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Rumi

The Masnavi

مثنوی معنوی

Jalal al-Din Rumi (AD 1207–1273), born in Balkh in present-day Afghanistan, spent most of his life in Konya in Anatolia as a scholar, preacher and Sufi master. In the last fifteen years of his life he dictated the Masnavi (Masnavi-yi maʿnavi, “the rhyming couplets of inner meaning”) to his disciple Husam al-Din: some 25,000 couplets in six books, in a single meter, which Persian readers have long called “the Quran in Persian.” It moves from story to story, breaking off a tale for a digression, a prayer or a burst of lyric, and returning to it pages later.

This selection gives about 1,300 couplets from the first four books, each tale whole, with Rumi’s digressions inside it. Book I opens with the famous Song of the Reed, the lament of a reed flute cut from its reed bed, and the tale of the king and the handmaiden; then come the grocer’s parrot, the merchant whose parrot sends a message to the parrots of India, the grammarian in the boat, and the contest of the Chinese and Greek painters. Book II gives the man who mistook a hair for the new moon, Moses and the shepherd, and the rider who saved a man from a snake; Book III the jackal that fell into a dyer’s vat, the snake-catcher and the frozen dragon, the elephant in the dark, and the chickpea in the pot; Book IV the tanner who fainted in the perfumers’ market, the Sufi who would not look at the garden, and the three fish.

Rumi’s tales are often comic, sometimes coarse, and always pointed: the stories are, as he says, the husk, and the meaning is the kernel. The Persian here is R. A. Nicholson’s critical edition; the translation renders each hemistich as a line of plain English verse.

Persian text: R. A. Nicholson (1868–1945), ed., The Mathnawí of Jalálu’ddín Rúmí, E. J. W. Gibb Memorial New Series 4, vol. 1 (text of Books I–II, Leiden: Brill, 1925) and vol. 3 (text of Books III–IV, 1929); public domain. Transcribed for Forage from the scans at the Internet Archive (vol. 3) and proofread twice against the page images, with Nicholson’s list of corrections applied; vowel signs are omitted and word division follows modern Persian usage, but Nicholson’s spellings (such as آنک, چونک, کی) are kept. Nicholson’s apparatus is omitted, and his section headings are given in English. English: translated from the Persian with AI (Claude), then edited for accuracy and consistency. Not reviewed by a human specialist. Free to reuse under CC BY-SA 4.0. Margin numbers are book and couplet in Nicholson’s numbering.
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    About Rumi

    Jalal al-Din Rumi (AD 1207–1273) was a Persian scholar, preacher and Sufi master who lived most of his life in Konya in Anatolia. His Masnavi, some 25,000 couplets of tales and teaching, is among the most loved works of Persian poetry.

    Who’s who

    Shams al-Din of Tabriz
    Rumi’s spiritual master, whose name means “sun of the faith”; Rumi breaks off his tale to speak of him.
    Husam al-Din
    Rumi’s disciple, to whom the Masnavi is addressed and who wrote it down.
    Moses
    The prophet who rebukes the shepherd and is himself rebuked by God; also the victor over Pharaoh’s sorcerers.
    Pharaoh
    The ruler who claimed to be divine; Rumi compares him to the jackal posing as a peacock.
    Khidr
    The mysterious guide of Moses in the Quran, whose strange acts were done at God’s command.
    Omar
    ʿUmar, the second caliph (r. AD 634–644), who exposes the man who mistook a hair for the new moon.
    Abraham
    The prophet unharmed in Nimrod’s fire, who was ready to sacrifice his son Ishmael.
    Jesus
    The Messiah, whose life-giving breath and heavenly table Rumi recalls.
    Joseph and Jacob
    Jacob recognized the scent of his lost son Joseph’s shirt and regained his sight.
    Solomon
    The king who knew the speech of birds and commanded the wind.
    Majnun and Layla
    The legendary lovers of Arabic and Persian poetry; Majnun means “the madman.”
    Iblis
    Satan, who refused to bow to Adam and tricks people with sweet words.
    Galen
    The Greek physician of the second century AD, quoted on treating patients by what they are used to.
    Sanai
    Persian Sufi poet of Ghazna (died c. AD 1131), quoted by Rumi as “the Sage of Ghazna.”

    Key terms

    reed نی
    The reed flute of the opening lament, cut from its reed bed; it stands for the soul longing to return to its origin.
    love عشق
    Passionate love, the poem’s central force, which heals pride, overturns reason and draws the lover toward God.
    the Beloved معشوق
    The one who is loved; in Rumi usually God, of whom “all is the Beloved, and the lover a veil.”
    the Friend یار
    God or the beloved, addressed as a companion; by context also an ordinary friend.
    heart-stealer دلبر
    A conventional name for the beautiful beloved who steals the lover’s heart.
    separation فراق / هجر
    Being cut off from the beloved or from one’s origin, the reed’s complaint; its opposite is union.
    union وصل
    Being joined with the beloved or with God, the goal of the lover’s longing.
    passing away فنا
    The Sufi term for the extinction of the self in God.
    self-effacement محو
    Erasing oneself; Rumi sets it against grammar (nahw) in the tale of the grammarian and the boatman.
    saint ولی / اولیا
    A holy person, literally a “friend of God,” whose acts may look wrong but come from God’s command.
    Sufi صوفی
    A follower of the mystical path of Islam; Rumi calls the Sufi “the son of the moment.”
    dervish درویش
    A poor wandering Sufi; in the tales often a shaven-headed ascetic in a coarse cloak.
    image خیال
    A picture in the mind, fancy or imagination, on which people build their wars and their pride.
    jealousy غیرت
    God’s refusal to share the lover’s attention with anything else; Rumi links it to ghayr, “other.”
    touchstone محک
    The stone that tests gold; God places one in the soul to tell true from false.
    hypocrite منافق
    One who shares the outward forms of worship without faith; Rumi contrasts him with the believer.
    PersianEnglish

    Book I

    The Song of the Reed and the King and the Handmaiden; the grocer’s parrot; the merchant and the parrot of India; the grammarian and the boatman; the Chinese and Greek painters.

    The Song of the Reed

    A reed flute cut from its reed bed laments its separation and longs to return.

    Famous passage The Song of the ReedThe poem opens with a reed flute, cut from its reed bed, lamenting separation: “Listen to the reed, how it tells its story.”

    بشنو از نی چون حکایت می‌کند
    از جدایی‌ها شکایت می‌کند
    کز نیستان تا مرا ببریده‌اند
    از نفیرم مرد و زن نالیده‌اند
    سینه خواهم شرحه شرحه از فراق
    تا بگویم شرح درد اشتیاق
    هر کسی کو دور ماند از اصل خویش
    باز جوید روزگار وصل خویش
    من به هر جمعیتی نالان شدم
    جفت بدحالان و خوش‌حالان شدم

    Listen to the reed, how it tells its story,
    how it complains of separations:
    “Ever since they cut me from the reed bed,
    men and women have wept at my cry.
    I want a breast torn to shreds by parting,
    so that I can tell the pain of longing.
    Whoever is left far from his origin
    seeks again the time of his union.
    In every gathering I have lamented;
    I have kept company with the unhappy and the happy.

    هر کسی از ظن خود شد یار من
    از درون من نجست اسرار من
    سر من از نالهٔ من دور نیست
    لیک چشم و گوش را آن نور نیست
    تن ز جان و جان ز تن مستور نیست
    لیک کس را دید جان دستور نیست
    آتشست این بانگ نای و نیست باد
    هر که این آتش ندارد نیست باد
    آتش عشقست کاندر نی فتاد
    جوشش عشقست کاندر می فتاد

    Each became my friend out of his own surmise;
    none sought out my secrets from within me.
    My secret is not far from my lament,
    but eye and ear do not have that light.
    Body is not veiled from soul, nor soul from body,
    yet no one is permitted to see the soul.”
    This cry of the flute is fire, not wind;
    whoever does not have this fire, may he be nothing!
    It is the fire of love that has fallen into the reed;
    it is the ferment of love that has fallen into the wine.

    Nist bad means both “is not wind” and “may he be nothing.”

    نی حریف هر که از یاری برید
    پرده‌هاش پرده‌های ما درید
    همچو نی زهری و تریاقی که دید
    همچو نی دمساز و مشتاقی که دید
    نی حدیث راه پر خون می‌کند
    قصه‌های عشق مجنون می‌کند
    محرم این هوش جز بی‌هوش نیست
    مر زبان را مشتری جز گوش نیست
    در غم ما روزها بیگاه شد
    روزها با سوزها همراه شد

    The reed is the companion of all who are cut off from a friend;
    its notes have torn away our veils.
    Who has seen a poison and an antidote like the reed?
    Who has seen a confidant and a yearning lover like the reed?
    The reed tells the tale of the path full of blood;
    it tells the stories of Majnun’s love.
    No one is privy to this sense but the senseless;
    the tongue has no customer but the ear.
    In our grief the days have grown late;
    the days have walked hand in hand with burnings.

    Parda means both a musical mode and a veil. Majnun (“the madman”) is the legendary lover of Layla.

    روزها گر رفت گو رو باک نیست
    تو بمان ای آنک چون تو پاک نیست
    هر که جز ماهی ز آبش سیر شد
    هر که بی‌روزیست روزش دیر شد
    در نیابد حال پخته هیچ خام
    پس سخن کوتاه باید والسلام
    بند بگسل باش آزاد ای پسر
    چند باشی بند سیم و بند زر
    گر بریزی بحر را در کوزه‌ای
    چند گنجد قسمت یک‌روزه‌ای

    If the days are gone, tell them, “Go, there is nothing to fear,”
    but you remain, you whom none equals in purity!
    All but the fish have had their fill of its water;
    whoever lacks his daily bread finds the day long.
    No one raw can grasp the state of the ripe,
    so the talk must be short—and so, farewell.
    Break your chains and be free, my son!
    How long will you be a slave to silver and gold?
    If you pour the sea into a jug,
    how much will it hold? One day’s share.

    کوزهٔ چشم حریصان پر نشد
    تا صدف قانع نشد پر در نشد
    هر کرا جامه ز عشقی چاک شد
    او ز حرص و جملهٔ عیبی پاک شد
    شاد باش ای عشق خوش‌سودای ما
    ای طبیب جملهٔ علت‌های ما
    ای دوای نخوت و ناموس ما
    ای تو افلاطون و جالینوس ما
    جسم خاک از عشق بر افلاک شد
    کوه در رقص آمد و چالاک شد

    The jug of the greedy eye has never been filled;
    until the oyster was content, it was not filled with pearls.
    Whoever has had his garment torn by love
    is cleansed of greed and of every fault.
    Rejoice, Love, our sweet madness,
    physician of all our ills,
    remedy of our pride and our vanity,
    you who are our Plato and our Galen!
    Through love the earthly body rose to the heavens;
    the mountain began to dance and grew nimble.

    Plato and Galen stand for the greatest of philosophers and of physicians.

    عشق جان طور آمد عاشقا
    طور مست و خر موسی صاعقا
    با لب دمساز خود گر جفتمی
    همچو نی من گفتنی‌ها گفتمی
    هرک او از هم‌زبانی شد جدا
    بی‌زبان شد گرچه دارد صد نوا
    چونک گل رفت و گلستان درگذشت
    نشنوی زآن پس ز بلبل سرگذشت
    جمله معشوقست و عاشق پرده‌ای
    زنده معشوقست و عاشق مرده‌ای

    Love was the soul of Sinai, lover:
    Sinai was drunk, “and Moses fell down in a swoon.”
    If I were joined to the lips of my confidant,
    like the reed I would say what must be said.
    Whoever is parted from one who speaks his language
    is left without a tongue, though he has a hundred songs.
    When the rose is gone and the garden has faded,
    you will hear the nightingale’s story no more.
    All is the Beloved, and the lover a veil;
    the Beloved is living, and the lover a dead thing.

    Quran 7:143: when God revealed Himself to the mountain, it crumbled and Moses fell senseless.

    چون نباشد عشق را پروای او
    او چو مرغی ماند بی پر وای او
    من چگونه هوش دارم پیش و پس
    چون نباشد نور یارم پیش و پس
    عشق خواهد کین سخن بیرون بود
    آینه غماز نبود چون بود
    آینه‌ات دانی چرا غماز نیست
    زآنک زنگار از رخش ممتاز نیست
    بشنوید ای دوستان این داستان
    خود حقیقت نقد حال ماست آن

    When love has no care for him,
    he is left like a bird without wings—alas for him!
    How can I keep my senses, before or after,
    when my Friend’s light is not before and after me?
    Love wants this word to come out:
    how could a mirror not reveal?
    Do you know why your mirror reveals nothing?
    Because the rust has not been cleared from its face.
    Listen, friends, to this story:
    in truth it is the ready coin of our own state.

    The King and the Handmaiden

    A king falls in love with a handmaiden on the road and buys her, but she falls ill.

    بود شاهی در زمانی پیش ازین
    ملک دنیا بودش و هم ملک دین
    اتفاقا شاه روزی شد سوار
    با خواص خویش از بهر شکار
    یک کنیزک دید شه بر شاه‌راه
    شد غلام آن کنیزک جان شاه
    مرغ جانش در قفص چون می‌طپید
    داد مال و آن کنیزک را خرید
    چون خرید او را و برخوردار شد
    آن کنیزک از قضا بیمار شد

    There was once a king, in a time before ours;
    he had the kingdom of this world and the kingdom of faith as well.
    It happened one day that the king rode out
    with his intimates to hunt.
    On the highway the king saw a handmaiden,
    and the king’s soul became that handmaiden’s slave.
    As the bird of his soul fluttered in its cage,
    he paid out money and bought the handmaiden.
    When he had bought her and was enjoying her,
    as fate would have it, the handmaiden fell ill.

    آن یکی خر داشت و پالانش نبود
    یافت پالان گرگ خر را در ربود
    کوزه بودش آب می‌نامد بدست
    آب را چون یافت خود کوزه شکست
    شه طبیبان جمع کرد از چپ و راست
    گفت جان هر دو در دست شماست
    جان من سهلست جان جانم اوست
    دردمند و خسته‌ام درمانم اوست
    هر که درمان کرد مر جان مرا
    برد گنج و در و مرجان مرا

    A man had a donkey but no packsaddle;
    he found a packsaddle, and a wolf carried off the donkey.
    He had a jug, but no water came to hand;
    when he found the water, the jug broke.
    The king gathered physicians from left and right
    and said, “The lives of us both are in your hands.
    My own life is nothing; she is the soul of my soul.
    I am in pain and wounded; she is my cure.
    Whoever cures this soul of mine
    carries off my treasure, my pearls and coral.”

    جمله گفتندش که جان‌بازی کنیم
    فهم گرد آریم و انبازی کنیم
    هر یکی از ما مسیح عالمیست
    هر الم را در کف ما مرهمیست
    گر خدا خواهد نگفتند از بطر
    پس خدا بنمودشان عجز بشر
    ترک استثنا مرادم قسوتیست
    نی همین گفتن که عارض حالتیست
    ای بسی ناورده استثنا بگفت
    جان او با جان استثناست جفت

    They all told him, “We will stake our lives;
    we will pool our understanding and work together.
    Each of us is the Messiah of a world;
    for every pain there is a salve in our hands.”
    In their arrogance they did not say “If God wills,”
    so God showed them how helpless humans are.
    By leaving out “if God wills” I mean a hardness of heart,
    not just the words, which are only on the surface.
    Many have never spoken the words “if God wills,”
    yet their souls are one with the soul of those words.

    On saying “If God wills” (in sha’ Allah), see Quran 18:23–24.

    هرچ کردند از علاج و از دوا
    گشت رنج افزون و حاجت ناروا
    آن کنیزک از مرض چون موی شد
    چشم شه از اشک خون چون جوی شد
    از قضا سرکنگبین صفرا نمود
    روغن بادام خشکی می‌فزود
    از هلیله قبض شد اطلاق رفت
    آب آتش را مدد شد همچو نفت

    Whatever treatment and medicine they tried,
    the illness grew and the need went unmet.
    The handmaiden wasted to a hair from her sickness;
    the king’s eyes, weeping blood, became a stream.
    As fate would have it, oxymel produced bile;
    almond oil increased the dryness.
    Myrobalan bound her instead of loosening;
    water fed the fire like naphtha.

    In humoral medicine each of these remedies should have had the opposite effect.

    The physicians fail

    The physicians’ cures fail; the king prays barefoot in the mosque and dreams of a holy man.

    شه چو عجز آن حکیمان را بدید
    پا برهنه جانب مسجد دوید
    رفت در مسجد سوی محراب شد
    سجده‌گاه از اشک شه پر آب شد
    چون بخویش آمد ز غرقاب فنا
    خوش زبان بگشاد در مدح و ثنا
    کای کمینه بخششت ملک جهان
    من چه گویم چون تو می‌دانی نهان
    ای همیشه حاجت ما را پناه
    بار دیگر ما غلط کردیم راه

    When the king saw the helplessness of those physicians,
    he ran barefoot to the mosque.
    He went into the mosque and up to the prayer niche;
    the place of prostration was flooded with the king’s tears.
    When he came to himself from the deep flood of passing away,
    he opened his lips sweetly in praise and thanks:
    “You, the least of whose gifts is the kingdom of the world,
    what can I say, since You know what is hidden?
    You who are forever the refuge of our needs,
    once again we have lost the way.

    “Passing away” (fana’): the Sufi term for the extinction of the self.

    لیک گفتی گرچه می‌دانم سرت
    زود هم پیدا کنش بر ظاهرت
    چون بر آورد از میان جان خروش
    اندر آمد بحر بخشایش بجوش
    در میان گریه خوابش در ربود
    دید در خواب او که پیری رو نمود
    گفت ای شه مژده حاجاتت رواست
    گر غریبی آیدت فردا ز ماست
    چونک آید او حکیم حاذقست
    صادقش دان کو امین و صادقست

    But You have said, ‘Though I know your secret,
    still, make it plain at once outwardly.’”
    When he raised a cry from the depths of his soul,
    the sea of mercy began to surge.
    In the midst of his weeping, sleep carried him off;
    in his dream he saw an old man appear.
    He said, “Good news, king! Your wishes are granted.
    If a stranger comes to you tomorrow, he is from us.
    When he comes, he is a skilled physician;
    know him to be truthful, for he is trustworthy and true.

    در علاجش سحر مطلق را ببین
    در مزاجش قدرت حق را ببین
    چون رسید آن وعده‌گاه و روز شد
    آفتاب از شرق اخترسوز شد
    بود اندر منظره شه منتظر
    تا ببیند آنچ بنمودند سر
    دید شخصی فاضلی پرمایه‌ای
    آفتابی در میان سایه‌ای
    می‌رسید از دور مانند هلال
    نیست بود و هست بر شکل خیال

    In his treatment, see pure magic;
    in his temperament, see the power of God.”
    When the appointed time came and it was day,
    and the sun rose in the east and burned the stars away,
    the king was waiting in his lookout gallery
    to see what had been shown him in secret.
    He saw a man of excellence and great worth,
    a sun in the midst of shadow,
    coming from afar like the new moon,
    nonexistent yet existing, in the shape of an image.

    نیست‌وش باشد خیال اندر روان
    تو جهانی بر خیالی بین روان
    بر خیالی صلحشان و جنگشان
    وز خیالی فخرشان و ننگشان
    آن خیالاتی که دام اولیاست
    عکس مه‌رویان بستان خداست
    آن خیالی که شه اندر خواب دید
    در رخ مهمان همی آمد پدید

    An image in the soul seems like nothing,
    yet see a whole world moving on an image:
    their peace and their war rest on an image,
    and from an image come their pride and their shame.
    Those images that are the snares of the saints
    are reflections of the moon-faced ones in God’s garden.
    The image the king had seen in his dream
    was appearing in the face of his guest.

    “Saints” (awliya’) are literally “friends of God.”

    شه بجای حاجبان فا پیش رفت
    پیش آن مهمان غیب خویش رفت
    هر دو بحری آشنا آموخته
    هر دو جان بی دوختن بر دوخته
    گفت معشوقم تو بودستی نه آن
    لیک کار از کار خیزد در جهان
    ای مرا تو مصطفی من چون عمر
    از برای خدمتت بندم کمر

    In place of the chamberlains, the king himself went forward,
    went forward to meet his guest from the unseen.
    Both were swimmers who had learned the sea;
    both souls were stitched together without sewing.
    He said, “You were my beloved, not she;
    but in this world one thing comes from another.
    You are my Prophet, and I am like Omar:
    I gird myself to serve you.”

    Ashna means both “swimming” and “acquaintance.” Omar was a close companion of the Prophet and the second caliph.

    On reverence

    Rumi asks God for good manners and shows how irreverence cut off the heavenly table.

    از خدا جوییم توفیق ادب
    بی‌ادب محروم شد از لطف رب
    بی‌ادب تنها نه خود را داشت بد
    بلک آتش در همه آفاق زد
    مایده از آسمان در می‌رسید
    بی صداع و بی فروخت و بی خرید
    در میان قوم موسی چند کس
    بی‌ادب گفتند کو سیر و عدس
    منقطع شد نان و خوان آسمان
    ماند رنج زرع و بیل و داسمان

    Let us ask God for the grace of good manners;
    the ill-mannered is deprived of the Lord’s kindness.
    The ill-mannered does not harm himself alone;
    he sets fire to every horizon.
    A table came down from heaven
    without trouble, without selling or buying.
    Among the people of Moses, a few
    said rudely, “Where are the garlic and lentils?”
    The bread and the heavenly table were cut off;
    we were left with the toil of sowing, with spade and sickle.

    Quran 2:61, where the Israelites tire of the food sent from heaven and ask for garlic and lentils.

    باز عیسی چون شفاعت کرد حق
    خوان فرستاد و غنیمت بر طبق
    باز گستاخان ادب بگذاشتند
    چون گدایان زله‌ها بر داشتند
    لابه کرده عیسی ایشان را که این
    دایمست و کم نگردد از زمین
    بدگمانی کردن و حرص‌آوری
    کفر باشد پیش خوان مهتری
    زآن گدارویان نادیده ز آز
    آن در رحمت بر ایشان شد فراز

    Then, when Jesus interceded, God
    sent a table, with bounty on platters.
    Again the insolent abandoned good manners
    and carried off scraps like beggars.
    Jesus had pleaded with them: “This
    will last, and will not run short on earth.”
    To be suspicious and greedy
    at the table of a great one is unbelief.
    Because of those beggar-faced ones, blinded by greed,
    that door of mercy was shut on them.

    Quran 5:112–115, on the table sent down at the request of Jesus’s disciples.

    ابر بر ناید پی منع زکات
    وز زنا افتد وبا اندر جهات
    هرچه بر تو آید از ظلمات و غم
    آن ز بی‌باکی و گستاخیست هم
    هر که بی‌باکی کند در راه دوست
    ره‌زن مردان شد و نامرد اوست
    از ادب پر نور گشتست این فلک
    وز ادب معصوم و پاک آمد ملک
    بد ز گستاخی کسوف آفتاب
    شد عزازیلی ز جرأت رد باب

    Clouds do not rise when alms are withheld,
    and adultery brings plague on every region.
    Whatever darkness and grief come upon you
    come from recklessness and insolence too.
    Whoever is reckless on the Friend’s path
    robs true men on the road, and is no man himself.
    Through good manners this heaven was filled with light;
    through good manners the angel became sinless and pure.
    Insolence brought about the eclipse of the sun;
    audacity turned Azazil away from the door.

    Azazil is the name traditionally given to Iblis before his fall.

    The king meets the physician

    The king welcomes the holy physician who appeared in his dream and kisses his hands.

    دست بگشاد و کنارانش گرفت
    همچو عشق اندر دل و جانش گرفت
    دست و پیشانیش بوسیدن گرفت
    از مقام و راه پرسیدن گرفت
    پرس پرسان می‌کشیدش تا بصدر
    گفت گنجی یافتم آخر بصبر
    گفت ای هدیهٔ حق و دفع حرج
    معنی الصبر مفتاح الفرج

    He opened his arms and embraced him;
    like love, he took him into his heart and soul.
    He began to kiss his hand and brow
    and to ask about his home and his journey.
    Asking and asking, he drew him to the seat of honor
    and said, “At last, through patience, I have found a treasure.”
    He said, “Gift of God, remover of hardship,
    you are the meaning of ‘Patience is the key to relief.’

    “Patience is the key to relief” is an Arabic proverb.

    ای لقای تو جواب هر سؤال
    مشکل از تو حل شود بی قیل و قال
    ترجمانی هرچ ما را در دلست
    دست‌گیری هر که پایش در گلست
    مرحبا یا مجتبی یا مرتضی
    إن تغب جاء القضا ضاق الفضا
    أنت مولی القوم من لا یشتهی
    قد ردی کلا لئن لم ینته

    Seeing you is the answer to every question;
    through you every difficulty is solved without argument.
    You interpret all that is in our hearts;
    you give a hand to all whose feet are stuck in mud.
    Welcome, chosen one, well-pleasing one!
    If you are absent, fate comes and space grows narrow.
    You are the master of the people; whoever does not desire you
    has perished—‘No indeed! If he does not desist…’”

    Lines 1.99–100 are in Arabic; the closing words are Quran 96:15.

    At the sickbed

    The physician examines the girl and sees that the other doctors’ remedies did harm.

    چون گذشت آن مجلس و خوان کرم
    دست او بگرفت و برد اندر حرم
    قصهٔ رنجور و رنجوری بخواند
    بعد از آن در پیش رنجورش نشاند
    رنگ رو و نبض و قاروره بدید
    هم علاماتش هم اسبابش شنید
    گفت هر دارو که ایشان کرده‌اند
    آن عمارت نیست ویران کرده‌اند
    بی‌خبر بودند از حال درون
    أستعیذ الله مما یفترون

    When that gathering and generous feast were over,
    he took him by the hand and led him into the women’s quarters.
    He told the story of the patient and her illness,
    and then seated him beside her.
    He looked at her complexion, her pulse and her urine,
    and heard both her symptoms and their causes.
    He said, “All the remedies they have given
    did not build; they have destroyed.
    They knew nothing of the inner state.
    ‘I seek refuge with God from what they invent.’”

    The last line is in Arabic, in Quranic phrasing.

    دید رنج و کشف شد بر وی نهفت
    لیک پنهان کرد و با سلطان نگفت
    رنجش از سودا و از صفرا نبود
    بوی هر هیزم پدید آید ز دود
    دید از زاریش کو زار دلست
    تن خوشست و او گرفتار دلست
    عاشقی پیداست از زاری دل
    نیست بیماری چو بیماری دل
    علت عاشق ز علت‌ها جداست
    عشق اصطرلاب اسرار خداست

    He saw the pain, and what was hidden was revealed to him,
    but he kept it hidden and did not tell the king.
    Her pain did not come from black bile or yellow bile;
    the scent of every firewood shows in its smoke.
    He saw from her lamenting that she was sick at heart:
    her body was well, but she was captive to her heart.
    Being in love shows in the heart’s lament;
    there is no sickness like the sickness of the heart.
    The lover’s ailment is unlike all other ailments;
    love is the astrolabe of God’s mysteries.

    عاشقی گر زین سر و گر زآن سرست
    عاقبت ما را بدان سر رهبرست
    هرچ گویم عشق را شرح و بیان
    چون بعشق آیم خجل باشم از آن
    گرچه تفسیر زبان روشن‌گرست
    لیک عشق بی‌زبان روشن‌ترست
    چون قلم اندر نوشتن می‌شتافت
    چون بعشق آمد قلم بر خود شکافت
    عقل در شرحش چو خر در گل بخفت
    شرح عشق و عاشقی هم عشق گفت

    Whether love is from this side or from that,
    in the end it is our guide to that other side.
    Whatever I say to explain and describe love,
    when I come to love itself, I am ashamed of it.
    Though the tongue’s commentary makes things clear,
    love without a tongue is clearer still.
    The pen was hurrying along as it wrote,
    but when it came to love, the pen split itself.
    Trying to explain it, reason lay down like a donkey in mud;
    love itself told the meaning of love and lovers.

    آفتاب آمد دلیل آفتاب
    گر دلیلت باید از وی رو متاب
    از وی ار سایه نشانی می‌دهد
    شمس هر دم نور جانی می‌دهد
    سایه خواب آرد ترا همچون سمر
    چون بر آید شمس انشق القمر
    خود غریبی در جهان چون شمس نیست
    شمس جان باقیست او را امس نیست
    شمس در خارج اگرچه هست فرد
    می‌توان هم مثل او تصویر کرد

    The sun has come as the proof of the sun:
    if you need a proof, do not turn your face from it.
    If the shadow gives some sign of it,
    the Sun gives the light of the soul at every moment.
    The shadow brings you sleep, like a bedtime tale;
    when the Sun rises, “the moon is split.”
    Indeed, there is no stranger in the world like the Sun:
    the Sun of the soul is everlasting; it has no yesterday.
    Though the outward sun is unique,
    one can still picture another like it.

    Shams means “sun”: Rumi plays on the name of his master, Shams al-Din of Tabriz. “The moon is split” is Quran 54:1.

    شمس جان کو خارج آمد از اثیر
    نبودش در ذهن و در خارج نظیر
    در تصور ذات او را گنج کو
    تا در آید در تصور مثل او
    چون حدیث روی شمس الدین رسید
    شمس چارم آسمان سر در کشید
    واجب آید چونک آمد نام او
    شرح رمزی گفتن از انعام او
    این نفس جان دامنم بر تافتست
    بوی پیراهان یوسف یافتست

    But the Sun of the soul, which lies beyond the ether,
    has no equal in the mind or outside it.
    Where is there room in the imagination for its essence,
    that its like could enter the imagination?
    When the talk came to the face of Shams al-Din,
    the sun of the fourth heaven hid its head.
    Now that his name has come, it is right
    to give some hint of his bounty.
    At this moment my soul has tugged at my skirt;
    it has caught the scent of Joseph’s shirt.

    The sun was placed in the fourth heaven. Jacob recognized the scent of Joseph’s shirt from afar (Quran 12:93–94).

    از برای حق صحبت سال‌ها
    باز گو حالی از آن خوش حال‌ها
    تا زمین و آسمان خندان شود
    عقل و روح و دیده صد چندان شود
    لا تکلفنی فإنی فی الفنا
    کلت أفهامی فلا أحصی ثنا
    کل شیء قاله غیر المفیق
    إن تکلف أو تصلف لا یلیق
    من چه گویم یک رگم هشیار نیست
    شرح آن یاری که او را یار نیست

    “For the sake of our years of companionship,
    tell again one state of those sweet states,
    so that earth and heaven may laugh,
    and reason, spirit and eye grow a hundredfold.”
    “Do not press me, for I have passed away;
    my understanding is dulled, I cannot count out praise.
    Whatever is said by one who is not sober,
    whether he strains or boasts, is unfitting.
    What can I say? Not one vein of mine is sober
    to describe that Friend who has no equal.

    Lines 1.128–129 are in Arabic.

    شرح این هجران و این خون جگر
    این زمان بگذار تا وقت دگر
    قال أطعمنی فإنی جایع
    واعتجل فالوقت سیف قاطع
    صوفی ابن الوقت باشد ای رفیق
    نیست فردا گفتن از شرط طریق
    تو مگر خود مرد صوفی نیستی
    هست را از نسیه خیزد نیستی
    گفتمش پوشیده خوشتر سر یار
    خود تو در ضمن حکایت گوش دار

    The tale of this parting and this heart’s blood
    leave for now, until another time.”
    It said, “Feed me, for I am hungry,
    and hurry, for time is a cutting sword.
    The Sufi is the son of the moment, my friend;
    saying ‘tomorrow’ is not the rule of the Way.
    Can it be that you are no true Sufi?
    What is here turns to nothing when deferred.”
    I told it, “The Friend’s secret is better veiled;
    listen for it yourself within the story.

    Line 1.132 is in Arabic. “Son of the moment” (ibn al-waqt) is a Sufi phrase for one who lives wholly in the present.

    خوشتر آن باشد که سر دلبران
    گفته آید در حدیث دیگران
    گفت مکشوف و برهنه و بی غلول
    باز گو دفعم مده ای بو الفضول
    پرده بر دار و برهنه گو که من
    می‌نخسپم با صنم با پیرهن
    گفتم ار عریان شود او در عیان
    نی تو مانی نی کنارت نی میان

    It is better that the secret of the beloved ones
    be told in the stories of others.”
    It said, “Tell it openly, bare, without deceit;
    don’t put me off, you busybody!
    Lift the veil and say it bare, for I
    do not sleep with my idol in a shirt.”
    I said, “If he were to appear naked in plain sight,
    neither you would remain, nor your embrace, nor your waist.

    آرزو می‌خواه لیک اندازه خواه
    بر نتابد کوه را یک برگ کاه
    آفتابی کز وی این عالم فروخت
    اندکی گر پیش آید جمله سوخت
    فتنه و آشوب و خون‌ریزی مجو
    بیش ازین از شمس تبریزی مگو
    این ندارد آخر از آغاز گو
    رو تمام این حکایت باز گو

    Ask for what you long for, but ask in measure:
    a blade of straw cannot bear a mountain.
    The sun that lights this world,
    if it came a little closer, would burn everything.
    Do not seek turmoil, uproar and bloodshed;
    say no more of Shams of Tabriz.
    This has no end; speak of the beginning.
    Go, finish telling this story.”

    The physician questions the girl

    Alone with the girl, the physician names towns while feeling her pulse, until Samarkand makes it leap.

    گفت ای شه خلوتی کن خانه را
    دور کن هم خویش و هم بیگانه را
    کس ندارد گوش در دهلیزها
    تا بپرسم زین کنیزک چیزها
    خانه خالی ماند و یک دیار نی
    جز طبیب و جز همان بیمار نی
    نرم نرمک گفت شهر تو کجاست
    که علاج اهل هر شهری جداست
    واندر آن شهر از قرابت کیستت
    خویشی و پیوستگی با چیستت

    He said, “King, clear the house;
    send away kin and stranger alike.
    Let no one be listening in the halls,
    so that I can ask this handmaiden some things.”
    The house was left empty, not a soul in it
    but the physician and that same patient.
    Very gently he said, “Where is your town?
    For the treatment of each town’s people is different.
    And in that town, who are your relations?
    To whom are you related and bound?”

    دست بر نبضش نهاد و یک بیک
    باز می‌پرسید از جور فلک
    چون کسی را خار در پایش جهد
    پای خود را بر سر زانو نهد
    وز سر سوزن همی‌جوید سرش
    ور نیابد می‌کند با لب ترش
    خار در پا شد چنین دشواریاب
    خار در دل چون بود وا ده جواب
    خار دل را گر بدیدی هر خسی
    دست کی بودی غمان را بر کسی

    He put his hand on her pulse and, one by one,
    asked about the cruelties of fate.
    When a thorn darts into someone’s foot,
    he rests his foot on his knee
    and searches for its tip with a needle’s point,
    and if he cannot find it, he wets it with his lips.
    A thorn in the foot is this hard to find;
    what then of a thorn in the heart? Give me an answer.
    If every lout could see the thorn in the heart,
    how would sorrows ever get the better of anyone?

    کس بزیر دم خر خاری نهد
    خر نداند دفع آن بر می‌جهد
    بر جهد وآن خار محکم‌تر زند
    عاقلی باید که خاری بر کند
    خر ز بهر دفع خار از سوز و درد
    جفته می‌انداخت صد جا زخم کرد
    آن حکیم خارچین استاد بود
    دست می‌زد جا بجا می‌آزمود
    زآن کنیزک بر طریق داستان
    باز می‌پرسید حال دوستان

    Someone puts a thorn under a donkey’s tail;
    the donkey doesn’t know how to get rid of it, and starts bucking.
    It bucks, and the thorn sticks in harder;
    it takes someone with sense to pull out a thorn.
    To get rid of the thorn, in burning and pain,
    the donkey kicked out and wounded itself in a hundred places.
    That thorn-pulling physician was a master;
    he laid his hand here and there, testing.
    As if just making conversation, he kept asking
    the handmaiden about her friends.

    با حکیم او قصه‌ها می‌گفت فاش
    از مقام و خواجگان و شهرتاش
    سوی قصه گفتنش می‌داشت گوش
    سوی نبض و جستنش می‌داشت هوش
    تا که نبض از نام کی گردد جهان
    او بود مقصود جانش در جهان
    دوستان شهر او را بر شمرد
    بعد از آن شهری دگر را نام برد
    گفت چون بیرون شدی از شهر خویش
    در کدامین شهر بودستی تو بیش

    She told the physician stories openly
    of her home, her masters and her townsfolk.
    He kept his ear on the stories she told
    and his attention on her pulse and its beating,
    to see at whose name the pulse would leap:
    that one would be the goal of her soul in this world.
    He counted off the friends from her town;
    after that he named another town.
    He said, “When you left your own town,
    in which town did you stay longest?”

    نام شهری گفت و زآن هم در گذشت
    رنگ رو و نبض او دیگر نگشت
    خواجگان و شهرها را یک بیک
    باز گفت از جای و از نان و نمک
    شهر شهر و خانه خانه قصه کرد
    نی رگش جنبید و نی رخ گشت زرد
    نبض او بر حال خود بد بی گزند
    تا بپرسید از سمرقند چو قند
    نبض جست و روی سرخ و زرد شد
    کز سمرقندی زرگر فرد شد

    She named a town and moved on from that one too;
    the color of her face and her pulse did not change.
    Masters and towns, one by one,
    she told of, and of lodging, bread and salt.
    Town by town and house by house she told her story;
    her vein did not stir, nor did her face turn pale.
    Her pulse kept steady, undisturbed,
    until he asked about Samarkand, sweet as sugar.
    Her pulse leapt, her face went red and pale,
    for she had been parted from a goldsmith of Samarkand.

    چون ز رنجور آن حکیم این راز یافت
    اصل آن درد و بلا را باز یافت
    گفت کوی او کدام اندر گذر
    او سر پل گفت و کوی غاتفر
    گفت دانستم که رنجت چیست زود
    در خلاصت سحرها خواهم نمود
    شاد باش و فارغ و ایمن که من
    آن کنم با تو که باران با چمن
    من غم تو می‌خورم تو غم مخور
    بر تو من مشفق‌ترم از صد پدر

    When the physician learned this secret from the patient,
    he found the root of that pain and affliction.
    He said, “Which is his street, as one goes through the town?”
    She said, “At the bridgehead, in Ghatfar Street.”
    He said, “I knew at once what your pain is;
    I will work wonders to set you free.
    Be glad, carefree and secure, for I
    will do for you what rain does for the meadow.
    I will do the grieving for you; don’t you grieve;
    I care for you more than a hundred fathers.

    هان و هان این راز را با کس مگو
    گرچه از تو شه کند بس جست و جو
    گورخانهٔ راز تو چون دل شود
    آن مرادت زودتر حاصل شود
    گفت پیغمبر که هرک سر نهفت
    زود گردد با مراد خویش جفت
    دانه‌ها چون در زمین پنهان شود
    سر آن سرسبزی بستان شود

    Mind now, tell this secret to no one,
    even if the king questions you closely.
    When your heart becomes the tomb of your secret,
    your wish will be granted all the sooner.”
    The Prophet said that whoever hides his secret
    will soon be joined with what he wishes.
    When seeds are hidden in the earth,
    their secret becomes the green of the garden.

    زر و نقره گر نبودندی نهان
    پرورش کی یافتندی زیر کان
    وعده‌ها و لطف‌های آن حکیم
    کرد آن رنجور را ایمن ز بیم
    وعده‌ها باشد حقیقی دل‌پذیر
    وعده‌ها باشد مجازی تاسه‌گیر
    وعدهٔ اهل کرم نقد روان
    وعدهٔ نااهل شد رنج روان

    If gold and silver were not hidden,
    how would they grow and ripen in the mine?
    That physician’s promises and kindnesses
    freed the patient from fear.
    There are true promises, welcome to the heart;
    there are false promises, which bring on anguish.
    The promise of the generous is ready cash;
    the promise of the unworthy turns to anguish of soul.

    The cause revealed

    The physician tells the king the cause and advises summoning the goldsmith from Samarkand.

    بعد زآن برخاست و عزم شاه کرد
    شاه را زآن شمه‌ای آگاه کرد
    گفت تدبیر آن بود کآن مرد را
    حاضر آریم از پی این درد را
    مرد زرگر را بخوان زآن شهر دور
    با زر و خلعت بده او را غرور

    After that he rose and set off to see the king,
    and told the king a little of the matter.
    He said, “The plan is this: that man
    we must bring here to cure this pain.
    Summon the goldsmith from that distant town;
    lure him with gold and robes of honor.”

    The goldsmith of Samarkand

    Lured by gold, the goldsmith comes and is given the girl, then wastes away from a potion.

    شه فرستاد آن طرف یک دو رسول
    حاذقان و کافیان بس عدول
    تا سمرقند آمدند آن دو رسول
    از برای زرگر شنگ فضول
    کای لطیف استاد کامل معرفت
    فاش اندر شهرها از تو صفت
    نک فلان شه از برای زرگری
    اختیارت کرد زیرا مهتری
    اینک این خلعت بگیر و زر و سیم
    چون بیایی خاص باشی و ندیم

    The king sent a couple of messengers that way,
    shrewd, capable men, and wholly trustworthy.
    The two messengers came as far as Samarkand
    for the sake of that dashing, vain goldsmith:
    “Gracious master, perfect in your craft,
    your fame is spread through every city.
    Look, King So-and-so, needing a goldsmith,
    has chosen you, because you are the finest.
    Here, take this robe of honor, and gold and silver;
    when you come, you will be his intimate and companion.”

    مرد مال و خلعت بسیار دید
    غره شد از شهر و فرزندان برید
    اندر آمد شادمان در راه مرد
    بی‌خبر کآن شاه قصد جانش کرد
    اسپ تازی بر نشست و شاد تاخت
    خونبهای خویش را خلعت شناخت
    ای شده اندر سفر با صد رضا
    خود بپای خویش تا سوء القضا
    در خیالش ملک و عز و مهتری
    گفت عزرائیل رو آری بری

    The man saw the riches and the many robes;
    dazzled, he cut himself off from his city and his children.
    Happily the man set out on the road,
    unaware that the king meant to take his life.
    He mounted an Arab horse and galloped off in joy,
    mistaking his own blood-money for a robe of honor.
    You who set out on the journey a hundred times willing,
    walking on your own feet toward an evil fate!
    In his imagination were a kingdom, honor and high rank;
    Azrael said, “Go on—yes, you will get them!”

    Azrael is the angel of death.

    چون رسید از راه آن مرد غریب
    اندر آوردش بپیش شه طبیب
    سوی شاهنشاه بردندش بناز
    تا بسوزد بر سر شمع طراز
    شاه دید او را بسی تعظیم کرد
    مخزن زر را بدو تسلیم کرد
    پس حکیمش گفت کای سلطان مه
    آن کنیزک را بدین خواجه بده
    تا کنیزک در وصالش خوش شود
    آب وصلش دفع آن آتش شود

    When the stranger arrived from his journey,
    the physician brought him before the king.
    They led him to the King of Kings with every courtesy,
    so that he would burn over that candle of Taraz.
    The king saw him and showed him great honor,
    and placed the treasury of gold in his hands.
    Then the physician said to him, “Great sultan,
    give the handmaiden to this master,
    so that the handmaiden may be happy in union with him,
    and the water of union may put out that fire.”

    Taraz, a town in Central Asia, was proverbial for its beautiful people; the “candle” is the handmaiden.

    شه بدو بخشید آن مه‌روی را
    جفت کرد آن هر دو صحبت‌جوی را
    مدت شش ماه می‌راندند کام
    تا بصحت آمد آن دختر تمام
    بعد از آن از بهر او شربت بساخت
    تا بخورد و پیش دختر می‌گداخت
    چون ز رنجوری جمال او نماند
    جان دختر در وبال او نماند
    چونک زشت و ناخوش و رخ‌زرد شد
    اندک اندک در دل او سرد شد

    The king gave him that moon-faced girl
    and joined the two who longed for each other’s company.
    For six months they took their pleasure,
    until the girl was fully restored to health.
    After that the physician prepared a potion for him;
    he drank it and began to waste away before the girl.
    When sickness had left nothing of his good looks,
    the girl’s soul was no longer caught in misery over him.
    As he grew ugly, sickly and sallow-faced,
    little by little he grew cold in her heart.

    عشق‌هایی کز پی رنگی بود
    عشق نبود عاقبت ننگی بود
    کاش کآن هم ننگ بودی یکسری
    تا نرفتی بر وی آن بدداوری
    خون دوید از چشم همچون جوی او
    دشمن جان وی آمد روی او
    دشمن طاوس آمد پر او
    ای بسی شه را بکشته فر او
    گفت من آن آهوم کز ناف من
    ریخت آن صیاد خون صاف من

    Loves that are for the sake of a color
    are not love: in the end they are a disgrace.
    If only it had been simply a disgrace and nothing more,
    so that such a cruel sentence had not fallen on him!
    Blood ran from his eyes like a stream;
    his own face had become the enemy of his life.
    The peacock’s feathers are its enemy;
    how many kings their own splendor has slain!
    He said, “I am that musk deer from whose navel
    the hunter spilled my pure blood.

    Musk was believed to come from the navel of a kind of deer, which was hunted for it.

    ای من آن روباه صحرا کز کمین
    سر بریدندش برای پوستین
    ای من آن پیلی که زخم پیلبان
    ریخت خونم از برای استخوان
    آنک کشتستم پی ما دون من
    می‌نداند که نخسپد خون من
    بر منست امروز و فردا بر ویست
    خون چون من کس چنین ضایع کیست

    Ah, I am that fox of the desert whom, from ambush,
    they beheaded for its pelt.
    Ah, I am that elephant whose blood the keeper’s blow
    spilled for the sake of its ivory.
    He who has killed me for something less than I am
    does not know that my blood will not sleep.
    Today it falls on me, and tomorrow on him;
    when was blood like mine ever spilled for nothing?

    گرچه دیوار افکند سایهٔ دراز
    باز گردد سوی او آن سایه باز
    این جهان کوهست و فعل ما ندا
    سوی ما آید نداها را صدا
    این بگفت و رفت در دم زیر خاک
    آن کنیزک شد ز رنج و عشق پاک
    زآنک عشق مردگان پاینده نیست
    زآنک مرده سوی ما آینده نیست

    Though a wall may cast a long shadow,
    that shadow turns back toward it again.
    This world is the mountain, and our deeds are the shout;
    the echoes of the shouts come back to us.”
    He said this and at once went under the earth;
    the handmaiden was cleansed of pain and of love.
    For love of the dead does not last,
    since the dead do not come back to us.

    عشق زنده در روان و در بصر
    هر دمی باشد ز غنچه تازه‌تر
    عشق آن زنده گزین کو باقیست
    کز شراب جان‌فزایت ساقیست
    عشق آن بگزین که جملهٔ انبیا
    یافتند از عشق او کار و کیا
    تو مگو ما را بدان شه بار نیست
    با کریمان کارها دشوار نیست

    Love of the living, in the spirit and in the eye,
    is every moment fresher than a bud.
    Choose the love of that Living One who abides,
    who pours you the wine that gives your soul more life.
    Choose the love of the One through love of whom all the prophets
    found their power and their glory.
    Do not say, “We are not admitted to that King”;
    with the generous, nothing is difficult.

    Why the goldsmith died

    Rumi explains that the goldsmith was killed by God’s command, as Khidr killed the boy.

    کشتن این مرد بر دست حکیم
    نی پی اومید بود و نی ز بیم
    او نکشتش از برای طبع شاه
    تا نیامد امر و الهام اله
    آن پسر را کش خضر ببرید حلق
    سر آن را در نیابد عام خلق
    آنک از حق یابد او وحی و جواب
    هرچه فرماید بود عین صواب
    آنک جان بخشد اگر بکشد رواست
    نایبست و دست او دست خداست

    The killing of this man by the physician’s hand
    was done neither out of hope nor out of fear.
    He did not kill him to please the king,
    not until God’s command and inspiration had come.
    That boy whose throat Khidr cut—
    the common people cannot grasp its secret.
    He who receives revelation and answer from God,
    whatever he commands is exactly right.
    He who gives life may rightly kill;
    he is a deputy, and his hand is the hand of God.

    Quran 18:65–82: Khidr, the mysterious guide of Moses, kills a boy and later reveals that he acted on God’s command.

    همچو اسمعیل پیشش سر بنه
    شاد و خندان پیش تیغش جان بده
    تا بماند جانت خندان تا ابد
    همچو جان پاک احمد با احد
    عاشقان جام فرح آنگه کشند
    که بدست خویش خوبانشان کشند
    شاه آن خون از پی شهوت نکرد
    تو رها کن بدگمانی و نبرد
    تو گمان بردی که کرد آلودگی
    در صفا غش کی هلد پالودگی

    Like Ishmael, lay your head before him;
    gladly, smiling, give up your soul beneath his sword,
    so that your soul may go on smiling forever,
    like the pure soul of Ahmad with the One.
    Lovers drink the cup of joy only
    when the fair ones kill them with their own hands.
    The king did not shed that blood out of lust;
    let go of your suspicion and your quarrel.
    You supposed he had done something foul,
    but how could refining leave dross in what is pure?

    In Muslim tradition Ishmael is the son Abraham was ready to sacrifice (Quran 37:102). Ahmad is a name of the Prophet Muhammad.

    بهر آنست این ریاضت وین جفا
    تا بر آرد کوره از نقره جفا
    بهر آنست امتحان نیک و بد
    تا بجوشد بر سر آرد زر زبد
    گر نبودی کارش الهام اله
    او سگی بودی دراننده نه شاه
    پاک بود از شهوت و حرص و هوا
    نیک کرد او لیک نیک بدنما
    گر خضر در بحر کشتی را شکست
    صد درستی در شکست خضر هست

    This discipline and this harshness are for this:
    that the furnace may draw the impurity out of the silver.
    The testing of good and bad is for this:
    that the gold may boil and bring its scum to the top.
    If his act had not been God’s inspiration,
    he would have been a ravening dog, not a king.
    He was pure of lust and greed and passion;
    he did good, but a good that looked like evil.
    If Khidr broke the boat at sea,
    there is a hundredfold wholeness in Khidr’s breaking.

    Quran 18:71, 79: Khidr holes a boat to save it from a king who was seizing every sound ship.

    وهم موسی با همه نور و هنر
    شد از آن محجوب تو بی پر مپر
    آن گل سرخست تو خونش مخوان
    مست عقلست او تو مجنونش مخوان
    گر بدی خون مسلمان کام او
    کافرم گر بردمی من نام او
    می‌بلرزد عرش از مدح شقی
    بدگمان گردد ز مدحش متقی
    شاه بود و شاه بس آگاه بود
    خاص بود و خاصهٔ الله بود

    The mind of Moses, for all his light and skill,
    was veiled from it—so do not try to fly without wings.
    That is a red rose: do not call it blood.
    He is drunk with reason: do not call him mad.
    If shedding a Muslim’s blood had been his desire,
    may I be an unbeliever if I so much as spoke his name!
    The Throne of God trembles when the wicked are praised,
    and the God-fearing grow suspicious at such praise.
    He was a king, and a king fully aware;
    he was one of the elect, the elect of God.

    Alludes to a saying attributed to the Prophet that God’s Throne trembles when a wicked man is praised.

    آن کسی را کش چنین شاهی کشد
    سوی بخت و بهترین جاهی کشد
    گر ندیدی سود او در قهر او
    کی شدی آن لطف مطلق قهرجو
    بچه می‌لرزد از آن نیش حجام
    مادر مشفق در آن غم شادکام
    نیم جان بستاند و صد جان دهد
    آنک در وهمت نیاید آن دهد
    تو قیاس از خویش می‌گیری ولیک
    دور دور افتاده‌ای بنگر تو نیک

    Someone killed by such a king
    is drawn toward good fortune and the highest rank.
    Had he not seen the man’s good in his harshness,
    how could that absolute kindness have sought to be harsh?
    A child trembles at the cupper’s lancet,
    while the loving mother is glad in that pain.
    He takes half a life and gives a hundred lives;
    he gives what never entered your imagination.
    You judge by yourself, but
    you have fallen far, far off: look well.

    The Grocer and the Parrot

    A grocer’s parrot spills rose oil, is struck bald, and mocks a bald dervish.

    بود بقالی و وی را طوطیی
    خوش‌نوایی سبز گویا طوطیی
    بر دکان بودی نگهبان دکان
    نکته گفتی با همه سوداگران
    در خطاب آدمی ناطق بدی
    در نوای طوطیان حاذق بدی
    جست از سوی دکان سویی گریخت
    شیشه‌های روغن گل را بریخت
    از سوی خانه بیامد خواجه‌اش
    بر دکان بنشست فارغ خواجه‌وش

    There was a grocer who had a parrot,
    a sweet-voiced, green, talking parrot.
    It sat on the counter and kept watch over the shop,
    and had a clever word for every customer.
    When it spoke to people it talked like a human,
    and it was skilled in the songs of parrots too.
    Once it jumped off the counter and flew to one side,
    and knocked over the bottles of rose oil.
    Its master came in from the house
    and sat down at the shop, carefree, the way masters do.

    دید پر روغن دکان و جامه چرب
    بر سرش زد گشت طوطی کل ز ضرب
    روزکی چندی سخن کوتاه کرد
    مرد بقال از ندامت آه کرد
    ریش بر می‌کند و می‌گفت ای دریغ
    کآفتاب نعمتم شد زیر میغ
    دست من بشکسته بودی آن زمان
    چون زدم من بر سر آن خوش‌زبان
    هدیه‌ها می‌داد هر درویش را
    تا بیابد نطق مرغ خویش را

    He saw the shop covered in oil and his clothes all greasy;
    he hit the parrot on the head, and the blow left it bald.
    For several days it stopped talking;
    the grocer sighed with regret.
    He tore at his beard and kept saying, “Alas!
    The sun of my good fortune has gone behind a cloud.
    If only my hand had been broken at the moment
    I struck that sweet-tongued bird on the head!”
    He gave presents to every dervish
    in hope of getting his bird’s speech back.

    بعد سه روز و سه شب حیران و زار
    بر دکان بنشسته بد نومیدوار
    می‌نمود آن مرغ را هر گون شگفت
    تا که باشد کاندر آید او بگفت
    جولقیی سر برهنه می‌گذشت
    با سر بی مو چو پشت طاس و طشت
    طوطی اندر گفت آمد در زمان
    بانگ بر درویش زد که هی فلان
    از چه ای کل با کلان آمیختی
    تو مگر از شیشه روغن ریختی

    After three days and three nights, bewildered and miserable,
    he was sitting at the shop in despair,
    showing the bird every kind of marvel
    in hope that it might start to talk.
    A dervish in a coarse cloak passed by, bareheaded,
    his hairless head like the back of a bowl or basin.
    At once the parrot started talking;
    it shouted at the dervish, “Hey, you!
    How did you, baldy, end up among the bald?
    Did you spill oil from a bottle too?”

    The dervish is a jawlaqi, a wanderer in a rough woolen sackcloth; such dervishes often shaved their heads.

    از قیاسش خنده آمد خلق را
    کو چو خود پنداشت صاحب دلق را
    کار پاکان را قیاس از خود مگیر
    گرچه ماند در نبشتن شیر و شیر
    جملهٔ عالم زین سبب گمراه شد
    کم کسی ز ابدال حق آگاه شد
    همسری با انبیا بر داشتند
    اولیا را همچو خود پنداشتند
    گفته اینک ما بشر ایشان بشر
    ما و ایشان بستهٔ خوابیم و خور

    People laughed at its reasoning,
    for it took the man in the dervish cloak to be like itself.
    Do not judge the work of the pure by yourself,
    even though shir and shir look alike in writing.
    This is why the whole world has gone astray:
    hardly anyone has recognized God’s Abdal.
    They claimed equality with the prophets;
    they thought the friends of God were like themselves.
    “Look,” they said, “we are human, and they are human;
    we and they are both bound by sleep and food.”

    Shir means both “lion” and “milk,” written identically in Persian. The Abdal (“substitutes”) are, in Sufi tradition, a rank of saints, the “friends of God.”

    این ندانستند ایشان از عمی
    هست فرقی در میان بی منتها
    هر دو گون زنبور خوردند از محل
    لیک شد زآن نیش و زین دیگر عسل
    هر دو گون آهو گیا خوردند و آب
    زین یکی سرگین شد و زآن مشک ناب
    هر دو نی خوردند از یک آبخور
    این یکی خالی و آن دیگر شکر
    صد هزاران این چنین اشباه بین
    فرقشان هفتاد ساله راه بین

    In their blindness they did not understand
    that between them lies a difference without end.
    Two kinds of bee fed from the same place,
    but one produced a sting and the other honey.
    Two kinds of deer ate grass and drank water;
    from one came dung, from the other pure musk.
    Two reeds drank from the same stream;
    one is hollow, the other is sugarcane.
    See hundreds of thousands of such look-alikes,
    and see that the distance between them is a seventy-year journey.

    این خورد گردد پلیدی زو جدا
    آن خورد گردد همه نور خدا
    این خورد زاید همه بخل و حسد
    آن خورد زاید همه عشق احد
    این زمین پاک و آن شورست و بد
    این فرشتهٔ پاک و آن دیوست و دد
    هر دو صورت گر بهم ماند رواست
    آب تلخ و آب شیرین را صفاست
    جز که صاحب ذوق کی شناسد بیاب
    او شناسد آب خوش از شوره آب

    This one eats, and filth comes out of him;
    that one eats, and it all becomes the light of God.
    This one eats and gives birth to nothing but avarice and envy;
    that one eats and gives birth to nothing but love of the One.
    This is pure soil, and that is salty and barren;
    this is a pure angel, and that a demon and a beast.
    If the two look alike in form, that may well be:
    bitter water and sweet water are both clear.
    Who but a man of taste can tell? Seek him out:
    he knows sweet water from brackish.

    سحر را با معجزه کرده قیاس
    هر دو را بر مکر پندارد اساس
    ساحران موسی از استیزه را
    بر گرفته چون عصای او عصا
    زین عصا تا آن عصا فرقیست ژرف
    زین عمل تا آن عمل راهی شگرف
    لعنة الله این عمل را در قفا
    رحمة الله آن عمل را در وفا
    کافران اندر مری بوزینه‌طبع
    آفتی آمد درون سینه طبع

    He compares sorcery with miracle
    and thinks both are founded on trickery.
    The sorcerers of Moses, in defiance,
    took up staffs like his staff.
    Between this staff and that staff lies a deep difference;
    between this work and that work, an astonishing distance.
    “God’s curse” follows close behind this work;
    “God’s mercy” attends that work in keeping faith.
    Unbelievers, mere mimics in their quarreling,
    have a blight lodged in the breast of their nature.

    Pharaoh’s sorcerers threw down staffs that seemed to become snakes, and Moses’ staff swallowed them (Quran 7:113–122; 20:65–70).

    هرچه مردم می‌کند بوزینه هم
    آن کند کز مرد بیند دم بدم
    او گمان برده که من کردم چو او
    فرق را کی داند آن استیزه‌رو
    این کند از امر و او بهر ستیز
    بر سر استیزه‌رویان خاک ریز
    آن منافق با موافق در نماز
    از پی استیزه آید نی نیاز
    در نماز و روزه و حج و زکات
    با منافق مومنان در برد و مات

    Whatever a man does, the ape does too:
    it does whatever it sees the man do, moment by moment.
    It supposes, “I did just what he did”;
    how could that defiant face know the difference?
    This one acts by command, and that one to defy:
    throw dust on the heads of the defiant!
    The hypocrite comes to prayer beside the sincere
    to defy, not in humble need.
    In prayer and fasting, pilgrimage and alms,
    the believers play against the hypocrite, to win or be checkmated.

    مومنان را برد باشد عاقبت
    بر منافق مات اندر آخرت
    گرچه هر دو بر سر یک بازیند
    هر دو با هم مروزی و رازیند
    هر یکی سوی مقام خود رود
    هر یکی بر وفق نام خود رود
    مومنش خوانند جانش خوش شود
    ور منافق گویی پر آتش شود
    نام او محبوب از ذات ویست
    نام این مبغوض از آفات ویست

    In the end the win goes to the believers,
    and checkmate falls on the hypocrite in the hereafter.
    Though both are engaged in the same game,
    together they are like the man of Merv and the man of Rayy.
    Each goes to his own station;
    each goes in keeping with his own name.
    Call him a believer, and his soul rejoices;
    call him a hypocrite, and he fills with fire.
    The one’s name is loved because of his essence;
    the other’s name is hated because of his blights.

    Merv and Rayy were distant cities of medieval Iran: two companions on one road who belong to different homes.

    میم و واو و میم و نون تشریف نیست
    لفظ مومن جز پی تعریف نیست
    گر منافق خوانیش این نام دون
    همچو کژدم می‌خلد در اندرون
    گر نه این نام اشتقاق دوزخست
    پس چرا در وی مذاق دوزخست
    زشتی آن نام بد از حرف نیست
    تلخی آن آب بحر از ظرف نیست
    حرف ظرف آمد درو معنی چو آب
    بحر معنی عنده أم الکتاب

    M and U and M and N are no honor in themselves;
    the word “believer” serves only to identify.
    If you call him a hypocrite, this lowly name
    stings inside him like a scorpion.
    If this name is not derived from hell,
    why does it carry the taste of hell?
    The ugliness of that bad name is not in its letters;
    the bitterness of seawater is not from the vessel.
    The letters are the vessel, the meaning in them like water;
    the sea of meaning is “with Him is the Mother of the Book.”

    M-U-M-N are the Arabic letters of mu’min, “believer.” Quran 13:39.

    بحر تلخ و بحر شیرین در جهان
    در میانشان برزخ لا یبغیان
    دانکه این هر دو ز یک اصلی روان
    بر گذر زین هر دو رو تا اصل آن
    زر قلب و زر نیکو در عیار
    بی محک هرگز ندانی ز اعتبار
    هر کرا در جان خدا بنهد محک
    مر یقین را باز داند او ز شک
    در دهان زنده خاشاکی جهد
    آنگه آرامد که بیرونش نهد

    In the world there is a bitter sea and a sweet sea,
    and between them a barrier: “they do not overstep.”
    Know that both flow from a single source;
    pass beyond them both and go to their source.
    Counterfeit gold and good gold, in the assay,
    you will never tell apart by guesswork without a touchstone.
    Anyone in whose soul God has placed a touchstone
    will tell certainty from doubt.
    If a speck of straw darts into a living mouth,
    the mouth has no rest until it has put it out.

    Quran 55:19–20.

    در هزاران لقمه یک خاشاک خرد
    چون در آمد حس زنده پی ببرد
    حس دنیا نردبان این جهان
    حس دینی نردبان آسمان
    صحت این حس بجویید از طبیب
    صحت آن حس بخواهید از حبیب
    صحت این حس ز معموری تن
    صحت آن حس ز ویرانی بدن
    راه جان مر جسم را ویران کند
    بعد از آن ویرانی آبادان کند

    Among thousands of morsels, one tiny speck—
    when it gets in, the living sense detects it.
    The worldly sense is the ladder of this world;
    the spiritual sense is the ladder of heaven.
    Seek the health of this sense from the physician;
    ask the health of that sense from the Beloved.
    The health of this sense comes from a body in good repair;
    the health of that sense, from the body’s ruin.
    The way of the soul lays the body in ruins,
    and after that ruin, makes it flourish.

    کرد ویران خانه بهر گنج زر
    وز همان گنجش کند معمورتر
    آب را ببرید و جو را پاک کرد
    بعد از آن در جو روان کرد آب خورد
    پوست را بشکافت و پیکان را کشید
    پوست تازه بعد زآنش بر دمید
    قلعه ویران کرد و از کافر ستد
    بعد زآن بر ساختش صد برج و سد
    کار بی‌چون را که کیفیت نهد
    این که گفتم هم ضرورت می‌دهد

    He tore down the house for the treasure of gold,
    and with that same treasure builds it better than before.
    He cut off the water and cleaned out the channel,
    then let fresh drinking water run in the channel.
    He cut open the skin and drew out the arrowhead;
    after that, new skin grew over it.
    He razed the fortress and took it from the unbelievers,
    then built it up again with a hundred towers and ramparts.
    Who can describe how the One beyond “how” works?
    Even what I have said is forced on me by necessity.

    گه چنین بنماید و گه ضد این
    جز که حیرانی نباشد کار دین
    نی چنان حیران که پشتش سوی اوست
    بل چنین حیران و غرق و مست دوست
    آن یکی را روی او شد سوی دوست
    وآن یکی را روی او خود روی اوست
    روی هر یک می‌نگر می‌دار پاس
    بوک گردی تو ز خدمت روشناس

    Sometimes it appears like this, sometimes the opposite;
    the work of religion is nothing but bewilderment.
    Not bewildered in a way that turns its back on Him,
    but bewildered like this: drowned and drunk with the Friend.
    One has his face turned toward the Friend;
    the other’s face is only his own face.
    Look at each one’s face and keep watch;
    perhaps through service you will learn to know faces.

    چون بسی ابلیس آدم‌روی هست
    پس بهر دستی نشاید داد دست
    زآنک صیاد آورد بانگ صفیر
    تا فریبد مرغ را آن مرغ‌گیر
    بشنود آن مرغ بانگ جنس خویش
    از هوا آید بیابد دام و نیش
    حرف درویشان بدزدد مرد دون
    تا بخواند بر سلیمی زآن فسون

    Since there are many devils with the face of Adam,
    you should not give your hand to every hand.
    For the fowler makes a whistling call,
    that bird-catcher, to deceive the bird;
    the bird hears the call of its own kind,
    comes down from the air, and finds the net and the knife.
    A base man steals the words of dervishes
    to recite them as a spell over some simple soul.

    کار مردان روشنی و گرمیست
    کار دونان حیله و بی‌شرمیست
    شیر پشمین از برای کد کنند
    بو مسیلم را لقب احمد کنند
    بو مسیلم را لقب کذاب ماند
    مر محمد را أولو الألباب ماند
    آن شراب حق ختامش مشک ناب
    باده را ختمش بود گند و عذاب

    The work of true men is light and warmth;
    the work of base men is trickery and shamelessness.
    They make lions of wool to beg with;
    they give Musaylima the title Ahmad.
    But Musaylima was left with the title “the Liar,”
    while Muhammad was left with “those who have understanding.”
    That wine of God has a seal of pure musk;
    the seal of other wine is stench and torment.

    Musaylima was a seventh-century Arabian who claimed prophethood; Muslim tradition calls him “the Liar.” The sealed wine is from Quran 83:25–26.

    The Merchant and the Parrot

    A merchant leaving for India asks his caged parrot what present it wants; it sends a message.

    Famous passage The merchant and the parrotA caged parrot sends word to the parrots of India, learns from one that drops dead, and plays dead to win its freedom.

    بود بازرگان و او را طوطیی
    در قفص محبوس زیبا طوطیی
    چونک بازرگان سفر را ساز کرد
    سوی هندستان شدن آغاز کرد
    هر غلام و هر کنیزک را ز جود
    گفت بهر تو چه آرم گوی زود
    هر یکی از وی مرادی خواست کرد
    جمله را وعده بداد آن نیک مرد
    گفت طوطی را چه خواهی ارمغان
    کآرمت از خطهٔ هندوستان

    There was a merchant who had a parrot,
    a beautiful parrot shut up in a cage.
    When the merchant got ready for a journey
    and prepared to set out for India,
    out of generosity he said to every servant and maid,
    “What shall I bring you? Tell me, quickly.”
    Each one asked him for something they wanted;
    that good man promised them all.
    He said to the parrot, “What present would you like
    me to bring you from the land of India?”

    گفت آن طوطی که آنجا طوطیان
    چون ببینی کن ز حال من بیان
    کآن فلان طوطی که مشتاق شماست
    از قضای آسمان در حبس ماست
    بر شما کرد او سلام و داد خواست
    وز شما چاره و ره ارشاد خواست
    گفت می‌شاید که من در اشتیاق
    جان دهم اینجا بمیرم در فراق
    این روا باشد که من در بند سخت
    گه شما بر سبزه گاهی بر درخت

    The parrot said, “When you see the parrots there,
    tell them how things are with me:
    ‘Such-and-such a parrot, who longs for you,
    is in our prison by heaven’s decree.
    He sends you greetings and asks for justice,
    and asks you for a remedy and guidance on the way.
    He says: Is it right that I, in my longing,
    should give up my life and die here in separation?
    Is it fair that I should be in hard bonds
    while you are now on the grass, now in the trees?

    این چنین باشد وفای دوستان
    من درین حبس و شما در گلستان
    یاد آرید ای مهان زین مرغ زار
    یک صبوحی در میان مرغزار
    یاد یاران یار را میمون بود
    خاصه کآن لیلی و این مجنون بود
    ای حریفان بت موزون خود
    من قدح‌ها می‌خورم پر خون خود
    یک قدح می نوش کن بر یاد من
    گر همی‌خواهی که بدهی داد من

    Is this how friends keep faith—
    I in this prison and you in the rose garden?
    Remember, noble ones, this wretched bird
    with one morning cup out in the meadow.
    Remembering friends brings a friend good fortune,
    especially when one is Layla and the other Majnun.
    You who keep company with your graceful idol,
    I am drinking cups full of my own blood.
    Drink one cup of wine in memory of me
    if you want to give me justice,

    The Persian puns on morgh-e zar “wretched bird” and morghzar “meadow.”

    یا بیاد این فتادهٔ خاک‌بیز
    چونک خوردی جرعه‌ای بر خاک ریز
    ای عجب آن عهد و آن سوگند کو
    وعده‌های آن لب چون قند کو
    گر فراق بنده از بد بندگیست
    چون تو با بد بد کنی پس فرق چیست
    ای بدی که تو کنی در خشم و جنگ
    با طرب‌تر از سماع و بانگ چنگ
    ای جفای تو ز دولت خوبتر
    وانتقام تو ز جان محبوبتر

    or, in memory of this fallen one who sifts the dust,
    when you have drunk, pour a draught on the earth.’”
    How strange! Where is that pledge, that oath?
    Where are the promises of those lips like sugar?
    If your servant’s separation comes from bad service,
    when you do bad to the bad, what difference is there?
    Ah, the harm you do in anger and in war
    is more delightful than the Sufi concert and the sound of the harp.
    Ah, your cruelty is better than good fortune,
    and your vengeance dearer than life.

    نار تو اینست نورت چون بود
    ماتم این تا خود که سورت چون بود
    از حلاوت‌ها که دارد جور تو
    وز لطافت کس نیابد غور تو
    نالم و ترسم که او باور کند
    وز کرم آن جور را کمتر کند
    عاشقم بر قهر و بر لطفش بجد
    بو العجب من عاشق این هر دو ضد

    If this is your fire, what must your light be like?
    If this is mourning, what must your wedding feast be like?
    For the sweetness your tyranny holds,
    and for its subtlety, no one can fathom you.
    I moan, and fear he may believe me
    and, out of kindness, make that tyranny less.
    In earnest I love his harshness and his kindness;
    how strange that I love these two opposites!

    والله ار زین خار در بستان شوم
    همچو بلبل زین سبب نالان شوم
    این عجب بلبل که بگشاید دهان
    تا خورد او خار را با گلستان
    این چه بلبل این نهنگ آتشیست
    جملهٔ ناخوش‌ها ز عشق او را خوشیست
    عاشق کلست و خود کلست او
    عاشق خویشست و عشق خویش‌جو

    By God, if I escape this thorn into the garden,
    I will moan like a nightingale for that very reason.
    What a strange nightingale, that opens its mouth
    to swallow the thorn along with the rose garden!
    What nightingale is this? This is a fiery sea monster;
    through love, every unpleasant thing is pleasant to it.
    It is a lover of the Whole, and it is itself the Whole;
    it is in love with itself and seeks its own love.

    The wings of the birds of divine reason

    Rumi digresses on the soul’s parrot, whose single cry stirs the seven heavens.

    قصهٔ طوطی جان زین سان بود
    کو کسی کو محرم مرغان بود
    کو یکی مرغی ضعیفی بی گناه
    واندرون او سلیمان با سپاه
    چون بنالد زار بی شکر و گله
    افتد اندر هفت گردون غلغله
    هر دمش صد نامه صد پیک از خدا
    یا ربی زو شصت لبیک از خدا

    The story of the soul’s parrot is like this.
    Where is someone who shares the secrets of the birds?
    Where is a bird, weak and innocent,
    with Solomon and his army inside it?
    When it weeps bitterly, without thanks or complaint,
    a tumult breaks out in the seven heavens.
    Every moment a hundred letters, a hundred messengers come to it from God;
    for each “O Lord” from it, sixty “Here I am”s from God.

    Solomon was taught the speech of birds (Quran 27:16). “Here I am” (labbayk) is the response of pilgrims to God’s call.

    زلت او به ز طاعت نزد حق
    پیش کفرش جملهٔ ایمان‌ها خلق
    هر دمی او را یکی معراج خاص
    بر سر تاجش نهد صد تاج خاص
    صورتش بر خاک و جان بر لامکان
    لامکانی فوق وهم سالکان
    لامکانی نی که در فهم آیدت
    هر دمی در وی خیالی زایدت

    Its slip is better in God’s sight than obedience;
    beside its unbelief, all faiths are threadbare.
    Every moment it has an ascension of its own;
    He sets a hundred special crowns upon its crown.
    Its form is on the earth, its soul in the placeless,
    a placelessness beyond the imagining of travelers on the way—
    not a placelessness that your understanding can grasp,
    in which some new fancy is born to you every moment.

    “Ascension” (mi’raj) recalls the Prophet’s night journey through the heavens.

    بل مکان و لامکان در حکم او
    همچو در حکم بهشتی چار جو
    شرح این کوته کن و رخ زین بتاب
    دم مزن والله أعلم بالصواب
    باز می‌گردیم ازین ای دوستان
    سوی مرغ و تاجر و هندوستان
    مرد بازرگان پذیرفت این پیام
    کو رساند سوی جنس از وی سلام

    No: place and placelessness are under its command,
    as the four rivers are under the command of one in Paradise.
    Cut short the explanation of this and turn your face away;
    say nothing—“and God knows best what is right.”
    Let us turn back from this, friends,
    to the bird and the merchant and India.
    The merchant accepted this message:
    that he would carry its greetings to its kind.

    The four rivers of Paradise flow with water, milk, wine and honey (Quran 47:15). The closing Arabic phrase is a conventional formula.

    The merchant delivers the message

    In India the merchant delivers the message, and one of the wild parrots drops dead.

    چونک تا اقصای هندستان رسید
    در بیابان طوطیی چندی بدید
    مرکب استانید پس آواز داد
    آن سلام و آن امانت باز داد
    طوطیی زآن طوطیان لرزید بس
    اوفتاد و مرد و بگسستش نفس
    شد پشیمان خواجه از گفت خبر
    گفت رفتم در هلاک جانور

    When he reached the farthest end of India,
    he saw a few parrots out in the wilds.
    He reined in his mount and called out,
    and delivered that greeting, the message in his trust.
    One of those parrots shook all over,
    fell, and died; its breath broke off.
    The merchant was sorry he had told the news.
    He said, “I’ve gone and killed a living creature.

    این مگر خویشست با آن طوطیک
    این مگر دو جسم بود و روح یک
    این چرا کردم چرا دادم پیام
    سوختم بیچاره را زین گفت خام
    این زبان چون سنگ و هم آتش‌وشست
    وآنچ بجهد از زبان چون آتشست
    سنگ و آهن را مزن برهم گزاف
    گه ز روی نقل و گاه از روی لاف

    Perhaps this one was kin to that little parrot;
    perhaps they were two bodies and one spirit.
    Why did I do this? Why did I give the message?
    I’ve burned the poor thing with my raw words.”
    The tongue is like flint, and like fire too,
    and what leaps from the tongue is like fire.
    Don’t strike flint and steel together idly,
    now to tell tales, now to boast,

    زآنک تاریکست و هر سو پنبه‌زار
    در میان پنبه چون باشد شرار
    ظالم آن قومی که چشمان دوختند
    زآن سخن‌ها عالمی را سوختند
    عالمی را یک سخن ویران کند
    روبهان مرده را شیران کند
    جان‌ها در اصل خود عیسی‌دمست
    یک دمش زخمست و دیگر مرهمست

    for it is dark, and there are cotton fields on every side:
    what becomes of a spark among the cotton?
    Unjust are the people who have sewn their eyes shut
    and burned a whole world with such words.
    A single word can lay a world in ruins
    and turn dead foxes into lions.
    Souls in their origin have the breath of Jesus:
    one breath is a wound, the next a salve.

    In Islamic tradition Jesus’s breath gave life: he breathed into clay birds and raised the dead (Quran 3:49).

    گر حجاب از جان‌ها بر خاستی
    گفت هر جانی مسیح‌آساستی
    گر سخن خواهی که گویی چون شکر
    صبر کن از حرص و این حلوا مخور
    صبر باشد مشتهای زیرکان
    هست حلوا آرزوی کودکان
    هرک صبر آورد گردون بر رود
    هرک حلوا خورد واپس‌تر شود

    If the veil were lifted from souls,
    the words of every soul would be like the Messiah’s.
    If you want to speak words like sugar,
    hold back from greed and don’t eat this sweet.
    Patience is what the wise crave;
    sweets are what children long for.
    Whoever brings patience rises to heaven;
    whoever eats sweets falls further behind.

    Poison and honey

    The man of heart may eat poison unharmed; the seeker must keep silent and listen.

    صاحب دل را ندارد آن زیان
    گر خورد او زهر قاتل را عیان
    زآنک صحت یافت و از پرهیز رست
    طالب مسکین میان تب درست
    گفت پیغمبر که ای طالب جری
    هان مکن با هیچ مطلوبی مری
    در تو نمرودیست آتش در مرو
    رفت خواهی اول ابرهیم شو

    The master of the heart takes no harm from it,
    even if he eats deadly poison in plain sight,
    for he has gained his health and is free of the diet,
    while the poor seeker is still in the grip of fever.
    The Prophet said, “Bold seeker,
    take care: do not contend with anyone who is sought.”
    There is a Nimrod in you: do not walk into the fire.
    If you mean to go in, first become Abraham.

    In tradition King Nimrod threw Abraham into a fire, which God made cool and safe for him (Quran 21:68–69).

    چون نه‌ای سباح و نی دریایی
    در میفکن خویش از خودرایی
    او ز قعر بحر گوهر آورد
    از زیان‌ها سود بر سر آورد
    کاملی گر خاک گیرد زر شود
    ناقص ار زر برد خاکستر شود
    چون قبول حق بود آن مرد راست
    دست او در کارها دست خداست

    Since you are no swimmer and no seafarer,
    don’t throw yourself in out of self-will.
    He brings pearls up from the bottom of the sea;
    out of losses he brings up profit.
    If a perfect man takes up dust, it turns to gold;
    if an imperfect one carries off gold, it turns to ash.
    Since that true man is accepted by God,
    his hand in all he does is the hand of God.

    دست ناقص دست شیطانست و دیو
    زآنک اندر دام تکلیفست و ریو
    جهل آید پیش او دانش شود
    جهل شد علمی که در ناقص رود
    هرچه گیرد علتی علت شود
    کفر گیرد کاملی ملت شود
    ای مری کرده پیاده با سوار
    سر نخواهی برد اکنون پای دار

    The imperfect man’s hand is the hand of Satan and the devil,
    for it is caught in the snare of duty and deceit.
    Ignorance comes before the perfect and becomes knowledge;
    knowledge that enters the imperfect becomes ignorance.
    Whatever a sick man takes becomes sickness;
    if a perfect man takes up unbelief, it becomes true religion.
    You who have contended on foot with a horseman,
    you will not get away with your head. Now stand your ground.

    The magicians and Moses

    Pharaoh’s sorcerers let Moses throw first, and that courtesy wins them faith.

    ساحران در عهد فرعون لعین
    چون مری کردند با موسی بکین
    لیک موسی را مقدم داشتند
    ساحران او را مکرم داشتند
    زآنک گفتندش که فرمان آن تست
    خواهی اول آن عصا تو فکن نخست
    گفت نی اول شما ای ساحران
    افکنید آن مکرها را در میان
    این قدر تعظیم دینشان را خرید
    کز مری آن دست و پاهاشان برید

    The sorcerers in the days of accursed Pharaoh,
    when they contended with Moses in malice,
    still gave Moses precedence;
    the sorcerers treated him with honor,
    for they told him, “The command is yours:
    if you wish, throw that staff of yours first.”
    He said, “No, you first, sorcerers:
    throw your tricks into the ring.”
    This much respect bought them their faith
    and cut away their hands and feet from contending.

    The contest of Moses and Pharaoh’s sorcerers, who then believed and were punished by Pharaoh with the cutting off of hands and feet: Quran 7:115–124; 20:65–71.

    ساحران چون حق او بشناختند
    دست و پا در جرم آن در باختند
    لقمه و نکته‌ست کامل را حلال
    تو نه‌ای کامل مخور می‌باش لال
    چون تو گوشی او زبان نی جنس تو
    گوش‌ها را حق بفرمود أنصتوا
    کودک اول چون بزاید شیرنوش
    مدتی خاموش باشد جمله گوش
    مدتی می‌بایدش لب دوختن
    از سخن تا او سخن آموختن

    When the sorcerers recognized his truth,
    they forfeited hands and feet for that offense.
    Morsels and subtle sayings are lawful for the perfect;
    you are not perfect: don’t eat, stay mute.
    Since you are an ear and he is a tongue, not your kind,
    God has commanded ears, “Be silent.”
    A child, when it is first born and nursing,
    stays silent for a while, all ears.
    For a while it must keep its lips sewn
    from speech, until it learns to speak.

    Quran 7:204: “When the Quran is recited, listen to it and be silent.”

    ور نباشد گوش و تی تی می‌کند
    خویشتن را گنگ گیتی می‌کند
    کر اصلی کش نبود آغاز گوش
    لال باشد کی کند در نطق جوش
    زآنک اول سمع باید نطق را
    سوی منطق از ره سمع اندر آ
    ادخلوا الأبیات من أبوابها
    واطلبوا الأغراض فی أسبابها
    نطق کآن موقوف راه سمع نیست
    جز که نطق خالق بی طمع نیست

    And if it has no ear and keeps on babbling,
    it makes itself the dumbest thing in the world.
    One born deaf, who never had hearing from the start,
    is mute: how could he burst into speech?
    For speech needs hearing first:
    come to speaking by the road of hearing.
    “Enter houses by their doors,
    and seek your ends through their means.”
    The speech that does not depend on the road of hearing
    is none but the speech of the Creator, who wants nothing.

    The first line quotes Quran 2:189; the second continues it as a maxim.

    مبدعست او تابع استاد نی
    مسند جمله ورا اسناد نی
    باقیان هم در حرف هم در مقال
    تابع استاد و محتاج مثال
    زین سخن گر نیستی بیگانه‌ای
    دلق و اشکی گیر در ویرانه‌ای
    زآنک آدم زآن عتاب از اشک رست
    اشک تر باشد دم توبه‌پرست
    بهر گریه آمد آدم بر زمین
    تا بود گریان و نالان و حزین

    He originates and follows no teacher;
    all things rest on Him, and He rests on no authority.
    All the rest, in crafts and in speech alike,
    follow a teacher and need a model.
    If you are no stranger to these words,
    take a patched cloak and tears into some ruin,
    for Adam escaped that rebuke through tears:
    moist tears are the breath of the repentant.
    Adam came down to earth to weep,
    to be weeping, lamenting, and grieving.

    آدم از فردوس و از بالای هفت
    پای ماچان از برای عذر رفت
    گر ز پشت آدمی وز صلب او
    در طلب می‌باش هم در طلب او
    ز آتش دل وآب دیده نقل ساز
    بوستان از ابر و خورشیدست باز
    تو چه دانی ذوق آب دیدگان
    عاشق نانی تو چون نادیدگان
    گر تو این انبان ز نان خالی کنی
    پر ز گوهرهای اجلالی کنی

    Adam left Paradise, above the seven heavens,
    and went to the lowest place by the door to beg pardon.
    If you are from Adam’s back, from his loins,
    keep seeking, as he sought.
    Make your sweets of the heart’s fire and the eyes’ water:
    the garden opens by cloud and by sun.
    What do you know of the taste of tears?
    You are in love with bread, like the starving.
    If you empty this sack of bread,
    you will fill it with jewels of majesty.

    طفل جان از شیر شیطان باز کن
    بعد از آنش با ملک انباز کن
    تا تو تاریک و ملول و تیره‌ای
    دانک با دیو لعین همشیره‌ای
    لقمه‌ای کآن نور افزود و کمال
    آن بود آورده از کسب حلال
    روغنی کآید چراغ ما کشد
    آب خوانش چون چراغی را کشد
    علم و حکمت زاید از لقمهٔ حلال
    عشق و رقت آید از لقمهٔ حلال

    Wean the child of the soul from Satan’s milk,
    and after that make it a partner of the angels.
    As long as you are dark, weary, and dull,
    know that you are milk-brother to the accursed devil.
    The morsel that adds light and perfection
    is one gained by lawful earning.
    Oil that comes and puts out our lamp,
    call it water, since it puts out a lamp.
    Knowledge and wisdom are born of a lawful morsel;
    love and tenderness come from a lawful morsel.

    چون ز لقمه تو حسد بینی و دام
    جهل و غفلت زاید آن را دان حرام
    هیچ گندم کاری و جو بر دهد
    دیده‌ای اسبی که کرهٔ خر دهد
    لقمه تخمست و برش اندیشه‌ها
    لقمه بحر و گوهرش اندیشه‌ها
    زاید از لقمهٔ حلال اندر دهان
    میل خدمت عزم رفتن آن جهان

    When you see envy and snares come from a morsel,
    and ignorance and heedlessness born of it, know it is unlawful.
    Do you ever sow wheat and reap barley?
    Have you seen a horse give birth to a donkey’s foal?
    The morsel is the seed, and its fruit is thoughts;
    the morsel is the sea, and its pearls are thoughts.
    Born of a lawful morsel in the mouth
    are the wish to serve and the resolve to go to the other world.

    The merchant’s report

    Back home, the merchant tells his parrot what happened; Rumi reflects on words that cannot be recalled.

    کرد بازرگان تجارت را تمام
    باز آمد سوی منزل شادکام
    هر غلامی را بیاورد ارمغان
    هر کنیزک را ببخشید او نشان
    گفت طوطی ارمغان بنده کو
    آنچ گفتی وآنچ دیدی باز گو
    گفت نی من خود پشیمانم از آن
    دست خود خایان و انگشتان گزان
    من چرا پیغام خامی از گزاف
    بردم از بی‌دانشی و از نشاف

    The merchant finished his trading
    and came back home, well pleased.
    He brought every servant a present;
    to every maidservant he gave a keepsake.
    The parrot said, “Where is your servant’s present?
    Tell me what you said and what you saw.”
    He said, “No. I regret it myself,
    chewing my hands and biting my fingers.
    Why did I carry a raw message so rashly,
    out of ignorance and folly?”

    گفت ای خواجه پشیمانی ز چیست
    چیست آن کین خشم و غم را مقتضیست
    گفت گفتم آن شکایت‌های تو
    با گروهی طوطیان همتای تو
    آن یکی طوطی ز دردت بوی برد
    زهره‌اش بدرید و لرزید و بمرد
    من پشیمان گشتم این گفتن چه بود
    لیک چون گفتم پشیمانی چه سود
    نکته‌ای کآن جست ناگه از زبان
    همچو تیری دان که جست آن از کمان

    It said, “Master, why the regret?
    What is it that calls for this anger and grief?”
    He said, “I told those complaints of yours
    to a flock of parrots like you.
    One of those parrots caught the scent of your pain:
    its gall burst, it trembled, and it died.
    I was sorry. Why did I say it?
    But once I had said it, what use was regret?”
    A word that leaps suddenly from the tongue,
    know it is like an arrow leaping from the bow.

    وا نگردد از ره آن تیر ای پسر
    بند باید کرد سیلی را ز سر
    چون گذشت از سر جهانی را گرفت
    گر جهان ویران کند نبود شگفت
    فعل را در غیب اثرها زادنیست
    وآن موالیدش بحکم خلق نیست
    بی شریکی جمله مخلوق خداست
    آن موالید ارچه نسبتشان بماست
    زید پرانید تیری سوی عمر
    عمر را بگرفت تیرش همچو نمر

    That arrow does not turn back on its way, my son.
    A flood must be dammed at its source.
    Once it is past the source, it takes over a world;
    if it lays the world in ruins, it is no wonder.
    Acts give birth to effects in the unseen,
    and those offspring are not under creatures’ control.
    All of them, without partner, are God’s creation,
    those offspring, though they are ascribed to us.
    Zayd shoots an arrow at Amr;
    his arrow seizes Amr like a leopard.

    Zayd and Amr are the stock names of Arabic grammar books, like “John” and “Bill.”

    مدتی سالی همی‌زایید درد
    دردها را آفریند حق نه مرد
    زید رامی آن دم ار مرد از وجل
    دردها می‌زاید آنجا تا اجل
    زآن موالید وجع چون مرد او
    زید رامی زین سبب قتال گو
    آن وجع‌ها را بدو منسوب دار
    گرچه هست آن جمله صنع کردگار
    همچنین کشت و دم و دام و جماع
    آن موالیدست حق را مستطاع

    For a year the pain kept breeding:
    God creates the pains, not the man.
    If Zayd the archer died of fear that moment,
    the pains would go on breeding there until the appointed hour.
    Since he died of those offspring of pain,
    call Zayd the archer the killer for that reason.
    Ascribe those pains to him,
    though they are all the work of the Maker.
    So too with sowing, breath, snares, and intercourse:
    their offspring lie in God’s power.

    اولیا را هست قدرت از اله
    تیر جسته باز آرندش ز راه
    بسته درهای موالید از سبب
    چون پشیمان شد ولی زآن دست رب
    گفته ناگفته کند از فتح باب
    تا از آن نی سیخ سوزد نی کباب
    از همه دل‌ها که آن نکته شنید
    آن سخن را کرد محو و ناپدید
    گرت برهان باید و حجت مها
    باز خوان من آیة أو ننسها

    The saints have power from God
    to bring a loosed arrow back from its course.
    The doors of the offspring are shut off from their cause
    when the saint repents, by the Lord’s hand.
    He makes the said unsaid by opening a door,
    so that neither the spit nor the kebab is burned.
    From all the hearts that heard that word
    he wipes the speech out and makes it vanish.
    If you want proof and evidence, sir,
    recite again: “Whatever verse… or cause to be forgotten.”

    The quotation is from Quran 2:106: “Whatever verse We abrogate or cause to be forgotten, We bring one better or like it.”

    آیت أنسوکم ذکری بخوان
    قدرت نسیان نهادنشان بدان
    چون بتذکیر و بنسیان قادرند
    بر همه دل‌های خلقان قاهرند
    چون بنسیان بست او راه نظر
    کار نتوان کرد ور باشد هنر
    خلتم سخریة أهل السمو
    از نبی بر خوان تو تا أنسوکم
    صاحب ده پادشاه جسم‌هاست
    صاحب دل شاه دل‌های شماست

    Recite the verse “They made you forget My remembrance,”
    and know their power to instill forgetting.
    Since they have power to make remember and forget,
    they hold sway over all the hearts of creatures.
    When he has blocked the road of insight with forgetting,
    no one can act, though he has the skill.
    “You took the people of the heights as a laughingstock”:
    read on in the Quran as far as “they made you forget.”
    The lord of the village is king of bodies;
    the master of the heart is king of your hearts.

    Quran 23:110: “But you took them as a laughingstock, until they made you forget My remembrance.”

    فرع دید آمد عمل بی هیچ شک
    پس نباشد مردم إلا مردمک
    من تمام این نیارم گفت از آن
    منع می‌آید ز صاحب مرکزان
    چون فراموشی خلق و یادشان
    با ویست و او رسد فریادشان
    صد هزاران نیک و بد را آن بهی
    می‌کند هر شب ز دل‌هاشان تهی

    Action, beyond any doubt, is an offshoot of sight;
    so a person is nothing but the pupil of the eye.
    I cannot tell this in full, because
    a check comes from the masters of the center.
    Since the forgetting and remembering of people
    rest with him, and he answers their cries,
    hundreds of thousands of goods and evils that excellent one
    empties from their hearts every night.

    A pun: mardom means “people,” and mardomak (“little person”) means the pupil of the eye.

    روز دل‌ها را از آن پر می‌کند
    آن صدف‌ها را پر از در می‌کند
    آن همه اندیشهٔ پیشان‌ها
    می‌شناسد از هدایت جان‌ها
    پیشه و فرهنگ تو آید بتو
    تا در اسباب بگشاید بتو
    پیشهٔ زرگر بآهنگر نشد
    خوی آن خوش‌خو بآن منکر نشد

    By day he fills the hearts with them again;
    he fills those shells with pearls.
    All those thoughts from before
    are known again by souls through guidance.
    Your craft and your learning come back to you,
    so that the door of means may open to you.
    The goldsmith’s craft did not go to the blacksmith;
    the good-natured man’s nature did not go to the surly one.

    پیشه‌ها و خلق‌ها همچون جهاز
    سوی خصم آیند روز رستخیز
    پیشه‌ها و خلق‌ها از بعد خواب
    واپس آید هم بخصم خود شتاب
    پیشه‌ها واندیشه‌ها در وقت صبح
    هم بدآنجا شد که بود آن حسن و قبح
    چون کبوترهای پیک از شهرها
    سوی شهر خویش آرد بهرها

    Crafts and characters, like baggage,
    return to their owners on the Day of Resurrection.
    Crafts and characters, after sleep,
    come hurrying back to their owners too.
    Crafts and thoughts, at the hour of dawn,
    go back to where that good and bad belonged,
    as carrier pigeons from other cities
    bring their gains home to their own city.

    The parrot dies in its cage

    The parrot falls dead in its cage, and the merchant pours out a long lament.

    چون شنید آن مرغ کآن طوطی چه کرد
    بس بلرزید اوفتاد و گشت سرد
    خواجه چون دیدش فتاده همچنین
    بر جهید و زد کله را بر زمین
    چون بدین رنگ و بدین حالش بدید
    خواجه در جست و گریبان را درید
    گفت ای طوطی خوب خوش‌حنین
    این چه بودت این چرا گشتی چنین
    ای دریغا مرغ خوش‌آواز من
    ای دریغا همدم و همراز من

    When the bird heard what that parrot had done,
    it shook hard, fell, and went cold.
    When the merchant saw it lying there like that,
    he sprang up and dashed his cap to the ground.
    When he saw it in this color and this state,
    the merchant leapt up and tore his collar.
    He said, “My lovely parrot, sweet of sighing,
    what happened to you? Why have you become like this?
    Alas, my sweet-voiced bird!
    Alas, my companion and my confidant!

    ای دریغا مرغ خوش‌الحان من
    راح روح و روضه و ریحان من
    گر سلیمان را چنین مرغی بدی
    کی خود او مشغول آن مرغان شدی
    ای دریغا مرغ کارزان یافتم
    زود روی از روی او بر تافتم
    ای زبان تو بس زیانی مر مرا
    چون توی گویا چگویم من ترا
    ای زبان هم آتش و هم خرمنی
    چند این آتش درین خرمن زنی

    Alas, my sweet-singing bird,
    wine of my spirit, my garden and my sweet basil!
    If Solomon had had a bird like this,
    why would he ever have busied himself with those other birds?
    Alas, the bird I found so cheap:
    how soon I turned my face from its face!
    Tongue, you do me great harm:
    since you are the one who speaks, what can I say to you?
    Tongue, you are both the fire and the harvest stack:
    how long will you set this fire to this stack?

    در نهان جان از تو افغان می‌کند
    گرچه هرچه گوییش آن می‌کند
    ای زبان هم گنج بی‌پایان توی
    ای زبان هم رنج بی‌درمان توی
    هم صفیر و خدعهٔ مرغان توی
    هم انیس وحشت هجران توی
    چند امانم می‌دهی ای بی‌امان
    ای تو زه کرده بکین من کمان
    نک بپرانیده‌ای مرغ مرا
    در چراگاه ستم کم کن چرا

    In secret the soul cries out against you,
    though it does whatever you tell it.
    Tongue, you are an endless treasure;
    tongue, you are also a pain without cure.
    You are the whistle and the decoy for birds,
    and the companion in the loneliness of parting.
    How long will you spare me, you merciless one,
    you who have strung your bow in hatred of me?
    Look, you have made my bird fly away:
    stop grazing in the pasture of cruelty.

    یا جواب من بگو یا داد ده
    یا مرا ز اسباب شادی یاد ده
    ای دریغا صبح ظلمت‌سوز من
    ای دریغا نور روزافروز من
    ای دریغا مرغ خوش‌پرواز من
    ز انتها پریده تا آغاز من
    عاشق رنجست نادان تا ابد
    خیز لا أقسم بخوان تا فی کبد
    از کبد فارغ بدم با روی تو
    وز زبد صافی بدم در جوی تو

    Either answer me or give me justice,
    or remind me of the means of joy.
    Alas, my dawn that burned away the dark!
    Alas, my light that kindled the day!
    Alas, my bird of graceful flight,
    who flew from my end to my beginning!
    The ignorant are in love with suffering forever:
    get up and recite from “No, I swear” as far as “in toil.”
    With your face before me I was free of toil;
    in your stream I was clear of foam.”

    Quran 90:1–4, beginning “No, I swear by this city” and ending “We have created man in toil.”

    این دریغاها خیال دیدنست
    وز وجود نقد خود ببریدنست
    غیرت حق بود و با حق چاره نیست
    کو دلی کز عشق حق صد پاره نیست
    غیرت آن باشد که او غیر همه‌ست
    آنک افزون از بیان و دمدمه‌ست
    ای دریغا اشک من دریا بدی
    تا نثار دلبر زیبا بدی
    طوطی من مرغ زیرکسار من
    ترجمان فکرت و اسرار من

    These “alases” come from seeing an image
    and being cut off from what is present here and now.
    It was God’s jealousy, and there is no remedy against God:
    where is the heart not torn to a hundred pieces by love of God?
    Jealousy is this: that He is other than all,
    He who is beyond all description and clamor.
    Alas, if only my tears were a sea,
    to scatter before the lovely heart-stealer!
    My parrot, my clever bird,
    interpreter of my thoughts and secrets,

    A pun: ghayrat, “jealousy,” and ghayr, “other.”

    هرچ روزی داد و ناداد آیدم
    او ز اول گفته تا یاد آیدم
    طوطیی کآید ز وحی آواز او
    پیش از آغاز وجود آغاز او
    اندرون تست آن طوطی نهان
    عکس او را دیده تو بر این و آن
    می‌برد شادیت را تو شاد ازو
    می‌پذیری ظلم را چون داد ازو
    ای که جان را بهر تن می‌سوختی
    سوختی جان را و تن افروختی

    whatever was to come to me someday, given or withheld,
    it told me from the start so that I would remember.
    A parrot whose voice comes from revelation,
    whose beginning was before the beginning of existence:
    that parrot is hidden within you;
    you have seen its reflection on this and that.
    It takes away your joy, and you are happy with it;
    you accept wrong from it as if it were justice.
    You who were burning the soul for the body’s sake,
    you burned the soul and lit up the body.

    سوختم من سوخته خواهد کسی
    تا ز من آتش زند اندر خسی
    سوخته چون قابل آتش بود
    سوخته بستان که آتش‌کش بود
    ای دریغا ای دریغا ای دریغ
    کانچنان ماهی نهان شد زیر میغ
    چون زنم دم کآتش دل تیز شد
    شیر هجر آشفته و خون‌ریز شد
    آنک او هشیار خود تندست و مست
    چون بود چون او قدح گیرد بدست

    I am burned. Does anyone want tinder,
    to light some straw from me?
    Since tinder takes fire,
    take tinder, for it draws the flame.
    Alas, alas, alas,
    that such a moon has hidden under the cloud!
    How can I breathe a word when the heart’s fire has flared
    and the lion of separation is raging and out for blood?
    One who is fierce and drunk even when sober,
    what will he be like when he takes the cup in hand?

    شیر مستی کز صفت بیرون بود
    از بسیط مرغزار افزون بود
    قافیه‌اندیشم و دلدار من
    گویدم مندیش جز دیدار من
    خوش نشین ای قافیه‌اندیش من
    قافیهٔ دولت تویی در پیش من
    حرف چه بود تا تو اندیشی از آن
    حرف چه بود خار دیوار رزان
    حرف و صوت و گفت را برهم زنم
    تا که بی این هر سه با تو دم زنم

    A drunken lion beyond all description
    is too big for the whole wide meadow.
    I think about rhymes, and my Beloved
    tells me, “Think of nothing but seeing me.
    Sit at ease, my rhyme-thinker:
    in my presence you are the rhyme of good fortune.
    What are letters, that you should think about them?
    What are letters? The thorn fence around the vineyards.
    I will throw letter, sound, and speech into confusion,
    so that without all three I may speak with you.

    آن دمی کز آدمش کردم نهان
    با تو گویم ای تو اسرار جهان
    آن دمی را که نگفتم با خلیل
    وآن غمی را که نداند جبرئیل
    آن دمی کز وی مسیحا دم نزد
    حق ز غیرت نیز بی ما هم نزد
    ما چه باشد در لغت اثبات و نفی
    من نه اثباتم منم بی‌ذات و نفی
    من کسی در ناکسی در یافتم
    پس کسی در ناکسی در بافتم

    That breath I kept hidden from Adam
    I will speak with you, you who are the secret of the world:
    the breath I did not tell to Abraham,
    and the grief that Gabriel does not know,
    the breath of which the Messiah breathed no word,
    which God, out of jealousy, did not utter even without mā.”
    What is mā in language? Affirmation and negation.
    I am not affirmation; I am selfless, I am negation.
    I found somebody-hood in being nobody,
    so I wove somebody-hood into being nobody.

    Mā is Persian for “we, us”; in Arabic it can be the negative “not,” hence “affirmation and negation.”

    جملهٔ شاهان بندهٔ بندهٔ خودند
    جملهٔ خلقان مردهٔ مردهٔ خودند
    جملهٔ شاهان پست پست خویش را
    جملهٔ خلقان مست مست خویش را
    می‌شود صیاد مرغان را شکار
    تا کند ناگاه ایشان را شکار
    دلبران را دل اسیر بی‌دلان
    جملهٔ معشوقان شکار عاشقان
    هرک عاشق دیدیش معشوق دان
    کو بنسبت هست هم این و هم آن

    All kings are slaves to their own slaves;
    all people are dying for those who die for them.
    All kings bow low to those who bow low to them;
    all people are drunk on those who are drunk on them.
    The fowler becomes the prey of the birds
    so that he can suddenly make them his prey.
    The heart-stealers’ hearts are captive to those who have lost their hearts;
    all beloveds are the prey of lovers.
    Whoever you see as a lover, know that he is beloved,
    for relatively he is both this and that.

    تشنگان گر آب جویند از جهان
    آب جوید هم بعالم تشنگان
    چونک عاشق اوست تو خاموش باش
    او چو گوشت می‌کشد تو گوش باش
    بند کن چون سیل سیلانی کند
    ورنه رسوایی و ویرانی کند
    من چه غم دارم که ویرانی بود
    زیر ویران گنج سلطانی بود
    غرق حق خواهد که باشد غرق‌تر
    همچو موج بحر جان زیر و زبر

    If the thirsty seek water in the world,
    water too seeks the thirsty in the world.
    Since He is the lover, keep silent;
    since He pulls your ear, be all ear.
    Dam the flood when it begins to rush,
    or it will bring disgrace and ruin.
    Why should I care if there is ruin?
    Under the ruin lies a royal treasure.
    One drowned in God wants to be drowned deeper,
    the soul tossed up and down like a wave of the sea.

    زیر دریا خوشتر آید یا زبر
    تیر او دلکش‌تر آید یا سپر
    پاره کردهٔ وسوسه باشی دلا
    گر طرب را باز دانی از بلا
    گر مرادت را مذاق شکرست
    بی‌مرادی نی مراد دلبرست
    هر ستاره‌ش خونبهای صد هلال
    خون عالم ریختن او را حلال
    ما بها و خونبها را یافتیم
    جانب جان باختن بشتافتیم

    Is the bottom of the sea sweeter, or the top?
    Is His arrow more delightful, or the shield?
    My heart, you are torn apart by doubt
    if you can tell joy from affliction.
    If your desire tastes of sugar,
    is not having no desire the heart-stealer’s desire?
    Each of His stars is the blood-price of a hundred new moons;
    shedding the world’s blood is lawful for Him.
    We have found the price and the blood-price,
    and rushed off to stake our lives.

    ای حیوة عاشقان در مردگی
    دل نیابی جز که در دل‌بردگی
    من دلش جسته بصد ناز و دلال
    او بهانه کرده با من از ملال
    گفتم آخر غرق تست این عقل و جان
    گفت رو رو بر من این افسون مخوان
    من ندانم آنچ اندیشیده‌ای
    ای دو دیده دوست را چون دیده‌ای

    Ah, the life of lovers lies in dying!
    You will not win a heart except by losing your heart.
    I sought his heart with a hundred coy airs and graces;
    he made excuses to me out of weariness.
    I said, “But this reason and this soul are drowned in you.”
    He said, “Go on, go away. Don’t try this spell on me.
    Don’t I know what you’ve been thinking?
    You who see double, how have you seen the Friend?

    ای گرانجان خوار دیدستی مرا
    زآنک بس ارزان خریدستی مرا
    هرکه او ارزان خرد ارزان دهد
    گوهری طفلی بقرصی نان دهد
    غرق عشقی‌ام که غرقست اندرین
    عشق‌های اولین و آخرین
    مجملش گفتم نگفتم زآن بیان
    ورنه هم افهام سوزد هم زبان

    Dull soul, you have looked on me with contempt
    because you bought me so cheap.
    Whoever buys cheap gives away cheap:
    a child will give a pearl for a round of bread.”
    I am drowned in a love in which are drowned
    the loves of the first and the last.
    I have told it in summary and have not set it out in full,
    or else both understanding and tongue would burn.

    من چو لب گویم لب دریا بود
    من چو لا گویم مراد إلا بود
    من ز شیرینی نشستم رو ترش
    من ز پری سخن باشم خمش
    تا که شیرینی ما از دو جهان
    در حجاب رو ترش باشد نهان
    تا که در هر گوش ناید این سخن
    یک همی‌گویم ز صد سر لدن

    When I say “lip,” I mean the lip of the sea;
    when I say “No,” I mean “except.”
    Out of sweetness I sit sour-faced;
    out of fullness of speech I keep silent,
    so that our sweetness, from both worlds,
    may stay hidden behind the veil of a sour face,
    so that these words may not enter every ear.
    I tell just one of a hundred secrets “from Our presence.”

    Lab means both “lip” and “shore.” “No… except” recalls the profession of faith, “There is no god except God.” “From Our presence” echoes Quran 18:65, on knowledge given directly by God.

    On divine jealousy

    Rumi reflects on God’s jealousy and complains of the Beloved’s cruelty, which he loves.

    جملهٔ عالم زآن غیور آمد که حق
    برد در غیرت برین عالم سبق
    او چو جانست و جهان چون کالبد
    کالبد از جان پذیرد نیک و بد
    هرک محراب نمازش گشت عین
    سوی ایمان رفتنش می‌دان تو شین
    هرک شد مر شاه را او جامه‌دار
    هست خسران بهر شاهش اتجار
    هرک با سلطان شود او همنشین
    بر درش بودن بود عیب و غبین

    All the world is jealous because God
    outstrips this world in jealousy.
    He is like the soul, and the world like the body;
    the body takes its good and bad from the soul.
    Whoever has the very Essence as the niche of his prayer,
    know that for him to turn back toward mere faith is a disgrace.
    Whoever has become the king’s keeper of the robes
    is only losing if he goes trading on the king’s behalf.
    Whoever becomes the sultan’s companion,
    for him, waiting at the door is shame and loss.

    A pun: ʿayn means “essence” or “eye,” shin means “disgrace,” and both are also letters of the alphabet.

    دست‌بوسش چون رسید از پادشاه
    گر گزیند بوس پا باشد گناه
    گرچه سر بر پا نهادن خدمتست
    پیش آن خدمت خطا و زلتست
    شاه را غیرت بود بر هرک او
    بو گزیند بعد زآن که دید رو
    غیرت حق بر مثل گندم بود
    کاه خرمن غیرت مردم بود
    اصل غیرت‌ها بدانید از اله
    آن خلقان فرع حق بی اشتباه

    When he has been granted the king’s hand to kiss,
    if he chooses to kiss his foot instead, it is a sin.
    Though laying one’s head at the feet is service,
    beside that other service it is a fault and a slip.
    The king is jealous of anyone who,
    having seen his face, would settle for his scent.
    God’s jealousy is like the wheat;
    people’s jealousy is the chaff on the threshing floor.
    Know that the root of all jealousies is in God;
    the jealousy of creatures is, beyond doubt, a branch of God’s.

    شرح این بگذارم و گیرم گله
    از جفای آن نگار ده‌دله
    نالم ایرا ناله‌ها خوش آیدش
    از دو عالم ناله و غم بایدش
    چون ننالم تلخ از دستان او
    چون نیم در حلقهٔ مستان او
    چون ننالم همچو شب بی روز او
    بی وصال روی روزافروز او
    ناخوش او خوش بود در جان من
    جان فدای یار دل‌رنجان من

    Let me leave this explanation and make my complaint
    of the cruelty of that fickle, ten-hearted beauty.
    I lament because laments please him;
    of both worlds, lament and grief are what he wants.
    How should I not lament bitterly at his wiles,
    since I am not in the circle of his drunken ones?
    How should I not lament like night without his day,
    without union with his day-kindling face?
    His unkindness is sweet to my soul;
    my soul is a ransom for my heart-wounding Friend.

    عاشقم بر رنج خویش و درد خویش
    بهر خشنودی شاه فرد خویش
    خاک غم را سرمه سازم بهر چشم
    تا ز گوهر پر شود دو بحر چشم
    اشک کآن از بهر او بارند خلق
    گوهرست و اشک پندارند خلق
    من ز جان جان شکایت می‌کنم
    من نیم شاکی روایت می‌کنم
    دل همی‌گوید ازو رنجیده‌ام
    وز نفاق سست می‌خندیده‌ام

    I am in love with my own pain and grief
    for the pleasure of my peerless King.
    I make the dust of grief collyrium for my eyes,
    so that the two seas of my eyes may fill with pearls.
    The tears that people shed for his sake
    are pearls, though people take them for tears.
    I am complaining of the Soul of the soul,
    yet I am not complaining—I am only telling a tale.
    My heart keeps saying, “I am hurt by him,”
    and I have been laughing out of feeble hypocrisy.

    راستی کن ای تو فخر راستان
    ای تو صدر و من درت را آستان
    آستان و صدر در معنی کجاست
    ما و من کو آن طرف کآن یار ماست
    ای رهیده جان تو از ما و من
    ای لطیفهٔ روح اندر مرد و زن
    مرد و زن چون یک شود آن یک توی
    چونک یک‌ها محو شد آنک توی
    این من و ما بهر آن بر ساختی
    تا تو با خود نرد خدمت باختی

    Be true, you pride of the truthful;
    you are the seat of honor, and I the threshold of your door.
    But where, in reality, are threshold and seat of honor?
    Where are “we” and “I” in that place where our Friend is?
    You whose soul is freed from “we” and “I,”
    you subtle essence of the spirit in man and woman,
    when man and woman become one, you are that One;
    when the ones are erased, there you are.
    You devised this “I” and “we”
    so that you could play the backgammon of service with yourself,

    تا من و توها همه یک جان شوند
    عاقبت مستغرق جانان شوند
    این همه هست و بیا ای امر کن
    ای منزه از بیا و از سخن
    جسم جسمانه تواند دیدنت
    در خیال آرد غم و خندیدنت
    دل که او بستهٔ غم و خندیدنست
    تو مگو کو لایق آن دیدنست
    آنک او بستهٔ غم و خنده بود
    او بدین دو عاریت زنده بود

    so that all the “I”s and “you”s might become one soul
    and at last be drowned in the Beloved.
    All this is so—yet come, you Command “Be!”,
    you who are beyond “come” and beyond speech.
    The body can see you only in a bodily way;
    it imagines you grieving and laughing.
    The heart that is bound to grief and laughter—
    do not say it is worthy of that seeing.
    Whoever is bound to grief and laughter
    lives by these two borrowed things.

    “Be!” is God’s creative command in the Quran (e.g. 36:82).

    باغ سبز عشق کو بی منتهاست
    جز غم و شادی درو بس میوه‌هاست
    عاشقی زین هر دو حالت برترست
    بی بهار و بی خزان سبز و ترست
    ده زکوة روی خوب ای خوب‌رو
    شرح جان شرحه شرحه باز گو
    کز کرشم غمزه‌ای غمازه‌ای
    بر دلم بنهاد داغی تازه‌ای
    من حلالش کردم ار خونم بریخت
    من همی‌گفتم حلال او می‌گریخت

    In the green garden of love, which has no end,
    there are many fruits besides grief and joy.
    Being a lover is higher than both these states;
    without spring, without autumn, it is green and fresh.
    Pay the alms of your lovely face, you lovely one;
    tell the story of the soul that is torn to shreds,
    for with the coquetry of one glancing, telltale beauty
    a fresh brand has been set upon my heart.
    I declared it lawful for him to shed my blood;
    I kept saying, “It is lawful,” and he kept running away.

    چون گریزانی ز نالهٔ خاکیان
    غم چه ریزی بر دل غمناکیان
    ای که هر صبحی که از مشرق بتافت
    همچو چشمهٔ مشرقت در جوش یافت
    چون بهانه دادی این شیدات را
    ای بها نه شکر لبهات را
    ای جهان کهنه را تو جان نو
    از تن بی جان و دل افغان شنو

    Since you flee from the laments of earthly creatures,
    why pour grief on the hearts of the grief-stricken?
    You whom every dawn that shone from the east
    found welling up like the fountain of the east,
    how could you make excuses to this madman of yours,
    you whose sugar lips are beyond price?
    You who are the new soul of this old world,
    hear the cry of a body without soul or heart.

    A pun: bahāna “excuse” and bahā na “no price,” i.e. priceless.

    شرح گل بگذار از بهر خدا
    شرح بلبل گو که شد از گل جدا
    از غم و شادی نباشد جوش ما
    با خیال و وهم نبود هوش ما
    حالتی دیگر بود کآن نادرست
    تو مشو منکر که حق بس قادرست
    تو قیاس از حالت انسان مکن
    منزل اندر جور و در احسان مکن

    For God’s sake, leave the story of the rose;
    tell of the nightingale parted from the rose.
    Our ferment does not come from grief and joy;
    our awareness is not bound to imagination and fancy.
    It is another state, a rare one;
    do not deny it, for God is mighty indeed.
    Do not judge by the state of human beings;
    do not make your dwelling in cruelty and kindness.

    جور و احسان رنج و شادی حادثست
    حادثان میرند حقشان وارثست
    صبح شد ای صبح را پشت و پناه
    عذر مخدومی حسام الدین بخواه
    عذرخواه عقل کل و جان تویی
    جان جان و تابش مرجان تویی
    تافت نور صبح و ما از نور تو
    در صبوحی با می منصور تو

    Cruelty and kindness, pain and joy, are transient;
    transient things die, and God is their heir.
    Dawn has come, you refuge and support of the dawn;
    beg pardon for me from my lord Husam al-Din.
    You are the one who pleads for Universal Intellect and the soul;
    you are the soul of the soul and the luster of coral.
    The light of dawn has shone, and by your light we are
    at the morning drink with your wine of Mansur.

    Husam al-Din was Rumi’s disciple, to whom the poem is addressed. “Mansur” means “victorious” and also recalls the mystic Husayn ibn Mansur al-Hallaj.

    دادهٔ تو چون چنین دارد مرا
    باده کی بود کو طرب آرد مرا
    باده در جوشش گدای جوش ما
    چرخ در گردش گدای هوش ما
    باده از ما مست شد نی ما ازو
    قالب از ما هست شد نی ما ازو
    ما چو زنبوریم و قالب‌ها چو موم
    خانه خانه کرده قالب را چو موم

    Since your gift keeps me like this,
    how could wine be what brings me joy?
    Wine in its fermenting begs for our ferment;
    the heavens in their turning beg for our awareness.
    Wine was made drunk by us, not we by it;
    the body came into being through us, not we through it.
    We are like bees, and bodies are like wax;
    we have built the body cell by cell, like wax.

    Back to the merchant

    Returning to the merchant, Rumi likens his scattered cries to a drowning man clutching at grass.

    بس درازست این حدیث خواجه گو
    تا چه شد احوال آن مرد نکو
    خواجه اندر آتش و درد و حنین
    صد پراکنده همی‌گفت این چنین
    گه تناقض گاه ناز و گه نیاز
    گاه سودای حقیقت گه مجاز
    مرد غرقه گشته جانی می‌کند
    دست را در هر گیاهی می‌زند

    This talk is very long—tell of the merchant,
    what became of that good man.
    The merchant, in fire and pain and longing,
    kept saying a hundred scattered things like these:
    now contradiction, now pride, now pleading,
    now passion for the real, now for the figurative.
    A drowning man struggles for his life,
    clutching at every blade of grass

    تا کدامش دست گیرد در خطر
    دست و پایی می‌زند از بیم سر
    دوست دارد یار این آشفتگی
    کوشش بیهوده به از خفتگی
    آنک او شاهست او بی کار نیست
    ناله از وی طرفه کو بیمار نیست
    بهر این فرمود رحمان ای پسر
    کل یوم هو فی شأن ای پسر

    in case one of them might save him in his peril;
    he flails his hands and feet in fear for his life.
    The Friend loves this distraction;
    vain striving is better than sleeping.
    He who is King is not idle;
    lamenting would be strange from him, for he is not sick.
    That is why the Merciful said, my son,
    “Every day He is about some work,” my son.

    Quran 55:29.

    اندرین ره می‌تراش و می‌خراش
    تا دم آخر دمی فارغ مباش
    تا دم آخر دمی آخر بود
    که عنایت با تو صاحب‌سر بود
    هرچ کوشد جان که در مرد و زنست
    گوش و چشم شاه جان بر روزنست

    On this path keep scraping and scratching;
    do not rest for a moment until your last breath,
    so that your last breath may be a breath
    in which grace is your confidant.
    Whatever the soul strives for, in man and woman,
    the ears and eyes of the King of souls are at the window.

    The dead parrot flies

    Thrown from the cage, the dead parrot flies off and explains its trick.

    بعد از آنش از قفص بیرون فکند
    طوطیک پرید تا شاخ بلند
    طوطی مرده چنان پرواز کرد
    کآفتاب شرق ترکی‌تاز کرد
    خواجه حیران گشت اندر کار مرغ
    بی خبر ناگه بدید اسرار مرغ
    روی بالا کرد و گفت ای عندلیب
    از بیان حال خودمان ده نصیب
    او چه کرد آنجا که تو آموختی
    ساختی مکری و ما را سوختی

    Then he threw it out of the cage;
    the little parrot flew up to a high branch.
    The dead parrot took flight
    the way the eastern sun swoops like a raider.
    The merchant was bewildered at what the bird had done;
    suddenly, unawares, he saw the bird’s secrets.
    He lifted his face and said, “Nightingale,
    give us a share of the account of your state.
    What did he do there, that you learned from him?
    You devised a trick and burned us.”

    گفت طوطی کو بفعلم پند داد
    که رها کن لطف آواز و وداد
    زآنک آوازت ترا در بند کرد
    خویشتن مرده پی این پند کرد
    یعنی ای مطرب شده با عام و خاص
    مرده شو چون من که تا یابی خلاص
    دانه باشی مرغکانت بر چنند
    غنچه باشی کودکانت بر کنند
    دانه پنهان کن بکلی دام شو
    غنچه پنهان کن گیاه بام شو

    The parrot said, “He counseled me by what he did:
    ‘Let go of your sweet voice and your fondness for company,
    for your voice is what put you in chains.’
    He made himself dead for the sake of this counsel,
    as if to say, ‘You who sing for high and low,
    become dead like me, so that you may find release.’”
    Be a grain, and little birds will peck you up;
    be a bud, and children will pluck you.
    Hide the grain and become wholly a snare;
    hide the bud and become the grass on the roof.

    هرک داد او حسن خود را در مزاد
    صد قضای بد سوی او رو نهاد
    حیله‌ها و خشم‌ها و رشک‌ها
    بر سرش ریزد چو آب از مشک‌ها
    دشمنان او را ز غیرت می‌درند
    دوستان هم روزگارش می‌برند
    آنک غافل بود از کشت و بهار
    او چه داند قیمت این روزگار
    در پناه لطف حق باید گریخت
    کو هزاران لطف بر ارواح ریخت

    Whoever puts his beauty up for auction
    has a hundred evil fates heading his way.
    Schemes and angers and envies
    pour on his head like water from waterskins.
    Enemies tear him apart out of jealousy,
    and friends, too, waste his days.
    One who was heedless of sowing and of spring—
    what does he know of the worth of this time?
    You must flee for refuge to the grace of God,
    who has poured thousands of graces on souls,

    تا پناهی یابی آنگه چون پناه
    آب و آتش مر ترا گردد سپاه
    نوح و موسی را نه دریا یار شد
    نه بر اعداشان بکین قهار شد
    آتش ابراهیم را نی قلعه بود
    تا بر آورد از دل نمرود دود
    کوه یحیی را نه سوی خویش خواند
    قاصدانش را بزخم سنگ راند
    گفت ای یحیی بیا در من گریز
    تا پناهت باشم از شمشیر تیز

    so that you find a refuge—and then, what a refuge!
    Water and fire become your army.
    Did not the sea befriend Noah and Moses
    and turn in fury on their enemies?
    Was not fire a fortress for Abraham,
    until it made smoke rise from Nimrod’s heart?
    Did not the mountain call John to itself
    and drive off his pursuers with blows of stone?
    It said, “John, come, take refuge in me,
    so that I may be your shelter from the sharp sword.”

    Legend says a mountain hid John the Baptist from his pursuers.

    The parrot’s farewell

    The parrot says farewell, and the merchant resolves to follow its path.

    یک دو پندش داد طوطی پر مذاق
    بعد از آن گفتش سلام الفراق
    خواجه گفتش فی أمان الله برو
    مر مرا اکنون نمودی راه نو
    خواجه با خود گفت کین پند منست
    راه او گیرم که این ره روشنست
    جان من کمتر ز طوطی کی بود
    جان چنین باید که نیکوپی بود

    The wise parrot gave him a counsel or two,
    and then said to him, “Peace be with you—we part.”
    The merchant said, “Go in God’s safekeeping;
    you have shown me a new path now.”
    The merchant said to himself, “This counsel is for me;
    I will take his path, for this path is bright.
    How could my soul be less than a parrot?
    A soul should be like this, with a blessed step.”

    The harm of praise

    Flattery and fame are a cage for the soul and breed pride.

    تن قفص‌شکلست تن شد خار جان
    در فریب داخلان و خارجان
    اینش گوید من شوم همراز تو
    وآنش گوید نی منم انباز تو
    اینش گوید نیست چون تو در وجود
    در جمال و فضل و در احسان و جود
    آنش گوید هر دو عالم آن تست
    جملهٔ جان‌هامان طفیل جان تست
    او چو بیند خلق را سرمست خویش
    از تکبر می‌رود از دست خویش

    The body is like a cage; the body has become a thorn to the soul
    through the deceits of those within and those without.
    This one tells him, “I’ll be your confidant,”
    and that one says, “No, I am your partner.”
    This one tells him, “There is none like you in existence
    for beauty, merit, kindness, and generosity.”
    That one tells him, “Both worlds are yours;
    all our souls are hangers-on of your soul.”
    When he sees people drunk on him,
    he loses hold of himself out of pride.

    او نداند که هزاران را چو او
    دیو افکندست اندر آب جو
    لطف و سالوس جهان خوش لقمه‌ایست
    کمترش خور کآن پر آتش لقمه‌ایست
    آتشش پنهان و ذوقش آشکار
    دود او ظاهر شود پایان کار
    تو مگو آن مدح را من کی خورم
    از طمع می‌گوید او پی می‌برم
    مادحت گر هجو گوید بر ملا
    روزها سوزد دلت زآن سوزها

    He does not know that thousands like him
    the devil has thrown into the stream.
    The world’s kindness and flattery is a tasty morsel;
    eat less of it, for it is a morsel full of fire.
    Its fire is hidden and its taste is plain;
    its smoke appears at the end.
    Do not say, “Why would I swallow that praise?
    He speaks from greed—I see through it.”
    If your praiser satirizes you in public,
    your heart will burn for days from that burning,

    گرچه دانی کو ز حرمان گفت آن
    کآن طمع که داشت از تو شد زیان
    آن اثر می‌ماندت در اندرون
    در مدیح این حالتت هست آزمون
    آن اثر هم روزها باقی بود
    مایهٔ کبر و خداع جان شود
    لیک ننماید چو شیرینست مدح
    بد نماید زآنک تلخ افتاد قدح
    همچو مطبوخست و حب کآن را خوری
    تا بدیری شورش و رنج اندری

    even though you know he said it from disappointment,
    because the hope he had of you came to nothing.
    That effect stays with you inside;
    you go through the same with praise.
    That effect, too, lingers for days
    and becomes a source of pride and self-deception.
    But it does not show, because praise is sweet;
    the other shows its harm because the cup was bitter.
    It is like a decoction or a pill you take:
    for a long while you are in upset and pain.

    ور خوری حلوا بود ذوقش دمی
    این اثر چون آن نمی‌پاید همی
    چون نمی‌پاید همی‌پاید نهان
    هر ضدی را تو بضد او بدان
    چون شکر پاید همی تأثیر او
    بعد حینی دمل آرد نیش‌جو
    از وفور مدح‌ها فرعون شد
    کن ذلیل النفس هونا لا تسد
    تا توانی بنده شو سلطان مباش
    زخم‌کش چون گوی شو چوگان مباش

    But if you eat sweetmeats, their pleasure lasts a moment;
    their effect does not last like the other’s.
    Though it seems not to last, it lasts in hiding;
    know each thing by its opposite.
    When the effect of sugar lingers,
    after a while it brings a boil that wants the lancet.
    Pharaoh became Pharaoh through a surfeit of praise.
    “Be humble of self, be lowly; do not seek to rule.”
    As far as you can, be a servant, not a sultan;
    be the ball that takes the blows, not the polo stick.

    The Arabic line is a proverbial saying.

    ورنه چون لطفت نماند وین جمال
    از تو آید آن حریفان را ملال
    آن جماعت کت همی‌دادند ریو
    چون ببینندت بگویندت که دیو
    جمله گویندت چو بینندت بدر
    مرده‌ای از گور خود بر کرد سر
    همچو امرد که خدا نامش کنند
    تا بدین سالوس بدنامش کنند
    چونک در بدنامی آمد ریش او
    دیو را ننگ آید از تفتیش او

    Otherwise, when your charm and this beauty are gone,
    those companions will grow weary of you.
    That crowd who flattered you with deceit,
    when they see you, will call you a devil.
    When they see you at the door, they will all say,
    “A dead man has lifted his head out of his grave!”
    Like a beardless youth whom men hail as a god
    so that by this flattery they can disgrace him:
    once his beard comes in, to his shame,
    even the devil is too proud to seek him out.

    دیو سوی آدمی شد بهر شر
    سوی تو ناید که از دیوی بتر
    تا تو بودی آدمی دیو از پیت
    می‌دوید و می‌چشانید او میت
    چون شدی در خوی دیوی استوار
    می‌گریزد از تو دیو ای نابکار
    آنکه اندر دامنت آویختند
    چون چنین گشتی همه بگریختند

    The devil goes after human beings to do them harm;
    he will not come to you, for you are worse than a devil.
    While you were human, the devil ran after you
    and gave you his wine to taste.
    Once you were settled firm in devilish ways,
    the devil runs away from you, you wretch.
    Those who clung to your skirt,
    once you became like this, all ran away.

    “What God wills comes to be”

    A prayer that God, without whose grace we are nothing, keep our drop of knowledge safe.

    این همه گفتیم لیک اندر بسیچ
    بی عنایات خدا هیچیم هیچ
    بی عنایات حق و خاصان حق
    گر ملک باشد سیاهستش ورق
    ای خدا ای فضل تو حاجت‌روا
    با تو یاد هیچ کس نبود روا
    این قدر ارشاد تو بخشیده‌ای
    تا بدین بس عیب ما پوشیده‌ای
    قطرهٔ دانش که بخشیدی ز پیش
    متصل گردان بدریاهای خویش

    We have said all this, yet in our striving,
    without God’s grace we are nothing, nothing at all.
    Without the grace of God and of God’s chosen ones,
    even an angel’s page is black.
    O God, whose bounty grants all needs,
    beside You it is not fitting to remember anyone.
    You have granted us this much guidance,
    and with it You have covered many of our faults.
    The drop of knowledge You granted before—
    join it to Your own seas.

    قطرهٔ علمست اندر جان من
    وا رهانش از هوا وز خاک تن
    پیش از آن کین خاک‌ها خسفش کند
    پیش از آن کین بادها نسفش کند
    گرچه چون نسفش کند تو قادری
    کش ازیشان وا ستانی وا خری
    قطره‌ای کو در هوا شد یا بریخت
    از خزینهٔ قدرت تو کی گریخت
    گر در آید در عدم یا صد عدم
    چون بخوانیش او کند از سر قدم

    A drop of knowledge is in my soul;
    save it from desire and from the body’s dust,
    before these earths swallow it up,
    before these winds scatter it.
    Though even when they scatter it, You are able
    to take it back from them and buy it back.
    A drop that has gone into the air or spilled—
    when did it ever escape the treasury of Your power?
    If it enters nonexistence, or a hundred nonexistences,
    when You call it, it will come running headlong.

    صد هزاران ضد ضد را می‌کشد
    بازشان حکم تو بیرون می‌کشد
    از عدم‌ها سوی هستی هر زمان
    هست یا رب کاروان در کاروان
    خاصه هر شب جملهٔ افکار و عقول
    نیست گردد غرق در بحر نغول
    باز وقت صبح آن اللهیان
    بر زنند از بحر سر چون ماهیان
    در خزان آن صد هزاران شاخ و برگ
    در هزیمت رفته در دریای مرگ

    Hundreds of thousands of opposites destroy their opposites,
    and Your decree draws them out again.
    From nonexistence into existence, every moment,
    Lord, there is caravan after caravan.
    Especially every night, all thoughts and minds
    pass into nothing, drowned in the deep sea;
    then at dawn those divine ones
    lift their heads from the sea like fish.
    In autumn those hundreds of thousands of branches and leaves
    go fleeing in rout into the sea of death.

    زاغ پوشیده سیه چون نوحه‌گر
    در گلستان نوحه کرده بر خضر
    باز فرمان آید از سالار ده
    مر عدم را کآنچ خوردی باز ده
    آنچ خوردی وا ده ای مرگ سیاه
    از نبات و دارو و برگ و گیاه
    ای برادر عقل یکدم با خود آر
    دم بدم در تو خزانست و بهار
    باغ دل را سبز و تر و تازه بین
    پر ز غنچهٔ ورد و سرو و یاسمین

    The crow, dressed in black like a mourner,
    laments in the garden over the greenery.
    Then comes the command from the Lord of the village
    to nonexistence: “Give back what you have eaten.
    Give back what you ate, black death,
    of plants and herbs, leaves and grass.”
    Brother, come to your senses for a moment:
    moment by moment there is autumn and spring in you.
    See the garden of the heart green and fresh and new,
    full of rosebuds and cypress and jasmine.

    ز انبهی برگ پنهان گشته شاخ
    ز انبهی گل نهان صحرا و کاخ
    این سخن‌هایی که از عقل کلست
    بوی آن گلزار و سرو و سنبلست
    بوی گل دیدی که آنجا گل نبود
    جوش مل دیدی که آنجا مل نبود
    بو قلاووزست و رهبر مر ترا
    می‌برد تا خلد و کوثر مر ترا
    بو دوای چشم باشد نورساز
    شد ز بویی دیدهٔ یعقوب باز

    The branches are hidden by the mass of leaves;
    desert and palace are hidden by the mass of roses.
    These words that come from the Universal Intellect
    are the scent of that rose garden, cypress, and hyacinth.
    Have you ever smelled roses where there were no roses?
    Have you seen wine foaming where there was no wine?
    Scent is your guide and leader;
    it leads you to paradise and to Kawthar.
    Scent is a remedy for the eye, giving it light;
    Jacob’s eyes were opened by a scent.

    Kawthar is a river or pool of paradise (Quran 108:1); Jacob’s blindness was cured by the scent of Joseph’s shirt (Quran 12:93–96).

    بوی بد مر دیده را تاری کند
    بوی یوسف دیده را یاری کند
    تو که یوسف نیستی یعقوب باش
    همچو او با گریه و آشوب باش
    بشنو این پند از حکیم غزنوی
    تا بیابی در تن کهنه نوی
    ناز را رویی بباید همچو ورد
    چون نداری گرد بدخویی مگرد
    زشت باشد روی نازیبا و ناز
    سخت باشد چشم نابینا و درد

    A foul smell darkens the eyes;
    the scent of Joseph helps the eyes.
    You who are not Joseph, be Jacob;
    be like him, weeping and in turmoil.
    Hear this counsel from the Sage of Ghazna,
    so that you may find new life in your old body:
    “To be coy you need a face like a rose;
    if you don’t have one, don’t go around being difficult.
    An unlovely face with coyness is ugly;
    a blind eye with pain is hard to bear.”

    The Sage of Ghazna is the poet Sanai (d. c. 1131).

    پیش یوسف نازش و خوبی مکن
    جز نیاز و آه یعقوبی مکن
    معنی مردن ز طوطی بد نیاز
    در نیاز و فقر خود را مرده ساز
    تا دم عیسی ترا زنده کند
    همچو خویشت خوب و فرخنده کند
    از بهاران کی شود سرسبز سنگ
    خاک شو تا گل بروید رنگ رنگ
    سال‌ها تو سنگ بودی دل‌خراش
    آزمون را یک زمانی خاک باش

    Do not show off your coyness and beauty before Joseph;
    offer nothing but Jacob’s need and sighs.
    The meaning of the parrot’s dying was need:
    make yourself dead in need and poverty,
    so that the breath of Jesus may bring you to life
    and make you lovely and blessed as he is.
    When does a stone grow green from spring?
    Become earth, so that flowers of every color may grow.
    For years you have been a heart-scraping stone;
    for once, as an experiment, be earth for a while.

    The Grammarian and the Boatman

    A conceited grammarian mocks a boatman, then cannot swim when the boat starts sinking.

    آن یکی نحوی بکشتی در نشست
    رو بکشتیبان نهاد آن خودپرست
    گفت هیچ از نحو خواندی گفت لا
    گفت نیم عمر تو شد در فنا
    دل‌شکسته گشت کشتیبان ز تاب
    لیک آن دم کرد خامش از جواب
    باد کشتی را بگردابی فکند
    گفت کشتیبان بدآن نحوی بلند
    هیچ دانی آشنا کردن بگو
    گفت نی ای خوش‌جواب خوب‌رو

    A grammarian got into a boat;
    that conceited man turned to the boatman
    and said, “Have you ever studied grammar?” He said, “No.”
    He said, “Then half your life has gone to waste.”
    The boatman was heartbroken and stung,
    but at that moment he kept silent and did not reply.
    The wind drove the boat into a whirlpool;
    the boatman called out loudly to the grammarian,
    “Tell me, do you know how to swim?”
    He said, “No, you fair-spoken, handsome man.”

    گفت کل عمرت ای نحوی فناست
    زآنک کشتی غرق این گرداب‌هاست
    محو می‌باید نه نحو اینجا بدان
    گر تو محوی بی خطر در آب ران
    آب دریا مرده را بر سر نهد
    ور بود زنده ز دریا کی رهد
    چون بمردی تو ز اوصاف بشر
    بحر اسرارت نهد بر فرق سر
    ای که خلقان را تو خر می‌خوانده‌ای
    این زمان چون خر برین یخ مانده‌ای

    He said, “Then all your life is wasted, grammarian,
    for the boat is sinking in these whirlpools.
    Know that here you need self-effacement, not syntax;
    if you are effaced, ride the water without danger.”
    The sea lifts the dead onto its surface,
    but if one is alive, how can he escape the sea?
    When you have died to human qualities,
    the sea of secrets will set you on the crown of its head.
    You who have been calling people donkeys,
    now you are stuck like a donkey on this ice.

    A pun: maḥw “self-effacement” and naḥw “grammar, syntax” differ by one letter.

    گر تو علامهٔ زمانی در جهان
    نک فنای این جهان بین وین زمان
    مرد نحوی را از آن در دوختیم
    تا شما را نحو محو آموختیم
    فقه فقه و نحو نحو و صرف صرف
    در کم آمد یابی ای یار شگرف
    آن سبوی آب دانش‌های ماست
    وآن خلیفه دجلهٔ علم خداست

    If you are the most learned scholar of your age in the world,
    look now at the passing away of this world and this age!
    We have stitched the grammarian into the story
    to teach you the grammar of self-effacement.
    The law of law, the grammar of grammar, the morphology of morphology—
    you will find them in becoming less, my wondrous friend.
    That jug of water is our knowledge,
    and that caliph is the Tigris of God’s knowledge.

    This recalls the earlier story of a Bedouin who carried a jug of rainwater across the desert as a gift for the caliph in Baghdad, a city on the Tigris.

    ما سبوها پر بدجله می‌بریم
    گرنه خر دانیم ما خود را خریم
    باری اعرابی بدآن معذور بود
    کو ز دجله بی‌خبر بود و ز رود
    گر ز دجله با خبر بودی چو ما
    او نبردی آن سبو را جا بجا
    بلک از دجله اگر واقف بدی
    آن سبو را بر سر سنگی زدی

    We carry jugs full of water to the Tigris;
    if we do not know ourselves for donkeys, we are donkeys indeed.
    The Bedouin, at least, was excused,
    for he knew nothing of the Tigris or the river.
    Had he known of the Tigris as we do,
    he would not have carried that jug from place to place.
    Indeed, had he been aware of the Tigris,
    he would have smashed that jug against a stone.

    The Chinese and the Greek Painters

    Chinese painters cover a wall with pictures; the Greeks polish theirs to a mirror and win.

    Famous passage The Chinese and Greek paintersThe Chinese paint a wall in a hundred colors; the Greeks polish theirs into a mirror that outshines it, an image of the polished heart.

    چینیان گفتند ما نقاش‌تر
    رومیان گفتند ما را کر و فر
    گفت سلطان امتحان خواهم درین
    کز شماها کیست در دعوی گزین
    چینیان و رومیان بحث آمدند
    رومیان از بحث در مکث آمدند
    چینیان گفتند یک خانه بما
    خاصه بسپارید و یک آن شما
    بود دو خانه مقابل در بدر
    زآن یکی چینی ستد رومی دگر

    The Chinese said, “We are the better painters”;
    the Greeks said, “Ours is the skill and the splendor.”
    The sultan said, “I want to test you in this,
    to see which of you lives up to your claim.”
    The Chinese and the Greeks came to debate;
    the Greeks fell silent and held back from the debate.
    The Chinese said, “Assign one room to us
    alone, and let one be yours.”
    There were two rooms facing each other, door to door;
    the Chinese took one, the Greeks the other.

    Rumi here means “Greek” in the sense of Byzantine (from Rum, “Rome”).

    چینیان صد رنگ از شه خواستند
    شه خزینه باز کرد آن تا ستند
    هر صباحی از خزینه رنگ‌ها
    چینیان را راتبه بود از عطا
    رومیان گفتند نی لون و نه رنگ
    در خور آید کار را جز دفع زنگ
    در فرو بستند و صیقل می‌زدند
    همچو گردون ساده و صافی شدند
    از دو صد رنگی بی‌رنگی رهیست
    رنگ چون ابرست و بی‌رنگی مهیست

    The Chinese asked the king for a hundred colors;
    the king opened his treasury for them to take.
    Every morning, from the treasury, colors
    were given the Chinese as a ration from his bounty.
    The Greeks said, “No tint and no color
    suits this work—only removing the rust.”
    They shut the door and kept polishing
    until they were plain and pure as the sky.
    From two hundred colors there is a way to colorlessness;
    color is like a cloud, and colorlessness is a moon.

    هرچ اندر ابر ضو بینی و تاب
    آن ز اختر دان و ماه و آفتاب
    چینیان چون از عمل فارغ شدند
    از پی شادی دهل‌ها می‌زدند
    شه در آمد دید آنجا نقش‌ها
    می‌ربود آن عقل را وقت لقا
    بعد از آن آمد بسوی رومیان
    پرده را بر داشت رومی از میان
    عکس آن تصویر و آن کردارها
    زد برین صافی شده دیوارها

    Whatever light and glow you see in the cloud,
    know it comes from the stars, the moon, and the sun.
    When the Chinese had finished their work,
    they beat drums for joy.
    The king came in and saw the pictures there;
    at the sight they stole his reason away.
    After that he came over to the Greeks;
    the Greeks lifted the curtain that hung between.
    The reflection of those pictures and those works
    fell upon these polished walls.

    هرچ آنجا دید اینجا به نمود
    دیده را از دیده‌خانه می‌ربود
    رومیان آن صوفیانند ای پدر
    بی ز تکرار و کتاب و بی هنر
    لیک صیقل کرده‌اند آن سینه‌ها
    پاک از آز و حرص و بخل و کینه‌ها
    آن صفای آینه لا شک دلست
    کو نقوش بی‌عدد را قابلست
    صورت بی‌صورت بی‌حد غیب
    ز آینهٔ دل دارد آن موسی بجیب

    Whatever he had seen there looked better here;
    it snatched the eye from its socket.
    The Greeks are the Sufis, father:
    without rote learning, without books, without accomplishments,
    but they have polished their breasts,
    clean of greed and avarice, stinginess and hatred.
    The purity of that mirror is, without doubt, the heart,
    which can receive numberless images.
    That formless, boundless form of the Unseen
    Moses holds in his bosom from the mirror of the heart.

    Moses drew his hand from his bosom and it shone white (Quran 20:22, 27:12).

    گرچه آن صورت نگنجد در فلک
    نه بعرش و کرسی و نی بر سمک
    زآنک محدودست و معدودست آن
    آینهٔ دل را نباشد حد بدان
    عقل اینجا ساکت آمد یا مضل
    زآنک دل با اوست یا خود اوست دل
    عکس هر نقشی نتابد تا ابد
    جز ز دل هم با عدد هم بی عدد
    تا ابد هر نقش نو کآید برو
    می‌نماید بی قصوری اندرو

    Though that form cannot be contained in the heavens,
    nor in the Throne and the Footstool, nor down to the Fish,
    since those are limited and counted—
    know that the mirror of the heart has no limit.
    Here reason falls silent or leads astray,
    for the heart is with Him, or rather the heart is He.
    The reflection of every image shines forever
    only from the heart, both with number and without.
    Forever, each new image that comes upon it
    shows within it without any flaw.

    The Throne and the Footstool are God’s in the Quran (2:255); the Fish was believed to hold up the earth.

    اهل صیقل رسته‌اند از بو و رنگ
    هر دمی بینند خوبی بی درنگ
    نقش و قشر علم را بگذاشتند
    رایت عین الیقین افراشتند
    رفت فکر و روشنایی یافتند
    نحر و بحر آشنایی یافتند
    مرگ کین جمله ازو در وحشتند
    می‌کنند این قوم بر وی ریش‌خند

    The people of polishing are free of scent and color;
    every moment they see beauty without delay.
    They have left behind the form and husk of knowledge;
    they have raised the banner of the eye of certainty.
    Thought is gone, and they have found light;
    they have found the depths and the sea of knowing.
    Death, which all these people dread,
    this company laughs at.

    “The eye of certainty” is a Quranic phrase (102:7).

    کس نیابد بر دل ایشان ظفر
    بر صدف آید ضرر نی بر گهر
    گرچه نحو و فقه را بگذاشتند
    لیک محو و فقر را بر داشتند
    تا نقوش هشت جنت تافتست
    لوح دلشان را پذیرا یافتست
    صد نشان از عرش و کرسی و خلا
    چه نشان بل عین دیدار خدا

    No one can conquer their hearts;
    harm comes to the shell, not to the pearl.
    Though they have left grammar and law behind,
    they have taken up self-effacement and poverty.
    Ever since the images of the eight paradises shone,
    they have found the tablet of their hearts receptive.
    A hundred signs from the Throne and the Footstool and the void—
    what signs? Rather, the very vision of God.

    Puns again: naḥw “grammar” and maḥw “self-effacement,” fiqh “law” and faqr “poverty.”

    Book II

    The hair taken for the new moon; the stolen snake; Moses and the shepherd; the rider and the man who had swallowed a snake.

    The Hair Taken for the New Moon

    In Omar’s time a man claims to see the new moon; it is only a hair of his eyebrow.

    ماه روزه گشت در عهد عمر
    بر سر کوهی دویدند آن نفر
    تا هلال روزه را گیرند فال
    آن یکی گفت ای عمر اینک هلال
    چون عمر بر آسمان مه را ندید
    گفت کین مه از خیال تو دمید
    ورنه من بیناترم افلاک را
    چون نمی‌بینم هلال پاک را
    گفت تر کن دست بر ابرو بمال
    آنگهان تو بر نگر سوی هلال

    In Omar’s time, the month of fasting came round.
    A group of people ran up to the top of a hill
    to watch for the new moon that would begin the fast.
    One of them said, “Omar, there’s the new moon!”
    When Omar could not see the moon in the sky,
    he said, “This moon has risen from your imagination.
    Otherwise, since I see the heavens better than you,
    how is it that I can’t see the pure crescent?
    Wet your hand,” he said, “and rub it on your eyebrow,
    then look up toward the new moon.”

    The sighting of the new crescent marks the start of Ramadan, the month of fasting.

    چونک او تر کرد ابرو مه ندید
    گفت ای شه نیست مه شد ناپدید
    گفت آری موی ابرو شد کمان
    سوی تو افکند تیری از گمان
    چونک مویی کژ شد او را راه زد
    تا بدعوی لاف دید ماه زد
    موی کژ چون پردهٔ گردون بود
    چون همه اجزات کژ شد چون بود
    راست کن اجزات را از راستان
    سر مکش ای راست‌رو زآن آستان

    When he wet his eyebrow, he did not see the moon.
    “My king,” he said, “there’s no moon; it has vanished.”
    “Yes,” said Omar, “a hair of your eyebrow had become a bow
    and shot an arrow of supposition at you.”
    Since one crooked hair waylaid him,
    so that he boasted that he had seen the moon,
    and since one crooked hair can veil the sky,
    what happens when all your parts are crooked?
    Straighten your parts by way of the straight ones;
    you who walk straight, do not turn your head from that threshold.

    Rumi rhymes kamān “bow” with gumān “supposition.”

    هم ترازو را ترازو راست کرد
    هم ترازو را ترازو کاست کرد
    هر که با ناراستان هم‌سنگ شد
    در کمی افتاد و عقلش دنگ شد
    رو أشداء علی الکفار باش
    خاک بر دلداری اغیار پاش
    بر سر اغیار چون شمشیر باش
    هین مکن روباه‌بازی شیر باش
    تا ز غیرت از تو یاران نسکلند
    زآنک آن خاران عدو این گلند

    A scale is what sets a scale right,
    and a scale is what makes a scale weigh short.
    Whoever is weighed in with the crooked
    falls short, and his reason is dazed.
    Go, be “hard against the unbelievers”;
    throw dust on making up to outsiders.
    Be like a sword over the heads of outsiders;
    come, don’t play the fox, be a lion,
    so that your friends, out of jealousy, do not break with you,
    for those thorns are the enemies of this rose.

    Quran 48:29, describing the Prophet’s companions as “hard against the unbelievers, merciful among themselves.”

    آتش اندر زن بگرگان چون سپند
    زآنک آن گرگان عدو یوسفند
    جان بابا گویدت ابلیس هین
    تا بدم بفریبدت دیو لعین
    این چنین تلبیس با بابات کرد
    آدمی را این سیه‌رخ مات کرد
    بر سر شطرنج چست است این غراب
    تو مبین بازی بچشم نیم‌خواب

    Set fire to the wolves as you would to rue seed,
    for those wolves are the enemies of Joseph.
    Iblis calls you “Dear child”—beware!
    He wants to trick you with his breath, the accursed devil.
    He played this same trick on your father;
    this black-faced one checkmated Adam.
    This crow is quick at the chessboard;
    don’t watch the game with half-sleeping eyes,

    Wild rue (sipand) is thrown on fire against the evil eye. Joseph’s brothers claimed a wolf had eaten him (Quran 12:17).

    زآنک فرزین‌بندها داند بسی
    که بگیرد در گلویت چون خسی
    در گلو ماند خس او سال‌ها
    چیست آن خس مهر جاه و مال‌ها
    مال خس باشد چو هست ای بی‌ثبات
    در گلویت مانع آب حیات
    گر برد مالت عدوی پر فنی
    ره‌زنی را برده باشد ره‌زنی

    for he knows many traps with the queen
    that stick in your throat like a straw.
    His straw stays in your throat for years.
    What is that straw? Love of status and wealth.
    Wealth is a straw, you fickle one, when it is
    lodged in your throat, blocking the water of life.
    If some cunning enemy takes your wealth,
    one highwayman has carried off another.

    The Stolen Snake

    A thief steals a snake and is killed by it, and the snake-catcher thanks God.

    دزدکی از مارگیری مار برد
    ز ابلهی آن را غنیمت می‌شمرد
    وا رهید آن مارگیر از زخم مار
    مار کشت آن دزد او را زار زار
    مارگیرش دید پس بشناختش
    گفت از جان مار من پرداختش

    A petty thief stole a snake from a snake-catcher
    and, being a fool, counted it a prize.
    The snake-catcher escaped the snake’s bite;
    the snake killed the thief, miserably.
    The snake-catcher saw him and recognized him.
    He said, “My snake has drained the life from him.

    در دعا می‌خواستی جانم ازو
    کش بیابم مار بستانم ازو
    شکر حق را کآن دعا مردود شد
    من زیان پنداشتم وآن سود شد
    بس دعاها کآن زیانست و هلاک
    وز کرم می‌نشنود یزدان پاک

    In my prayers I begged Him with all my soul
    that I might find him and take my snake back.
    Thank God that prayer was turned down;
    I thought it a loss, and it turned out a gain.”
    Many prayers mean loss and ruin,
    and in His generosity holy God does not hear them.

    Moses and the Shepherd

    Moses hears a shepherd offering to comb God’s hair and rebukes him for blasphemy.

    Famous passage Moses and the shepherdMoses rebukes a shepherd’s homely prayer, and God rebukes Moses: “I look at the inward part and the state.”

    دید موسی یک شبانی را براه
    کو همی‌گفت ای گزیننده اله
    تو کجایی تا شوم من چاکرت
    چارقت دوزم کنم شانه سرت
    جامه‌ات شویم شپش‌هات کشم
    شیر پیشت آورم ای محتشم
    دستکت بوسم بمالم پایکت
    وقت خواب آید بروبم جایکت
    ای فدای تو همه بزهای من
    ای بیادت هیهی و هیهای من

    Moses saw a shepherd along the road
    who was saying, “O God, You who choose,
    where are You, so I can be Your servant,
    sew Your sandals and comb Your hair,
    wash Your clothes and kill Your lice,
    bring You milk, great one,
    kiss Your little hand, rub Your little feet,
    and when it’s time for sleep, sweep Your little bed?
    Let all my goats be sacrificed for You;
    every hey and ho I shout is in memory of You.”

    این نمط بیهوده می‌گفت آن شبان
    گفت موسی با کیست این ای فلان
    گفت با آنکس که ما را آفرید
    این زمین و چرخ ازو آمد پدید
    گفت موسی های بس مدبر شدی
    خود مسلمان ناشده کافر شدی
    این چه ژاژست و چه کفرست و فشار
    پنبه‌ای اندر دهان خود فشار
    گند کفر تو جهان را گنده کرد
    کفر تو دیبای دین را ژنده کرد

    The shepherd went on babbling in this way.
    Moses said, “Who are you talking to, fellow?”
    He said, “To the One who created us,
    through whom this earth and sky came to be.”
    Moses said, “Hey, you’ve gone badly astray!
    You’ve become an unbeliever before you were even a Muslim.
    What drivel is this, what unbelief and raving?
    Stuff some cotton in your mouth!
    The stench of your unbelief has made the world stink;
    your unbelief has turned the silk of faith to rags.

    چارق و پاتابه لایق مر تراست
    آفتابی را چنین‌ها کی رواست
    گر نبندی زین سخن تو حلق را
    آتشی آید بسوزد خلق را
    آتشی گر نآمدست این دود چیست
    جان سیه گشته روان مردود چیست
    گر همی‌دانی که یزدان داورست
    ژاژ و گستاخی ترا چون باورست
    دوستی بی‌خرد خود دشمنیست
    حق تعالی زین چنین خدمت غنیست

    Sandals and foot wrappings suit you;
    how could such things befit a Sun?
    If you don’t shut your throat against such talk,
    a fire will come and burn the people up.
    If no fire has come, then what is this smoke,
    this blackened soul, this rejected spirit?
    If you know that God is the Judge,
    how can you put your faith in drivel and insolence?
    The friendship of a fool is itself enmity;
    God most high has no need of service like this.

    با که می‌گویی تو این با عم و خال
    جسم و حاجت در صفات ذو الجلال
    شیر او نوشد که در نشو و نماست
    چارق او پوشد که او محتاج پاست
    ور برای بنده‌شاست این گفت و گو
    آنک حق گفت او منست و من خود او
    آنک گفت إنی مرضت لم تعد
    من شدم رنجور او تنها نشد
    آنک بی یسمع و بی یبصر شدست
    در حق آن بنده این هم بیهدست

    Who are you saying this to—one of your uncles?
    Body and need among the attributes of the Lord of Majesty?
    Milk is drunk by one who is growing and developing;
    sandals are worn by one who depends on feet.
    And if this talk is meant for His servant,
    the one of whom God said, ‘He is Me, and I am he’—
    the one of whom He said, ‘I was sick and you did not visit Me’:
    ‘I was the one who fell ill, not he alone’—
    the one who has become ‘through Me he hears, through Me he sees’—
    even for that servant this talk is nonsense.

    Both sayings are from hadith in which God speaks: “I was sick and you did not visit Me” (Muslim) and “I become his hearing with which he hears and his sight with which he sees” (Bukhari).

    بی‌ادب گفتن سخن با خاص حق
    دل بمیراند سیه دارد ورق
    گر تو مردی را بخوانی فاطمه
    گرچه یک جنسند مرد و زن همه
    قصد خون تو کند تا ممکن است
    گرچه خوش‌خو و حلیم و ساکن است
    فاطمه مدحست در حق زنان
    مرد را گویی بود زخم سنان
    دست و پا در حق ما استایش است
    در حق پاکی حق آلایش است

    Speaking without courtesy to God’s elect
    kills the heart and blackens the page.
    If you call a man “Fatima”—
    though men and women are all one kind—
    he will be out for your blood as far as he can,
    however good-natured, gentle and calm he is.
    “Fatima” is praise when said of women;
    say it to a man and it is a spear wound.
    Hands and feet, said of us, are praise;
    said of God’s purity, they are a defilement.

    Fatima was the Prophet’s daughter; her name stands for honored womanhood.

    لم یلد لم یولد او را لایق است
    والد و مولود را او خالق است
    هرچه جسم آمد ولادت وصف اوست
    هرچه مولودست او زین سوی جوست
    زآنک از کون و فسادست و مهین
    حادث است و محدثی خواهد یقین
    گفت ای موسی دهانم دوختی
    وز پشیمانی تو جانم سوختی
    جامه را بدرید و آهی کرد و تفت
    سر نهاد اندر بیابان و برفت

    ‘He does not beget, nor was He begotten’ is what befits Him;
    He is the Creator of begetter and begotten.
    Whatever is body has birth as its attribute;
    whatever is born belongs to this side of the stream,
    for it comes from generation and decay, and is lowly;
    it has come into being and surely needs One who brought it into being.”
    He said, “Moses, you have sewn my mouth shut,
    and with remorse you have burned my soul.”
    He tore his clothes, heaved a sigh, and in a fever
    set off into the desert and was gone.

    Quran 112:3.

    God rebukes Moses

    God reproaches Moses: He looks at the heart, not the words, and lovers’ religion is God.

    وحی آمد سوی موسی از خدا
    بندهٔ ما را ز ما کردی جدا
    تو برای وصل کردن آمدی
    یا خود از بهر بریدن آمدی
    تا توانی پا منه اندر فراق
    أبغض الأشیاء عندی الطلاق
    هر کسی را سیرتی بنهاده‌ام
    هر کسی را اصطلاحی داده‌ام
    در حق او مدح و در حق تو ذم
    در حق او شهد و در حق تو سم

    A revelation came to Moses from God:
    “You have parted My servant from Me.
    Did you come to bring about union,
    or did you come to cut apart?
    As far as you can, do not set foot in separation:
    ‘Of all things, the most hateful to Me is divorce.’
    To everyone I have given a way of acting,
    to everyone an idiom of his own.
    In him it is praise, in you it is blame;
    for him it is honey, for you it is poison.

    Hadith: “Of permitted things, the most hateful to God is divorce” (Abu Dawud), here put in God’s mouth.

    ما بری از پاک و ناپاکی همه
    از گرانجانی و چالاکی همه
    من نکردم امر تا سودی کنم
    بلک تا بر بندگان جودی کنم
    هندوان را اصطلاح هند مدح
    سندیان را اصطلاح سند مدح
    من نگردم پاک از تسبیحشان
    پاک هم ایشان شوند و درفشان
    ما زبان را ننگریم و قال را
    ما درون را بنگریم و حال را

    I am beyond everyone’s purity and impurity,
    beyond everyone’s sluggishness and zeal.
    I did not command in order to gain something,
    but to be generous to My servants.
    For Indians, the idiom of India is praise;
    for the people of Sind, the idiom of Sind is praise.
    I am not made pure by their glorifying Me;
    it is they who become pure and scatter pearls.
    I do not look at the tongue and the words;
    I look at the inward part and the state.

    Sind is the region of the lower Indus.

    ناظر قلبیم اگر خاشع بود
    گرچه گفت لفظ ناخاضع رود
    زآنک دل جوهر بود گفتن عرض
    پس طفیل آمد عرض جوهر غرض
    چند ازین الفاظ و اضمار و مجاز
    سوز خواهم سوز با آن سوز ساز
    آتشی از عشق در جان بر فروز
    سر بسر فکر و عبارت را بسوز

    I watch the heart, to see if it is humble,
    even if the words come out without humility,
    for the heart is the substance, the speaking an accident;
    so the accident is secondary, and the substance is the aim.
    How long these words, these implied meanings and metaphors?
    I want burning, burning: make friends with that burning.
    Kindle a fire of love in your soul
    and burn thought and expression away, from end to end.

    Terms from philosophy: a substance exists in itself, while an accident exists only in a substance.

    موسیا آداب‌دانان دیگرند
    سوخته جان و روانان دیگرند
    عاشقان را هر نفس سوزیدنیست
    بر ده ویران خراج و عشر نیست
    گر خطا گوید ورا خاطی مگو
    ور بود پر خون شهیدان را مشو
    خون شهیدان را ز آب اولیترست
    این خطا از صد صواب اولیترست

    Moses, those who know the proprieties are one kind;
    those whose souls and spirits burn are another.
    For lovers there is burning at every breath;
    a ruined village pays no tax or tithe.
    If he says something wrong, don’t call him a wrongdoer;
    and if he is soaked in blood, don’t wash the martyrs.
    For martyrs, blood is better than water;
    this error is better than a hundred right answers.

    In Islamic law, martyrs killed in battle are buried unwashed, in their bloodstained clothes.

    در درون کعبه رسم قبله نیست
    چه غم ار غواص را پاچیله نیست
    تو ز سرمستان قلاوزی مجو
    جامه‌چاکان را چه فرمایی رفو
    ملت عشق از همه دین‌ها جداست
    عاشقان را ملت و مذهب خداست
    لعل را گر مهر نبود باک نیست
    عشق در دریای غم غمناک نیست

    Inside the Kaaba there is no rule about facing the qibla;
    what does it matter if the diver has no shoes?
    Don’t look to the drunk to lead the way;
    why tell those who have torn their clothes to mend them?
    The religion of love is apart from all faiths;
    for lovers, God is their religion and their creed.
    If a ruby bears no seal, it doesn’t matter;
    love is not grieved in the sea of grief.”

    The qibla is the direction of prayer, toward the Kaaba in Mecca; inside the Kaaba one may face any way.

    Moses goes after the shepherd

    Moses runs after the shepherd to give him leave, but the shepherd has gone beyond words.

    بعد از آن در سر موسی حق نهفت
    رازهایی کآن نمی‌آید بگفت
    بر دل موسی سخن‌ها ریختند
    دیدن و گفتن بهم آمیختند
    چند بیخود گشت و چند آمد بخود
    چند پرید از ازل سوی ابد
    بعد ازین گر شرح گویم ابلهیست
    زآنک شرح این ورای آگهیست
    ور بگویم عقل‌ها را بر کند
    ور نویسم بس قلم‌ها بشکند

    After that, God concealed in Moses’ inner being
    secrets that cannot be told.
    Words were poured onto Moses’ heart;
    seeing and speaking were blended together.
    How many times he lost himself and came back to himself!
    How many times he flew from eternity past to eternity to come!
    To explain beyond this would be foolish,
    for its explanation lies beyond awareness.
    If I spoke it, it would uproot minds;
    if I wrote it, it would break many pens.

    چونک موسی این عتاب از حق شنید
    در بیابان در پی چوپان دوید
    بر نشان پای آن سرگشته راند
    گرد از پرهٔ بیابان بر فشاند
    گام پای مردم شوریده خود
    هم ز گام دیگران پیدا بود
    یک قدم چون رخ ز بالا تا نشیب
    یک قدم چون پیل رفته بر وریب
    گاه چون موجی بر افرازان علم
    گاه چون ماهی روانه بر شکم

    When Moses heard this rebuke from God,
    he ran into the desert after the shepherd.
    He followed the bewildered man’s footprints,
    scattering dust across the desert’s edge.
    The footsteps of a distraught man
    stand out from the steps of others:
    one step like the rook, straight from top to bottom,
    one step like the elephant, moving on the slant,
    now like a wave raising its banner,
    now like a fish gliding on its belly,

    In Persian chess the rook moves straight and the “elephant” (the bishop’s ancestor) moves diagonally.

    گاه بر خاکی نبشته حال خود
    همچو رمالی که رملی بر زند
    عاقبت دریافت او را و بدید
    گفت مژده ده که دستوری رسید
    هیچ آدابی و ترتیبی مجو
    هرچه می‌خواهد دل تنگت بگو
    کفر تو دینست و دینت نور جان
    ایمنی وز تو جهانی در امان
    ای معاف یفعل الله ما یشا
    بی محابا رو زبان را بر گشا

    now writing out his state in the dust,
    like a geomancer casting figures in the sand.
    At last he caught up with him and saw him.
    He said, “Good news: permission has come!
    Don’t look for any proprieties or order;
    say whatever your aching heart desires.
    Your unbelief is faith, and your faith the light of the soul;
    you are safe, and through you a whole world is safe.
    You who are exempt by ‘God does what He wills,’
    go, loosen your tongue without fear.”

    Quran 3:40.

    گفت ای موسی از آن بگذشته‌ام
    من کنون در خون دل آغشته‌ام
    من ز سدرهٔ منتهی بگذشته‌ام
    صد هزاران ساله زآن سو رفته‌ام
    تازیانه بر زدی اسپم بگشت
    گنبدی کرد و ز گردون بر گذشت
    محرم ناسوت ما لاهوت باد
    آفرین بر دست و بر بازوت باد
    حال من اکنون برون از گفتنست
    این چه می‌گویم نه احوال منست

    He said, “Moses, I’ve gone beyond that;
    now I am steeped in my heart’s blood.
    I have passed beyond the Lote Tree of the Boundary;
    I have gone a hundred thousand years’ journey beyond it.
    You lashed with your whip; my horse shied,
    leapt in an arc and passed beyond the heavens.
    May the divine be intimate with our humanity;
    blessings on your hand and your arm!
    My state now is beyond telling;
    what I am saying is not my state.”

    The Lote Tree of the Boundary (Quran 53:14) marks the furthest limit of heaven, reached by the Prophet on his Ascension.

    نقش می‌بینی که در آیینه ایست
    نقش تست آن نقش آن آیینه نیست
    دم که مرد نایی اندر نای کرد
    در خور نایست نه در خورد مرد
    هان و هان گر حمد گویی گر سپاس
    همچو نافرجام آن چوپان شناس
    حمد تو نسبت بدآن گر بهترست
    لیک آن نسبت بحق هم ابترست
    چند گویی چون غطا بر داشتند
    کین نبودست آنک می‌پنداشتند

    You see an image in a mirror:
    that image is yours, not the mirror’s.
    The breath the flute player breathes into the flute
    suits the flute, not the man.
    Take care: whether you offer praise or thanks,
    know it is as inept as that shepherd’s.
    Your praise may be better compared with his,
    but compared with God, it too falls short.
    How often you will say, when the veil is lifted,
    “This is not what people thought it was!”

    این قبول ذکر تو از رحمتست
    چون نماز مستحاضه رخصتست
    با نماز او بیالودست خون
    ذکر تو آلودهٔ تشبیه و چون
    خون پلیدست و بآبی می‌رود
    لیک باطن را نجاست‌ها بود
    کآن بغیر آب لطف کردگار
    کم نگردد از درون مرد کار
    در سجودت کاش رو گردانیی
    معنی سبحان ربی دانیی

    That your remembrance of God is accepted is a mercy,
    a dispensation, like the prayer of a woman with chronic bleeding.
    Her prayer is stained with blood;
    your remembrance is stained with likening and “how.”
    Blood is unclean, and a little water washes it away,
    but the inward has impurities
    that, except by the water of the Maker’s grace,
    will not lessen within even a man of deeds.
    If only in your prostration you would turn your face around
    and know the meaning of “Glory to my Lord,”

    A woman with bleeding outside her menstrual period (mustaḥāḍa) is allowed to pray despite the impurity. “Glory to my Lord, the Most High” is said in prostration during ritual prayer.

    کای سجودم چون وجودم ناسزا
    مر بدی را تو نکویی ده جزا
    این زمین از حلم حق دارد اثر
    تا نجاست برد و گل‌ها داد بر
    تا بپوشد او پلیدی‌های ما
    در عوض بر روید از وی غنچه‌ها
    پس چو کافر دید کو در داد و جود
    کمتر و بی‌مایه‌تر از خاک بود
    از وجود او گل و میوه نرست
    جز فساد جملهٔ پاکی‌ها نجست

    saying, “My prostration, like my existence, is unworthy;
    repay this evil with good.”
    This earth bears the mark of God’s forbearance:
    it takes away filth and bears roses,
    it covers our foulness,
    and in return buds spring up from it.
    So when the unbeliever saw that in giving and generosity
    he was lesser and poorer than the earth,
    that from his being no rose or fruit had grown,
    that he had sought nothing but the corruption of all that is pure,

    گفت واپس رفته‌ام من در ذهاب
    حسرتا یا لیتنی کنت تراب
    کاش از خاکی سفر نگزیدمی
    همچو خاکی دانه‌ای می‌چیدمی
    چون سفر کردم مرا راه آزمود
    زین سفر کردن ره‌آوردم چه بود
    زآن همه میلش سوی خاکست کو
    در سفر سودی نبیند پیش رو
    روی واپس کردناش آن حرص و آز
    روی در ره کردنش صدق و نیاز

    he said, “I have gone backward on my journey.
    Alas! ‘If only I were dust!’
    If only I had not chosen to travel out of earthiness,
    but like the earth had gathered seed!
    Since I traveled, the road has tested me;
    what gift have I brought back from this journey?”
    That is why all his longing is toward the earth: he
    sees no profit ahead on the journey.
    His turning back is greed and craving;
    his turning toward the road is sincerity and need.

    Quran 78:40, the unbeliever’s words on the Day of Judgment.

    هر گیا را کش بود میل علا
    در مزیدست و حیات و در نما
    چونک گردانید سر سوی زمین
    در کمی و خشکی و نقص و غبین
    میل روحت چون سوی بالا بود
    در تزاید مرجعت آنجا بود
    ور نگونساری سرت سوی زمین
    آفلی حق لا یحب الآفلین

    Every plant that inclines upward
    is in increase, life and growth;
    when it turns its head toward the ground,
    it is in decline, dryness, defect and loss.
    When your spirit inclines upward,
    you are growing, and there is where you return.
    But if you hang upside down, head toward the earth,
    you are something that sets, and God “does not love things that set.”

    Quran 6:76: Abraham, watching a star set, says “I do not love things that set.”

    The Rider and the Sleeper

    A rider beats a sleeper into vomiting up a snake, and the man thanks him.

    عاقلی بر اسب می‌آمد سوار
    در دهان خفته‌ای می‌رفت مار
    آن سوار آن را بدید و می‌شتافت
    تا رماند مار را فرصت نیافت
    چونک از عقلش فراوان بد مدد
    چند دبوسی قوی بر خفته زد
    برد او را زخم آن دبوس سخت
    زو گریزان تا بزیر یک درخت
    سیب پوسیده بسی بد ریخته
    گفت ازین خور ای بدرد آویخته

    A wise man came riding along on a horse;
    a snake was going into the mouth of a sleeping man.
    The rider saw it and hurried
    to drive the snake off, but had no chance.
    Since his reason gave him plenty of help,
    he dealt the sleeper some hard blows with his mace.
    The heavy blows of the mace drove him,
    fleeing from the rider, to the foot of a tree.
    Lots of rotten apples had fallen there.
    He said, “Eat these, you pain-racked wretch!”

    سیب چندان مرد را در خورد داد
    کز دهانش باز بیرون می‌فتاد
    بانگ می‌زد کای امیر آخر چرا
    قصد من کردی چه کردم من ترا
    گر ترا ز اصلست با جانم ستیز
    تیغ زن یکبارگی خونم بریز
    شوم ساعت که شدم بر تو پدید
    ای خنک آن را که روی تو ندید
    بی جنایت بی گنه بی بیش و کم
    ملحدان جایز ندارند این ستم

    He fed the man so many apples
    that they were falling back out of his mouth.
    The man cried out, “My lord, why on earth
    have you attacked me? What did I ever do to you?
    If you are out for my life by nature,
    strike with your sword and shed my blood in one go.
    Cursed the hour I showed myself to you!
    Happy is the one who never saw your face!
    No crime, no sin, nothing more, nothing less—
    even heretics wouldn’t allow such cruelty.

    می‌جهد خون از دهانم با سخن
    ای خدا آخر مکافاتش تو کن
    هر زمان می‌گفت او نفرین نو
    اوش می‌زد کاندرین صحرا بدو
    زخم دبوس و سوار همچو باد
    می‌دوید و باز در رو می‌فتاد
    ممتلی و خوابناک و سست بد
    پا و رویش صد هزاران زخم شد
    تا شبانگه می‌کشید و می‌گشاد
    تا ز صفرا قی شدن بر وی فتاد

    Blood spurts from my mouth with my words.
    O God, You pay him back for it in the end!”
    Every moment he uttered a new curse,
    and the other kept hitting him: “Run across this plain!”
    The blows of the mace, the rider swift as wind—
    he ran, and fell again on his face.
    He was stuffed, drowsy and limp;
    his feet and face were covered with a hundred thousand wounds.
    Till nightfall the rider dragged him on and let him go,
    until bile set him vomiting.

    زو بر آمد خورده‌ها زشت و نکو
    مار با آن خورده بیرون جست ازو
    چون بدید از خود برون آن مار را
    سجده آورد آن نکوکردار را
    سهم آن مار سیاه زشت زفت
    چون بدید آن دردها از وی برفت
    گفت خود تو جبرئیل رحمتی
    یا خدایی که ولی نعمتی
    ای مبارک ساعتی که دیدیم
    مرده بودم جان نو بخشیدیم

    Up came everything he had eaten, good and bad,
    and the snake shot out of him with it.
    When he saw the snake come out of him,
    he bowed down before that doer of good.
    The terror of that black, ugly, huge snake—
    when he saw it, all those pains left him.
    He said, “You must be the Gabriel of mercy,
    or else God, for you are my benefactor!
    Blessed the hour you saw me!
    I was dead; you gave me new life.

    تو مرا جویان مثال مادران
    من گریزان از تو مانند خران
    خر گریزد از خداوند از خری
    صاحبش در پی ز نیکوگوهری
    نه از پی سود و زیان می‌جویدش
    بلک تا گرگش ندرد یا ددش
    ای خنک آن را که بیند روی تو
    یا در افتد ناگهان در کوی تو
    ای روان پاک بستوده ترا
    چند گفتم ژاژ و بیهوده ترا

    You sought me out like a mother;
    I ran away from you like a donkey.
    A donkey runs from its master because it is a donkey;
    its owner goes after it out of goodness of nature,
    seeking it not for profit or loss,
    but so that no wolf or wild beast tears it apart.
    Happy the one who sees your face,
    or stumbles all at once into your street!
    You whom the pure spirit has praised,
    what drivel and nonsense I said to you!

    ای خداوند و شهنشاه و امیر
    من نگفتم جهل من گفت آن مگیر
    شمه‌ای زین حال اگر دانستمی
    گفتن بیهوده کی تانستمی
    بس ثنایت گفتمی ای خوش‌خصال
    گر مرا یک رمز می‌گفتی ز حال
    لیک خامش کرده می‌آشوفتی
    خامشانه بر سرم می‌کوفتی
    شد سرم کالیوه عقل از سر بجست
    خاصه این سر را که مغزش کمترست

    My lord, king of kings, commander,
    it wasn’t I who spoke, it was my ignorance: don’t hold it against me.
    If I had known a whiff of this matter,
    how could I have talked such nonsense?
    I would have praised you plenty, kind sir,
    if you had told me just one hint of the situation.
    But you said nothing and kept harrying me;
    silently you kept pounding my head.
    My head went dizzy, my wits leapt out of it—
    especially this head, which has less brain than most.

    عفو کن ای خوب‌روی و خوب‌کار
    آنچ گفتم از جنون اندر گذار
    گفت اگر من گفتمی رمزی از آن
    زهرهٔ تو آب گشتی آن زمان
    گر ترا من گفتمی اوصاف مار
    ترس از جانت بر آوردی دمار
    مصطفی فرمود گر گویم براست
    شرح آن دشمن که در جان شماست
    زهره‌های پردلان هم بر درد
    نه رود ره نه غم کاری خورد

    Forgive me, you of fair face and fair deeds;
    overlook what I said in my madness.”
    He said, “If I had told you a hint of it,
    your gall would have turned to water then and there.
    If I had described the snake to you,
    fear would have finished you off.
    The Prophet said, ‘If I were to describe truly
    the enemy that lives in your souls,
    it would burst the galls even of the bold;
    a man would neither go his way nor care about any task;

    The gall (zahra) was thought to be the seat of courage.

    نه دلش را تاب ماند در نیاز
    نه تنش را قوت روزه و نماز
    همچو موشی پیش گربه لا شود
    همچو بره پیش گرگ از جا رود
    اندرو نه حیله ماند نه روش
    پس کنم ناگفته‌تان من پرورش
    همچو بو بکر ربابی تن زنم
    دست چون داود در آهن زنم
    تا محال از دست من حالی شود
    مرغ پر بر کنده را بالی شود

    his heart would have no strength left for supplication,
    his body no strength for fasting and prayer;
    he would become nothing, like a mouse before a cat,
    and lose his footing, like a lamb before a wolf.
    No strategy would remain in him, no way forward.
    So, without telling you, I nurture you.
    Like Abu Bakr Rababi, I keep quiet;
    like David, I put my hand to iron,
    so that at my hand the impossible becomes real at once,
    and a bird stripped of its feathers gets wings.

    Abu Bakr Rababi was proverbial for his silence. God made iron soft for David (Quran 34:10).

    چون ید الله فوق أیدیهم بود
    دست ما را دست خود فرمود احد
    پس مرا دست دراز آمد یقین
    بر گذشته ز آسمان هفتمین
    دست من بنمود بر گردون هنر
    مقریا بر خوان که انشق القمر
    این صفت هم بهر ضعف عقل‌هاست
    با ضعیفان شرح قدرت کی رواست
    خود بدانی چون بر آری سر ز خواب
    ختم شد والله أعلم بالصواب

    Since “the hand of God is over their hands,”
    the One has called our hand His own hand.
    So surely my hand reaches far,
    beyond the seventh heaven.
    My hand has shown its skill upon the sky:
    reciter, recite “the moon was split.”
    Even this description is for the weakness of minds;
    how is it right to explain power to the weak?
    You will know for yourself when you lift your head from sleep.
    That is the end: “God knows best what is right.”’

    Quran 48:10; 54:1, the splitting of the moon, a miracle associated with the Prophet.

    مر ترا نه قوت خوردن بدی
    نه ره و پروای قی کردن بدی
    می‌شنیدم فحش و خر می‌راندم
    رب یسر زیر لب می‌خواندم
    از سبب گفتن مرا دستور نه
    ترک تو گفتن مرا مقدور نه
    هر زمان می‌گفتم از درد درون
    اهد قومی إنهم لا یعلمون
    سجده‌ها می‌کرد آن رسته ز رنج
    کای سعادت وی مرا اقبال و گنج

    You had no strength to eat,
    nor any way or wish to vomit.
    I kept hearing your abuse and kept pushing on,
    murmuring under my breath, ‘Lord, make it easy.’
    I had no leave to tell you the cause,
    and abandoning you was not in my power.
    Every moment, out of inner pain, I kept saying,
    ‘Guide my people, for they do not know.’”
    The man freed from his torment kept bowing down:
    “You are my good fortune, my luck and my treasure!

    “Lord, make it easy” is a common prayer; “Guide my people, for they do not know” is attributed to the Prophet when he was wounded at Uhud.

    از خدا یابی جزاها ای شریف
    قوت شکرت ندارد این ضعیف
    شکر حق گوید ترا ای پیشوا
    آن لب و چانه ندارم وآن نوا
    دشمنی عاقلان زین سان بود
    زهر ایشان ابتهاج جان بود
    دوستی ابله بود رنج و ضلال
    این حکایت بشنو از بهر مثال

    Noble sir, may you get your reward from God;
    this weakling has no strength to thank you.
    God will thank you, my guide;
    I don’t have the lips, the jaw or the voice.”
    Such is the enmity of the wise:
    their poison is the soul’s delight.
    The friendship of a fool is pain and going astray;
    listen to this story as an example.

    Book III

    The jackal in the dyer’s vat; the snake-catcher and the frozen dragon; the elephant in the dark; the chickpea in the pot.

    The Jackal in the Dyer’s Vat

    A jackal falls into a dyer’s vat and comes out claiming to be a peacock.

    آن شغالی رفت اندر خم رنگ
    اندر آن خم کرد یک ساعت درنگ
    پس بر آمد پوستش رنگین شده
    کی منم طاوس علیین شده
    پشم رنگین رونق خوش یافته
    آفتاب آن رنگ‌ها بر تافته
    دید خود را سبز و سرخ و فور و زرد
    خویشتن را بر شغالان عرضه کرد

    A jackal once went into a dyer’s vat
    and stayed in that vat for an hour.
    Then he came out with his hide all colored,
    saying, “I’ve become the peacock of highest heaven!”
    His dyed fur had taken on a lovely sheen,
    and the sun was shining on those colors.
    He saw himself green and red, rose and yellow,
    and went to show himself off to the jackals.

    جمله گفتند ای شغالک حال چیست
    کی ترا در سر نشاط ملتویست
    از نشاط از ما کرانه کرده‌ای
    این تکبر از کجا آورده‌ای
    یک شغالی پیش او شد کای فلان
    شید کردی یا شدی از خوش‌دلان
    شید کردی تا بمنبر بر جهی
    تا ز لاف این خلق را حسرت دهی

    They all said, “Little jackal, what’s going on?
    You’ve got some twisted kind of glee in your head.
    In your glee you keep your distance from us:
    where did you get this arrogance?”
    One jackal went up to him: “Hey, you,
    is this a trick, or have you really become one of the happy-hearted?
    You played a trick so you could jump up into the pulpit
    and make these people envious with your boasting.

    بس بکوشیدی ندیدی گرمیی
    پس ز شید آورده‌ای بی‌شرمیی
    گرمی آن اولیا و انبیاست
    باز بی‌شرمی پناه هر دغاست
    کی التفات خلق سوی خود کشند
    که خوشیم و از درون بس ناخوشند

    You tried hard and felt no warmth,
    so out of trickery you’ve come up with shamelessness.”
    Warmth belongs to the saints and the prophets;
    shamelessness is the refuge of every cheat,
    who draw people’s attention to themselves:
    “We’re happy,” they say, while inside they are utterly miserable.

    The braggart and the mutton fat

    A braggart greases his mustache with mutton fat to look well fed, until a cat exposes him.

    پوست دنبه یافت شخصی مستهان
    هر صباحی چرب کردی سبلتان
    در میان منعمان رفتی که من
    لوت چربی خورده‌ام در انجمن
    دست در سبلت نهادی در نوید
    رمز یعنی سوی سبلت بنگرید
    کین گواه صدق گفتار منست
    وین نشان چرب و شیرین خوردنست
    اشکمش گفتی جواب بی‌طنین
    که أباد الله کید الکاذبین

    A man of no account found the skin of a sheep’s fat tail,
    and every morning he greased his mustache with it.
    He would go among the well-to-do as if to say, “I
    have eaten a rich meal at a banquet.”
    He would put his hand to his mustache as a signal,
    a code meaning, “Look at my mustache:
    this is the witness to the truth of what I say,
    this is the sign of eating rich and sweet things.”
    His belly would answer, without a sound,
    “May God destroy the scheming of liars!”

    لاف تو ما را بر آتش بر نهاد
    کآن سبیل چرب تو بر کنده باد
    گر نبودی لاف زشتت ای گدا
    یک کریمی رحم افکندی بما
    ور نمودی عیب و کژ کم باختی
    یک طبیبی داروی او ساختی
    گفت حق کی کژ مجنبان گوش و دم
    ینفعن الصادقین صدقهم
    کهف اندر کژ مخسپ ای محتلم
    آنچ داری وا نما و فاستقم

    “Your boasting has put us on the fire:
    may that greasy mustache of yours be plucked out!
    Beggar, if it weren’t for your ugly boasting,
    some generous person would have taken pity on us;
    and if you had shown your defect and played less crooked,
    some physician would have made a remedy for it.”
    God has said: don’t twitch your ears and tail crookedly;
    “the truthful will profit from their truthfulness.”
    Don’t sleep crooked in the cave, you dreamer;
    show what you have, and “stand upright.”

    Quran 5:119; 11:112. The cave recalls the Sleepers of the Cave (Quran 18).

    ور نگویی عیب خود باری خمش
    از نمایش وز دغل خود را مکش
    گر تو نقدی یافتی مگشا دهان
    هست در ره سنگ‌های امتحان
    سنگ‌های امتحان را نیز پیش
    امتحان‌ها هست در احوال خویش
    گفت یزدان از ولادت تا بحین
    یفتنون کل عام مرتین
    امتحان بر امتحانست ای پدر
    هین بکمتر امتحان خود را مخر

    And if you won’t tell your defect, at least keep quiet;
    don’t kill yourself with show and fraud.
    If you have found some real coin, don’t open your mouth:
    there are touchstones on the road.
    And the touchstones, too, have tests ahead of them,
    tests in their own condition.
    God has said that from birth to the appointed time
    “they are tried twice every year.”
    It’s test upon test, father;
    careful—don’t rate yourself by a lesser test.

    Quran 9:126.

    Balaam son of Beor

    Tests follow tests, as Balaam and Iblis found; the braggart’s belly prays to be exposed.

    بلعم باعور و ابلیس لعین
    ز امتحان آخرین گشته مهین
    او بدعوی میل دولت می‌کند
    معده‌اش نفرین سبلت می‌کند
    کآنچ پنهان می‌کند پیداش کن
    سوخت ما را ای خدا رسواش کن
    جملهٔ اجزای تنش خصم ویند
    کز بهاری لافد ایشان در دیند
    لاف وا داد کرم‌ها می‌کند
    شاخ رحمت را ز بن بر می‌کند

    Balaam son of Beor and Iblis the accursed
    were disgraced by the final test.
    That man, with his claims, angles for good fortune,
    while his stomach curses his mustache:
    “Expose what he is hiding!
    He’s burned us up—God, disgrace him!”
    Every part of his body is his enemy,
    for he boasts of spring while they are in winter.
    Boasting turns back the gifts of the generous
    and tears the branch of mercy out by the root.

    Balaam son of Beor, a seer who in Islamic tradition lost his gifts through pride; Iblis refused to bow to Adam.

    راستی پیش آر یا خاموش کن
    وآنگهان رحمت ببین و نوش کن
    آن شکم خصم سبیل او شده
    دست پنهان در دعا اندر زده
    کای خدا رسوا کن این لاف لئام
    تا بجنبد سوی ما رحم کرام
    مستجاب آمد دعای آن شکم
    سوزش حاجت بزد بیرون علم
    گفت حق گر فاسقی و اهل صنم
    چون مرا خوانی اجابت‌ها کنم

    Bring the truth forward, or keep quiet,
    and then see mercy, and drink it in.
    That belly had become the enemy of his mustache
    and had secretly raised its hands in prayer:
    “God, expose the boasting of this lowlife,
    so that the mercy of the generous may stir toward us.”
    The belly’s prayer was answered:
    the burning of its need raised its banner outside.
    God has said, “Even if you are a sinner and an idol worshipper,
    when you call on Me, I will answer.”

    Compare Quran 40:60: “Call on Me, and I will answer you.”

    تو دعا را سخت گیر و می‌شخول
    عاقبت برهاندت از دست غول
    چون شکم خود را بحضرت در سپرد
    گربه آمد پوست آن دنبه ببرد
    از پس گربه دویدند او گریخت
    کودک از ترس عتابش رنگ ریخت
    آمد اندر انجمن آن طفل خرد
    آب روی مرد لافی را ببرد
    گفت آن دنبه که هر صبحی بدآن
    چرب می‌کردی لبان و سبلتان

    Hold fast to prayer and keep crying out;
    in the end it will rescue you from the hands of the ghoul.
    When the belly had surrendered itself to the Presence,
    a cat came and carried off that piece of fat.
    They ran after the cat; it got away.
    The man’s child went pale for fear of a scolding.
    The little boy came into the gathering
    and wrecked the boaster’s dignity.
    He said, “That fat you used every morning
    to grease your lips and your mustache—

    گربه آمد ناگهانش در ربود
    بس دویدم و نکرد آن جهد سود
    خنده آمد حاضران را از شگفت
    رحم‌هاشان باز جنبیدن گرفت
    دعوتش کردند و سیرش داشتند
    تخم رحمت در زمینش کاشتند
    او چو ذوق راستی دید از کرام
    بی تکبر راستی را شد غلام

    a cat came and suddenly snatched it.
    I ran and ran, but it did no good.”
    Those present burst out laughing in surprise,
    and their pity began to stir again.
    They invited him and kept him well fed;
    they sowed the seed of mercy in his soil.
    Once he had tasted from the generous what honesty brings,
    he became, without arrogance, a servant of honesty.

    The jackal claims to be a peacock

    The colored jackal demands homage, but cannot strut or cry like a peacock.

    آن شغال رنگ‌رنگ آمد نهفت
    بر بناگوش ملامت‌گر بکفت
    بنگر آخر در من و در رنگ من
    یک صنم چون من ندارد خود شمن
    چون گلستان گشته‌ام صدرنگ و خوش
    مر مرا سجده کن از من سر مکش
    کر و فر و آب و تاب و رنگ بین
    فخر دنیا خوان مرا و رکن دین

    The many-colored jackal came up quietly
    and said into his critic’s ear,
    “Just look at me and my colors!
    No idol worshipper has an idol like me.
    I’ve become like a rose garden, lovely, in a hundred colors:
    bow down to me; don’t turn your head away.
    See the splendor and glory, the luster and sheen and color:
    call me the Pride of the World and the Pillar of the Faith!

    “Pride of the World” and “Pillar of the Faith” parody the grand titles given to rulers and religious dignitaries.

    مظهر لطف خدایی گشته‌ام
    لوح شرح کبریایی گشته‌ام
    ای شغالان هین مخوانیدم شغال
    کی شغالی را بود چندین جمال
    آن شغالان آمدند آنجا بجمع
    همچو پروانه بگرداگرد شمع
    پس چه خوانیمت بگو ای جوهری
    گفت طاوس نر چون مشتری

    I’ve become the showplace of divine grace,
    the tablet on which divine majesty is set forth.
    Jackals, mind you, don’t call me a jackal:
    how could a jackal have so much beauty?”
    The jackals gathered there
    like moths around a candle.
    “Then what shall we call you? Tell us, you gem.”
    He said, “A male peacock, like Jupiter.”

    پس بگفتندش که طاوسان جان
    جلوه‌ها دارند اندر گلستان
    تو چنان جلوه کنی گفتا که نی
    بادیه نارفته چون کوبم منی
    بانگ طاوسان کنی گفتا که لا
    پس نه‌ای طاوس خواجه بو العلا
    خلعت طاوس آید ز آسمان
    کی رسی از رنگ و دعوی‌ها بدآن

    So they said to him, “The peacocks of the spirit
    strut and display in the rose garden:
    do you display like that?” “No,” he said.
    “I haven’t crossed the desert—how could I strike up an ‘I am’?”
    “Do you make the cry of peacocks?” “No,” he said.
    “Then you’re no peacock, Master Bu’l-Ala.”
    The peacock’s robe of honor comes from heaven;
    how will you reach it through dye and claims?

    Mani, “egotism,” also suggests Mina, a station of the pilgrimage reached after crossing the desert. Bu’l-Ala (“Father of Loftiness”) is a mocking title.

    Pharaoh and the jackal

    Pharaoh, Rumi says, was a jackal in a vat of wealth who claimed to be divine.

    همچو فرعونی مرصع کرده ریش
    برتر از عیسی پریده از خریش
    او هم از نسل شغال ماده زاد
    در خم مالی و جاهی در فتاد
    هر که دید آن جاه و مالش سجده کرد
    سجدهٔ افسوسیان را او بخورد
    گشت مستک آن گدای ژنده‌دلق
    از سجود و از تحیرهای خلق

    Like Pharaoh, who had his beard studded with jewels
    and out of sheer donkeyishness flew higher than Jesus,
    he too was born of the line of a she-jackal
    and fell into a vat of wealth and rank.
    Everyone who saw his rank and wealth bowed down,
    and he swallowed the homage of those dupes whole.
    That beggar in a ragged cloak got tipsy
    on people’s prostrations and their awe.

    مال مار آمد که در وی زهرهاست
    وآن قبول و سجدهٔ خلق اژدهاست
    های ای فرعون ناموسی مکن
    تو شغالی هیچ طاوسی مکن
    سوی طاوسان اگر پیدا شوی
    عاجزی از جلوه و رسوا شوی
    موسی و هارون چو طاوسان بدند
    پر جلوه بر سر و رویت زدند

    Wealth is a snake full of poisons,
    and people’s acclaim and prostration is a dragon.
    Hey, Pharaoh, don’t put on airs:
    you’re a jackal—don’t play the peacock.
    If you show yourself among the peacocks,
    you can’t display, and you’ll be disgraced.
    Moses and Aaron were like peacocks;
    they struck your head and face with their displaying feathers.

    زشتیت پیدا شد و رسواییت
    سرنگون افتادی از بالاییت
    چون محک دیدی سیه گشتی چو قلب
    نقش شیری رفت و پیدا گشت کلب
    ای سگ گرگین زشت از حرص و جوش
    پوستین شیر را بر خود مپوش
    غرهٔ شیرت بخواهد امتحان
    نقش شیر و آنگه اخلاق سگان

    Your ugliness and your disgrace came out,
    and you fell headlong from your height.
    When you met the touchstone, you turned black like a counterfeit coin;
    the image of a lion vanished and a dog appeared.
    You mangy dog, ugly with greed and frenzy,
    don’t put on the lion’s skin.
    Your lion’s roar will be put to the test:
    the image of a lion, and then the manners of dogs!

    “You will know them by their speech”

    Hypocrites are known by their speech, as a cracked jug by its ring.

    گفت یزدان مر نبی را در مساق
    یک نشانی سهلتر ز اهل نفاق
    گر منافق زفت باشد نغز و هول
    وا شناسی مر ورا در لحن و قول
    چون سفالین کوزه‌ها را می‌خری
    امتحانی می‌کنی ای مشتری
    می‌زنی دستی بر آن کوزه چرا
    تا شناسی از طنین اشکسته را

    In the course of revelation God told the Prophet
    an easier sign by which to know the hypocrites:
    even if the hypocrite is stout, handsome and imposing,
    you will recognize him by the tone of his speech.
    When you buy earthenware jugs,
    buyer, you put them to a test:
    you tap the jug with your hand—why?
    So that you can tell the cracked one by its ring.

    Quran 47:30.

    بانگ اشکسته دگرگون می‌بود
    بانگ چاوشست پیشش می‌رود
    بانگ می‌آید که تعریفش کند
    همچو مصدر فعل تصریفش کند
    چون حدیث امتحان رویی نمود
    یادم آمد قصهٔ هاروت زود

    The sound of the cracked one is different;
    the sound is a herald walking ahead of it.
    The sound comes out to define it,
    as a verbal noun is conjugated into a verb.
    Since the subject of testing has come up,
    the story of Harut came to my mind at once.

    Harut and Marut are two angels named in Quran 2:102; in tradition they were sent to earth, tested, and fell.

    The Snake-Catcher and the Frozen Dragon

    A snake-catcher finds a frozen dragon, takes it for dead, and hauls it to Baghdad.

    یک حکایت بشنو از تاریخ‌گوی
    تا بری زین راز سرپوشیده بوی
    مارگیری رفت سوی کوهسار
    تا بگیرد او بافسون‌هاش مار
    گر گران و گر شتابنده بود
    آنک جوینده‌ست یابنده بود
    در طلب زن دایما تو هر دو دست
    کی طلب در راه نیکو رهبر است
    لنگ و لوک و خفته‌شکل و بی‌ادب
    سوی او می‌غیژ و او را می‌طلب

    Hear a story from the chronicler,
    so that you may catch a scent of this hidden secret.
    A snake-catcher went off to the mountains
    to catch a snake with his spells.
    Whether one is slow or quick,
    whoever seeks will find.
    Always throw both hands into the search,
    for seeking is a good guide on the way.
    Lame and limping, drowsy and uncouth,
    crawl toward Him and keep seeking Him.

    گه بگفت و گه بخاموشی و گه
    بوی کردن گیر هر سو بوی شه
    گفت آن یعقوب با اولاد خویش
    جستن یوسف کنید از حد بیش
    هر حس خود را درین جستن بجد
    هر طرف رانید شکل مستعد
    گفت از روح خدا لا تیأسوا
    همچو گم کرده پسر رو سو بسو
    از ره حس دهان پرسان شوید
    گوش را بر چار راه آن نهید

    Now by speech, now by silence, now
    by sniffing about, catch the King’s scent on every side.
    Jacob said to his sons,
    “Search for Joseph beyond all limits;
    in this search, earnestly drive each of your senses
    in every direction, ready and alert.”
    He said, “‘Do not despair of God’s comfort’:
    like someone who has lost a son, go this way and that;
    use the sense of the mouth and ask around;
    put your ears to the crossroads.

    Quran 12:87.

    هر کجا بوی خوش آید بو برید
    سوی آن سر کآشنای آن سرید
    هر کجا لطفی ببینی از کسی
    سوی اصل لطف ره یابی عسی
    این همه خوش‌ها ز دریاییست ژرف
    جزو را بگذار و بر کل دار طرف
    جنگ‌های خلق بهر خوبیست
    برگ بی‌برگی نشان طوبیست
    خشم‌های خلق بهر آشتیست
    دام راحت دایما بی‌راحتیست

    Wherever a sweet scent comes, follow it
    toward that place you know so well.”
    Wherever you see kindness from anyone,
    perhaps you’ll find the way to the source of kindness.
    All these delights come from a deep sea:
    leave the part and set your gaze on the whole.
    People’s fights are for the sake of beauty;
    the leafage of leaflessness is a sign of the Tuba tree.
    People’s angers are for the sake of reconciliation;
    the trap of comfort is always discomfort.

    The Tuba is a tree of Paradise. Barg means both “leaf” and “provision,” so the phrase also means “the wealth of having nothing.”

    هر زدن بهر نوازش را بود
    هر گله از شکر آگه می‌کند
    بوی بر از جزو تا کل ای کریم
    بوی بر از ضد تا ضد ای حکیم
    جنگ‌ها می آشتی آرد درست
    مارگیر از بهر یاری مار جست
    بهر یاری مار جوید آدمی
    غم خورد بهر حریف بی‌غمی
    او همی‌جستی یکی ماری شگرف
    گرد کوهستان در ایام برف

    Every blow is for the sake of a caress;
    every complaint tells of gratitude.
    Follow the scent from part to whole, noble friend;
    follow the scent from opposite to opposite, wise one.
    Fights truly bring peace:
    the snake-catcher sought a snake for companionship.
    Man seeks a snake for companionship
    and frets over a companion who doesn’t care.
    He was looking for a marvelous snake
    around the mountains in the days of snow.

    اژدهایی مرده دید آنجا عظیم
    کی دلش از شکل او شد پر ز بیم
    مارگیر اندر زمستان شدید
    مار می‌جست اژدهایی مرده دید
    مارگیر از بهر حیرانی خلق
    مار گیرد اینت نادانی خلق
    آدمی کوهیست چون مفتون شود
    کوه اندر مار حیران چون شود
    خویشتن نشناخت مسکین آدمی
    از فزونی آمد و شد در کمی

    There he saw a huge dead dragon,
    and its look filled his heart with fear.
    The snake-catcher, in the bitter winter,
    was looking for a snake and saw a dead dragon.
    The snake-catcher, to amaze people,
    catches snakes—that’s how ignorant people are!
    Man is a mountain: how can he be beguiled?
    How can a mountain be amazed by a snake?
    Poor man did not know himself;
    he came from abundance and fell into lack.

    خویشتن را آدمی ارزان فروخت
    بود اطلس خویش بر دلقی بدوخت
    صد هزاران مار و که حیران اوست
    او چرا حیران شدست و ماردوست
    مارگیر آن اژدها را بر گرفت
    سوی بغداد آمد از بهر شگفت
    اژدهایی چون ستون خانه‌ای
    می‌کشیدش از پی دانگانه‌ای
    کاژدهایی مرده‌ای آورده‌ام
    در شکارش من جگرها خورده‌ام

    Man sold himself cheap:
    he was satin, and he sewed himself onto a rag.
    Hundreds of thousands of snakes and mountains are amazed by him;
    why has he become amazed, and a lover of snakes?
    The snake-catcher picked up the dragon
    and came to Baghdad to show off the wonder.
    A dragon like the pillar of a house
    he dragged along for the sake of a few pennies:
    “I’ve brought a dead dragon;
    I went through agonies hunting it.”

    او همی مرده گمان بردش ولیک
    زنده بود و او ندیدش نیک نیک
    او ز سرماها و برف افسرده بود
    زنده بود و شکل مرده می‌نمود
    عالم افسردست و نام او جماد
    جامد افسرده بود ای اوستاد
    باش تا خورشید حشر آید عیان
    تا ببینی جنبش جسم جهان
    چون عصای موسی اینجا مار شد
    عقل را از ساکنان اخبار شد

    He thought it was dead, but
    it was alive, and he hadn’t looked at it very closely.
    It was frozen from the cold and the snow;
    it was alive but looked like a dead thing.
    The world is frozen, and its name is “inanimate”:
    the inanimate is the frozen, master.
    Wait until the sun of the Resurrection appears,
    and you will see the body of the world move.
    When Moses’ staff became a snake here,
    reason received news about the motionless things.

    پارهٔ خاک ترا چون مرد ساخت
    خاک‌ها را جملگی شاید شناخت
    مرده زین سو اند و زآن سو زنده‌اند
    خامش اینجا وآن طرف گوینده‌اند
    چون از آن سوشان فرستد سوی ما
    آن عصا گردد سوی ما اژدها
    کوه‌ها هم لحن داودی کند
    جوهر آهن بکف مومی بود
    باد حمال سلیمانی شود
    بحر با موسی سخن‌دانی شود

    Since He made a lump of earth into you, a man,
    you ought to recognize what all earth is.
    They are dead on this side and alive on that side,
    silent here, and over there they speak.
    When He sends them from that side to us,
    that staff becomes a dragon for us.
    The mountains, too, sing in David’s tones;
    the substance of iron is wax in his hand;
    the wind becomes Solomon’s porter;
    the sea understands Moses’ words.

    The mountains sang with David and iron grew soft for him, the wind served Solomon (Quran 34:10–12), and the sea parted for Moses (Quran 26:63).

    ماه با احمد اشارت‌بین شود
    نار ابرهیم را نسرین شود
    خاک قارون را چو ماری در کشد
    استن حنانه آید در رشد
    سنگ بر احمد سلامی می‌کند
    کوه یحیی را پیامی می‌کند
    ما سمیعیم و بصیریم و خوشیم
    با شما نامحرمان ما خامشیم
    چون شما سوی جمادی می‌روید
    محرم جان جمادان چون شوید

    The moon heeds Ahmad’s sign;
    fire becomes wild roses for Abraham;
    the earth swallows Korah like a snake;
    the Moaning Pillar comes to right understanding;
    stones greet Ahmad;
    a mountain sends a message to John:
    “We hear and see and are glad;
    with you outsiders we keep silent.”
    Since you are heading toward the inanimate,
    how will you become intimates of the soul of inanimate things?

    The moon split at the Prophet’s sign (Quran 54:1); a palm-trunk pillar moaned when he left it, and stones greeted him. The earth swallowed Korah (Quran 28:81).

    از جمادی عالم جان‌ها روید
    غلغل اجزای عالم بشنوید
    فاش تسبیح جمادات آیدت
    وسوسهٔ تأویل‌ها نربایدت
    چون ندارد جان تو قندیل‌ها
    بهر بینش کرده‌ای تأویل‌ها
    که غرض تسبیح ظاهر کی بود
    دعوی دیدن خیال غی بود
    بلک مر بیننده را دیدار آن
    وقت عبرت می‌کند تسبیح‌خوان

    Go out from the inanimate into the world of souls;
    hear the clamor of the world’s particles.
    The glorification of God by inanimate things will become plain to you,
    and the whispering of interpretations won’t carry you off.
    Since your soul has no lamps,
    you have made up interpretations in place of seeing:
    “The meaning isn’t outward glorification—how could it be?
    Claiming to see it is a deluded fancy.
    Rather, the sight of the thing makes the beholder,
    when he takes a lesson from it, glorify God.

    Quran 17:44: “There is nothing that does not glorify Him with praise.”

    پس چو از تسبیح یادت می‌دهد
    آن دلالت همچو گفتن می‌بود
    این بود تأویل اهل اعتزال
    وآن آنکس کو ندارد نور حال
    چون ز حس بیرون نیامد آدمی
    باشد از تصویر غیبی اعجمی
    این سخن پایان ندارد مارگیر
    می‌کشید آن مار را با صد زحیر
    تا ببغداد آمد آن هنگامه‌جو
    تا نهد هنگامه‌ای بر چارسو

    So, since it reminds you to glorify God,
    that pointing is the same as speaking.”
    This is the interpretation of the Muʿtazilites
    and of anyone who lacks the light of spiritual experience.
    When a person hasn’t come out beyond the senses,
    he is a foreigner to the picture of the Unseen.
    This talk has no end. The snake-catcher
    was dragging that snake along with a hundred groans,
    until that showman came to Baghdad
    to set up a show at the crossroads.

    The Muʿtazilites were a rationalist school of Islamic theology.

    بر لب شط مرد هنگامه نهاد
    غلغله در شهر بغداد اوفتاد
    مارگیری اژدها آورده است
    بو العجب نادر شکاری کرده است
    جمع آمد صد هزاران خام‌ریش
    صید او گشته چو او از ابلهیش
    منتظر ایشان و هم او منتظر
    تا که جمع آیند خلق منتشر
    مردم هنگامه افزون‌تر شود
    کدیه و توزیع نیکوتر رود

    The man set up his show on the riverbank,
    and an uproar broke out in the city of Baghdad:
    “A snake-catcher has brought a dragon!
    What a wonder—he’s made a rare catch!”
    Hundreds of thousands of raw-bearded fools gathered,
    becoming his prey through folly, just as he himself was.
    They were waiting, and he was waiting too
    for the scattered crowd to gather,
    so the audience would grow larger
    and the begging and collection go better.

    جمع آمد صد هزاران ژاژخا
    حلقه کرده پشت پا بر پشت پا
    مرد را از زن خبر نی ز ازدحام
    رفته درهم چون قیامت خاص و عام
    چون همی حراقه جنبانید او
    می‌کشیدند اهل هنگامه گلو
    واژدها کز زمهریر افسرده بود
    زیر صد گونه پلاس و پرده بود
    بسته بودش با رسن‌های غلیظ
    احتیاطی کرده بودش آن حفیظ

    Hundreds of thousands of babblers gathered,
    forming a ring, toe to heel.
    So thick was the crowd, men took no notice of women;
    high and low were jumbled together as at the Resurrection.
    When he started to stir the covering,
    the crowd craned their necks.
    And the dragon, frozen by the bitter cold,
    lay under a hundred kinds of sacking and covers.
    He had tied it with thick ropes;
    that careful keeper had taken precautions.

    در درنگ انتظار و اتفاق
    تافت بر آن مار خورشید عراق
    آفتاب گرمسیرش گرم کرد
    رفت از اعضای او اخلاط سرد
    مرده بود و زنده گشت او از شگفت
    اژدها بر خویش جنبیدن گرفت
    خلق را از جنبش آن مرده مار
    گشتشان آن یک تحیر صد هزار
    با تحیر نعره‌ها انگیختند
    جملگان از جنبشش بگریختند

    During the delay of waiting and gathering,
    the sun of Iraq shone on that snake.
    The sun of the hot country warmed it,
    and the cold humors left its limbs.
    It had been dead, and, wonder of wonders, it came alive:
    the dragon began to stir.
    At the stirring of that dead snake, the people’s
    single amazement became a hundred thousand.
    In their amazement they raised shrieks;
    all of them fled at its stirring.

    می‌سکست او بند و زآن بانگ بلند
    هر طرف می‌رفت چاقاچاق بند
    بندها بگسست و بیرون شد ز زیر
    اژدهایی زشت غران همچو شیر
    در هزیمت بس خلایق کشته شد
    از فتاده کشتگان صد پشته شد
    مارگیر از ترس بر جا خشک گشت
    کی چه آوردم من از کهسار و دشت
    گرگ را بیدار کرد آن کور میش
    رفت نادان سوی عزرایل خویش

    It was breaking its bonds, and with a loud noise
    the ropes went snap, snap on every side.
    It burst its bonds and came out from underneath,
    a hideous dragon roaring like a lion.
    Many people were killed in the stampede;
    the fallen dead made a hundred heaps.
    The snake-catcher froze where he stood in terror:
    “What have I brought from the mountains and plains!”
    That blind sheep woke the wolf;
    the fool went to his own Azrael.

    اژدها یک لقمه کرد آن گیج را
    سهل باشد خون‌خوری حجاج را
    خویش را بر استنی پیچید و بست
    استخوان خورده را درهم شکست
    نفست اژدرهاست او کی مرده است
    از غم و بی‌آلتی افسرده است
    گر بیابد آلت فرعون او
    که بامر او همی‌رفت آب جو

    The dragon made one mouthful of that fool;
    bloodshed comes easy to Hajjaj.
    It coiled itself tight around a pillar
    and crushed the bones of the man it had eaten.
    Your self is a dragon—how could it be dead?
    It’s only frozen by grief and lack of means.
    If it finds the means of Pharaoh,
    at whose command the river water flowed,

    Hajjaj ibn Yusuf (d. 714), Umayyad governor of Iraq, was proverbial for his harshness. “The self” (nafs) is the lower self, the seat of appetite.

    آنگه او بنیاد فرعونی کند
    راه صد موسی و صد هارون زند
    کرمکست آن اژدها از دست فقر
    پشه‌ای گردد ز جاه و مال صقر
    اژدها را دار در برف فراق
    هین مکش او را بخورشید عراق
    تا فسرده می‌بود آن اژدهات
    لقمهٔ اویی چو او یابد نجات

    then it will lay the foundations of a pharaoh’s rule
    and ambush a hundred Moseses and a hundred Aarons.
    That dragon is a little worm because of poverty;
    with rank and wealth a gnat becomes a falcon.
    Keep the dragon in the snow of separation;
    careful—don’t drag it out into the sun of Iraq.
    So long as that dragon of yours stays frozen, well and good;
    once it gets free, you are its mouthful.

    مات کن او را و ایمن شو ز مات
    رحم کم کن نیست او ز اهل صلات
    کآن تف خورشید شهوت بر زند
    آن خفاش مردریگت پر زند
    می‌کشانش در جهاد و در قتال
    مردوار الله یجزیک الوصال
    چونک آن مرد اژدها را آورید
    در هوای گرم و خوش شد آن مرید

    Checkmate it and be safe from checkmate;
    show it little mercy—it isn’t worthy of favors.
    For when the heat of the sun of lust blazes up,
    that worthless bat you inherited will flap its wings.
    Drag it into holy war and battle,
    like a man: “God will reward you with union.”
    When that man brought the dragon
    into the warm air, that rebel grew lively;

    لاجرم آن فتنه‌ها کرد ای عزیز
    بیست همچندانک ما گفتیم نیز
    تو طمع داری که او را بی جفا
    بسته داری در وقار و در وفا
    هر خسی را این تمنا کی رسد
    موسیی باید کی اژدرها کشد
    صد هزاران خلق ز اژدرهای او
    در هزیمت کشته شد از رای او

    naturally it caused all that havoc, friend,
    twenty times as much as we’ve told.
    You hope that, without harshness,
    you can keep it bound in dignity and good faith?
    How can every worthless wretch have such a wish?
    It takes a Moses to kill a dragon.
    Hundreds of thousands of people, by his dragon,
    were killed as they fled, by his design.

    The Elephant in the Dark

    People touch an elephant in the dark, and each describes it differently.

    Famous passage The elephant in the darkPeople feel an elephant in a dark house and call it a water pipe, a fan, a pillar, a throne.

    پیل اندر خانهٔ تاریک بود
    عرضه را آورده بودندش هنود
    از برای دیدنش مردم بسی
    اندر آن ظلمت همی‌شد هر کسی
    دیدنش با چشم چون ممکن نبود
    اندر آن تاریکیش کف می‌بسود
    آن یکی را کف بخرطوم اوفتاد
    گفت همچون ناودانست این نهاد

    An elephant was in a dark house;
    some people from India had brought it there to put it on show.
    To see it, many people,
    one after another, went into that darkness.
    Since seeing it with the eyes was impossible,
    each one felt it with his palm in the dark.
    One man’s palm landed on its trunk;
    he said, “This creature is like a water pipe.”

    آن یکی را دست بر گوشش رسید
    آن برو چون بادبیزن شد پدید
    آن یکی را کف چو بر پایش بسود
    گفت شکل پیل دیدم چون عمود
    آن یکی بر پشت او بنهاد دست
    گفت خود این پیل چون تختی بدست
    همچنین هر یک بجزوی که رسید
    فهم آن می‌کرد هر جا می‌شنید

    Another’s hand touched its ear;
    to him it seemed like a fan.
    When another’s palm rubbed its leg,
    he said, “I found the elephant’s shape is like a pillar.”
    Another put his hand on its back;
    he said, “Why, this elephant is like a throne.”
    So each one, whatever part he reached,
    understood it that way whenever he heard of it.

    از نظرگه گفتشان شد مختلف
    آن یکی دالش لقب داد این الف
    در کف هر کس اگر شمعی بدی
    اختلاف از گفتشان بیرون شدی
    چشم حس همچون کف دستست و بس
    نیست کف را بر همهٔ او دست‌رس
    چشم دریا دیگرست و کف دگر
    کف بهل وز دیدهٔ دریا نگر

    Their words differed according to where they stood:
    one called it dal, another alif.
    If each of them had had a candle in his hand,
    the difference would have gone out of their words.
    The eye of the senses is just like the palm of the hand;
    the palm can’t reach the whole of it.
    The eye of the sea is one thing, the foam another;
    leave the foam and look with the eye of the sea.

    The letter dal (د) is curved, alif (ا) a straight stroke. Kaf means both “palm of the hand” and “foam,” so Rumi slides from the hand to the sea.

    جنبش کف‌ها ز دریا روز و شب
    کف همی‌بینی و دریا نی عجب
    ما چو کشتی‌ها بهم بر می‌زنیم
    تیره‌چشمیم و در آب روشنیم
    ای تو در کشتی تن رفته بخواب
    آب را دیدی نگر در آب آب
    آب را آبیست کو می‌راندش
    روح را روحیست کو می‌خواندش

    The foam moves day and night because of the sea;
    you see the foam and not the sea—how strange!
    We bump against one another like boats;
    our eyes are dim, though we are in clear water.
    You who have fallen asleep in the boat of the body,
    you have seen the water: now look at the Water of the water.
    The water has a Water that drives it;
    the spirit has a Spirit that calls it.

    The Chickpea

    A chickpea leaps up in the boiling pot, and the housewife pushes it back down.

    Famous passage The chickpea in the potA chickpea tries to leap out of the boiling pot, and the housewife explains that the boiling is for its own good.

    بنگر اندر نخودی در دیگ چون
    می‌جهد بالا چو شد ز آتش زبون
    هر زمان نخود بر آید وقت جوش
    بر سر دیگ و بر آرد صد خروش
    که چرا آتش بمن در می‌زنی
    چون خریدی چون نگونم می‌کنی
    می‌زند کفلیز کدبانو که نی
    خوش بجوش و بر مجه ز آتش‌کنی
    زآن نجوشانم که مکروه منی
    بلک تا گیری تو ذوق و چاشنی

    Look at a chickpea in the pot, how
    it jumps up when the fire gets the better of it.
    Every moment, as it boils, the chickpea rises
    to the top of the pot and raises a hundred cries:
    “Why are you setting me on fire?
    You bought me—why are you turning me upside down?”
    The housewife knocks it with her ladle: “No!
    Boil nicely, and don’t jump away from the cooking.
    I don’t boil you because you’re hateful to me,
    but so that you’ll gain taste and flavor,

    تا غذی گردی بیامیزی بجان
    بهر خواری نیستت این امتحان
    آب می‌خوردی ببستان سبز و تر
    بهر این آتش بدست آن آب‌خور
    رحمتش سابق بدست از قهر زآن
    تا ز رحمت گردد اهل امتحان
    رحمتش بر قهر از آن سابق شدست
    تا که سرمایهٔ وجود آید بدست
    زآنک بی لذت نروید لحم و پوست
    چون نروید چه گدازد عشق دوست

    so that you’ll become nourishment and mingle with the soul.
    This trial isn’t meant to humiliate you.
    You drank water in the garden, green and fresh:
    that drinking was for the sake of this fire.”
    His mercy comes before His wrath for this reason:
    so that through mercy one becomes fit for the trial.
    His mercy has gone ahead of His wrath
    so that the capital of existence may be gained.
    For without pleasure, flesh and skin don’t grow,
    and if they don’t grow, what will the Friend’s love melt away?

    Echoes the hadith in which God says, “My mercy precedes My wrath.”

    زآن تقاضا گر بیاید قهرها
    تا کنی ایثار آن سرمایه را
    باز لطف آید برای عذر او
    که بکردی غسل و بر جستی ز جو
    گوید ای نخود چریدی در بهار
    رنج مهمان تو شد نیکوش دار
    تا که مهمان باز گردد شکرساز
    پیش شه گوید ز ایثار تو باز
    تا بجای نعمتت منعم رسد
    جملهٔ نعمت‌ها برد بر تو حسد

    If wrath comes to collect on that,
    so that you will give that capital away,
    grace comes again to make amends:
    “You’ve washed yourself and leapt clear of the stream.”
    It says, “Chickpea, you grazed in the spring;
    now pain has become your guest: treat it well,
    so that the guest goes back full of thanks
    and tells the King of your generosity,
    so that in place of blessings the Giver of blessings comes to you
    and all blessings envy you.

    من خلیلم تو پسر پیش بچک
    سر بنه إنی أرانی أذبحک
    سر بپیش قهر نه دل بر قرار
    تا ببرم حلقت اسمعیل‌وار
    سر ببرم لیک این سر آن سریست
    کز بریده گشتن و مردن بریست
    لیک مقصود ازل تسلیم تست
    ای مسلمان بایدت تسلیم جست
    ای نخود می‌جوش اندر ابتلا
    تا نه هستی و نه خود ماند ترا

    I am Abraham, you are the son: before the knife
    lay down your head: ‘I see that I am to sacrifice you.’
    Lay your head before wrath, with a steady heart,
    so I can cut your throat as with Ishmael.
    I’ll cut off your head, but this head is a head
    that is free from being cut off and from dying.
    Yet what eternity intends is your surrender;
    Muslim, you must seek surrender.
    Chickpea, keep boiling in affliction,
    until neither existence nor self remains to you.

    Quran 37:102, Abraham’s words to his son.

    اندر آن بستان اگر خندیده‌ای
    تو گل بستان جان و دیده‌ای
    گر جدا از باغ آب و گل شدی
    لقمه گشتی اندر احیا آمدی
    شو غذی و قوت و اندیشه‌ها
    شیر بودی شیر شو در بیشه‌ها
    از صفاتش رسته‌ای والله نخست
    در صفاتش باز رو چالاک و چست
    ز ابر و خورشید و ز گردون آمدی
    پس شدی اوصاف و گردون بر شدی

    If you laughed in that garden,
    you are a rose in the garden of the soul and of sight.
    If you have been parted from the garden of water and clay,
    you’ve become a morsel and joined the living.
    Become food and strength and thoughts:
    you were milk—now be a lion in the thickets.
    By God, you grew out of His attributes in the first place;
    go back into His attributes, quick and nimble.
    You came from cloud and sun and the turning sky;
    then you became attributes and rose to heaven.

    Shir means both “milk” and “lion.”

    آمدی در صورت باران و تاب
    می‌روی اندر صفات مستطاب
    جزو شید و ابر و انجم‌ها بدی
    نفس و فعل و قول و فکرت‌ها شدی
    هستی حیوان شد از مرگ نبات
    راست آمد اقتلونی یا ثقات
    چون چنین بردیست ما را بعد مات
    راست آمد إن فی قتلی حیات

    You came in the form of rain and heat;
    you are going into the most excellent attributes.
    You were part of sun and cloud and stars;
    you became soul and action, speech and thoughts.
    Animal existence came from the death of the plant:
    ‘Kill me, my trusty friends’ has proved true.
    Since there is such a win for us after checkmate,
    ‘In my being killed there is life’ has proved true.

    From verses attributed to al-Hallaj (d. 922): “Kill me, my trusty friends, for in my being killed is my life.”

    فعل و قول و صدق شد قوت ملک
    تا بدین معراج شد سوی فلک
    آنچنان کآن طعمه شد قوت بشر
    از جمادی بر شد و شد جانور
    این سخن را ترجمهٔ پهناوری
    گفته آید در مقام دیگری
    کاروان دایم ز گردون می‌رسد
    تا تجارت می‌کند وا می‌رود

    Action, speech and sincerity became the food of angels,
    and by this ascent they rose to heaven,
    just as that food became the strength of human beings,
    rose from the inanimate, and became living.
    A full and ample explanation of this
    will be given in another place.
    The caravan keeps arriving from heaven,
    does its trading, and goes back again.

    پس برو شیرین و خوش با اختیار
    نه بتلخی و کراهت دزدوار
    زآن حدیث تلخ می‌گویم ترا
    تا ز تلخی‌ها فرو شویم ترا
    ز آب سرد انگور افسرده رهد
    سردی و افسردگی بیرون نهد
    تو ز تلخی چونک دل پر خون شوی
    پس ز تلخی‌ها همه بیرون روی

    So go sweetly and gladly, of your own free will,
    not bitterly and reluctantly, like a thief.
    I tell you bitter things
    to wash you clean of bitterness.
    Frozen grapes are saved by cold water:
    they shed their coldness and frozenness.
    When bitterness fills your heart with blood,
    you pass beyond all bitterness.

    The believer learns patience

    The chickpea accepts the boiling and asks the housewife to keep striking it.

    سگ شکاری نیست او را طوق نیست
    خام و ناجوشیده جز بی‌ذوق نیست
    گفت نخود چون چنین است ای ستی
    خوش بجوشم یاریم ده راستی
    تو درین جوشش چو معمار منی
    کفچلیزم زن که بس خوش می‌زنی
    همچو پیلم بر سرم زن زخم و داغ
    تا نبینم خواب هندستان و باغ

    A dog that isn’t a hunting dog wears no collar;
    what’s raw and unboiled is nothing but tasteless.”
    The chickpea said, “Since that’s how it is, my lady,
    I’ll boil gladly—really, help me.
    In this boiling you are like my builder:
    hit me with the ladle, for you hit so nicely.
    Like the elephant’s, strike my head with blows and brands,
    so I won’t dream of India and its gardens,

    تا که خود را در دهم در جوش من
    تا رهی یابم در آن آغوش من
    زآنک انسان در غنا طاغی شود
    همچو پیل خواب‌بین یاغی شود
    پیل چون در خواب بیند هند را
    پیلبان را نشنود آرد دغا

    so that I give myself up to the boiling
    and find a way into that embrace.
    For man grows rebellious in riches
    and turns unruly like the dreaming elephant.
    When the elephant sees India in its dreams,
    it won’t listen to its driver and turns treacherous.”

    The housewife’s answer

    The housewife says she too once boiled, and so became spirit and the chickpea’s teacher.

    آن ستی گوید ورا که پیش ازین
    من چو تو بودم ز اجزای زمین
    چون بنوشیدم جهاد آذری
    پس پذیرا گشتم و اندر خوری
    مدتی جوشیده‌ام اندر زمن
    مدتی دیگر درون دیگ تن
    زین دو جوشش قوت حس‌ها شدم
    روح گشتم پس ترا استا شدم
    در جمادی گفتمی زآن می‌دوی
    تا شوی علم و صفات معنوی

    The lady says to it, “Before this
    I was like you, a part of the earth.
    When I had drunk in the struggle of fire,
    I became receptive and worthy.
    For a while I boiled in time,
    and for another while in the pot of the body.
    Through these two boilings I became the strength of the senses;
    I became spirit, and then your teacher.
    When I was inanimate I used to say, ‘You are running about
    so that you may become knowledge and spiritual qualities.’

    چون شدم من روح پس بار دگر
    جوش دیگر کن ز حیوانی گذر
    از خدا می‌خواه تا زین نکته‌ها
    در نلغزی و رسی در منتها
    زآنک از قرآن بسی گمره شدند
    زآن رسن قومی درون چه شدند
    مر رسن را نیست جرمی ای عنود
    چون ترا سودای سربالا نبود

    Now that I have become spirit, once again
    boil some more and pass beyond the animal.”
    Ask God that on these subtle points
    you may not slip, but reach the goal;
    for many have gone astray by the Quran:
    by that rope some people went down into the well.
    The rope is not to blame, you stubborn man;
    it was you who had no desire to climb.

    Book IV

    The tanner in the perfumers’ market; the Sufi in the garden; the pool and the three fish.

    The Tanner in the Perfumers’ Market

    A tanner faints from the scent of perfume, and onlookers try every remedy.

    آن یکی افتاد بیهوش و خمید
    چونک در بازار عطاران رسید
    بوی عطرش زد ز عطاران راد
    تا بگردیدش سر و بر جا فتاد
    همچو مردار اوفتاد او بی‌خبر
    نیم‌روز اندر میان ره‌گذر
    جمع آمد خلق بر وی آن زمان
    جملگان لا حول‌گو درمان‌کنان
    آن یکی کف بر دل او می براند
    وز گلاب آن دیگری بر وی فشاند

    A certain man fell senseless, doubled over,
    as soon as he came into the perfumers’ market.
    The scent of perfume from those generous perfumers struck him,
    so that his head spun and he dropped where he stood.
    He lay there like a carcass, unconscious,
    at midday in the middle of the street.
    At once a crowd gathered around him,
    all of them saying, “There is no power but in God,” and trying cures.
    One rubbed his palm over the man’s heart,
    another sprinkled rosewater on him.

    “There is no power or strength except in God” (la hawla) is said in the face of misfortune.

    او نمی‌دانست کاندر مرتعه
    از گلاب آمد ورا آن واقعه
    آن یکی دستش همی‌مالید و سر
    وآن دگر کهگل همی‌آورد تر
    آن بخور عود و شکر زد بهم
    وآن دگر از پوششش می‌کرد کم
    وآن دگر نبضش که تا چون می‌جهد
    وآن دگر بوی از دهانش می‌ستد
    تا که می خوردست و یا بنگ و حشیش
    خلق درماندند اندر بیهشیش

    He did not know that in that place
    the attack had come upon him from the rosewater.
    One kept rubbing his hands and head,
    another brought wet clay-and-straw plaster.
    One mixed aloeswood and sugar for incense,
    another loosened his clothes,
    another felt his pulse to see how it was beating,
    another sniffed at his breath
    to see whether he had drunk wine, or taken hemp or hashish.
    People were at a loss over his senseless state.

    پس خبر بردند خویشان را شتاب
    که فلان افتاده است آنجا خراب
    کس نمی‌داند که چون مصروع گشت
    یا چه شد کو را فتاد از بام طشت
    یک برادر داشت آن دباغ زفت
    گربز و دانا بیامد زود تفت
    اندکی سرگین سگ در آستین
    خلق را بشکافت و آمد با حنین
    گفت من رنجش همی‌دانم ز چیست
    چون سبب دانی دوا کردن جلیست

    Then they hurried to bring word to his family
    that so-and-so had collapsed over there, done for:
    “No one knows how he came to have this fit,
    or what made his basin come crashing off the roof.”
    That tanner had a brother, a burly man,
    shrewd and knowing, who came at once in a hurry.
    With a little dog dung in his sleeve
    he pushed through the crowd and came, lamenting.
    He said, “I know what his trouble comes from.
    When you know the cause, the cure is plain.

    “His basin fell off the roof” is a Persian idiom for a sudden, public disaster.

    چون سبب معلوم نبود مشکلست
    داروی رنج و در آن صد محملست
    چون بدانستی سبب را سهل شد
    دانش اسباب دفع جهل شد
    گفت با خود هستش اندر مغز و رگ
    توی بر تو بوی آن سرگین سگ
    تا میان اندر حدث او تا بشب
    غرق دباغیست او روزی‌طلب
    پس چنین گفتست جالینوس مه
    آنچ عادت داشت بیمار آنش ده

    When the cause isn’t known, it is hard to find
    the remedy for an illness, and there are a hundred guesses about it.
    Once you have learned the cause, it is easy;
    knowing causes drives away ignorance.”
    He said to himself, “In his brain and veins,
    layer upon layer, is the smell of dog dung.
    Up to his waist in filth until nightfall,
    he is sunk in tanning to earn his daily bread.
    Now the great Galen has said:
    ‘Give the patient what he is used to,’

    Tanners used dog dung in curing hides.

    کز خلاف عادتست آن رنج او
    پس دوای رنجش از معتاد جو
    چون جعل گشتست از سرگین‌کشی
    از گلاب آید جعل را بیهشی
    هم از آن سرگین سگ داروی اوست
    که بدآن او را همی معتاد و خوست
    الخبیثات الخبیثین را بخوان
    رو و پشت این سخن را باز دان

    for his illness comes from what goes against his habit;
    so seek the cure for his illness in what he is used to.
    He has become a dung beetle from hauling dung,
    and rosewater makes a dung beetle faint.
    His cure lies in that very dog dung,
    since that is what he is accustomed and used to.”
    Recite the verse “Foul women for foul men,”
    and understand this saying front and back.

    Quran 24:26.

    ناصحان او را بعنبر یا گلاب
    می دوا سازند بهر فتح باب
    مر خبیثان را نسازد طیبات
    در خور و لایق نباشد ای ثقات
    چون ز عطر وحی کژ گشتند و گم
    بد فغانشان که تطیرنا بکم
    رنج و بیماریست ما را این مقال
    نیست نیکو وعظتان ما را بفال

    Well-wishers try ambergris or rosewater
    as his cure, to bring him round.
    Good things do not suit the foul;
    they are not fitting or proper for them, my trusty friends.
    When the perfume of revelation left them twisted and lost,
    their cry was, “We see an evil omen in you.
    These words are pain and sickness to us;
    your preaching is no good omen for us.

    Quran 24:26 continues “good women for good men”; Quran 36:18, the words of the townspeople to the messengers sent to them.

    گر بیاغازید نصحی آشکار
    ما کنیم آن دم شما را سنگسار
    ما بلغو و لهو فربه گشته‌ایم
    در نصیحت خویش را نسرشته‌ایم
    هست قوت ما دروغ و لاف و لاغ
    شورش معده‌ست ما را زین بلاغ
    رنج را صدتو و افزون می‌کنید
    عقل را دارو بافیون می‌کنید

    If you start giving open advice,
    we will stone you on the spot.
    We have grown fat on idle talk and amusement;
    we are not kneaded from the dough of counsel.
    Our food is lies and boasting and jokes;
    this message of yours upsets our stomachs.
    You make our sickness a hundred times worse and more;
    you are dosing reason with opium.”

    Quran 36:18 continues: “If you do not stop, we will stone you.”

    The tanner’s brother cures him

    His brother revives him by secretly holding dog dung under his nose.

    خلق را می‌راند از وی آن جوان
    تا علاجش را نبینند آن کسان
    سر بگوشش برد همچون رازگو
    پس نهاد آن چیز بر بینی او
    کو بکف سرگین سگ ساییده بود
    داروی مغز پلید آن دیده بود
    ساعتی شد مرد جنبیدن گرفت
    خلق گفتند این فسونی بد شگفت
    کین بخواند افسون بگوش او دمید
    مرده بود افسون بفریادش رسید

    The young man drove the people back from him,
    so that they would not see his treatment.
    He put his head to his brother’s ear like someone telling a secret,
    then held that stuff under his nose,
    the dog dung he had rubbed in his palm—
    he had seen that this was the cure for a polluted brain.
    After a while the man began to stir.
    People said, “That was a marvelous spell!
    He recited a charm and breathed it into his ear;
    he was dead, and the charm came to his rescue.”

    جنبش اهل فساد آن سو بود
    که زنا و غمزه و ابرو بود
    هر کرا مشک نصیحت سود نیست
    لاجرم با بوی بد خو کردنیست
    مشرکان را زآن نجس خواندست حق
    کاندرون پشک زادند از سبق
    کرم کو زادست در سرگین ابد
    می‌نگرداند بعنبر خوی خود

    The corrupt are stirred by what lies that way:
    fornication, flirting glances, and arched eyebrows.
    Whoever gets no good from the musk of good counsel
    must, of course, grow used to the bad smell.
    God has called the polytheists “unclean” because
    they were born inside dung from the very start.
    The worm born in dung for all time
    does not change its nature for ambergris.

    Quran 9:28.

    چون نزد بر وی نثار رش نور
    او همه جسمست بی‌دل چون قشور
    ور ز رش نور حق قسمیش داد
    همچو رسم مصر سرگین مرغ‌زاد
    لیک نه مرغ خسیس خانگی
    بلک مرغ دانش و فرزانگی
    تو بدآن مانی کز آن نوری تهی
    زآنکه بینی بر پلیدی می‌نهی

    Since the scattering of the sprinkled light did not fall on him,
    he is all body, without a heart, like husks.
    But if God gave him a share of the sprinkled light,
    then, as is the custom in Egypt, the dung gives birth to birds—
    not some lowly barnyard fowl,
    but the bird of knowledge and wisdom.
    You resemble the one who is empty of that light,
    because you keep putting your nose to filth.

    Alludes to a hadith: God created creatures in darkness, then sprinkled His light upon them. In Egypt eggs were hatched in ovens warmed with dung.

    The Sufi in the Garden

    A Sufi sits with head bowed in a garden, saying the true garden is within the heart.

    صوفیی در باغ از بهر گشاد
    صوفیانه روی بر زانو نهاد
    پس فرو رفت او بخود اندر نغول
    شد ملول از صورت خوابش فضول
    که چه خسپی آخر اندر رز نگر
    این درختان بین و آثار و خضر
    امر حق بشنو که گفتست انظروا
    سوی این آثار رحمت آر رو
    گفت آثارش دلست ای بو الهوس
    آن برون آثار آثارست و بس

    A Sufi in a garden, seeking to open his heart,
    laid his face on his knee, as Sufis do.
    Then he sank deep into himself.
    A meddler, irked by the look of his sleep, said:
    “Why sleep? Come, look at the vineyard,
    see these trees, these signs, this green.
    Hear God’s command—He has said, ‘Look!’
    Turn your face toward these signs of mercy.”
    He said, “His signs are the heart, you trifler;
    what is outside is only the signs of signs.

    Quran 30:50: “Look, then, at the signs of God’s mercy, how He gives life to the earth after its death.”

    باغ‌ها و سبزه‌ها در عین جان
    بر برون عکسش چو در آب روان
    آن خیال باغ باشد اندر آب
    که کند از لطف آب آن اضطراب
    باغ‌ها و میوه‌ها اندر دلست
    عکس لطف آن برین آب و گلست
    گر نبودی عکس آن سرو سرور
    پس نخواندی ایزدش دار الغرور
    این غرور آنست یعنی این خیال
    هست از عکس دل و جان رجال

    The gardens and the greenery are in the very essence of the soul;
    outside is their reflection, as in running water.
    It is the image of the garden in the water
    that quivers because the water is so fine.
    The gardens and the fruits are in the heart;
    the reflection of their grace falls on this water and clay.
    If it were not the reflection of that cypress of joy,
    God would not have called it ‘the abode of delusion.’
    This delusion is this: this image
    comes from the reflection of the hearts and souls of true men.

    Compare Quran 3:185: “The life of this world is only the enjoyment of delusion.”

    جمله مغروران برین عکس آمده
    بر گمانی کین بود جنت‌کده
    می‌گریزند از اصول باغ‌ها
    بر خیالی می‌کنند آن لاغ‌ها
    چونک خواب غفلت آیدشان بسر
    راست بینند و چه سودست آن نظر
    پس بگورستان غریو افتاد و آه
    تا قیامت زین غلط وا حسرتاه
    ای خنک آن را که پیش از مرگ مرد
    یعنی او از اصل این رز بوی برد

    All the deluded have come to this reflection,
    thinking that this is the house of paradise.
    They run away from the roots of the gardens
    and make merry over an image.
    When their sleep of heedlessness comes to an end,
    they see truly—but what use is that seeing?
    So a wailing and sighing rises in the graveyard,
    “Alas, alas!” over this mistake until the Resurrection.
    Happy the one who died before death—
    that is, who caught the scent of the root of this vine.”

    The Three Fish

    Fishermen spot a pool with three fish; the wise one leaves at once for the sea.

    قصهٔ آن آبگیرست ای عنود
    که درو سه ماهی اشگرف بود
    در کلیله خوانده باشی لیک آن
    قشر قصه باشد و این مغز جان
    چند صیادی سوی آن آبگیر
    بر گذشتند و بدیدند آن ضمیر
    پس شتابیدند تا دام آورند
    ماهیان واقف شدند و هوشمند

    This is the story of the pool, you stubborn one,
    in which there were three fine fish.
    You will have read it in Kalila, but that
    is the husk of the story, and this is the kernel of the soul.
    Some fishermen came toward that pool,
    passed by, and saw what was hidden there.
    Then they hurried off to bring their nets.
    The fish became aware and alert.

    Kalila and Dimna, the Arabic and Persian version of the Indian animal fables of the Panchatantra.

    آنک عاقل بود عزم راه کرد
    عزم راه مشکل ناخواه کرد
    گفت با اینها ندارم مشورت
    که یقین سستم کنند از مقدرت
    مهر زاد و بود بر جانشان تند
    کاهلی و جهلشان بر من زند
    مشورت را زنده‌ای باید نکو
    که ترا زنده کند وآن زنده کو

    The one that was wise resolved to set out,
    resolved on a hard, unwelcome journey.
    He said, “I won’t consult these others,
    for they would surely sap my strength.
    Love of birthplace and home is spun tight around their souls;
    their sloth and ignorance would rub off on me.
    For counsel you need someone truly alive,
    who will bring you to life—and where is that living one?”

    ای مسافر با مسافر رای زن
    زآنک پایت لنگ دارد رای زن
    از دم حب الوطن بگذر مه‌ایست
    که وطن آن سوست جان این سوی نیست
    گر وطن خواهی گذر زآن سوی شط
    این حدیث راست را کم خوان غلط

    Traveler, take counsel with a traveler,
    for a woman’s counsel will keep you lame.
    Pass by the saying “Love of the homeland”; don’t stop there,
    for the homeland is over there, dear soul, not on this side.
    If you want the homeland, cross to the far side of the river;
    don’t misread this true saying.

    A pun: ray zan means both “take counsel” and “a woman’s opinion.” “Love of the homeland is part of faith” is a saying attributed to the Prophet.

    The prayers of ablution

    Rumi explains the prayers said for each washing in the ablution.

    در وضو هر عضو را وردی جدا
    آمدست اندر خبر بهر دعا
    چونک استنشاق بینی می‌کنی
    بوی جنت خواه از رب غنی
    تا ترا آن بو کشد سوی جنان
    بوی گل باشد دلیل گلبنان
    چونک استنجا کنی ورد و سخن
    این بود یا رب تو زینم پاک کن

    In the ablution, a separate prayer for each part of the body
    has come down in the traditions, to be recited.
    When you rinse your nose, breathing in the water,
    ask the all-sufficient Lord for the scent of paradise,
    so that scent may draw you toward the gardens of paradise:
    the scent of the rose leads to the rosebushes.
    When you wash after relieving yourself, the prayer and words
    are these: “Lord, make me clean of this.

    The ablution is the ritual washing before prayer; traditions assign a short prayer to each washing.

    دست من اینجا رسید این را بشست
    دستم اندر شستن جانست سست
    ای ز تو کس گشته جان ناکسان
    دست فضل تست در جان‌ها رسان
    حد من این بود کردم من لئیم
    زآن سوی حد را نقی کن ای کریم
    از حدث شستم خدایا پوست را
    از حوادث تو بشو این دوست را

    My hand reached this place and washed it,
    but my hand is feeble at washing the soul.
    You through whom the souls of nobodies become somebodies,
    it is the hand of Your grace that reaches into souls.
    This was my limit; base as I am, I have done it;
    beyond that limit, make clean, Generous One.
    God, I have washed the skin of filth;
    wash this friend of Yours clean of the things of time.”

    A pun: hadath (ritual impurity) and havadis (events, the contingent things of time).

    The wrong prayer

    A man says the nose prayer while washing after the toilet, and someone corrects him.

    آن یکی در وقت استنجا بگفت
    که مرا با بوی جنت دار جفت
    گفت شخصی خوب ورد آورده‌ای
    لیک سوراخ دعا گم کرده‌ای
    این دعا چون ورد بینی بود چون
    ورد بینی را تو آوردی بکون
    رایحهٔ جنت ز بینی یافت حر
    رایحهٔ جنت کی آید از دبر
    ای تواضع برده پیش ابلهان
    وی تکبر برده تو پیش شهان

    A man, while washing after the toilet, said,
    “Keep me close to the scent of paradise.”
    Someone said, “A fine prayer you’ve brought,
    but you’ve got the wrong hole for it.
    This prayer belongs to the nose—how is it
    that you’ve brought the nose prayer to your backside?
    The free man gets the scent of paradise through the nose;
    when would the scent of paradise come from the rear?”
    You who show humility to fools
    and show arrogance to kings,

    آن تکبر بر خسان خوبست و چست
    هین مرو معکوس عکسش بند تست
    از پی سوراخ بینی رست گل
    بو وظیفهٔ بینی آمد ای عتل
    بوی گل بهر مشامست ای دلیر
    جای آن بو نیست این سوراخ زیر
    کی ازینجا بوی خلد آید ترا
    بو ز موضع جو اگر باید ترا
    همچنین حب الوطن باشد درست
    تو وطن بشناس ای خواجه نخست

    arrogance is good and fitting toward the base;
    watch out, don’t go backward: the reverse is your fetter.
    The rose grew for the sake of the nostril;
    scent is the nose’s business, you brute.
    The rose’s scent is for the sense of smell, bold one;
    this lower hole is not the place for that scent.
    How could the scent of paradise reach you from here?
    Look for scent in its proper place, if you want it.
    Likewise, “love of the homeland” is true,
    but first, master, know what the homeland is.

    گفت آن ماهی زیرک ره کنم
    دل ز رای و مشورتشان بر کنم
    نیست وقت مشورت هین راه کن
    چون علی تو آه اندر چاه کن
    محرم آن آه کم‌یابست بس
    شب رو و پنهان‌روی کن چون عسس
    سوی دریا عزم کن زین آبگیر
    بحر جو و ترک این گرداب گیر
    سینه را پا ساخت می‌رفت آن حذور
    از مقام با خطر تا بحر نور

    The clever fish said, “I’ll set out
    and tear my heart away from their opinions and counsel.”
    It is no time for counsel—come, take to the road;
    like Ali, breathe your sighs into a well.
    A confidant for that sigh is very rare.
    Travel by night and move in secret, like the night watch.
    Set out from this pool toward the sea;
    seek the ocean and leave this whirlpool behind.
    Making his breast his feet, the cautious one went on
    from that place of danger toward the sea of light.

    Ali, the Prophet’s cousin and son-in-law, is said to have confided his sorrows to a well.

    همچو آهو کز پی او سگ بود
    می‌دود تا در تنش یک رگ بود
    خواب خرگوش و سگ اندر پی خطاست
    خواب خود در چشم ترسنده کجاست
    رفت آن ماهی ره دریا گرفت
    راه دور و پهنهٔ پهنا گرفت
    رنج‌ها بسیار دید و عاقبت
    رفت آخر سوی امن و عافیت
    خویشتن افکند در دریای ژرف
    که نیابد حد آن را هیچ طرف

    Like a deer with a dog on its trail,
    he runs as long as there is a vein left in his body.
    A hare’s nap, with the dog behind, is a mistake—
    and how could sleep come to a frightened eye anyway?
    That fish went off and took the road to the sea,
    took the long road and the wide expanse.
    He suffered many hardships, and in the end
    he reached at last safety and well-being.
    He threw himself into the deep sea
    whose bounds no glance can find.

    پس چو صیادان بیاوردند دام
    نیم‌عاقل را از آن شد تلخ کام
    گفت اه من فوت کردم فرصه را
    چون نگشتم همره آن رهنما
    ناگهان رفت او ولیکن چونک رفت
    می‌ببایستم شدن در پی بتفت
    بر گذشته حسرت آوردن خطاست
    باز ناید رفته یاد آن هباست

    Then, when the fishermen brought their net,
    the half-wise fish was filled with bitterness.
    He said, “Ah, I’ve missed my chance!
    Why didn’t I go along with that guide?
    He left suddenly, but once he had gone
    I should have hurried after him.”
    Regret over what is past is a mistake;
    what is gone won’t come back; remembering it is wasted breath.

    The captured bird’s three counsels

    A captured bird wins its freedom by giving three pieces of advice, then mocks its captor.

    آن یکی مرغی گرفت از مکر و دام
    مرغ او را گفت ای خواجهٔ همام
    تو بسی گاوان و میشان خورده‌ای
    تو بسی اشتر بقربان کرده‌ای
    تو نگشتی سیر زآنها در زمن
    هم نگردی سیر از اجزای من
    هل مرا تا که سه پندت بر دهم
    تا بدانی زیرکم یا ابلهم
    اول آن پند هم در دست تو
    ثانیش بر بام کهگل‌بست تو

    A man caught a bird by trickery and a snare.
    The bird said to him, “Noble sir,
    you’ve eaten many cows and sheep,
    you’ve sacrificed many camels;
    you were never filled by them in all your days,
    and you won’t be filled by my little bits either.
    Let me go, and I’ll give you three pieces of advice,
    so you can see whether I’m clever or a fool.
    The first I’ll give while I’m still in your hand,
    the second on your mud-plastered roof,

    وآن سوم پندت دهم من بر درخت
    که ازین سه پند گردی نیکبخت
    آنچ بر دستست اینست آن سخن
    که محالی را ز کس باور مکن
    بر کفش چون گفت اول پند زفت
    گشت آزاد و بر آن دیوار رفت
    گفت دیگر بر گذشته غم مخور
    چون ز تو بگذشت زآن حسرت مبر

    and the third I’ll give you from the tree.
    These three pieces of advice will make you fortunate.
    The one for the hand is this saying:
    don’t believe an absurdity from anyone.”
    When, on his palm, he had given the first weighty advice,
    he was set free and went up on the wall.
    He said, “The next: don’t grieve over what is past;
    once it has gone from you, feel no regret for it.”

    بعد از آن گفتش که در جسمم کتیم
    ده درمسنگست یک در یتیم
    دولت تو بخت فرزندان تو
    بود آن گوهر بحق جان تو
    فوت کردی در که روزی‌ات نبود
    که نباشد مثل آن در در وجود
    آنچنانک وقت زادن حامله
    ناله دارد خواجه شد در غلغله

    After that he said to him, “Hidden in my body
    is a single matchless pearl weighing ten dirhams.
    It was your fortune and your children’s luck,
    that jewel, I swear by your life.
    You let the pearl slip—it wasn’t your lot—
    a pearl that has no equal in all existence.”
    Like a pregnant woman at the time of birth,
    groaning, the man set up a great clamor.

    مرغ گفتش نی نصیحت کردمت
    که مبادا بر گذشتهٔ دی غمت
    چون گذشت و رفت غم چون می‌خوری
    یا نکردی فهم پندم یا کری
    وآن دوم پندت بگفتم کز ضلال
    هیچ تو باور مکن قول محال
    من نیم خود سه درمسنگ ای اسد
    ده درم سنگ اندرونم چون بود

    The bird said to him, “Didn’t I advise you
    not to grieve over what passed yesterday?
    Since it is past and gone, why are you grieving?
    Either you didn’t understand my advice, or you’re deaf.
    And I gave you the second advice: never, out of folly,
    believe an absurd statement.
    I myself don’t weigh three dirhams, my lion;
    how could there be ten dirhams’ weight inside me?”

    خواجه باز آمد بخود گفتا که هین
    باز گو آن پند خوب سیومین
    گفت آری خوش عمل کردی بدآن
    تا بگویم پند ثالث رایگان
    پند گفتن با جهول خوابناک
    تخم افگندن بود در شوره خاک
    چاک حمق و جهل نپذیرد رفو
    تخم حکمت کم دهش ای پندگو

    The man came to his senses and said, “Well then,
    tell me that good third piece of advice.”
    The bird said, “Yes—you’ve put the others to such fine use
    that I should give you the third for nothing!”
    Giving advice to a drowsy fool
    is sowing seed in salty soil.
    The rent of folly and ignorance won’t take mending;
    don’t give him the seed of wisdom, adviser.

    The half-wise fish plays dead

    The half-wise fish plays dead, is thrown aside, and slips back into the water.

    گفت ماهی دگر وقت بلا
    چونک ماند از سایهٔ عاقل جدا
    کو سوی دریا شد و از غم عتیق
    فوت شد از من چنان نیکو رفیق
    لیک زآن نندیشم و بر خود زنم
    خویشتن را این زمان مرده کنم
    پس بر آرم اشکم خود بر زبر
    پشت زیر و می‌روم بر آب بر
    می‌روم بر وی چنانک خس رود
    نی بسباحی چنانک کس رود

    The second fish said, in the hour of trouble,
    when he was left cut off from the shade of the wise one:
    “He has gone to the sea and is free of grief;
    I have lost so good a companion.
    But I won’t dwell on that; I’ll see to myself
    and play dead right now.
    I’ll turn my belly up,
    back down, and float along on the water.
    I’ll drift on it the way a bit of straw drifts,
    not swimming the way a person would.

    مرده گردم خویش بسپارم بآب
    مرگ پیش از مرگ امنست از عذاب
    مرگ پیش از مرگ امنست ای فتی
    این چنین فرمود ما را مصطفی
    گفت موتوا کلکم من قبل أن
    یأتی الموت تموتوا بالفتن
    همچنان مرد و شکم بالا فکند
    آب می‌بردش نشیب و گه بلند

    I’ll become dead and give myself up to the water;
    death before death is safety from torment.”
    Death before death is safety, young man:
    so the Prophet commanded us.
    He said, “Die, all of you, before
    death comes, or you will die in trials.”
    So he died, and turned his belly up,
    and the water carried him, now down, now up.

    A saying attributed to the Prophet, often quoted as “Die before you die.”

    هر یکی زآن قاصدان بس غصه برد
    که دریغا ماهی بهتر بمرد
    شاد می‌شد او و از آن گفت دریغ
    پیش رفت این بازیم رستم ز تیغ
    پس گرفتش یک صیاد ارجمند
    پس برو تف کرد و بر خاکش فگند
    غلط غلطان رفت پنهان اندر آب
    ماند آن احمق همی‌کرد اضطراب

    Each of those hunters was much aggrieved:
    “What a pity—the better fish has died!”
    He was glad at that “What a pity,”
    thinking, “My trick has worked; I’ve escaped the blade.”
    Then a worthy fisherman picked him up,
    spat on him, and threw him on the ground.
    Rolling over and over, he slipped secretly into the water.
    The fool was left behind, thrashing about.

    از چپ و از راست می‌جست آن سلیم
    تا بجهد خویش برهاند گلیم
    دام افگندند و اندر دام ماند
    احمقی او را در آن آتش نشاند
    بر سر آتش بپشت تابه‌ای
    با حماقت گشت او همخوابه‌ای
    او همی جوشید از تف سعیر
    عقل می‌گفتش ألم یأتک نذیر

    That simpleton kept leaping left and right
    to save his skin by his own efforts.
    They cast the net, and he was caught in it;
    his folly set him down in that fire.
    On top of the fire, on the back of a frying pan,
    he became the bedfellow of folly.
    He sizzled in the heat of the blaze,
    and reason said to him, “Did no warner come to you?”

    Quran 67:8.

    او همی‌گفت از شکنجه وز بلا
    همچو جان کافران قالوا بلی
    باز می‌گفت او که گر این بار من
    وا رهم زین محنت گردن‌شکن
    من نسازم جز بدریایی وطن
    آبگیری را نسازم من سکن
    آب بی‌حد جویم و آمن شوم
    تا ابد در امن و صحت می‌روم

    Under the torture and affliction he kept saying,
    like the souls of the unbelievers, “They said: Yes.”
    Then he said, “If this time I
    get free of this neck-breaking ordeal,
    I’ll make my home nowhere but in a sea;
    I won’t make some pool my dwelling.
    I’ll seek boundless water and be secure;
    forever I’ll go in safety and health.”

    Quran 67:9: “They will say, ‘Yes, a warner did come to us.’”

    A fool’s vows

    The foolish fish, caught and frying, vows to reform; Rumi says such vows are never kept.

    عقل می‌گفتش حماقت با توست
    با حماقت عهد را آید شکست
    عقل را باشد وفای عهدها
    تو نداری عقل رو ای خربها
    عقل را یاد آید از پیمان خود
    پردهٔ نسیان بدراند خرد
    چونک عقلت نیست نسیان میر تست
    دشمن و باطل‌کن تدبیر تست
    از کمی عقل پروانهٔ خسیس
    یاد نارد ز آتش و سوز و حسیس

    Reason said to him, “Folly is with you,
    and with folly, vows get broken.
    Keeping vows belongs to reason;
    you have no reason—go on, you’re worth no more than a donkey.
    Reason remembers its pledge;
    wisdom tears the veil of forgetting.
    Since you have no reason, forgetting is your master,
    the enemy and undoer of your plans.”
    For lack of reason, the paltry moth
    doesn’t remember the fire, the burning, the crackle.

    چونک پرش سوخت توبه می‌کند
    آز و نسیانش بر آتش می‌زند
    ضبط و درک و حافظی و یادداشت
    عقل را باشد که عقل آن را فراشت
    چونک گوهر نیست تابش چون بود
    چون مذکر نیست ایابش چون بود
    این تمنی هم ز بی‌عقلی اوست
    که نبیند کآن حماقت را چه خوست
    آن ندامت از نتیجهٔ رنج بود
    نه ز عقل روشن چون گنج بود

    When its wings are burned it repents;
    then greed and forgetting throw it back into the fire.
    Holding fast, grasping, keeping, and remembering
    belong to reason, for reason raised them up.
    When there is no jewel, how can there be its gleam?
    When there is nothing to remind, how can there be a return?
    This wishing, too, comes from his lack of reason,
    for he doesn’t see what that folly is like.
    That remorse was the product of pain,
    not of reason, bright as treasure.

    چونک شد رنج آن ندامت شد عدم
    می‌نیرزد خاک آن توبه و ندم
    آن ندم از ظلمت غم بست بار
    پس کلام اللیل یمحوه النهار
    چون برفت آن ظلمت غم گشت خوش
    هم رود از دل نتیجه و زاده‌اش
    می‌کند او توبه و پیر خرد
    بانگ لو ردوا لعادوا می‌زند

    When the pain went, that remorse was gone;
    such repentance and regret aren’t worth dirt.
    That regret was loaded up in the darkness of grief,
    so “the word of the night, the day erases.”
    When that darkness of grief goes and he feels fine,
    its product and offspring go from the heart as well.
    He repents, and the elder, Wisdom,
    cries out, “Even if they were sent back, they would return to it.”

    “The word of the night, the day erases” is an Arabic proverb. Quran 6:28.