beyond the true account:
    tales embroidered with intricate lies deceive.
    And Grace, who fashions everything sweet for mortals,
    by bestowing honor has contrived that even the incredible is credible
    many a time;
    but the days to come
    are the wisest witnesses.

    ἔστι δʼ ἀνδρὶ φάμεν ἐοικὸς ἀμφὶ δαιμόνων καλά· μείων γὰρ αἰτία.
    υἱὲ Ταντάλου, σὲ δʼ, ἀντία προτέρων, φθέγξομαι,
    ὁπότʼ ἐκάλεσε πατὴρ τὸν εὐνομώτατον
    ἐς ἔρανον φίλαν τε Σίπυλον,
    ἀμοιβαῖα θεοῖσι δεῖπνα παρέχων,
    τότʼ Ἀγλαοτρίαιναν ἁρπάσαι
    δαμέντα φρένας ἱμέρῳ χρυσέαισί τʼ ἀνʼ ἵπποις
    ὕπατον εὐρυτίμου ποτὶ δῶμα Διὸς μεταβᾶσαι,
    ἔνθα δευτέρῳ χρόνῳ
    ἦλθε καὶ Γανυμήδης
    Ζηνὶ τωὔτʼ ἐπὶ χρέος.

    It is fitting for a man to speak well of the gods; the blame is less.
    Son of Tantalus, I will tell of you, unlike those before me,
    how, when your father called the gods to the most well-ordered
    feast at his beloved Sipylus,
    giving them a banquet in return,
    then the Lord of the Splendid Trident carried you off,
    his mind overpowered by desire, and on golden horses
    transported you to the highest house of wide-honored Zeus,
    where at a later time
    Ganymede also came
    to Zeus for the same service.

    Sipylus, a mountain in Lydia, was Tantalus’ seat. Ganymede was the Trojan boy whom Zeus carried off to be his cupbearer.

    ὡς δʼ ἄφαντος ἔπελες, οὐδὲ ματρὶ πολλὰ μαιόμενοι φῶτες ἄγαγον,
    ἔννεπε κρυφᾶ τις αὐτίκα φθονερῶν γειτόνων,
    ὕδατος ὅτι σε πυρὶ ζέοισαν εἰς ἀκμὰν
    μαχαίρᾳ τάμον κάτα μέλη,
    τραπέζαισί τʼ, ἀμφὶ δεύτατα, κρεῶν
    σέθεν διεδάσαντο καὶ φάγον.

    When you vanished, and men searching far and wide did not bring you back to your mother,
    one of the envious neighbors at once said in secret
    that into water boiling hard on the fire
    they had cut you limb from limb with a knife,
    and at the tables, for the last course, your flesh
    they shared out among themselves and ate.

    ἐμοὶ δʼ ἄπορα γαστρίμαργον μακάρων τινʼ εἰπεῖν. ἀφίσταμαι.
    ἀκέρδεια λέλογχεν θαμινὰ κακαγόρους.
    εἰ δὲ δή τινʼ ἄνδρα θνατὸν Ὀλύμπου σκοποὶ
    ἐτίμασαν, ἦν Τάνταλος οὗτος· ἀλλὰ γὰρ καταπέψαι
    μέγαν ὄλβον οὐκ ἐδυνάσθη, κόρῳ δʼ ἕλεν
    ἄταν ὑπέροπλον, ἅν οἱ πατὴρ ὑπερκρέμασε καρτερὸν αὐτῷ λίθον,
    τὸν αἰεὶ μενοινῶν κεφαλᾶς βαλεῖν εὐφροσύνας ἀλᾶται.

    For me it is impossible to call any of the blessed ones a glutton. I stand back.
    Loss is often the lot of slanderers.
    If ever the watchers of Olympus did honor
    any mortal man, it was this Tantalus; but to digest
    his great prosperity he could not, and through excess he won
    overwhelming ruin: the father hung over him a mighty stone,
    and forever longing to cast it from his head, he wanders far from joy.

    ἔχει δʼ ἀπάλαμον βίον τοῦτον ἐμπεδόμοχθον,
    μετὰ τριῶν τέταρτον πόνον, ἀθανάτων ὅτι κλέψαις
    ἁλίκεσσι συμπόταις
    νέκταρ ἀμβροσίαν τε
    δῶκεν, οἷσιν ἄφθιτον
    θῆκαν. εἰ δὲ θεὸν ἀνήρ τις ἔλπεταί τι λαθέμεν ἔρδων, ἁμαρτάνει.
    τοὔνεκα προῆκαν υἱὸν ἀθάνατοί οἱ πάλιν
    μετὰ τὸ ταχύποτμον αὖτις ἀνέρων ἔθνος.

    He has this helpless life of unending toil,
    a fourth labor with three others, because he stole from the immortals
    and to his drinking companions of his own age
    the nectar and ambrosia
    he gave, by which the gods had made him
    immortal. If a man hopes, in doing anything, to escape a god’s notice, he is wrong.
    Therefore the immortals sent his son back again
    once more among the short-lived race of men.

    πρὸς εὐάνθεμον δʼ ὅτε φυὰν
    λάχναι νιν μέλαν γένειον ἔρεφον.
    ἑτοῖμον ἀνεφρόντισεν γάμον
    Πισάτα παρὰ πατρὸς εὔδοξον Ἱπποδάμειαν
    σχεθέμεν. ἐγγὺς ἐλθὼν πολιᾶς ἁλὸς οἶος ἐν ὄρφνᾳ
    ἄπυεν βαρύκτυπον
    Εὐτρίαιναν· ὁ δʼ αὐτῷ
    πὰρ ποδὶ σχεδὸν φάνη.

    And when, toward the flowering of his youth,
    down began to darken his chin,
    he set his mind on a marriage that lay ready:
    from her father of Pisa the glorious Hippodamia
    to win. Going near the gray sea, alone in the darkness,
    he called on the deep-thundering
    Lord of the Fine Trident; and to him
    he appeared, right there at his feet.

    τῷ μὲν εἶπε· φίλια δῶρα Κυπρίας ἄγʼ εἴ τι, Ποσείδαον, ἐς χάριν
    τέλλεται, πέδασον ἔγχος Οἰνομάου χάλκεον,
    ἐμὲ δʼ ἐπὶ ταχυτάτων πόρευσον ἁρμάτων
    ἐς Ἆλιν, κράτει δὲ πέλασον.
    ἐπεὶ τρεῖς τε καὶ δέκʼ ἄνδρας ὀλέσαις
    ἐρῶντας ἀναβάλλεται γάμον
    θυγατρός. ὁ μέγας δὲ κίνδυνος ἄναλκιν οὐ φῶτα λαμβάνει.

    He said to him: “Come, if the Cyprian’s dear gifts, Poseidon, earn any
    thanks, fetter the bronze spear of Oenomaus,
    and carry me on the swiftest of chariots
    to Elis, and bring me to victory.
    For, having killed thirteen men
    who courted her, he keeps putting off the marriage
    of his daughter. Great danger does not take hold of a man without courage.

    Oenomaus, king of Pisa, challenged his daughter’s suitors to a chariot race and killed those he overtook.

    θανεῖν δʼ οἷσιν ἀνάγκα, τί κέ τις ἀνώνυμον
    γῆρας ἐν σκότῳ καθήμενος ἕψοι μάταν,
    ἁπάντων καλῶν ἄμμορος; ἀλλʼ ἐμοὶ μὲν οὗτος ἄεθλος
    ὑποκείσεται· τὺ δὲ πρᾶξιν φίλαν δίδοι.
    ὣς ἔννεπεν· οὐδʼ ἀκράντοις ἐφάψατʼ ὦν ἔπεσι. τὸν μὲν ἀγάλλων θεὸς
    ἔδωκεν δίφρον τε χρύσεον πτεροῖσίν τʼ ἀκάμαντας ἵππους.
    ἕλεν δʼ Οἰνομάου βίαν παρθένον τε σύνευνον·

    And for those who must die, why should anyone coddle a nameless
    old age to no end, sitting in darkness,
    without a share in anything fine? No—for me this contest
    shall be mine to face; and you, grant me the success I long for.”
    So he spoke, nor were the words he spoke left unfulfilled. Honoring him, the god
    gave him a golden chariot and tireless winged horses.
    He overcame the might of Oenomaus, and took the maiden to share his bed;

    τέκε τε λαγέτας ἓξ ἀρεταῖσι μεμαότας υἱούς.
    νῦν δʼ ἐν αἱμακουρίαις
    ἀγλααῖσι μέμικται,
    Ἀλφεοῦ πόρῳ κλιθείς,
    τύμβον ἀμφίπολον ἔχων πολυξενωτάτῳ παρὰ βωμῷ. τὸ δὲ κλέος
    τηλόθεν δέδορκε τᾶν Ὀλυμπιάδων ἐν δρόμοις
    Πέλοπος, ἵνα ταχυτὰς ποδῶν ἐρίζεται
    ἀκμαί τʼ ἰσχύος θρασύπονοι·

    and she bore him six sons, leaders of the people, eager for excellence.
    And now in the splendid
    blood offerings he has his share,
    lying by the stream of the Alpheus,
    with his much-visited tomb beside the altar thronged by strangers. And the fame
    shines from afar in the racecourses of the Olympic games,
    the fame of Pelops, where speed of foot contends
    and the bold-laboring peaks of strength;

    ὁ νικῶν δὲ λοιπὸν ἀμφὶ βίοτον
    ἔχει μελιτόεσσαν εὐδίαν
    ἀέθλων γʼ ἕνεκεν. τὸ δʼ αἰεὶ παράμερον ἐσλὸν
    ὕπατον ἔρχεται παντὶ βροτῶν. ἐμὲ δὲ στεφανῶσαι
    κεῖνον ἱππίῳ νόμῳ
    Αἰοληΐδι μολπᾷ
    χρή· πέποιθα δὲ ξένον
    μή τινʼ, ἀμφότερα καλῶν τε ἴδριν ἁμᾷ καὶ δύναμιν κυριώτερον,
    τῶν γε νῦν κλυταῖσι δαιδαλωσέμεν ὕμνων πτυχαῖς.

    and the victor, for the rest of his life,
    has honey-sweet fair weather
    because of the games. But the good that comes day by day
    is the highest that comes to any mortal. To crown
    that man with a horseman’s tune
    in Aeolian song
    is my task; and I am sure there is no host
    at all, more versed in fine things and with power more sovereign,
    among those now living, for me to embellish in the glorious folds of hymns.

    θεὸς ἐπίτροπος ἐὼν τεαῖσι μήδεται
    ἔχων τοῦτο κᾶδος, Ἱέρων,
    μερίμναισιν· εἰ δὲ μὴ ταχὺ λίποι,
    ἔτι γλυκυτέραν κεν ἔλπομαι
    σὺν ἅρματι θοῷ κλεΐξειν, ἐπίκουρον εὑρὼν ὁδὸν λόγων
    παρʼ εὐδείελον ἐλθὼν Κρόνιον. ἐμοὶ μὲν ὦν
    Μοῖσα καρτερώτατον βέλος ἀλκᾷ τρέφει·
    ἐπʼ ἄλλοισι δʼ ἄλλοι μεγάλοι. τὸ δʼ ἔσχατον
    κορυφοῦται βασιλεῦσι. μηκέτι πάπταινε πόρσιον.
    εἴη σέ τε τοῦτον ὑψοῦ χρόνον πατεῖν, ἐμέ τε τοσσάδε νικαφόροις
    ὁμιλεῖν, πρόφαντον σοφίᾳ καθʼ Ἕλλανας ἐόντα παντᾷ.

    A god who is your guardian takes thought,
    with this as his concern, Hieron,
    for your ambitions; and if he does not soon desert you,
    I hope to celebrate a still sweeter
    triumph with the swift chariot, finding a helpful road of words
    when I come to the sunny hill of Cronus. For me, then,
    the Muse is nursing her mightiest arrow in strength for me;
    some are great in one thing, others in another. But the very highest
    reaches its peak in kings. Look no further.
    May you walk on high for the time you have, and may I keep company
    with victors as often, renowned for wisdom among Greeks everywhere.

    Pythian 1: for Hieron of Aetna

    The golden lyre calms Zeus’ eagle; Typhon lies under Etna; Pindar advises Hieron to rule justly.

    χρυσέα φόρμιγξ, Ἀπόλλωνος καὶ ἰοπλοκάμων
    σύνδικον Μοισᾶν κτέανον· τᾶς ἀκούει μὲν βάσις, ἀγλαΐας ἀρχά,
    πείθονται δʼ ἀοιδοὶ σάμασιν,
    ἁγησιχόρων ὁπόταν προοιμίων ἀμβολὰς τεύχῃς ἐλελιζομένα.

    Golden lyre, shared possession of Apollo and the violet-haired
    Muses by right: the dancing step listens to you, the start of festivity,
    and the singers obey your signals
    whenever, quivering, you strike up the opening notes of the preludes that lead the chorus.

    Pythian 1 celebrates Hieron’s chariot victory at Delphi in 470 BC, which he had proclaimed in the name of Aetna, the new city he founded beneath the volcano.

    καὶ τὸν αἰχματὰν κεραυνὸν σβεννύεις
    ἀενάου πυρός. εὕδει δʼ ἀνὰ σκάπτῳ Διὸς αἰετός, ὠκεῖαν πτέρυγʼ ἀμφοτέρωθεν χαλάξαις,
    ἀρχὸς οἰωνῶν, κελαινῶπιν δʼ ἐπί οἱ νεφέλαν
    ἀγκύλῳ κρατί, γλεφάρων ἁδὺ κλαΐστρον, κατέχευας· ὁ δὲ κνώσσων
    ὑγρὸν νῶτον αἰωρεῖ, τεαῖς
    ῥιπαῖσι κατασχόμενος. καὶ γὰρ βιατὰς Ἄρης, τραχεῖαν ἄνευθε λιπὼν
    ἐγχέων ἀκμάν, ἰαίνει καρδίαν
    κώματι, κῆλα δὲ καὶ δαιμόνων θέλγει φρένας, ἀμφί τε Λατοίδα σοφίᾳ βαθυκόλπων τε Μοισᾶν.

    You quench even the spear-pointed thunderbolt
    of everlasting fire. And on the scepter of Zeus the eagle sleeps, letting his swift wings droop on either side,
    the lord of birds; and a dark-faced cloud over him,
    over his curved head, a sweet seal on his eyelids, you have poured; and he, slumbering,
    heaves his supple back, held fast by your
    pulsing notes. For even violent Ares, leaving far behind the harsh
    point of spears, warms his heart
    in slumber; and your shafts enchant the minds of the gods as well, through the wisdom of Leto’s son and the deep-bosomed Muses.

    ὅσσα δὲ μὴ πεφίληκε Ζεύς, ἀτύζονται βοὰν
    Πιερίδων ἀΐοντα, γᾶν τε καὶ πόντον κατʼ ἀμαιμάκετον,
    ὅς τʼ ἐν αἰνᾷ Ταρτάρῳ κεῖται, θεῶν πολέμιος,
    Τυφὼς ἑκατοντακάρανος· τόν ποτε
    Κιλίκιον θρέψεν πολυώνυμον ἄντρον· νῦν γε μὰν
    ταί θʼ ὑπὲρ Κύμας ἁλιερκέες ὄχθαι
    Σικελία τʼ αὐτοῦ πιέζει στέρνα λαχνάεντα· κίων δʼ οὐρανία συνέχει,
    νιφόεσσʼ Αἴτνα, πάνετες χιόνος ὀξείας τιθήνα·

    But all that Zeus has not loved shrinks in terror at the voice
    of the Muses of Pieria when they hear it, on land and on the raging sea,
    as does he who lies in dread Tartarus, the gods’ enemy,
    Typhon of the hundred heads, whom once
    the famous Cilician cave reared; but now
    the sea-fenced cliffs above Cumae
    and Sicily press on his shaggy chest; and the pillar of heaven holds him down,
    snowy Etna, nurse all year round of piercing snow;

    Typhon, the monster who fought Zeus, was said to be pinned beneath Etna and the volcanic lands as far as Cumae near Naples.

    τᾶς ἐρεύγονται μὲν ἀπλάτου πυρὸς ἁγνόταται
    ἐκ μυχῶν παγαί· ποταμοὶ δʼ ἁμέραισιν μὲν προχέοντι ῥόον καπνοῦ
    αἴθωνʼ· ἀλλʼ ἐν ὄρφναισιν πέτρας
    φοίνισσα κυλινδομένα φλὸξ ἐς βαθεῖαν φέρει πόντου πλάκα σὺν πατάγῳ.
    κεῖνο δʼ Ἁφαίστοιο κρουνοὺς ἑρπετὸν
    δεινοτάτους ἀναπέμπει· τέρας μὲν θαυμάσιον προσιδέσθαι, θαῦμα δὲ καὶ παρεόντων ἀκοῦσαι,
    οἷον Αἴτνας ἐν μελαμφύλλοις δέδεται κορυφαῖς
    καὶ πέδῳ, στρωμνὰ δὲ χαράσσοισʼ ἅπαν νῶτον ποτικεκλιμένον κεντεῖ.

    from her belch forth the purest springs of unapproachable fire
    out of her depths; and by day her rivers pour out a stream of smoke,
    blazing; but in the darkness rocks
    are swept by a red rolling flame down to the deep plain of the sea with a crash.
    It is that monster that sends up the most terrible
    fountains of Hephaestus: a portent marvelous to behold, a marvel even to hear of from those who have been there,
    how he is bound among the dark-leaved peaks of Etna
    and the plain, and his bed scratches and goads the whole of his back stretched against it.

    εἴη, Ζεῦ, τὶν εἴη ἁνδάνειν,
    ὃς τοῦτʼ ἐφέπεις ὄρος, εὐκάρποιο γαίας μέτωπον, τοῦ μὲν ἐπωνυμίαν
    κλεινὸς οἰκιστὴρ ἐκύδανεν πόλιν
    γείτονα, Πυθιάδος δʼ ἐν δρόμῳ κάρυξ ἀνέειπέ νιν ἀγγέλλων Ἱέρωνος ὑπὲρ καλλινίκου
    ἅρμασι. ναυσιφορήτοις δʼ ἀνδράσι πρώτα χάρις
    ἐς πλόον ἀρχομένοις πομπαῖον ἐλθεῖν οὖρον· ἐοικότα γὰρ
    καὶ τελευτᾷ φερτέρου νόστου τυχεῖν. ὁ δὲ λόγος
    ταύταις ἐπὶ συντυχίαις δόξαν φέρει
    λοιπὸν ἔσσεσθαι στεφάνοισί ⟨νιν⟩ ἵπποις τε κλυτὰν
    καὶ σὺν εὐφώνοις θαλίαις ὀνυμαστάν.

    May it be, Zeus, may it be mine to please you,
    who rule this mountain, brow of a fruitful land, whose name
    the famous founder has glorified in the city
    next to it; and at the Pythian racecourse the herald proclaimed it, announcing Hieron’s splendid victory
    in the chariot race. For seafaring men the first blessing,
    as they set out on a voyage, is that a following wind should come; for it is likely
    that at the end too they will meet with a better homecoming. And this saying,
    given these happy chances, brings the expectation
    that the city will in future be famous for garlands and horses
    and renowned for tuneful festivities.

    Λύκιε καὶ Δάλου ἀνάσσων Φοῖβε, Παρνασσοῦ τε κράναν Κασταλίαν φιλέων,
    ἐθελήσαις ταῦτα νόῳ τιθέμεν εὔανδρόν τε χώραν.
    ἐκ θεῶν γὰρ μαχαναὶ πᾶσαι βροτέαις ἀρεταῖς,
    καὶ σοφοὶ καὶ χερσὶ βιαταὶ περίγλωσσοί τʼ ἔφυν. ἄνδρα δʼ ἐγὼ κεῖνον
    αἰνῆσαι μενοινῶν ἔλπομαι
    μὴ χαλκοπάρᾳον ἄκονθʼ ὡσείτʼ ἀγῶνος βαλεῖν ἔξω παλάμᾳ δονέων,
    μακρὰ δὲ ῥίψαις ἀμεύσασθʼ ἀντίους·

    Lycian Phoebus, lord of Delos, who love the Castalian spring of Parnassus,
    may you be willing to keep this in mind and make the land rich in good men.
    For from the gods come all the means for mortal excellence,
    and men are born wise and strong of hand and eloquent. And as for that man,
    I hope, in my eagerness to praise him,
    not to throw, as it were, the bronze-cheeked javelin outside the field, brandishing it in my hand,
    but with a long cast to outdo my rivals.

    εἰ γὰρ ὁ πᾶς χρόνος ὄλβον μὲν οὕτω καὶ κτεάνων δόσιν εὐθύνοι, καμάτων δʼ ἐπίλασιν παράσχοι.
    ἦ κεν ἀμνάσειεν, οἵαις ἐν πολέμοισι μάχαις
    τλάμονι ψυχᾷ παρέμεινʼ, ἁνίχʼ εὑρίσκοντο θεῶν παλάμαις τιμάν,
    οἵαν οὔτις Ἑλλάνων δρέπει,
    πλούτου στεφάνωμʼ ἀγέρωχον. νῦν γε μὰν τὰν Φιλοκτήταο δίκαν ἐφέπων
    ἐστρατεύθη· σὺν δʼ ἀνάγκᾳ νιν φίλον
    καί τις ἐὼν μεγαλάνωρ ἔσανεν. φαντὶ δὲ Λαμνόθεν ἕλκει τειρόμενον μεταβάσοντας ἐλθεῖν
    ἥρωας ἀντιθέους Ποίαντος υἱὸν τοξόταν·

    If only all time would keep his prosperity and the gift of possessions on this straight course, and grant forgetfulness of his toils.
    Surely it would remind him in what battles of war
    he held his ground with an enduring soul, when they won at the gods’ hands such honor
    as no other Greek reaps,
    a proud crown of wealth. And now, following Philoctetes’ way,
    he has taken the field; and under necessity, as a friend,
    even one who was proud fawned on him. They say that from Lemnos, worn by his wound, they came to bring him over,
    the godlike heroes, the archer son of Poeas:

    Hieron had gone on campaign though ill; Philoctetes, the archer left on Lemnos with a festering wound, had to be brought to Troy before it could fall.

    ὃς Πριάμοιο πόλιν πέρσεν, τελεύτασέν τε πόνους Δαναοῖς,
    ἀσθενεῖ μὲν χρωτὶ βαίνων, ἀλλὰ μοιρίδιον ἦν.
    οὕτω δʼ Ἱέρωνι θεὸς ὀρθωτὴρ πέλοι
    τὸν προσέρποντα χρόνον, ὧν ἔραται καιρὸν διδούς.
    Μοῖσα, καὶ πὰρ Δεινομένει κελαδῆσαι
    πίθεό μοι ποινὰν τεθρίππων. χάρμα δʼ οὐκ ἀλλότριον νικαφορία πατέρος.

    he sacked Priam’s city and brought the Danaans’ labors to an end,
    walking with a feeble body, but it was fated.
    So may a god be Hieron’s upholder
    in the time that is creeping on, giving him due measure of what he desires.
    Muse, by Deinomenes’ side as well, to sing aloud
    the reward for the four-horse chariot, heed me: a father’s victory is no strange joy to a son.

    Deinomenes, Hieron’s son, had been installed as king of the new city of Aetna.

    ἄγʼ ἔπειτʼ Αἴτνας βασιλεῖ φίλιον ἐξεύρωμεν ὕμνον·
    τῷ πόλιν κείναν θεοδμάτῳ σὺν ἐλευθερίᾳ
    Ὑλλίδος στάθμας Ἱέρων ἐν νόμοις ἔκτισσʼ. ἐθέλοντι δὲ Παμφύλου
    καὶ μὰν Ἡρακλειδᾶν ἔκγονοι
    ὄχθαις ὕπο Ταϋγέτου ναίοντες αἰεὶ μένειν τεθμοῖσιν ἐν Αἰγιμιοῦ
    Δωριεῖς. ἔσχον δʼ Ἀμύκλας ὄλβιοι,
    Πινδόθεν ὀρνύμενοι, λευκοπώλων Τυνδαριδᾶν βαθύδοξοι γείτονες, ὧν κλέος ἄνθησεν αἰχμᾶς.

    Come, then, let us find a friendly hymn for the king of Aetna,
    for whom, with god-built freedom, that city
    Hieron founded under the rule of Hyllus’ laws. And the descendants of Pamphylus
    and of the Heraclids too,
    who live below the slopes of Taygetus, wish to remain forever under the ordinances of Aegimius,
    Dorians. Prosperous, they took Amyclae,
    setting out from Pindus, deeply glorious neighbors of the Tyndarids with their white horses, and the fame of their spears flowered.

    Hyllus (son of Heracles), Pamphylus and Aegimius were legendary founders of Dorian law; the Tyndarids are Castor and Polydeuces, the divine twins of Sparta.

    Ζεῦ τέλειʼ, αἰεὶ δὲ τοιαύταν Ἀμένα παρʼ ὕδωρ
    αἶσαν ἀστοῖς καὶ βασιλεῦσιν διακρίνειν ἔτυμον λόγον ἀνθρώπων,
    σύν τοι τίν κεν ἁγητὴρ ἀνήρ,
    υἱῷ τʼ ἐπιτελλόμενος, δᾶμον γεραίρων τράποι σύμφωνον ἐς ἁσυχίαν.
    λίσσομαι νεῦσον, Κρονίων, ἅμερον
    ὄφρα κατʼ οἶκον ὁ Φοίνιξ ὁ Τυρσανῶν τʼ ἀλαλατὸς ἔχῃ, ναυσίστονον ὕβριν ἰδὼν τὰν πρὸ Κύμας·

    Zeus Fulfiller, may such a lot always, by the water of the Amenas,
    be judged by the true report of men to be the citizens’ and the kings’.
    With your help a man who leads,
    giving charge to his son too, may honor the people and turn them to harmonious peace.
    I beg you, son of Cronus, nod assent, that peacefully
    the Phoenician and the war cry of the Etruscans stay at home, having seen their arrogance bring groans to their ships before Cumae—

    The Amenas is the river of Aetna. “The Phoenician” is Carthage; Hieron destroyed an Etruscan fleet off Cumae in 474 BC.

    οἷα Συρακοσίων ἀρχῷ δαμασθέντες πάθον,
    ὠκυπόρων ἀπὸ ναῶν ὅ σφιν ἐν πόντῳ βάλεθʼ ἁλικίαν,
    Ἑλλάδʼ ἐξέλκων βαρείας δουλίας. ἀρέομαι
    πὰρ μὲν Σαλαμῖνος, Ἀθαναίων χάριν,
    μισθόν, ἐν Σπάρτᾳ δʼ ⟨ἀπὸ⟩ τᾶν πρὸ Κιθαιρῶνος μαχᾶν,
    ταῖσι Μήδειοι κάμον ἀγκυλότοξοι,
    παρὰ δὲ τὰν εὔυδρον ἀκτὰν Ἱμέρα παίδεσσιν ὕμνον Δεινομένευς τελέσαις,
    τὸν ἐδέξαντʼ ἀμφʼ ἀρετᾷ, πολεμίων ἀνδρῶν καμόντων.

    what they suffered when overcome by the leader of the Syracusans,
    who cast their youth from their swift ships into the sea,
    dragging Greece out of heavy slavery. I shall earn
    from Salamis the Athenians’ gratitude
    as my wage, and in Sparta from the battles before Cithaeron,
    in which the Medes with curved bows were laid low,
    and by the well-watered shore of the Himeras by completing a hymn for the sons of Deinomenes,
    which they earned by their excellence, when the enemy men were laid low.

    Salamis (480 BC) and Plataea under Mount Cithaeron (479 BC) were the great victories over Persia. At Himera (480 BC) the sons of the elder Deinomenes, Hieron and his brother Gelon, defeated Carthage.

    καιρὸν εἰ φθέγξαιο, πολλῶν πείρατα συντανύσαις
    ἐν βραχεῖ, μείων ἕπεται μῶμος ἀνθρώπων. ἀπὸ γὰρ κόρος ἀμβλύνει
    αἰανὴς ταχείας ἐλπίδας·
    ἀστῶν δʼ ἀκοὰ κρύφιον θυμὸν βαρύνει μάλιστʼ ἐσλοῖσιν ἐπʼ ἀλλοτρίοις.
    ἀλλʼ ὅμως, κρέσσων γὰρ οἰκτιρμοῦ φθόνος,
    μὴ παρίει καλά. νώμα δικαίῳ πηδαλίῳ στρατόν· ἀψευδεῖ δὲ πρὸς ἄκμονι χάλκευε γλῶσσαν.
    εἴ τι καὶ φλαῦρον παραιθύσσει, μέγα τοι φέρεται
    πὰρ σέθεν. πολλῶν ταμίας ἐσσί· πολλοὶ μάρτυρες ἀμφοτέροις πιστοί.
    εὐανθεῖ δʼ ἐν ὀργᾷ παρμένων,
    εἴπερ τι φιλεῖς ἀκοὰν ἁδεῖαν αἰεὶ κλύειν, μὴ κάμνε λίαν δαπάναις·

    If you speak to the point, drawing the strands of many things together
    in brief, less blame from men follows. For excess
    wearies and blunts quick hopes;
    and what citizens hear weighs heavy on their secret hearts, most of all about the good fortunes of others.
    But still, since envy is better than pity,
    do not pass over fine things. Steer your people with a just rudder; forge your tongue on an anvil free of lies.
    If even a trivial thing flies off, it is borne as something great
    coming from you. You are steward of many things; many are the witnesses to be trusted for both.
    Abiding in a flourishing temper,
    if you love always to hear sweet report of yourself, do not tire too much of spending;

    ἐξίει δʼ ὥσπερ κυβερνάτας ἀνὴρ
    ἱστίον ἀνεμόεν. μὴ δολωθῇς, ὦ φίλος, κέρδεσιν εὐτράπλοις· ὀπιθόμβροτον αὔχημα δόξας
    οἶον ἀποιχομένων ἀνδρῶν δίαιταν μανύει
    καὶ λογίοις καὶ ἀοιδοῖς· οὐ φθίνει Κροίσου φιλόφρων ἀρετά·
    τὸν δὲ ταύρῳ χαλκέῳ καυτῆρα νηλέα νόον
    ἐχθρὰ Φάλαριν κατέχει παντᾷ φάτις,
    οὐδέ νιν φόρμιγγες ὑπωρόφιαι κοινωνίαν
    μαλθακὰν παίδων ὀάροισι δέκονται.
    τὸ δὲ παθεῖν εὖ πρῶτον ἄθλων· εὖ δʼ ἀκούειν δευτέρα μοῖρʼ· ἀμφοτέροισι δʼ ἀνὴρ
    ὃς ἂν ἐγκύρσῃ, καὶ ἕλῃ, στέφανον ὕψιστον δέδεκται.

    let out, like a helmsman,
    your sail to the wind. Do not be deceived, my friend, by shifty gains. The proud acclaim of fame that outlives a man
    alone reveals the way of life of men who are gone
    to chroniclers and poets alike. The kindly excellence of Croesus does not fade;
    but him who burned men in the bronze bull, pitiless of mind,
    Phalaris, hateful report holds down everywhere,
    nor do the lyres in the hall receive him into gentle
    fellowship with the songs of boys.
    To fare well is the first of prizes; to be well spoken of, the second share; and the man
    who meets with both and takes them has received the highest crown.

    Croesus, king of Lydia, was famed for his generous offerings; Phalaris, tyrant of Acragas, was said to roast his victims inside a bronze bull.

    Pythian 8: for Aristomenes of Aegina

    Pindar praises Tranquility and Aegina, and calls man the dream of a shadow.

    φιλόφρον Ἡσυχία, Δίκας
    ὦ μεγιστόπολι θύγατερ,
    βουλᾶν τε καὶ πολέμων
    ἔχοισα κλαῗδας ὑπερτάτας,
    Πυθιόνικον τιμὰν Ἀριστομένει δέκευ.
    τὺ γὰρ τὸ μαλθακὸν ἔρξαι τε καὶ παθεῖν ὁμῶς
    ἐπίστασαι καιρῷ σὺν ἀτρεκεῖ·

    Kindly Tranquility, of Justice
    the daughter who makes cities great,
    of councils and of wars
    holding the supreme keys,
    receive this honor of a Pythian victory for Aristomenes.
    For gentleness, both to do it and to undergo it alike,
    you understand, with unerring timing;

    Pythian 8 (446 BC) celebrates Aristomenes of Aegina, winner in wrestling at Delphi; Hesychia (Tranquility) is the civic peace of a well-ordered city.

    τὺ δʼ, ὁπόταν τις ἀμείλιχον
    καρδίᾳ κότον ἐνελάσῃ,
    τραχεῖα δυσμενέων
    ὑπαντιάξαισα κράτει τιθεῖς
    Ὕβριν ἐν ἄντλῳ. τὰν οὐδὲ Πορφυρίων μάθεν
    παρʼ αἶσαν ἐξερεθίζων· κέρδος δὲ φίλτατον,
    ἑκόντος εἴ τις ἐκ δόμων φέροι.

    but you, whenever someone drives relentless
    rancor into his heart,
    harsh toward the hostile,
    meeting their might, you put
    Arrogance in the bilge. Porphyrion did not know you either
    when he provoked you beyond measure. Gain is dearest
    if one takes it from the house of a willing giver.

    Porphyrion was king of the Giants who rose against the gods.

    βία δὲ καὶ μεγάλαυχον ἔσφαλεν ἐν χρόνῳ.
    Τυφὼς Κίλιξ ἑκατόγκρανος οὔ νιν ἄλυξεν,
    οὐδὲ μὰν βασιλεὺς Γιγάντων· δμᾶθεν δὲ κεραυνῷ
    τόξοισί τʼ Ἀπόλλωνος· ὃς εὐμενεῖ νόῳ
    Ξενάρκειον ἔδεκτο Κίρραθεν ἐστεφανωμένον
    υἱὸν ποίᾳ Παρνασσίδι Δωριεῖ τε κώμῳ.

    Violence trips up even the boastful in time.
    Cilician Typhon of the hundred heads did not escape her,
    nor did the king of the Giants; they were laid low by the thunderbolt
    and the arrows of Apollo, who with kindly mind
    welcomed the son of Xenarces back from Cirrha, crowned
    with Parnassian grass and a Dorian revel.

    ἔπεσε δʼ οὐ Χαρίτων ἑκὰς
    ἁ δικαιόπολις ἀρεταῖς
    κλειναῖσιν Αἰακιδᾶν
    θιγοῖσα νᾶσος· τελέαν δʼ ἔχει
    δόξαν ἀπʼ ἀρχᾶς. πολλοῖσι μὲν γὰρ ἀείδεται
    νικαφόροις ἐν ἀέθλοις θρέψαισα καὶ θοαῖς
    ὑπερτάτους ἥρωας ἐν μάχαις·
    τὰ δὲ καὶ ἀνδράσιν ἐμπρέπει.

    It has not fallen far from the Graces,
    this island of just citizens, which has laid hold
    of the famous excellences
    of the Aeacids; and it holds perfect
    glory from the start. For it is sung by many
    for having reared, in prize-winning games and in swift
    battles, heroes beyond all others;
    and it stands out in its men too.

    The island is Aegina, home of the Aeacids, the heroic line of Aeacus (Peleus, Telamon, Achilles, Ajax).

    εἰμὶ δʼ ἄσχολος ἀναθέμεν
    πᾶσαν μακραγορίαν
    λύρᾳ τε καὶ φθέγματι μαλθακῷ,
    μὴ κόρος ἐλθὼν κνίσῃ. τὸ δʼ ἐν ποσί μοι τράχον
    ἴτω τεὸν χρέος, ὦ παῖ, νεώτατον καλῶν,
    ἐμᾷ ποτανὸν ἀμφὶ μαχανᾷ.
    παλαισμάτεσσι γὰρ ἰχνεύων ματραδελφεοὺς
    Ὀλυμπίᾳ τε Θεόγνητον οὐ κατελέγχεις,
    οὐδὲ Κλειτομάχοιο νίκαν Ἰσθμοῖ θρασύγυιον·

    But I have no leisure to dedicate
    the whole long tale
    to the lyre and the gentle voice,
    lest excess come and grate. But let what runs before my feet,
    your due, boy, the newest of glories, go forth,
    winged by my craft.
    For in wrestling you follow in the tracks of your mother’s brothers:
    you do not shame Theognetus at Olympia,
    nor Cleitomachus’ bold-limbed victory at the Isthmus;

    αὔξων δὲ πάτραν Μιδυλιδᾶν λόγον φέρεις,
    τὸν ὅνπερ ποτʼ Ὀϊκλέος παῖς ἐν ἑπταπύλοις ἰδὼν
    υἱοὺς Θήβαις αἰνίξατο παρμένοντας αἰχμᾷ,
    ὁπότʼ ἀπʼ Ἄργεος ἤλυθον
    δευτέραν ὁδὸν Ἐπίγονοι.
    ὧδʼ εἶπε μαρναμένων·
    φυᾷ τὸ γενναῖον ἐπιπρέπει
    ἐκ πατέρων παισὶ λῆμα. θαέομαι σαφὲς
    δράκοντα ποικίλον αἰθᾶς Ἀλκμᾶνʼ ἐπʼ ἀσπίδος
    νωμῶντα πρῶτον ἐν Κάδμου πύλαις.

    and, increasing the clan of the Midylidae, you bear out the word
    which once the son of Oicles, seeing at seven-gated
    Thebes the sons standing fast with the spear, uttered in riddles,
    when from Argos they came
    on the second expedition, the Epigoni.
    So he spoke while they fought:
    “By nature the noble spirit shines out
    from fathers in their sons. I see clearly
    the dappled serpent on his blazing shield, Alcmaeon
    wielding it, first at the gates of Cadmus.

    Amphiaraus, son of Oicles, was a seer who died in the first attack of the Seven on Thebes; the Epigoni (“Descendants”) were their sons, who took the city.

    ὁ δὲ καμὼν προτέρᾳ πάθᾳ
    νῦν ἀρείονος ἐνέχεται
    ὄρνιχος ἀγγελίᾳ
    Ἄδραστος ἥρως· τὸ δὲ οἴκοθεν
    ἀντία πράξει. μοῦνος γὰρ ἐκ Δαναῶν στρατοῦ
    θανόντος ὀστέα λέξαις υἱοῦ, τύχᾳ θεῶν
    ἀφίξεται λαῷ σὺν ἀβλαβεῖ
    Ἄβαντος εὐρυχόρους ἀγυιάς. τοιαῦτα μὲν
    ἐφθέγξατʼ Ἀμφιάρηος. χαίρων δὲ καὶ αὐτὸς
    Ἀλκμᾶνα στεφάνοισι βάλλω, ῥαίνω δὲ καὶ ὕμνῳ,

    And he who suffered in the earlier disaster
    now meets with better
    tidings from the bird of omen,
    the hero Adrastus; but at home
    he will fare the opposite. For alone of the Danaan host,
    having gathered the bones of his dead son, by the gods’ fortune
    he will arrive, his people unharmed,
    at the broad streets of Abas.” Such were the words
    Amphiaraus uttered. And I myself, rejoicing,
    pelt Alcmaeon with garlands and sprinkle him with song too,

    Adrastus led the first, failed expedition against Thebes and lost his son in the second; “the streets of Abas” are Argos, after an early king.

    γείτων ὅτι μοι καὶ κτεάνων φύλαξ ἐμῶν
    ὑπάντασεν ἰόντι γᾶς ὀμφαλὸν παρʼ ἀοίδιμον,
    μαντευμάτων τʼ ἐφάψατο συγγόνοισι τέχναις.
    τὺ δʼ,Ἑκαταβόλε, πάνδοκον
    ναὸν εὐκλέα διανέμων
    Πυθῶνος ἐν γυάλοις,
    τὸ μὲν μέγιστον τόθι χαρμάτων
    ὤπασας· οἴκοι δὲ πρόσθεν ἁρπαλέαν δόσιν
    πενταθλίου σὺν ἑορταῖς ὑμαῖς ἐπάγαγες.

    because, my neighbor and the guardian of my possessions,
    he met me as I was going to the famous navel of the earth,
    and took up prophecy with the arts born in his family.
    And you, Far-Shooter, who govern the all-welcoming
    and glorious temple
    in the hollows of Pytho,
    there the greatest of joys
    you granted; and at home, before, the coveted gift
    of the pentathlon you bestowed at your festivals.

    Alcmaeon had a shrine near Pindar’s house in Thebes; the “navel of the earth” is Delphi (Pytho).

    ἄναξ, ἑκόντι δʼ εὔχομαι νόῳ
    κατά τινʼ ἁρμονίαν βλέπειν,
    ἀμφʼ ἕκαστον ὅσα νέομαι.
    κώμῳ μὲν ἁδυμελεῖ
    Δίκα παρέστακε· θεῶν δʼ ὄπιν
    ἄφθονον αἰτέω, Ξείναρκες, ὑμετέραις τύχαις.

    Lord, with a willing mind I pray
    to look with some harmony
    on everything I approach.
    Beside the sweet-singing revel
    Justice has taken her stand; and the gods’ regard,
    ungrudging, I ask, Xenarces, for your fortunes.

    εἰ γάρ τις ἐσλὰ πέπαται μὴ σὺν μακρῷ πόνῳ,
    πολλοῖς σοφὸς δοκεῖ πεδʼ ἀφρόνων
    βίον κορυσσέμεν ὀρθοβούλοισι μαχαναῖς·
    τὰ δʼ οὐκ ἐπʼ ἀνδράσι κεῖται· δαίμων δὲ παρίσχει,
    ἄλλοτʼ ἄλλον ὕπερθε βάλλων, ἄλλον δʼ ὑπὸ χειρῶν
    μέτρῳ καταβαίνει. Μεγάροις δʼ ἔχεις γέρας,
    μυχῷ τʼ ἐν Μαραθῶνος, Ἥρας τʼ ἀγῶνʼ ἐπιχώριον
    νίκαις τρισσαῖς, Ὦριστόμενες, δάμασσας ἔργῳ·

    For if someone has won good things without long toil,
    to many he seems a wise man among fools,
    arming his life with rightly counseled devices;
    but these things do not rest with men; a god bestows them,
    now throwing one man on high, now another beneath his hands
    he brings down, by measure. At Megara you hold a prize,
    and in the hollow of Marathon, and Hera’s local contest
    with three victories, Aristomenes, you mastered by your deeds;

    τέτρασι δʼ ἔμπετες ὑψόθεν
    σωμάτεσσι κακὰ φρονέων,
    τοῖς οὔτε νόστος ὁμῶς
    ἔπαλπνος ἐν Πυθιάδι κρίθη,
    οὐδὲ μολόντων πὰρ ματέρʼ ἀμφὶ γέλως γλυκὺς
    ὦρσεν χάριν· κατὰ λαύρας δʼ ἐχθρῶν ἀπάοροι
    πτώσσοντι, συμφορᾷ δεδαγμένοι.

    and you fell from above on four
    bodies, with harm in mind,
    for whom no homecoming like yours,
    so joyful, was decided at the Pythian games,
    nor, when they came back to their mothers, did sweet laughter all around
    stir up delight; but along the back lanes, keeping clear of enemies,
    they slink, stung by their misfortune.

    ὁ δὲ καλόν τι νέον λαχὼν
    ἁβρότατος ἔπι μεγάλας
    ἐξ ἐλπίδος πέταται
    ὑποπτέροις ἀνορέαις, ἔχων
    κρέσσονα πλούτου μέριμναν. ἐν δʼ ὀλίγῳ βροτῶν
    τὸ τερπνὸν αὔξεται· οὕτω δὲ καὶ πίτνει χαμαί,
    ἀποτρόπῳ γνώμᾳ σεσεισμένον.

    But he who has won some fine new thing,
    in his splendor, out of great
    hope takes flight
    on the wings of his manhood, having
    ambition greater than wealth. But in a short time mortals’
    delight grows; and just so it falls to the ground,
    shaken by an adverse purpose.

    Famous passage The dream of a shadowPindar’s famous lines on human life: “Creatures of a day! … A dream of a shadow is man.”

    ἐπάμεροι· τί δέ τις; τί δʼ οὔ τις; σκιᾶς ὄναρ
    ἄνθρωπος. ἀλλʼ ὅταν αἴγλα διόσδοτος ἔλθῃ,
    λαμπρὸν φέγγος ἔπεστιν ἀνδρῶν καὶ μείλιχος αἰών·
    Αἴγινα φίλα μᾶτερ, ἐλευθέρῳ στόλῳ
    πόλιν τάνδε κόμιζε Δὶ καὶ κρέοντι σὺν Αἰακῷ
    Πηλεῖ τε κἀγαθῷ Τελαμῶνι σύν τʼ Ἀχιλλεῖ.

    Creatures of a day! What is someone? What is no one? A dream of a shadow
    is man. But when a god-given radiance comes,
    a bright light rests on men, and life is sweet.
    Aegina, dear mother, on a voyage of freedom
    keep this city safe, with Zeus and lord Aeacus,
    with Peleus and noble Telamon, and with Achilles.